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RaphaĆ«l Kevrin Synthetic Blend Series 3675 Fan Brush #12/12Save Up to53%Off list…and nickel-plated ferrules of their original design. Key Features:* Natural and synthetic hairs * Ideal resiliency and spring* Bristle shape memory* Nickel-plated ferrules Perfect For:* Oil, alkyd, and acrylic painters* Glazing and general painting* Ease of cleaning* Mongoose brush enthusiasts Stiffness Watercolors Acrylics Oils Exceptional Performance Without Endangered Mongoose Hair! Established in 1793, RaphaĆ«l has been renowned for the impeccable quality of their artistās brushes as well as their more recent innovations. With the banning of Mongoose harvesting due to their endangered status, brush makers all over the globe have been scrambling to find an alternative to the beloved brush hair. It took years of research for RaphaĆ«l to create a brush that would replicate all the characteristics of their famed KEVRIN without using its original Mongoose composition. A blend of several natural hairs and a proprietary groundbreaking synthetic fiber enabled the creation of the perfect Mongoose substitute, called KEVRIN+. RaphaĆ«l was so satisfied it believes it to in fact be a better brush than its predecessor, while offering all the features a quality oil and acrylic brush requires. KEVRIN+ offers the same exceptional durability, precision, and elasticity of their original Mongoose brushes, with the same ideal consistency, spring, and bristle shape memory. Like the old Mongoose brushes, the new hair blend has the suppleness of a red sable with the strength of hog bristle, but with a texture and firmness somewhere in between. Brushes are easy to clean and offer excellent paint retention. KEVRIN+ still bears the elegant, long, double-dipped black lacquered handles and nickel-plated ferrules of their original design. Key Features:* Natural and synthetic hairs * Ideal resiliency and spring* Bristle shape memory* Nickel-plated ferrules Perfect For:* Oil, alkyd, and acrylic painters* Glazing and general painting* Ease of cleaning* Mongoose brush enthusiasts See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 10lb BagSave Up to20%Off list…traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 10lb BagSave Up to20%Off list…and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets)… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Masters Choice Watercolor Block 140 lb Cold Press 10.24x14.17 in 20-SheetSave Up to36%Off listWhite Strong, robust paper for all watercolor techniques! Master's Choice Artists' watercolor paper and blocks by Baohung was painstakingly developed over three years by world-renowned artists and the small family-owned Baohong mill. Initially released in Australia, Baohong watercolor paper has a rabid fan base led by famous watercolorists such as David Taylor. Made with 100% natural cotton and sized internally and externally with traditional gelatin, the 140 lb. (300 gsm) paper is available in hot press, cold press, and rough textures in both sheets and blocks. The Masters Choice by Baohong watercolor paper blocks are glued on all four sides, eliminating the need to stretch the paper before painting, as the glue prevents the sheet from buckling during painting. Reasonably priced Master's Choice Watercolor Papers are durable and perform well against the top watercolor papers on the market. Whether you are painting with watercolors or drawing with ink, Master's Choice Artists' Watercolor sheets and blocks provide an extraordinary surface for creative expression. Key Features: * Acid-free 100% cotton paper * Chlorine-free, pH-neutral, and archival * 140 lb. (300 gsm) paper * Available rough, cold, and hot press * Natural gelatine sizing * Unrivaled workability * Durable paper less likely to curl or warp * Natural White, no optical bleaches * Compare with other named brand watercolor papers * Full sheets are deckled on all four sides * Watermarked sheets * Block contains 20 sheets * Blocks are glued on all four sides Perfect For: * Watercolor artists * Watercolors, gouache, acrylics, and ink * Wet and dry watercolor techniques * Repeated erasing and painting * Creating professional artwork * Sketching, printmaking or drawing * Blocks eliminate the need to stretch paper * Traveling or spontaneous creativity * Portable painting surface * Plein air artists! See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Titanium White 110gSave Up to40%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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