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Plein Air Butterfly Ultra-Lightweight Oil Primed Linen PanelsSave Up to68%Off list…Ultra-Lightweight Oil Primed Linen Panels have an archival surface, super-lightweight boards weigh only a fraction as much as other panels or canvases, and the double-sided surface is beautifully suited to artwork in any media from pencils and watercolors to acrylics and oils! The base of the panel… Ultra-lightweight, double-sided plein air panels perfect for travel! Artists' favorites Creative Mark and Multimedia Artboard have joined forces in developing this innovative, versatile new painting surface ideal for any media in any painting location! Plein Air Butterfly Ultra-Lightweight Oil Primed Linen Panels have an archival surface, super-lightweight boards weigh only a fraction as much as other panels or canvases, and the double-sided surface is beautifully suited to artwork in any media from pencils and watercolors to acrylics and oils! The base of the panel is 1/32" thick Multimedia Artboard, mounted with professional grade oil primed Pissarro linen. Use the linen side for quick sketches or serious works in oils, and the Multimedia Artboard side for pencil or pen and ink drawings, watercolors, acrylics, location studies and more. There's no need to bring a huge assortment of painting surfaces out into the field just to keep up with your media choices: new Butterfly Panels have it all and weigh less - A pack of 10 weighs only 2 lbs! * Panel is 1/32" thick * Ultra-lightweight, double-sided panels * Mounted with professional grade oil primed Pissaro linen * Archival surface that accepts virtually any media * Multipurpose painting panels for any media! * Extremely lightweight and perfect for travel, only 1/32" thick * One side mounted with professional grade, oil primed Pissarro linen * Other side is Multimedia Artboard, great for graphite, watercolors, acrylics and more * Panels are acid-free and archival * Easily bring dozens of panels on plein air trips without being weighed down! * Ideal for sketches, studies, and finished art * The ultimate plein air painting panel! * See More
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Pro-Tones All-Media Toned Canvas PanelsSave Up to60%Off listTriple primed canvas panels available in four, non-reflective colors! The Pro-tones canvas panels and rolls by Paramount feature 11oz, triple-primed, cotton canvas with acid-free binding. They are available in 4 popular background tones: Seafoam, Sahara, Dune and Studio Grey. These tones allow… Triple primed canvas panels available in four, non-reflective colors! The Pro-tones canvas panels and rolls by Paramount feature 11oz, triple-primed, cotton canvas with acid-free binding. They are available in 4 popular background tones: Seafoam, Sahara, Dune and Studio Grey. These tones allow artists to see colors more accurately either inside or outside en plein air, because they create a softer and more forgiving background than the traditional white color. Their surface consists of an isolating layer, with three coats of primer. The Creator of the Original and Most Widely Used Color Toned Panels! Key Features: * 4 Non Reflective Colors: Seafoam, Sahara, Dune and Studio Grey * Triple-Primed - Create a softer and more forgiving background * Professional grade 11oz weight * Made of durable 100% Cotton Canvas * Acid-Free, archival-grade quality * Available in soft, non-reflective colors * Turned edge panels over MDF board * Colors: Seafoam, Sahara, Dune and Studio Grey Perfect For: * Professional quality canvas * Perfect for use en plein air or indoors * Perfect for painting with acrylics, oil colours, gouache and for use with pastels * Available in professional sized rolls, turned edge panels over MDF board * See More
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Pissarro Lightweight Oil Primed Plein Air Linen Panels 8" x 10" (Pack of 2)Save Up to63%Off listWhite Sturdy, Lightweight Oil Primed Linen Panels For Plein Air Painting! Pissarro Lightweight Oil Primed Linen Panels - 1/8" Deep are innovative Plein air painting panels that are the product of a collaboration between Creative Mark and Multimedia Artboard. Designed to be a lightweight alternative to cardboard and wood-mounted canvas panels, these unique boards are archival, acid-free, and of the highest quality! Made from a base of 1/8" thick Sintraâ„¢ foam core, they will not dent, warp or bend while painting. Mounted with the finest professional grade Pissarro oil primed linen, it is easy to pack a dozen in your supply bag, so no running out while in the field! Perfect for anything from quick oil color studies and sketches to complete finished works in oils, Plein air painting, and travel, Pissarro Oil Primed Plein Air Linen Panels are the ideal marriage of convenience and elegance! Key Features:* Lightweight alternative to cardboard and wood-mounted canvas panels* Archival and Acid-free* 1/8" thick Sintraâ„¢ foam core base* Will not dent, warp or bend while painting Perfect For:* Finished work in Oils* Plein Air painting* Lightweight for Travel* Quick oil studies, sketches to completed works See More
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Awagami Editioning Papers Sampler Pack of 20, 8" x 10"Save Up to24%Off listAssorted Colors Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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