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Claessens Linen #120 Double Universal Primed Rough Texture Roll, 122" x 10.9 ydSave Up to71%Off listWhite The Ideal Choice for Artists Working With several Mediums! Claessens provides artists with professional quality canvases. Each canvas passes through its own unique manufacturing steps before it is inspected. Quality control carefully examines the canvas by hand for faults and removes any abnormally thick threads. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. Universal acrylic primed canvases are coated twice with an acrylic-based paint that is troweled on expertly by hand with a large knife. Then the canvas is dried in a dry air oven for a secound time. This produces a perfectly cured, completely dry canvas. The Universal priming is designed to allow for 50% absorbency, making it suitable for all media types. The finished canvases are again carefully inspected one last time before they are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional Quality Linen * Multiple surface textures offered * glue layer protect before priming * Universal acrylic primed by hand * Versatility for using different media! * Perfect For: * Professional Painters of all types * Portraits, landscapes, and more * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Artists who paint in more than one media Double Universal Primed Polyester Roll #101 - features an extra-fine texture ideal for portraits and painting genres that require a smooth surface. Warp 39 cm / 20.5 cm weft; unprimed weight 7.23 oz. Double Universal Primed Linen Roll #109 - features a pronounced, heavy weave and a single layer of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is popular with landscape, abstract, and large-scale muralists. Warp 11 cm / 14c m weft; weighs 10.71 oz. Single Universal Primed Linen Roll #112 - features a moderately fine texture and a single layer of universal acrylic primer for acrylics, alkyds, and oils. Painters who paint in multiple applications and styles will enjoy this linen. Ideal for use with portraits and painting genres that requires s smoother surface for detailed work. Warp 20 cm / 16 cm weft; weighs 12.17 oz. Double Universal Primed Linen Roll #120 - features a pronounced, heavier texture and a double layer of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed and is popular with landscape and abstract artists, large-scale easel painters, and muralists. Warp 14.3 cm/ 10.5 cm weft; weighs 11.50 oz. Double Universal Primed Linen Roll #129 - features a more pronounced heavy weave, with two layers of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape and abstract artists, large scale easel painters, mixed media artists, and muralists. Warp 21.6cm/12.5cm weft; weighs 15.40 oz. Double Universal Primed Linen Roll #166 - features a more pronounced medium texture, with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where a smooth texture is not needed and is popular with large-scale muralists. Warp 17 cm / 14.5 cm weft; weighs 12.24 oz. Double Universal Primed Linen Roll #170 - features a rough texture with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is an excellent multi-purpose surface. #170 is popular with landscape artists, abstract painters, mixed media artists, large-scale easel painters, and muralists. Warp 25.4 cm / 26.7 cm weft; weighs 11.8 oz. See More
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New York Central Grey Glass Oval Palette 10"x14"Save Up to55%Off listGrey True-To-Color Grey Glass Palettes New York Central Grey Glass Palettes are perfect for painting with oils and acrylics. Each palette is made of lightweight yet strong tempered glass. The neutral grey hue of the palette helps your eyes truly see the color of your paints as you mix them. The tempered glass is also a great surface for rolling out printing ink. Cleanup is a breeze since the scratch-resistant glass is smooth and free of imperfections. Dried acrylic paints can be peeled off by soaking in warm water, and dried oil paints can be removed with solvent or a glass scraper. Key Features: * Grey toned tempered glass * Smooth beveled edges * Scratch-resistant, easy-to-clean surface * Grey tone for seeing values * Resistant to solvents and mediums * Less reflection and glare than white palettes * Available in rectangle or oval design Perfect For: * Acrylic or oil painters * Precise color mixing * Accurately looking at colors * Use in a covered palette * Rolling out printing ink The 12"x16" palette is designed to fit inside the Masterson Sta-Wet Palette System (blue or red lid). See More
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Acurit Small LED Light Tablet, Drawing TracingSave Up to59%Off listProfessional Quality light tablets - Never gets hot to the touch! 30,000+ hours of LED illumination! The Acurit Light Tablet is the perfect tool for artists seeking to hone their drawing skills! Whether they are tracing a photograph or works of art created by the old masters, artists will not miss a… Professional Quality light tablets - Never gets hot to the touch! 30,000+ hours of LED illumination! The Acurit Light Tablet is the perfect tool for artists seeking to hone their drawing skills! Whether they are tracing a photograph or works of art created by the old masters, artists will not miss a single detail with the vivid, LED illumination that is offered by these light tablets. Their color temperature ranges from 6,000 to 6,400K and they feature an adjustable dimmer, for varied lighting environments. Acurit light tablets are available in 3 highly portable sizes and only require a power outlet to work – no batteries needed! Their durable and scratch-resistant, 3mm thick, tempered glass surface makes them the ideal light tablet for artists on the go, students and artists of all ages! Please note that this this is not a tablet computer. It is a light tablet for tracing. Use these light tablets for hours, as they never get hot to the touch and their LED lighting system guarantees over 30,000 hours of brilliant lighting, across the entire surface area. Acurit light tablets also include a 1” scale border, for easy measuring. For a more comfortable working angle, the Small and Medium light tablets feature legs, which can be easily flipped open, while the Large model features soft anti-slip bottom pads. Each Acurit light tablet comes complete with a UL approved AC power adapter. Please Note: Due to voltage issues, we do not ship this product outside the United States and Canada. Features a tempered glass top for cutting stencils. Excellent with any Creative Mark canvas pad or Fabriano 140 lb. paper - It's that good! Available in 3 portable sizes • Small tablet lighted area: 8-5/8" x 11-7/8"; Overall size 11-5/8" x 15" (Formerly named A4) • Medium tablet lighted area: 11-13/16" x 15-1/2"; Overall size 15" x 18-3/4" (Formerly named A3) • Large tablet lighted area: 12-5/8" x 20-1/2"; Overall size 15-3/4" x 23-5/8" (Formerly named A2) Key Features:* Over 30,000 hours of brilliant, crisp, LED illumination!* Durable, scratch-resistant, 3mm thick, tempered glass top* English rules not metric* Temperature is color corrected* Never gets hot to the touch* 6,000-6,400K color temperature* Fully adjustable light intensity with dial from dim to super bright* Available in 3 portable sizes* Includes a UL approved AC power adapter – no batteries needed!* Features fold-away, incline legs* Even works with Creative Mark canvas pads, Fabriano 140 lb. papers and Pastel Premier papers Perfect For:* Artists of all ages and skill levels!* Tracing and transferring artwork or photographs* Cutting into stencils on the scratch-resistant glass top* Using anywhere a power outlet is available* Adjustable lighting brilliance to match varied lighting environments* Artists on the go!* Students, classrooms and studios* Continued use for hours - never get hot to the touch* Scaling drawings* Using at an adjusted drawing angle* 87664 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.5A / Output 12V 1000mA ) 87665 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.4A / Output 12V 1.0A ) 87666 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.7A / Output 12V 1.5A ) See More
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Yasutomo Professional Black Sumi Ink Stick SSB900 .9oz Pine SootSave Up to25%Off list…is designed for use in Sumi-e Painting. SSB900 Professional Ink Stick:* Produces deep black tones* Variations of grey when ground with water* Well-shaped solid block* Convenient liquid form* Soot from pine or certain vegetable oils* Designed for use in Sumi-e Painting* Dimensions: 5/8” W x 3/8”D x 2… Deep black tones and subtle variations of grey when ground with water The Yasutomo Artist Ink Stick is an artist quality ink stick that produces deep black tones and subtle variations of grey when ground with water. For more than a thousand years, the method of making Sumi sticks has remained the same. Soot from pine or certain vegetable oils mixed with animal or fish glue is molded and dried to form a well-shaped solid block. The Sumi Ink Sticks are made in the traditional method and is designed for use in Sumi-e Painting. SSB900 Professional Ink Stick:* Produces deep black tones* Variations of grey when ground with water* Well-shaped solid block* Convenient liquid form* Soot from pine or certain vegetable oils* Designed for use in Sumi-e Painting* Dimensions: 5/8” W x 3/8”D x 2 3/4” L* Packaged in a paper box SSB700 Artist Ink Stick:* Produces deep black tones* Variations of grey when ground with water* Well-shaped solid block* Convenient liquid form* Soot from pine or certain vegetable oils* Designed for use in Sumi-e Painting* Dimensions: 5/8” W x 3/8”D x 2 3/4” L* Packaged in a paper box The SSB900 is a professional quality ink stick. When ground in a suzuri stone with water it produces deep black tones and subtle variations of grey. Packaged in a sturdy and beautiful paper box. Made in Japan Dimensions: 5/8” W x 3/8”D x 3” L The SSB700 is an artist quality ink stick. This Sumi Ink Stick is made in the traditional method and is designed for use in Sumi-e Painting. When ground in a suzuri stone with water it produces deep black tones and subtle variations of grey. Made in Japan Dimensions: 5/8” W x 3/8”D x 3” L When ground on a Suzuri stone with water, an ink forms and produces the Five Colors or shades of black that forms the basis of monochromatic Sumi painting See More
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Magnani 1404 Portofino Watercolor Block 140lb Hot Press - 10" x 14" (20 Sheets)Save Up to40%Off listWhite Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More
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Fabriano Artistico Watercolor Block - 10"x14" Vegan Extra White, 140lb Cold Press (20 Sheets)Save Up to40%Off listWhite Master Quality Watercolor Papers That Will Stand The Test Of Time Fabriano Artistico Enhanced Watercolor Blocks now feature improved color lifting capabilities, increased surface resistance, and a vegan-friendly sizing! The paper is mold made of 100% cotton that is chlorine and acid-free, guaranteeing long conservation and stability over time. The paper is sized both internally and externally, making it ideally absorbent. Available in cold or hot press surfaces, the brilliant extra white paper is not bleached and is watermarked “FABRIANO+ARTISTICO” on the short side. Fabriano Artistico Enhanced Watercolor blocks are glued on all four sides and are high-quality watercolor papers to satisfy the demanding requirements of all professional artists. Made In Italy. The paper is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, and drawing. Key Features:* Extra White or Traditional White Paper Blocks* 100% cotton* 140lb / (300 gsm)* Chlorine-free, Acid-free* No bleach or optical brighteners* Mold-made in Italy* Watermarked* External and internal sizing* No animal by-products used in sizing* Guaranteeing long conservation and inalterability over time* Glued on all four sides* Perfect For:* Artists that want the best* Professional watercolorists* Watercolor, tempera, gouache* Acrylic, ink, charcoal, graphite, and drawing * Suitable for printmaking* All water media!* An endless array of techniques Fabriano Artistico uses cotton balls instead of stretched and beaten cotton fibers, as in other brands, for consistent and even water absorption across the surface. This construction also provides a more robust and durable surface that can take a lot of punishment, whether it be scrubbing, erasing, or any other standard watercolor technique. No animal by-products are used in the sizing. The internal and external sizing produces a more consistent, non-yellowing, non-smelling, more resilient non-scuffing surface with no blotchy spots. The paper also has an overall superior color-lifting response due to the sizing used. See More
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NY Central Watercolor Block 140lb Hot Press - 10" x 14" (20 Sheets)Save Up to77%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s 100% Cotton Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. New York Central Watercolor Blocks are available in a range of unique sizes, and come in 140lb and 300lb weights. The rigid backing board supports the paper and makes plein air painting simple. All four sides of the block are glued to prevent the top sheet from curling and buckling as you paint. There is no need to stretch the paper before using it! New York Central Watercolor Blocks are ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Bright white 140lb and 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Seven block sizes * Available in cold and hot press * Sizing preserves the luster and transparency of watercolors * Blocks eliminate the need to stretch paper * Superior surface stability * Made on a cylinder mould * Holds up to scrubbing and erasing Perfect For: * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Scrubbing and color lift techniques * Professional watercolorists * Simplifying the painting process * Keeping paper perfectly flat * For traveling or painting on the go Please note: The bottom edge of each block has a one-inch section that is not glued. Insert a clean palette knife between the sheets in this section to separate the top sheet from the rest of the block. Gently slide the knife around all four edges until the top sheet is separated. See More
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Claessens Linen #66 Single Oil Primed Medium Texture Roll, 122" x 10.9 ydSave Up to69%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Claessens Linen #20 Single Oil Primed Heavy Texture Roll, 122" x 10.9 ydSave Up to67%Off listWhite Claessens Oil Primed Rough Linen Rolls Feature Meticulous Craftsmanship With Close Attention To Detail! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #20 - Single OP #20 Claessens Linen features a pronounced, heavier texture and a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this linen. Perfect for landscapes, large scale easel painters, and muralists. Warp 21.6cm/12.5cm weft; weighs 16.52oz. Single Oil Primed Linen Roll #70 - Single OP #70 Claessens Linen features a pronounced rough texture, with a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 25.4cm/26.7cm weft; weighs 13.71oz. Key Features: * Professional Quality Linen * Heavy and Rough textures * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, murals, large scale works * Techniques complimenting a rough surface * Aspiring students & amateurs See More
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Claessens Linen #020 Unprimed Rough Texture Roll, 122" x 10.9 ydSave Up to68%Off listNatural Quality linen worthy of your finest masterpiece! Claessens makes its linen with only the finest flax. A quality control agent inspects the raw canvas by hand for weaving faults and removes abnormally thick threads. These precise steps create an archival linen canvas worthy of your next masterpiece! Claessens unprimed linen canvases are free of treatments, glues, sizings, and priming. The canvas comes ready for you to custom treat according to your needs. Key Features: * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Perfect For: * Professional Painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more Unprimed Linen Roll #09 - Unprimed #09 Claessens Linen features a fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 11 cm / 14 cm weft; unprimed weight 5.13 oz. Unprimed Linen Roll #012 - Unprimed #012 Claessens Linen features a moderately fine texture with no priming or sizing. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #013 - Unprimed #013 Claessens Linen features an extra fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 23 cm / 23 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #20 - features a pronounced, heavier texture with no priming or sizing. It accepts most painting techniques where smooth texture is not needed and is popular with landscape artists, large-scale easel painters, and muralists. Warp 14.3 cm / 10.5 cm weft; weighs 6.64 oz. Unprimed Linen Roll #026 - Unprimed #026 Claessens Linen features a rough texture with no priming or sizing. Perfect for most styles of painting and most general applications. With a width of 161.417, this linen is ideal for any artist working on large-scale easel and mural works. Warp 20.5 cm / 14.5 cm weft; unprimed weight 12.7oz. Unprimed Linen Roll #029 - Unprimed #029 Claessens Linen features a pronounced, beefy texture that is popular with landscape and abstract painters who like to work on a large scale. Great for mural painters. Warp 21.6 cm / 12.5 cm weft; unprimed weight 10.62 oz. Unprimed Linen Roll #066 - Unprimed #066 Claessens Linen features a medium texture with no priming or sizing. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft; unprimed weight 8.11 oz. Unprimed Linen Roll #070 - Unprimed #070 Claessens Linen features a pronounced, rough texture with no priming or sizing. Ideal for use with abstract and large-scale mural works. Warp 25.4 cm / 26.7 cm weft; unprimed weight 6.49 oz. See More
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Fredrix Red Label Medium Texture Duck 3/4" Profile - 10" x 14" (Box of 6)Save Up to46%Off listWhite Professional Medium Tooth Cotton Canvas - Primed and Ready! Fredrix Red Label 3/4" Deep Cotton Canvas features superior quality medium textured, duck canvas. It is double-primed with acid-free acrylic gesso for use with oil or acrylic painting. The canvas is stapled onto the back of standard stretcher bars. Paint on all four edges and hang it with or without a frame. All sizes larger than 24" x 36" include single or double bracing for added support. Key Features:* 3/4" Deep profile* Primed Weight: 12oz(406 g/m2)* Unprimed Weight: 7oz(237 g/m2)* 100% cotton duck canvas* Double-primed with acid-free titanium gesso* Medium tooth* Back-stapled, 4 paintable edges* Primed in the USA!* Perfect For:* Oil or acrylic painting* Impasto techniques* Mixed media* Painting on all four edges All sizes larger than 24″ x 36″ include single or double bracing for added support See More
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