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GOLDEN Open Acrylic Paints Pyrrole Red 8 ozSave Up to30%Off listRed Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Liquitex Acrylic Fluid Mediums - Glazing, 8ozSave Up to40%Off list…colors so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending,… Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level, and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins to maintain or enhance adhesion and durability. With Liquitex Acrylic Fluid Mediums, you can give your paint a gloss or matte finish while thinning and extending its volume. Glazing Medium: Increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. Gloss Medium: All-purpose medium for imparting gloss. Matte Medium: Mix into colors so that they dry uniformly matte. Satin Medium: Mix into colors so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending, and mixing colors. Blending medium dries to a clear, flexible, non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent * Intermixable with all Liquitex materials * Perfect For: * Acrylic painting * Minimizing paint waste * Collaging & mixed media * Photo transfers * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces See More
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GOLDEN Acrylic Additive 8 oz Wetting AidSave Up to30%Off list…open time * Reduce the surface tension of acrylic emulsion * Improve the slickness and flow of paint * No acrylic binders * Use them in correct proportions * Click the yellow circle icon for product information Perfect For: * Acrylic painting * Minimizing paint waste * Classroom, home, and studio *… Reduce surface tension and increase paint flow Additives serve a similar function to mediums. The difference is that additives don't contain acrylic binders (like mediums do), so you must follow the label and use them in correct proportions. Most mediums can be added to the paint in any amount until you've achieved the desired effect, but additives can weaken the color and adhesion of the paint when overused. GOLDEN offers these two additives, which are a useful addition to any painters studio. Wetting Agent: Formerly known as Acrylic Flow Release - an additive used to reduce the surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is useful for achieving rich stains on a porous surface. Not for use by children. Retarder: an additive used to increase the open (drying) time of acrylic paints. Useful for wet on wet techniques and reducing skinning on the palette. Key Features: * Increase open time * Reduce the surface tension of acrylic emulsion * Improve the slickness and flow of paint * No acrylic binders * Use them in correct proportions * Click the yellow circle icon for product information Perfect For: * Acrylic painting * Minimizing paint waste * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces The retarder does not contain binding agents. To ensure adhesion, the addition of Retarder should not exceed 15% (1:6)when mixed with colors or mediums. See More
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Grumbacher Acrylic Medium - Matte Medium & Varnish, 8 ozSave Up to45%Off listImprove your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques,… Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More
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Liquitex Acrylic Satin Varnish, 8oz BottleSave Up to40%Off list…clarity. Varnishes are applied over dry paint films and have several purposes. The first and most important function is to protect the painting surface from dust and environmental pollution. Secondly, varnishes can be used to change or unify a painting's surface sheen. Liquitex varnishes come in… Liquitex offers a variety of varnishes that have been specifically designed to achieve optimal clarity. Varnishes are applied over dry paint films and have several purposes. The first and most important function is to protect the painting surface from dust and environmental pollution. Secondly, varnishes can be used to change or unify a painting's surface sheen. Liquitex varnishes come in several different sheens, which can all be intermixed for a customized sheen. Our varnishes are permanent and can be applied to both flexible and rigid supports. Gloss Varnish - This water-resistant varnish delivers permanent, highly durable protection that is flexible and no-yellowing when dry. A 100% acrylic polymer varnish that is water soluble and can be thinned. High Gloss Varnish - This permanent water-based varnish produces a high gloss finish that is clear, sandable, and non-tacky. It increases depth and color intensity; AP non-toxic. Matte Varnish - Enhances color while adding a non-glare, low-sheen finish. Satin Varnish - Apply over dry paint to protect the surface and add a satin finish. A non-yellowing varnish medium with excellent leveling properties. Translucent when wet, dries clear. Key Features: * Non-Yellowing* Water-based varnishes* Non-removable* Permanent and durable* Excellent leveling properties* Low odor Perfect For: * Interior and exterior use* Use with spray paint* Use with a heavy body and soft body paints* Multimedia use See More
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GOLDEN Open Acrylic Mediums Matte 8 ozSave Up to30%Off list…altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no… OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. Image Transfer How-To Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper copy directly into the wet gel. Let dry overnight. 2. Dampen the paper with a wet sponge. Wait a few minutes to allow water to soak paper. Begin rubbing carefully. Use a soft cloth or scrubbie to remove the paper. You will probably have to remove the paper a few times, for a clean transfer. When the water evaporates, you will be able to see the areas that you missed. See More
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Liquitex Acrylic Effects Mediums Glass Beads 8 ozSave Up to76%Off list…can mix Liquitex Glass Medium with acrylic color to adhere paint on slick non-porous materials like glass. The medium dries to a high gloss, scratch-resistant finish once heat set. Gold Metallic Medium - With Liquitex Gold Metallic Medium, you can give acrylic paint a metallic gold effect or use it… Designed to achieve various techniques, applications, special effects & pouring! Liquitex offers a variety of specialty products including Pouring Mediums, Fluid Mediums, Gel mediums, Texture Gels and Additives which have been specifically designed to achieve various techniques, applications and special effects. Fluid Effects Mediums:* Increase Flow * Dry transparent or translucent * Extend the volume of thin paint * Excellent archival adhesive for collage Gel Effects Mediums* Adds body * Increase ‘open’(working) time * Dry transparent or translucent * Extend the volume of paint * Hold brush or knife marks * Make an excellent archival adhesive for collage Liquitex offers a variety of specialty products which have been specifically designed to achieve various techniques, applications and special effects. Airbrush Medium - A liquid medium incorporating an acrylic polymer. Specifically formulated to thin acrylic colors for airbrush application. Can also be used when working a regular brush. Fabric Medium - A fluid medium incorporating an acrylic polymer with ultimate flexibility and adhesion. Enhances the workability of acrylic paint on fabric. Controls bleeding of colors thinned with water. Flow Aid - A binder-free aqueous solution with surfactants. Use in conjunction with any acrylic medium or acrylic color when increased flow and absorption and decreased film tension and friction are required. Iridescent Medium - A fluid medium incorporating an acrylic polymer with ultra-fine pearlescent mica pigment. Produces a range of iridescent or metallic colors when mixed into acrylic colors. LiquiThick Thickening Gel - A binder-free heavy body gel with high levels of gelling agents. Used in small amounts, produces handling characteristics very close to that of oil or encaustic paint. At higher concentrations, can thicken paint or acrylic mediums to "cake" or sculptural consistency. Pouring Medium - A fluid medium incorporating an acrylic polymer with high resin solids. Creates even puddles, poured sheets, and flowing applications of color. Slow-Dri Fluid Retarder - A binder-free fluid with slow drying agents. Increases 'open' (working) time of acrylic paint. Reduces paint skinning-over on palette. Increases blending time, making blending of colors and detail brushwork easier. Slow-Dri Gel Retarde - A binder-free gel with slow drying agents. Designed to be used with Liquitex Heavy Body Artist Color and Heavy Body mediums. Increases 'open' (working) time of acrylic paint. String Gel - A medium viscosity medium incorporating an acrylic polymer with a resinous, stringy consistency. Enhances depth of color and increases transparency and flow. Masking Fluid - Masking Fluid is a colorless, latex-based liquid that you can use to mask areas. Many artists use Liquitex Masking Fluid to block off sections of a painting and allow the surface to show through. Crackle Paste - You can use Liquitex Crackle Paste on its own or mix with acrylic color to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium - You can mix Liquitex Glass Medium with acrylic color to adhere paint on slick non-porous materials like glass. The medium dries to a high gloss, scratch-resistant finish once heat set. Gold Metallic Medium - With Liquitex Gold Metallic Medium, you can give acrylic paint a metallic gold effect or use it on its own to add gold surface highlights. Silver Metallic Medium - With Liquitex Silver Metallic Medium, you can give acrylic paint a metallic silver effect or use it on its own to add silver surface highlights. See More
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GOLDEN Acrylic Gel Mediums High Solid Gloss 8ozSave Up to30%Off list…GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase… Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Click on the notepad icon for more information Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects * Adhesion and durability Clear Granular Gel: is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Clear Leveling Gel: [formerly Self Leveling Clear Gel] produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Clear Leveling gel dries to a flexible, high gloss film while imparting a leveling quality when mixed with acrylic paint. It blends well with GOLDEN Acrylic colors to produce glazes. Clear Tar Resin Gel: GOLDEN Clear Tar Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine, detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. Extra Heavy Gel (Gloss, Matte, or Semi-Gloss): Have the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. Extra Coarse Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Extra Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Fine Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte): are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Pumice Gel: Available in fine, coarse, and extra coarse texture. The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Regular Gel (Gloss, Matte, or Semi-Gloss): Regular Gel is ideal for extending paint and regulating transparency without changing consistency. Useful for impasto effects and holding moderate peaks of texture. They blend well with colors and will retain brush strokes upon drying. Soft Gel (Gloss, Matte, or Semi-Gloss):Thinner than GOLDEN Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Useful as a non-removable isolation coat, applied over the painting and before the varnish (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water). See More
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Jo Sonja's Acrylic Gloss Varnish (Polyurethane), 8ozSave Up to38%Off list…Sonja acrylic paint. Flow Medium is used to thin paints and other mediums. Water may dilute the paint's acrylic binder, reducing its adhesive qualities. When Flow Medium is added in small amounts, it produces a thinner, smoother paint that leaves no brush marks. Glazing Medium: A transparent acrylic… Take your paintings and techniques to the next level! Jo Sonja's range of acrylic mediums will help you take your painting to the next level from preparation, to special effects, to finishing. If you want to add texture, glaze, sparkle, or crackle effects to your painting, these Jo Sonja Mediums can help you. Key Features: * Texture and effect mediums * Thin or thicken paint viscosity * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Jo Sonja paints Perfect For: * Jo Sonja acrylic paints * Creating special effects * Faux finishers * Finishing a painting * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Crackle Medium: A transparent medium that causes Jo Sonja's Colours to separate into crackled patterns of various sizes. You can use the crackle medium to simulate the effects of aging. Flow Medium: an acrylic flattening agent used to level out the textural properties of Jo Sonja acrylic paint. Flow Medium is used to thin paints and other mediums. Water may dilute the paint's acrylic binder, reducing its adhesive qualities. When Flow Medium is added in small amounts, it produces a thinner, smoother paint that leaves no brush marks. Glazing Medium: A transparent acrylic glazing medium you can use alone or with Jo Sonja's Artists or Jo Sonja's Background Colours. Mix with acrylic color to seal as your basecoat or alone on raw wood as a light sealer. A coat of Glazing Medium is recommended before staining for an even application of stain. Polyurethane Varnish: Provides the toughest finish available with excellent corrosion, chemical, scratch, and wear resistance. Use indoors or outdoors to provide maximum, long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working or "open" time for blending. Opal Dust: Jo Sonja's Opal Dust is a clear gel that contains tiny light-reflecting holographic particles, which create an interplay of colors reminiscent of gems. Opal Dust may be used alone or applied to a dry pre-painted surface. It is suitable for various surfaces, including paper, card, glass, transparency film, plastic, canvas, wood, terra cotta, tin, fabric, silk, or dried flowers. Mix with Jo Sonja's Artists' Colors before applying for a more subtle effect. Drying time depends upon the thickness of the application. Brushstrokes are evident when wet but disappear when fully dry. See More
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Liquitex Acrylic Gel Medium - Matte, 8 ozSave Up to40%Off list…thinner paint films. These mediums also modify acrylic paints in a variety of ways and, since they contain acrylic resins, tend to improve adhesion and durability. Modeling Pastes are thick acrylic gel blended with marble dust for a strong durable, opaque texture. Key Features: * 100% acrylic… Add texture, enhance color, increase transparency! Liquitex Acrylic Mediums are made from 100% acrylic polymer emulsion and produce strong films when dry. When added to acrylic paint, they modify the paint handling characteristics, appearance, or volume to produce an infinite variety of effects. Liquitex Gel Mediums can add texture, enhance color, and increase transparency within your work. Gels also add "open time" as they tend to dry slower than thinner paint films. These mediums also modify acrylic paints in a variety of ways and, since they contain acrylic resins, tend to improve adhesion and durability. Modeling Pastes are thick acrylic gel blended with marble dust for a strong durable, opaque texture. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects. * Adhesion and durability Flexible Modeling Paste - Matte, opaque preparation of marble dust and polymer emulsion. Use on a flexible surface for heavy textures and 3D forms. Gloss Gel - This heavy body gloss medium and extender makes acrylic colors more transparent. Heavy Gel(Gloss)- Gives acrylic colors a high degree of drag and density. Great for impasto techniques and glazes. Light Modeling Paste - Putty-like compound that can be shaped while wet or carved when dry. Will not crack or chip. Non-toxic. Matte Gel - Reduces gloss of acrylic colors. Also used as a matte collage adhesive. Super Heavy Gel (Gloss) - Add to acrylic colors to form a sculptural, high-peak consistency. Dries clear with very low shrinkage. Great for collage and mixed media. Super Heavy Gel (Matte)- A super thick gel that retains high peaks and crisp brush and knife strokes with little shrinkage. Modeling Paste - Putty-like compound that can be shaped while wet and carved when dry. Slow-Dri Blending Gel - This fluid medium will increase the open working time of your acrylics by up to 40%. Dries clear to a flexible, non-yellowing and water-resistant film that will not change the viscosity of your color. Ultra Matte Gel - Use to extend paint up to double amounts without changing color. Dries to a matte finish while maintaining color opacity. AP non-toxic. Liquitex Satin Gel Medium- is made of a 100% acrylic polymer emulsion and creates a durable, flexible film resistant to abrasion once dry. When added to acrylic paint, the satin gel increases texture and extends volume with a satin finish. You can also use the gel medium as a strong adhesive. Silkscreen Medium- You can transform acrylic paint into slow-drying silkscreen ink with Liquitex Silkscreen Medium. The medium changes the thickness of water-based acrylic paints by increasing fluidity so you can use them for silkscreening and mono-printing. This acrylic medium increases paint volume and drying time but doesn't affect paint color or opacity. Extended drying time lets you position ink to create the exact printed fabric designs you want. See More
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Liquitex Acrylic Gesso Surface Prep Black Gesso 8 ozSave Up to39%Off listBlack Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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GOLDEN GAC 900 Medium, 8oz BottleSave Up to30%Off list…as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium,… GAC 100% acrylic polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other GOLDEN Mediums and Gels, GOLDEN GAC Acrylic Polymers have only a minimum amount of thickeners, levelers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymer medium is very fluid, and thinner than other GOLDEN Mediums. Since they do not have thickeners added, these polymers will reduce the thickness of most GOLDEN Acrylic Paints. Fluid Acrylics are slightly thicker than the GACs, but will be the color line least changed in viscosity with any addition of a GAC polymer. Each GAC medium represents a unique polymer that offers certain specific attributes. Therefore, each GAC medium will have its own unique benefits and applications. * GAC 100 Primer Extender Acrylic Polymer Medium: Universal acrylic polymer. Is a thin, translucent, gloss medium. Useful for thinning or extending colors as well as increasing flexibility. Wets out solids more readily than other polymers and is useful for creating homemade paints. GAC 100 provides basic protection from Support Induced Discoloration (SID) * GAC 200 Hard Acrylic Extender Polymer Medium: Promotes adhesion and film hardness. Hard acrylic extender for non-porous surfaces is the hardest and least flexible polymer we offer. It is Ideal for mixing with acrylic colors to increase film hardness, reduce dry film tack and to increase adhesion to many non-porous surfaces. Dries to a clear, high gloss, finish. GAC 200 is not recommended for flexible supports. * GAC 400 Low Crazing Acrylic Extender Polymer Medium: Stiffens textile fibers. Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film. * GAC 500 Self-Leveling Acrylic Polymer Medium: Extends fluid acrylics. Gloss extender for Fluid Acrylic Colors is a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat. * GAC 800 Low Crazing Acrylic Extender Polymer Medium (Pouring Medium): Reduces crazing. GAC 800 is a medium specifically produced to modify paints for pouring, such as when pouring a puddle onto a paint surface Is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.* See More
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MAS Envirotex Lite Epoxy Kit (4 oz Resin, 4 oz Hardener) 8 ozSave Up to49%Off list…plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look* Use it to create a hard lustrous finish for table tops, plaques, clocks, figurines etc* Instructions are included* Kits include resin and catalyst Use over acrylics or throughly dried oil paintings for a one… Creates a one of a kind, crystal clear, super hard, lustrous finish Envirotex Lite is a water clear reactive polymer compound that cures to a thick, glossy coating in about 8 hours at 70°F, and reaches full strength and toughness in about 36 hours. This durable, resilient material requires no polishing to produce a high gloss. One coat is all that is usually required for a deep attractive finish, however, two or more coats maybe applied one over the other by simply wiping the surface with a clean cloth and alcohol prior to re-coating. Key Features:* EnviroTex Lite: 8oz Kit, 32oz Kit & Gallon Kit* Use over acrylics or thoroughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish* Hardens to a high-gloss finish, and cures completely in 36 hours* The solvent-free formula is 100% solids and has no unpleasant odors* Waterproof as well as heat- and alcohol-resistant* Use Envirotex to coat, wood, rock, Sculpey, jewelry and more* Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look* Use it to create a hard lustrous finish for table tops, plaques, clocks, figurines etc* Instructions are included* Kits include resin and catalyst Use over acrylics or throughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish. Use Envirotex to coat, wood, rock, Sculpey, jewelry and more. Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look Envirotex Lite Kits - Pour On High Gloss Finish * Gallon Kit 02128: (1/2 gallon resin, 1/2 gallon Hardener), Coverage: 32 square foot* 32oz Kit 0232: (16oz resin, 16oz Hardener), Coverage: 8 square foot* 8oz Kit 02008: (4oz resin, 4oz Hardener), Coverage: 2 square foot* Envirotex Lite is used as a table tops, bar tops, resin art, wood, rock, sculpey clay, acrylic pour, jewelry and more. Envirotex Lite® is alcohol and heat resistant. Envirotex Lite® creates a hard lustrous finish for table tops, plaques, clocks, figurines etc. A Gallon Kit consists of 1/2 gallon of Resin and 1/2 gallon of Hardener, making a total of one gallon. See More
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Liquitex Professional Soft Body Acrylic 8oz Burnt UmberSave Up to56%Off listBrown Fluid and Creamy Acrylic Colors in Convenient Squeeze Bottles & Sets! Soft Body Artist Color by Liquitex, previously known as Medium Viscosity, was the original Liquitex acrylic formulation made in 1955. An extremely versatile artist paint, creamy and smooth with a concentrated pigment load producing intense, pure color. This pre-filtered consistency ensures good coverage, even-leveling and superb results in a variety of applications and techniques. The new squeeze bottle design lets you get to every last drop of paint. The tapered nozzle has a choice of cut marks allowing you to control how you dispense your paint. Liquitex Professional Soft Body Acrylics are naturally creamy and fluid. That makes them just right for professional and decorative arts, stenciling, murals, silk-screening, calligraphy, printmaking, graphic design, sculpture, photo retouching, hard edged painting, watercolor techniques and much more Key Features: * Professional colors & sets * Soft Body Acrylics 2oz / 8oz / 32oz convenient squeeze bottles * 7 NEW Cadmium-Free Colors * Remarkably low shrinkage * Consistency ensures excellent coverage * Retains little or no brush strokes and knife marks * High pigment concentration yields intense colors * Intense color without opacifiers or fillers * Contain rich, pure pigments Perfect For: * Professional and decorative arts * Small and large works of art * Artwork requiring a wide range of colors * Mixed media applications * Stenciling, murals, silk-screening, calligraphy * Printmaking, graphic design, sculpture, photo retouching* Hard edged painting, watercolor techniques and much more * See More
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Raphaël Sepia Acrylic Flat Wash Brush #30Save Up to45%Off list…while at the same time respecting the gesture of acrylics. When using these brushes to establish painting backgrounds or to apply varnishes, you will immediately notice a professional feel and superior results to that of other acrylic brushes. Key Features: * Synthetic interlocked bristles… Precise, responsive, professional. Raphaël Sepia brushes feature synthetic, interlocked fibers, a short handle and a stainless steel ferrule. The arched shape and responsiveness of these fibers ensure an excellent response on the canvas and a more precise brushstroke, while at the same time respecting the gesture of acrylics. When using these brushes to establish painting backgrounds or to apply varnishes, you will immediately notice a professional feel and superior results to that of other acrylic brushes. Key Features: * Synthetic interlocked bristles * Fine and precise brushstrokes * Stainless steel ferrule * Short handle * Click on the yellow circle icon for brush dimensions Perfect For: * Acrylic and gesso application * Backgrounds and varnishes * Washes and broad strokes * Artists of any skill level See More
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Raphael Textura Acrylic Brush Flat Wash Brush #30Save Up to45%Off list…and ideal for acrylic painting. Key Features: * Extra-stiff synthetic fibers * Abundant springiness and strength * D-Brush, 2 brushes in 1 * Flat side firm and responsive * Rounded side soft and flexible * Interlocked, extra-white hog bristles * Naturally flagged ends hold paint well * Good shape… Brushes Made Specifically For Impasto! The Raphael Textura brushes feature short, extra-stiff, 100% synthetic fibers. Perfect for heavy-body acrylics and textured gel, these brushes are made for the impasto technique. Brush fibers have a noticeable springiness and strength during color application. Excitingly, Raphael has added a new brush shape to the Textura line. The new brush, named for its "D" shaped ferrule, has multiple uses. The convex side of the brush is soft and flexible, with a soft curve, while the flat side is firmer for a more responsive stroke. You can use the flat side of the brush to apply color and lay down your initial sketch. Once those shapes and lines are ready, you can use the soft domed side of the brush to blend and soften colors. With double-crimped ferrules, these brushes are durable and ideal for acrylic painting. Key Features: * Extra-stiff synthetic fibers * Abundant springiness and strength * D-Brush, 2 brushes in 1 * Flat side firm and responsive * Rounded side soft and flexible * Interlocked, extra-white hog bristles * Naturally flagged ends hold paint well * Good shape retention and stiffness Perfect For: * Heavy-body acrylic, impasto, and textured gel * Artists of any skill level * Laying down blocks of color * Initial sketching and impasto techniques * Softening edges and blending colors * Smoothing brush marks See More
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Raphaël Softacryl Acrylic Brush 280 Multimedia Flat Brush #30Save Up to60%Off listSoft, flexible, and a high paint load. The perfect brushes for acrylic applications! Raphaël SoftAcryl brushes feature soft, responsive synthetic bristles and stainless steel ferrules. Ideal for acrylics and gouache, these thick brushes capture a high paint load and allow for even application.… Soft, flexible, and a high paint load. The perfect brushes for acrylic applications! Raphaël SoftAcryl brushes feature soft, responsive synthetic bristles and stainless steel ferrules. Ideal for acrylics and gouache, these thick brushes capture a high paint load and allow for even application. You will immediately notice a professional feel and superior results to that of other acrylic brushes. Available in Round, Flat, XL Flat, Angular, Filbert and Multimedia Flat Wash brush types. SoftAcryl 861 Round Brushes - Feature short, synthetic bristles. Perfect for detail or line work and contouring. SoftAcryl 871 Flat Brushes - Feature responsive synthetic bristles. Perfect for background work and layering SoftAcryl 8713 XL Flat Brushes - Feature double length, responsive synthetic bristles. Perfect for textures and special effects SoftAcryl 8711 Angular Brushes - Feature responsive synthetic bristles. Perfect for downstroke and upstroke work, as well as decorative details SoftAcryl 8712 Filbert Brushes - Feature responsive synthetic bristles. Perfect for glazes, formation and finishing SoftAcryl 280 Multimedia Flat Brushes - Feature soft, responsive synthetic bristles. Perfect for washes, backgrounds and use with fluid acrylics, gouache and varnishes Key Features: * Soft, flexible, synthetic bristles * High paint load * Even application * Stainless steel ferrule Perfect For: * Fluid acrylics, gouache and varnish or glaze applications * Artists seeking responsive, supple synthetic brushes * Artists of any skill level See More
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Golden 8oz Gloss Color Pouring Mediums Set 5 Fluid Acrylic 1oz ColorsSave Up to47%Off list…Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most acrylic paints, although GOLDEN Fluid and High Flow Acrylic paints are most… GOLDEN Gloss & Matte Color Pouring Sets With Fluid Acrylics With a choice of either Gloss or Matte Color Pouring Medium and five Fluid Acrylic colors, these sets are a great starting point for artists. Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most acrylic paints, although GOLDEN Fluid and High Flow Acrylic paints are most suitable for pouring applications. CPM (Gloss) and (Matte) can be combined to create a range of sheens. Color Pouring Medium (Gloss) dries to a uniform smooth, glossy paint layer; Color Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing extender for pouring acrylic colors. The set includes an 8 oz. bottle of Colour Pouring Medium Gloss along with 1 oz. Fluid Acrylic Titanium White, Naphthol Red Light, Primary Yellow, Teal and Primary Cyan. GOLDEN Matte Pouring Medium Set* GOLDEN Colour Pouring Medium Matte is a leveling, low crazing extender for pouring acrylic colors, allowing artists to create pours with a velvety matte surface. The set includes an 8 oz. bottle of Color Pouring Medium Matte along with 1 oz. Fluid Acrylic Titanium White, Benzimidazolone Yellow Medium, Alizarin Crimson Hue, Prussian Blue Hue and Green Gold. GOLDEN Color Pouring Medium (Gloss) Features:* Resists “Crazing” (formation of crevices or valleys on an acrylic pour surface from uneven drying) better than other acrylic mediums* Dries to a glossy, flexible, and level finish with moderate clarity. Note: not intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up to 1/8” (3 mm)* Mixtures should be premixed and allowed to sit overnight before use, and may be stored for future use (in properly labeled, tightly sealed HDPE plastic containers)* Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium (Matte) Features:* Mixtures can be used immediately. Air bubbles should dissipate during drying* Resists crazing* Improves leveling of paint mixtures* Dries to a thin, smooth, matte finish* Uniquely suited for large color fields* As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* Mixable with Iridescent and Interference Colors for satin metallic effects* Mixtures may be stored for future use (in properly labeled, sealed HDPE plastic containers)* Color Pouring Medium (Matte) dries thinner than Color Pouring Medium (Gloss)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour,/lI> See More
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Raphaël Mixacryl Oil/Acrylic Brush Flat Wash #30Save Up to45%Off list…The interlocked assembly is perfect for heavy body acrylics and gives an excellent response on the canvas. Key Features:* Synthetic and natural fibers * Nickel plated ferrules* Spring and durability* Excellent paint load Perfect For:* Acrylic, oil and gesso* Artists of all skill levels* Easy to… Versatile Paint Brushes For Discerning Artists! Combining the strength and retention of a natural bristle with the spring and durability of synthetic fibers. The inclusion of synthetic fibers is perfect for impastos and relief effects with the color retention you expect from natural bristles. The interlocked assembly is perfect for heavy body acrylics and gives an excellent response on the canvas. Key Features:* Synthetic and natural fibers * Nickel plated ferrules* Spring and durability* Excellent paint load Perfect For:* Acrylic, oil and gesso* Artists of all skill levels* Easy to cleaning* Excellent response on the canvas See More
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Speedball Acrylic Screen Printing Ink 8 oz Jar - PeacockSave Up to50%Off listBlue Available in 19 brilliant opaque colors and process permanent acrylic colors. These inks are for use on paper, wood and cardboard. Easy clean-up with water. Colors available in 8 oz and 32 oz jars. 1 Gallon available in Black and White. See More
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Gamblin Artists Oil - Cadmium Red Light, 8oz CanSave Up to25%Off listRed Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Liquitex Gloss Acrylic Pouring Medium 8 ozSave Up to56%Off list…the painting can be varnished with a gloss varnish if a high gloss finish is desired. Slightly thicker than the original formula Iridescent and Matte Pouring Medium still produces pools, puddles, drips, and beautiful effects when mixed with Acrylic Inks or Soft Body Acrylics. Key Features:… Flowing applications of color without crazing or cracking Liquitex Pouring Medium creates even puddles, poured sheets, and flowing applications of color without crazing or cracking. The paint film dries without holding bubbles and retains its high gloss and wet appearance when dry. Iridescent Pouring Medium has the same high gloss finish, but with an iridescent shimmer. Matte Pouring Medium does not produce a high gloss sheen and is perfect for photography. After the artwork is photographed, the painting can be varnished with a gloss varnish if a high gloss finish is desired. Slightly thicker than the original formula Iridescent and Matte Pouring Medium still produces pools, puddles, drips, and beautiful effects when mixed with Acrylic Inks or Soft Body Acrylics. Key Features: * Gloss, iridescent, or matte * 8oz, 16oz, 32oz bottle, or gallon * Fluid texture and transparent opacity * Creates even “puddles” and flowing applications of color * Does not craze, crack, or hold bubbles once dry * Flexible, non-yellowing, and water-resistant when dry * Will not add transparency when mixed with color * Gloss and iridescent retains high gloss wet appearance once dry * Perfect For: * Liquitex Soft Body Acrylic Color * Acrylic Painters * Pouring painting techniques * Faux finishers * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Professionals and students * Teachers * An endless array of techniques Liquitex Pouring Mediums - How To Use Pouring Medium - Tips, Techniques & Projects Click Here for the Liquitex Pouring Medium Tips & Projects See More
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Golden Heavy Body Acrylic - Benzimidazolone Burnt Orange, 8 oz TubeSave Up to41%Off listOrange Golden Heavy Body Acrylic Paints - Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Gamblin Burnt Plate Oil #000 8oz BottleSave Up to48%Off listBrown True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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NYC Gigante Long Handle #30 Domed Sash Round Bristle BrushSave Up to70%Off list…you will love and enjoy to paint with these premium high quality brushes! Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints. High End Bristle Brushes Handmade by skilled artisans in Germany - Designed for all artists painting large scale Key Features:* Handmade… Stiffness Watercolors Acrylics Oils Premium brushes designed for all artists painting large scale - Handmade in Germany Handmade by skilled artisans in Germany the Gigante range of high quality hog bristle brushes compliments all your other high end bristle brushes. The basic assumption of the line is that most artists use regular size bristle brushes for most of their needs and that would include painting on a grand scale. They are not made just to be big but are made to work flawlessly. The long handle makes them a favorite of artists in the world all over. you will love and enjoy to paint with these premium high quality brushes! Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints. High End Bristle Brushes Handmade by skilled artisans in Germany - Designed for all artists painting large scale Key Features:* Handmade by skilled artisans in Germany* High quality hog bristle brushes* Available in 4 shapes* Angular, oval, flat mottlers & Domed sash round* Made to work flawlessly* Long handle professional brushes* Varnished beech wood handles* Nickel plated ferrule, a rust proof tin coating* Exceptional quality for the price* Note: Click on Yellow Icon Next to each product for more details* Perfect For:* Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints* Endless possibilities* All artists painting large scale* Complimenting all your other high end bristle brushes* Long handle makes them a favorite of artists* Covering a lot of area* Excellent control of your paint* FLAT MOTTLERS: Priming to painting to varnishing* OVAL MOTTLERS: Cutting in backgrounds, general painting, varnishing and large scale glazing There are four shapes to the Premium Gigante Brush line: ANGULAR MOTTLERS Sometimes artists look at this brush as if it is a specialty brush but it is not. It is used by some of the most famous artists of our time and a real tool for professional house and industrial painting. As you glance at the brush you will see one end has a hair length of 1.57" it then angles to 2" on the 2" wide brush and to 2.17" on the 3" wide brush. The shape allows artists and painters to curve their strokes. This is especially useful for cutting in basic shapes and to run the brush along a circular area. These brushes hold a lot of color and the tip of the brush is most useful for reaching smaller areas without having to switch brushes. You can cover a lot of area with this brush like all flat brushes. 2" brush is 13" long and the 3" is 13.6" long. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. OVAL MOTTLERS You'll immediately appreciate the natural flagged ends of these brushes that provide an excellent control of your paint. The oval shape is like an artists' filbert brush. Its intention is to allow for clean controlled strokes without flaring of the hair through the stroke. You can use this brush for cutting in backgrounds, general painting, varnishing and large scale glazing. FLAT MOTTLERS This brush is a workhorse of epic proportions and is one of the most beloved of all brushes used by artists that work large in scale. It has superior quality bristle hair with natural flagged ends to grip and release color with superb precision. It can be used flat or on its sides for various needs. The endless uses of this brush can't all be listed however it is ideal for almost all stages of a painting from priming to painting to varnishing. Use it with all your favorite media. Available in 2" wide with 2" long hair and a 12.7" length or 3" wide with 2" hair length and a 13.4" length. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. DOMED SASH ROUND BRUSHES The bushy round shape of the brush make it perfect for loading and creating long continuous soft edged linear strokes. The natural flagged ends and fullness of the hair allows it to cover large areas with ease. The brush works in unison with the other three shapes in this series and is a vital tool for a myriad of uses. This brush style has a history dating back to birth of artist brushes and has been the go to brush ever since. These brushes feature a long length which is instrumental to working large. It will be a brush you won't want to stop using. Available in 3 diameters: 20mm (.787") with a hair length of 43mm (1.7") and a total length with handle of 10.8", 25mm (1") with a hair length of 48mm (1.9") and a total length with handle of 11.2" and 30mm (1.18") with a hair length of 53mm (2.1") and a total length with handle of 11.8". With special nickel, encapsulated ferrule and long varnished beech wood handles. Clean and Care Recommendation: These brushes are made to be professional tools. For cleaning oil colors from brushes, we recommend Chelsea Classical Studios Lavender or Citrus brush cleaners. They not only will thoroughly clean the paint out of your brush but also will condition them to work flawlessly each time See More
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DecoArt Americana Chalky Finish Paint Smitten 8ozSave Up to39%Off listRed Give your vintage finds and discount treasures a modern bohemian distressed look with easy-to-use chalk paint! DecoArt Americana Chalky Finish Paint is a versatile chalk paint with an ultra-matte finish. Requiring no priming, sanding or complicated prep work, this chalky finish paint adheres to the slickest surfaces, and needs only one coat to achieve full coverage on most surfaces. This American-made, water-based paint is easier to distress than other chalk paints and cleanup is quick and easy. Dilute it to create a wash or mix any of the 43 available colors for a truly one of a kind piece of work! Key Features: * Ultra-matte finish available in 43 intermixable colors * One coat coverage with most colors on most surfaces * Adheres to slick surfaces and easy to distress * Water-based and easy to clean up Perfect For: * Refurbishing vintage furniture * Home decor DIYers * Distressing new furniture pieces * Mixed media artists See More
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Jacquard Acid Dye - Gold Ochre, 8 ozSave Up to10%Off listYellow Ideal for dyeing protein fibers such as wool, nylon, and silk! Jacquard Acid Dyes deliver the most vivid colors possible! Ideal for dyeing natural and artificial protein fibers such as wool, alpaca, silk, and nylon, acid dyes use citric acid and hot water to fix color permanently. Acid Dyes are perfect for yarn and garment dyeing (immersion method) or stamping and screen printing applications (steam set). You can mix the concentrated dye powders to create practically any color in the spectrum! Immersion-dyed fibers are exceptionally brilliant and won't bleed or fade with washing. Don't be scared by the name—the only acid required is the white vinegar or citric acid used in the dye bath. Acid dyes are forgiving and responsive to different techniques and methods. The more you experiment, the more you will discover! Key Features: * Concentrated powdered hot water dyes * Extremely brilliant and colorfast * Will not bleed or fade with washing * Produce uniform color during immersion dyeing Perfect For: * Dyeing wool, mohair, cashmere * Alpaca, silk, feathers, and nylon * Uniform immersion dyeing * Yarn, fiber, and fabric dyeing * Direct painting or printing applications * Steam setting Instructions and Color Mixing Chart See More
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Speedball Fabric Screen Printing Ink 8 oz Jar - WhiteSave Up to47%Off listWhite No offensive smell and cleans up with water! Screen printers of all ages and skill levels will love this exciting line of inks. Ideal for use on cotton, polyester, blends, linen, rayon and other synthetic fibers. Also works great on paper, and cardboard. (Do not use on nylon fabric). All colors are permanent on fabric when properly heat-set. Non-flammable, no solvents, and no offensive smell! AP Non-Toxic conforms to ASTM D-4236 standards. These inks can be used for screen printing or use a paintbrush. All colors clean up easily with water. Available in 8 oz and 32 oz jars. Key Features:* Non-toxic* Cleans up easily with water* Permanent on fabric when heat-set Perfect For:* Painting on fabric* Screen printing* Screen printers of all ages and skill levels Deluxe Sets Available with Exclusive Extras! Click on the item number to view the contents of each set. See More
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Gamblin Oil Painting Ground 8oz CanSave Up to25%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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The Art Sherpa Long Handle White Synthetic Bright Size 30Save Up to59%Off list…& End Set. 3 Brush set for Acrylic Painting. Contains a 2" Blending Brush, 1" Varnish Brush and Ruby Satin Monogram Liner Size 1. Best for Background painting, smooth varnish experience and sign with confidence. V27579 - The Beginner Painting Set. 6 Black Pearl brushes for Acrylic Painting. Contains… Silver Brush Limited® presents The Art Sherpa Brush Collection! The Art Sherpa™ has produced more content (over 400 videos) for beginning acrylic painting than any other artist online. Her followers, dubbed “Sherpettes,” are hungry for her products. These brushes are personally selected by The Art Sherpa™ YouTube artist, Cinnamon Cooney known as The Art Sherpa. Designed to accompany Cinnamon Cooney's The Art Sherpa painting series, Silver Brush Art Sherpa Brush Sets accommodate heavy body acrylic paints as well as fluid and soft body media. Choose the set that's right for you for creating backgrounds, blends, clouds, stars, fine lines, details, and much more. Several of the sets in the Silver Brush Art Sherpa line include trademarked Sherpa Brushes. Made from stiff, durable filament, these brushes hold a sharp knife edge and needle sharp points, for painting with authority! Key Features:* A variety of handpicked sets* Unique blend of filaments* Tested for superb use with acrylic paint* Easily accommodate heavy body acrylic paint* Fluid and soft body media* Feature amazing paint and tip control. * YouTube artist, Cinnamon Cooney, also known as The Art Sherpa* Click on the Yellow "T" icon next to product for more details V27578 - Beginning & End Set. 3 Brush set for Acrylic Painting. Contains a 2" Blending Brush, 1" Varnish Brush and Ruby Satin Monogram Liner Size 1. Best for Background painting, smooth varnish experience and sign with confidence. V27579 - The Beginner Painting Set. 6 Black Pearl brushes for Acrylic Painting. Contains Round #4, Bright #2, #4, #6, #8 & #10. Everything you need to start painting with The Art Sherpa. Perfect with soft & heavy body acrylic colors, ideal for blending and control, great value & quality. V27580 - Professional/Explorer Set (Multi Media). 6 professional Quality Silver brushes. Favorites personally selected by The Art Sherpa™. Contains Bristlon® Bright #10, Cambridge™ Bright #4 & #8, Ultra Mini® Shader #10/0, Ruby Satin® Bright #2 & #6. Professional fine art brushes for every technique. Ideal with soft & heavy body acrylic colors. V27581 - Portrait Set. 4 Black Pearl™ brushes for Acrylic painting. Contains Round #0, Filbert #2, #4, & #8. It's about the face - with 3 perfect filberts and a responsive round for fine lines. Strong for heavy body paint with spring for soft blends. V27582 - Detail Set. 6 Sterling Studio™ Detail brushes. Contains Round #3/0, #0 & #1, Bright #0 & #2, Liner #2/0. Perfect for fine lines and details. Makes grass, twigs, fur & hair easy. The secret weapon of beginner realism. V27583 - Galaxy Brush Set (Multi Media). 4 Unique Art Sherpa™ tools. Contains 2 Splatter Brushes, Silver Brush® Crystal™ Round #0 & Double End Dot Tool. The only brush set for galaxy stars, sand effects and water spray. Create amazing expressive effects. Dotting tool so you can paint the stars. The best tools for dispersed random splatter. V27584 - Cloud Set - MOST POPULAR (Multi Media). 3 Art Sherpa™ Cloud Brushes. Contains sizes #4, #6 & #8. Unique shape for easy beginner clouds. Extra firm filament for heavy body paint. Dream scumbling and rough texture brushing. V27585 - Art Sherpa™ Stencil Mini Set. Contains 3 Silver® Stencil Mini™ brushes #2, #4 & #6. Creates stencil, scumble, softening and blur effects. See More
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Da Vinci Casaneo Series 5598 New Wave Synthetic sz. 30 RoundSave Up to45%Off list…and acrylics, the da Vinci Casaneo brushes feature da Vinci's innovative synthetic "wavy fiber" that has an incredible water-holding capacity yet returns to its original shape better than any natural squirrel brush. Excellent for watercolors, gouache, acrylics, inks, silk painting, and calligraphy,… The Ultimate Synthetic Watermedia Brush! The number one choice for the Urban Sketching movement, watercolors, gouache, and acrylics, the da Vinci Casaneo brushes feature da Vinci's innovative synthetic "wavy fiber" that has an incredible water-holding capacity yet returns to its original shape better than any natural squirrel brush. Excellent for watercolors, gouache, acrylics, inks, silk painting, and calligraphy, these watercolor brushes are perfect for travel and painting en plein air. Each brush has a nickel-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. da Vinci Casaneo Synthetic Brushes are available in popular shapes and sizes including Round, Oval, Flat, Wash, Quill, Liner, and Mottler! Plus Many Convenient sets! Key Features: * Many Shapes, Sizes and Sets * Popular shapes & sizes: Round, Oval, Flat, Wash, Quill, Liner, and Mottler * Synthetic squirrel hair * Mimic the behavior of natural hair * Rust-resistant seamless ferrule * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Watercolors, gouache, and acrylics * Area work and washes * Travel and en-plein air painting * Superb brush response & control * Portraits and silk painting * Linework and design * Artist's seeking synthetic brushes * Students, teachers, professionals * Animal-friendly artists See More
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Silver Brush Ruby Satin® Synthetic Brush Series 2502S Short Handle Bright #30Save Up to35%Off list…brass ferrules * Deep green polished handles Perfect For: * Heavy body acrylic * Oils * Casein paints * Encaustic * Replacing expensive natural hair brushes * Working in traditional or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 – Size 8 Round,… Interlocked Synthetic hair provides a "bounce back" effect for painting! Ruby Satin is a revolutionary synthetic brush with the control and feel of interlocked bristle. They are even more durable than natural hair! Ruby Satin offers a vast choice for artists working in traditional or modern media. Ruby Satin has a precise snap and fine control and is designed to replace more expensive natural hair brushes. With Ruby Satin, artists experience superb color control with extra heavy bodied tube, or jar acrylics. It is also ideal for use with oils, encaustic or casein. Ruby Satin filaments are sealed and set in seamless nickel plated brass ferrules, then carefully fitted to deep green polished handles. Key Features: * Synthetic hair * Precise snap * Controlled feel of interlocked bristle * More durable than natural hair * Seamless nickel plated brass ferrules * Deep green polished handles Perfect For: * Heavy body acrylic * Oils * Casein paints * Encaustic * Replacing expensive natural hair brushes * Working in traditional or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 – Size 8 Round, 52169 – Size 4 Flat, 52170 – Size 6 Flat, 52175 – Size 4 Bright, 52177 – Size 8 Bright, 52181 – Size 4 Filbert, 52185 – Size 12 Filbert & a Bamboo Brush Holder See More
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M. Graham Walnut/Alkyd Oil Medium 8oz. BottleSave Up to40%Off listAugment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More
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First Impressions Spill Proof 8oz Painting Cups for Kids 10 PackSave Up to67%Off list…in sets of 10 with chubby wooden handles that are easy for small hands to hold. Just fill the colored pots with matching tempera or acrylic paint, dip in a corresponding brush, and let creativity run its course! Available individually in sets of 10 and in bulk packs of 240. Key Features:* Ten paint… Painting made easy for young artists! This fun range of art tools matches ten popular paint colors to corresponding paint cups and brushes, making color choices easy for your budding Botticelli! Each paint cup holds approximately 8 oz. of paint and has two lids: an inner cover with a tapered hole to dip a brush, reduce spilling, and an outer, color-coded air-tight cap to keep paint fresh between art sessions. Matching brushes come in either round or flat shapes, in sets of 10 with chubby wooden handles that are easy for small hands to hold. Just fill the colored pots with matching tempera or acrylic paint, dip in a corresponding brush, and let creativity run its course! Available individually in sets of 10 and in bulk packs of 240. Key Features:* Ten paint pots - 2 1/2" D x 3 1/2" H* Matching color caps* Double lids to reduce spilling * Chubby brushes with matching colored handles Perfect For:* Tempera or acrylics* Preschool and Elementary Classrooms* Keeping paints fresh* Your budding Botticelli! See More
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