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Claessens Linen #120 Double Universal Primed Rough Texture Roll, 122" x 10.9 ydSave Up to71%Off listWhite The Ideal Choice for Artists Working With several Mediums! Claessens provides artists with professional quality canvases. Each canvas passes through its own unique manufacturing steps before it is inspected. Quality control carefully examines the canvas by hand for faults and removes any abnormally thick threads. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. Universal acrylic primed canvases are coated twice with an acrylic-based paint that is troweled on expertly by hand with a large knife. Then the canvas is dried in a dry air oven for a secound time. This produces a perfectly cured, completely dry canvas. The Universal priming is designed to allow for 50% absorbency, making it suitable for all media types. The finished canvases are again carefully inspected one last time before they are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional Quality Linen * Multiple surface textures offered * glue layer protect before priming * Universal acrylic primed by hand * Versatility for using different media! * Perfect For: * Professional Painters of all types * Portraits, landscapes, and more * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Artists who paint in more than one media Double Universal Primed Polyester Roll #101 - features an extra-fine texture ideal for portraits and painting genres that require a smooth surface. Warp 39 cm / 20.5 cm weft; unprimed weight 7.23 oz. Double Universal Primed Linen Roll #109 - features a pronounced, heavy weave and a single layer of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is popular with landscape, abstract, and large-scale muralists. Warp 11 cm / 14c m weft; weighs 10.71 oz. Single Universal Primed Linen Roll #112 - features a moderately fine texture and a single layer of universal acrylic primer for acrylics, alkyds, and oils. Painters who paint in multiple applications and styles will enjoy this linen. Ideal for use with portraits and painting genres that requires s smoother surface for detailed work. Warp 20 cm / 16 cm weft; weighs 12.17 oz. Double Universal Primed Linen Roll #120 - features a pronounced, heavier texture and a double layer of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed and is popular with landscape and abstract artists, large-scale easel painters, and muralists. Warp 14.3 cm/ 10.5 cm weft; weighs 11.50 oz. Double Universal Primed Linen Roll #129 - features a more pronounced heavy weave, with two layers of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape and abstract artists, large scale easel painters, mixed media artists, and muralists. Warp 21.6cm/12.5cm weft; weighs 15.40 oz. Double Universal Primed Linen Roll #166 - features a more pronounced medium texture, with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where a smooth texture is not needed and is popular with large-scale muralists. Warp 17 cm / 14.5 cm weft; weighs 12.24 oz. Double Universal Primed Linen Roll #170 - features a rough texture with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is an excellent multi-purpose surface. #170 is popular with landscape artists, abstract painters, mixed media artists, large-scale easel painters, and muralists. Warp 25.4 cm / 26.7 cm weft; weighs 11.8 oz. See More
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Yasutomo Black Sumi Ink 12oz KY12 Liquid Water ResistantSave Up to30%Off listLiquid Inks Formulated for Sumi painting and Calligraphy Yasutomo Sumi Inks are formulated for Sumi painting and Calligraphy and are in a convenient liquid form with no need for grinding. KF Shellac-Based Waterproof Sumi Ink is made from high-quality vegetable oil soot. A small amount of shellac is… Liquid Inks Formulated for Sumi painting and Calligraphy Yasutomo Sumi Inks are formulated for Sumi painting and Calligraphy and are in a convenient liquid form with no need for grinding. KF Shellac-Based Waterproof Sumi Ink is made from high-quality vegetable oil soot. A small amount of shellac is included in the formula for water resistance. KY Water Resistant Sumi Ink is made out of pure vegetable soot with no additives or preservatives. The ink contains no shellac and dries to a matte water-resistant finish once dry. The Bokuju Sumi Set contains two Sumi brushes, one bottle of Bokuju (liquid Sumi ink), and a porcelain saucer in a beautiful paper box. An illustrated instruction sheet is included, along with a QR code for video instructions. KV2 Vermilion, 2oz: Vermilion is an ancient red-orange Sumi ink used to hand-letter manuscripts, seal scrolls, and ink paintings. Many Asian calligraphy teachers still use Vermilion Sumi to correct or critique students' work. This water-resistant ink is opaque and dries to a matte finish. KF2 & KF12 Black Sumi Ink (Bokuju): * Waterproof liquid sumi ink * Contains shellac and is waterproof once dry * Made from quality vegetable oil soot * Convenient liquid form * Permanent and lightfast once dry KY2 & KY12 Black Sumi Ink (Bokuju): * Water-resistant liquid sumi ink * No additives or preservatives * Made from pure vegetable soot * Dries to a matte finish * Dense black ink is lightfast and water-resistant once dry See More
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Richeson Shiva Casein Emulsion, 3.75ozSave Up to30%Off listCasein Emulsion - is the pure binder that is used to make casein paints. As such, it can be mixed with Casein paints to improve the flow or brushability without altering any other characteristics. All products in this category are Hazardous Materials: Cannot ship by Air/Next Day Services. Ground… Casein Emulsion - is the pure binder that is used to make casein paints. As such, it can be mixed with Casein paints to improve the flow or brushability without altering any other characteristics. All products in this category are Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Jack Richeson Shiva Signature Rectified Turpentine, 3.75oz BottleSave Up to35%Off list…thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More
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Mona Lisa Pink Soap, 12oz BottleSave Up to26%Off list…Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains… Studio Essentials for a Diverse Range of Techniques! Speedball's rich history of manufacturing fine art materials began in Camden, NJ, in 1899. Since that time, Speedball's offerings have grown and evolved, but our dedication to providing our customers with superior products and services at an affordable price remains the same. Speedball studio essentials has a broad mix of high-quality necessities your workspace requires. The Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains See More
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Williamsburg Pure Beeswax Block, 12ozSave Up to30%Off list…of mediums and varnishes, or as an additive when making oil paint. In oil painting, beeswax can be added in a small amount to slow the drying, reduce yellowing, create a more buttery paint consistency, improve the stability of the paint, and make it more suitable for impasto effects. It can also be… Alter the sheen of mediums and varnishes or add to Oil Paint Williamsburg Pure Beeswax medium is made from 100% natural, bleached beeswax. Williamsburg Pure Beeswax Blocks and Pellets are useful for altering sheen of mediums and varnishes, or as an additive when making oil paint. In oil painting, beeswax can be added in a small amount to slow the drying, reduce yellowing, create a more buttery paint consistency, improve the stability of the paint, and make it more suitable for impasto effects. It can also be blended with oils, resins, and diluents to create an oil medium, giving a matting or satin effect. In Encaustic painting, beeswax is the chief binding medium with pigment. Key Features:* Beeswax Block 12oz* Beeswax Pellets 16oz* Made from 100% natural, bleached beeswax* Altering sheen of mediums and varnishes* Use as an additive when making oil paint* As a binding medium for encaustic painting See More
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Blair Digi-Finish (Matte) 12oz CanSave Up to32%Off list…acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding. Acrylic Spray Varnish - This removable acid-free spray varnish protects fully dried acrylics. It is easily applied and provides a lovely, non-yellowing gloss finish.  May even be removed for… Acid-Free Mounting Adhesive - Creates both a permanent or repositionable bond on paper, board, wood, glass, foil, mylar and acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding. Acrylic Spray Varnish - This removable acid-free spray varnish protects fully dried acrylics. It is easily applied and provides a lovely, non-yellowing gloss finish.  May even be removed for periodic cleaning! Digi-Finish - Digi-Finish coatings add UV durability to digital photographs, prints, and other paper creations by creating a clear moisture barrier. Both coatings are VOC and MIR compliant to meet the stringent regulatory requirements of both California and the Ozone Transport Commission. Acid-free and archival safe, these fastdrying, non-yellowing, permanent coatings conform to ASTM D-4236. 11 oz. cans. Glaze Supreme - Just maybe the most lustrous spray of its kind. Its super gloss finish enhances paintings on virtually any surface. It forms a rich, glazed coating creating depth and luminosity with a porcelain like finish.  Gloss or Matte Damar Sprays - These acid-free Damar resin sprays allow you to obtain greater depth and definition in your oil painting. Made with 100% pure Damar resin. They are for use with fully cured paintings. They will enhance the finished paintings colors, shading and blending with either a handsome gloss or non-reflective matte finish.  Spray Var® Retouch Varnish - An acid-free Damar resin spray allowing you to obtain greater depth and definition in your oil painting. Spay Var Retouch is used for ground sizing, to isolate paint layers and to restore dried areas. It is intended for use with uncured paintings.  Very Low Odor Spray Fix - Use this incredible product in the studio since it has no noticeable odor, is acid-free and imparts superb protection. Provides smudge proof protection for pencil, Conte Crayon, charcoal, soft pastel and chalk. It will stop bleeding between layers of gouache, watercolor and casein colors. Dries to a workable tooth and will not curl thin paper. All products in this category are considered Hazardous Materials: Cannot ship by Air/ Next Day Services. Ground only. See More
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SpectraFix Degas Pastel Fixative 12 oz BottleSave Up to19%Off list…chalk. You can even use the fixative to layer other media into Encaustic. Use it under Oil or Acrylic paints to stop underdrawings from smudging. Casein bonds forever with the covering layer of paint. Like egg tempera, artists have used casein for centuries to protect underpaintings. Easily refill… SpectraFix Fixative Is The Natural Choice! Degas SpectraFix Non-toxic Fixative contains casein, water, and alcohol. The formula is an update on a recipe used by French Impressionist Edgar Degas. It seals and protects your artwork while leaving colors brilliant! Degas Fixative is perfect for chemically sensitive people. You can spray it indoors and keep on working because the fixative does not release toxic fumes or odors. The spray dries to a hard, water-resistant, matte finish; and provides the traction you need to apply extra layers of dry media. There are no toxic fumes or odors You may spray the fixative on all papers (except LaCarte), primed and unprimed canvas, wood panels, unglazed ceramic, stone, leather, and glass. SpectraFix it the ideal fixative for soft pastel, Pan Pastel and oil pastel, colored pencil, graphite, charcoal, and chalk. You can even use the fixative to layer other media into Encaustic. Use it under Oil or Acrylic paints to stop underdrawings from smudging. Casein bonds forever with the covering layer of paint. Like egg tempera, artists have used casein for centuries to protect underpaintings. Easily refill one of our Aerosol Spray Bottles to spray a fine mist on your work! Please note: Not for use as a final topcoat over acrylic or oil paint. Key Features: * Seals and protects artwork * Rapid drying pastel fixative * Contains casein, water, and alcohol * Protects fragile dry media * Prevents underpainting from smudging * No toxic fumes * 100% Archival * Non-yellowing * It does not dull colors * You can paint over it Perfect For: * Spraying indoors * Working with deep layers * Soft pastel, pan pastel and oil pastel * Colored pencil, graphite, charcoal, and chalk * Protecting watercolor paintings * All pastel papers (except LaCarte) * Primed and unprimed canvas * Wood panels, unglazed ceramic, stone, leather, and glass * Classrooms Dries quickly to an invisible matte finish and allows deep layering as well as providing extra traction on thickly layered, slippery media such as color pencil or oil pastel. Combines well with almost all media, and dries to a hard, water-resistant finish. Should not be used as a final top coat over acrylic or oil paint. Use with Soft Pastel, Pan Pastel and Oil Pastel, Colored Pencil, Graphite, Charcoal, Chalk or in combination with Watercolor, Gouache, Casein, Ink or to layer other media into Encaustic. Perfect for crafts, it holds a wide variety of media without dulling their sheen or brilliance. Use under Oil or Acrylic paints to prevent underdrawings from smudging. Casein actually bonds permanently with the covering layer of oil paint, and similar to egg tempera, has been used for centuries for grisaille or colorful underpainting which can then be glazed with oil. Remember, it is not recommended as a final top coating for acrylic or oils See More
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Claessens Linen #66 Single Oil Primed Medium Texture Roll, 122" x 10.9 ydSave Up to69%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Claessens Linen #20 Single Oil Primed Heavy Texture Roll, 122" x 10.9 ydSave Up to67%Off listWhite Claessens Oil Primed Rough Linen Rolls Feature Meticulous Craftsmanship With Close Attention To Detail! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #20 - Single OP #20 Claessens Linen features a pronounced, heavier texture and a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this linen. Perfect for landscapes, large scale easel painters, and muralists. Warp 21.6cm/12.5cm weft; weighs 16.52oz. Single Oil Primed Linen Roll #70 - Single OP #70 Claessens Linen features a pronounced rough texture, with a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 25.4cm/26.7cm weft; weighs 13.71oz. Key Features: * Professional Quality Linen * Heavy and Rough textures * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, murals, large scale works * Techniques complimenting a rough surface * Aspiring students & amateurs See More
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Brush and Pencil Colored Pencil Titanium White 14 G Jar + SifterSave Up to10%Off listWhite Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so that you can make corrections and even erase areas. With Touch-Up Texture, you can recover lost surface tooth in your drawing. All you need to do is apply a small amount of Touch-Up Texture, allow it to dry, and add new layers of colored pencil. Or use it to create bright white highlights by mixing it with their Titanium White Powder. You can also apply Titanium White Powder with an applicator sponge in areas where you need to add white. No matter what you need to fix in your drawing, Brush and Pencil have the additive for the job. Key Features: * Colored pencil additives * Each additive has its own characteristics * Archival colored pencil tools * Sifter's included with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender is a non-toxic and archival dry blending lubricant for colored pencils. The non-toxic powder works best on rigid, toothy surfaces like gessoed panels and sanded paper. You can dispense the powder with the included sifter and blend it with a sponge or short bristle brush. Powder Blender unlocks oil-based colored pencils and makes everything adjustable, correctable, and erasable. The powder performs best with oil-based pencils, but you can use it to pretreat a wax-based drawing before adding more layers. Once everything is blended, you can secure the layer with Fixative. Titanium White Jar + Sifter: Brush and Pencil took the Titanium White found in colored pencils and created a ground-breaking powder with it. The white powder is completely opaque and has excellent covering power. In areas where you need white, you can apply Titanium White powder with an applicator sponge. If you use too much, you can lift it back with mounting putty. Mix a pinch of Titanium White with a few drops of Brush and Pencil's Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it dry, and add new layers of colored pencil. Or mix it with Colored Pencil Titanium White to create bright white highlights. Colored Pencil Touch-Up Texture is non-toxic, archival, and pH-neutral. The glass bottle comes with a brush applicator. See More
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Claessens Linen #020 Unprimed Rough Texture Roll, 122" x 10.9 ydSave Up to68%Off listNatural Quality linen worthy of your finest masterpiece! Claessens makes its linen with only the finest flax. A quality control agent inspects the raw canvas by hand for weaving faults and removes abnormally thick threads. These precise steps create an archival linen canvas worthy of your next masterpiece! Claessens unprimed linen canvases are free of treatments, glues, sizings, and priming. The canvas comes ready for you to custom treat according to your needs. Key Features: * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Perfect For: * Professional Painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more Unprimed Linen Roll #09 - Unprimed #09 Claessens Linen features a fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 11 cm / 14 cm weft; unprimed weight 5.13 oz. Unprimed Linen Roll #012 - Unprimed #012 Claessens Linen features a moderately fine texture with no priming or sizing. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #013 - Unprimed #013 Claessens Linen features an extra fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 23 cm / 23 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #20 - features a pronounced, heavier texture with no priming or sizing. It accepts most painting techniques where smooth texture is not needed and is popular with landscape artists, large-scale easel painters, and muralists. Warp 14.3 cm / 10.5 cm weft; weighs 6.64 oz. Unprimed Linen Roll #026 - Unprimed #026 Claessens Linen features a rough texture with no priming or sizing. Perfect for most styles of painting and most general applications. With a width of 161.417, this linen is ideal for any artist working on large-scale easel and mural works. Warp 20.5 cm / 14.5 cm weft; unprimed weight 12.7oz. Unprimed Linen Roll #029 - Unprimed #029 Claessens Linen features a pronounced, beefy texture that is popular with landscape and abstract painters who like to work on a large scale. Great for mural painters. Warp 21.6 cm / 12.5 cm weft; unprimed weight 10.62 oz. Unprimed Linen Roll #066 - Unprimed #066 Claessens Linen features a medium texture with no priming or sizing. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft; unprimed weight 8.11 oz. Unprimed Linen Roll #070 - Unprimed #070 Claessens Linen features a pronounced, rough texture with no priming or sizing. Ideal for use with abstract and large-scale mural works. Warp 25.4 cm / 26.7 cm weft; unprimed weight 6.49 oz. See More
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Enkaustikos Encaustic Mediums Soy Wax 12 ozSave Up to20%Off listA variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More
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