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Stillman and Birn Premium Epsilon Hardbound Sketchbook - 8.25”x11.75” (62-Sheets)Save Up to20%Off listWhite Premium Hardcover & Wirebound Sketchbooks for Mixed Media Stillman & Birn Sketchbooks allow artists to choose the paper weight, shade, and surface type best suited for their specific media. Whether you prefer to work with wet media, dry media or both, these premium durable sketchbooks can withstand multiple erasures and a wide variety of applications. Artists can confidently experiment with new ideas and materials on papers that support the most demanding techniques. These sketchbooks are made with high-density heavyweight board that is resistant to warping and adds strength and stability to these sketchbooks Key Features:* High-performance, robust art papers* Acid-free, pH neutral, and lignin-free* Available in different sizes, in both hardbound and wirebound* Exceptional paper strength for wet media and layering of media* Paper manufactured in the Netherlands Perfect For:* Mixed media artwork* Art Journaling* Sketching, drawing and coloring with dry or wet media* Documenting ideas on the go* Creating bullet journals Stillman & Birn Hardcover & Wirebound Sketchbook Series: * Alpha Series - Heavyweight (150 gsm) / Medium grain surface / White / Dry media, light washes, ink * Beta Series - Extra heavyweight (270 gsm) / Cold press surface / White / Dry & wet media, watercolor, ink * Gamma Series - Heavyweight (150 gsm) / Medium grain surface / Ivory / Dry media, light washes, ink * Delta Series - Extra heavyweight (270 gsm) / Cold press surface / Ivory / Dry & wet media, watercolor, ink * Epsilon Series - Heavyweight (150 gsm) / Smooth surface / White / Pen & ink, dry media, light wash * Zeta Series - Extra heavyweight (270 gsm) / Smooth surface / White / Dry & wet media, watercolor and ink *Artwork by Artist Ivory Baker, using Schmincke Horadam gouache using an abrasive impasto technique. The artist reports "The methods I employ in my sketchbook work are very harsh on the paper to be able to cope well with the wetting, scratching and thicker paint without creasing, wrinkling and tearing." See more at the "On Paper" Blog: Click Here > See More
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Arches Cover Paper Roll, 42" x 10yd, White 300gsmSave Up to40%Off listPapers Made Specifically for Printmaking, Publishing & Silkscreening Arches Cover paper is a premier mouldmade 100% cotton fine art paper. This famous heavyweight Cover Paper is acid-free, and buffered specifically for printmaking and publishing. Arches Cover paper has a visible, slightly… Papers Made Specifically for Printmaking, Publishing & Silkscreening Arches Cover paper is a premier mouldmade 100% cotton fine art paper. This famous heavyweight Cover Paper is acid-free, and buffered specifically for printmaking and publishing. Arches Cover paper has a visible, slightly flattened grain, two deckle edges, and a registered watermark. An excellent choice for Printmaking and publishing, as well as drawing, embossing, foil stamping, lithography, intaglio, and silkscreening. Perfect for an archival cover for prints and antique documents. Arches Cover is 100% cotton fiber, pH neutral, acid-free, internally sized, and buffered. Mouldmade in France. Key Features:* Heavyweight, Mouldmade papers* 100% cotton fiber* Acid-free and pH neutral* Internally sized and buffered Perfect For:* Archival covers for prints and antique documents * Printmaking and publishing* Drawing, Silkscreening, Lithography, and more! See More
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Strathmore Paper Roll 300 Bristol Vellum 42"x10yd RollSave Up to33%Off list…stick. Paper weight is 70 lb.* 400 Series Watercolor- Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper- Medium weight, 100% recycled, acid-free sketch paper in… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing- Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol- Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor- Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper- Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough- A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum- Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth- Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond- Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing- Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch- Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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Rembrandt Pastel Paper Pad (50-Sheet) 120lb 8.3 x 11.7 Mystical BlueSave Up to25%Off listBlue A Huge Favorite With Soft Pastel Artists! Rembrandt Soft Pastel Paper Pad's offer the best surface for your soft pastel paintings. Each pad contains five sheets in six-light or six-dark colors with thirty acid-free sheets altogether. The 75 lb (160 gsm) high cotton content sheets feature a subtle tooth for attracting and holding onto pastel particles. Glue-bound into convenient pads Rembrandt Soft Pastel Paper Pads are ideal for soft pastel, charcoal, pencils, and chalk. The dark-colored pad includes Heather Grey, Warm Grey Light, Ice Blue, Warm Grey, Graphite, and Black. The light-colored pad includes Sunshine, Cream, Goldenrod, Steam Grey, White, and Bluish Grey. Key Features: * Light or Dark colored sheets * Five sheets in six different colors, 30 sheets per pad * Acid-free, 75 lb (160 gsm) paper * High cotton content * Subtle tooth for grabbing and holding pastel particles * Glue-bound into convenient pads Perfect For: * Professional pastel artists * Soft pastel, charcoal, pencils, and chalk * Illustrators, designers, fine arts * An endless array of techniques * Archival foundation for pastel and pencil See More
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Van Gogh Black Watercolor Paper Pad 140lb Cold Press 8.3x11.7inSave Up to20%Off listBlack Create stunning paintings on the black matte paper Van Gogh Black Watercolor Paper Pads provide the perfect surface for metallic and interference watercolors. You can create stunning paintings on the dark matte paper with acrylic inks, gouache, or colored pencils. Each pad includes twelve sheets of internally sized, acid-free, 140 lb (360 gsm), 100% cellulose cold-press paper with a fine grain texture. One side of each pad is glue-bound for easy sheet tear away. Key Features: * 12 sheets of Black paper * Cold press watercolor paper * Internally sized * 140 lb / 360gsm * Acid-free * 100% cellulose fine grain structure * Gummed glue top edge * Easy sheet tear away * No residue on the tope paper edge * Made in Italy Perfect For: * Creating impressive paintings on a dark background * Metallic, opaque, and interference colors * Watercolor, acrylic, and gouache * Colored pencil drawings * Pencil drawings * Lifting techniques * Other opaque media See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Fabriano EcoQua Notebook 8.3 x 11.7" Dot Grid Staple-Bound YellowSave Up to40%Off listYellow Environmentally-friendly recyclable paper, blank or dot grid pattern Made in Italy by Fabriano, these versatile notebooks are entirely recyclable and contain FSC-certified, chlorine-free, acid-free paper. Perfect for writing and drafting with pencils, ballpoint pens, fountain pens, and marker pens, each notebook contains multiple sheets of off-white 90 or 85 gsm paper. Available blank or in a dot grid pattern (0.5 cm squares). The glue-bound notebooks come with 90 sheets, while the spiral-bound notebooks contain 70 sheets of paper. EcoQua Notebooks are available in a variety of fashionable cover colors, including Raspberry, Black, and Stone. Key Features: * FSC-certified, chlorine-free, acid-free paper * Off-white paper with a 90 or 85 gsm weight * Blank or dot grid pattern (0.5 cm squares) * Glue-bound notebooks 90 sheets of 85 gsm paper * Spiral-bound notebooks contain 70 sheets * Staple-bound notebooks contain 40 pages * Fashionable cover colors * Made in Italy by Fabriano Perfect For: * Writing and drafting with pencils * Ballpoint pens and fountain pens * Marker pens * Recycling * Travel and studio work * Workshops and travel * Discerning students and amateurs See More
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Fabriano EcoQua+ Notebook 8.3 x 11.7" Dot Grid Stitch-Bound YellowSave Up to41%Off listYellow Quick-drying Bioprima paper, perfect for all types of writing! Plus hidden spiral notebook Fabriano EcoQua Plus Notebooks (Bioprima Paper) are high-quality notebooks designed for everyday use. Made in Italy by Fabriano, these versatile notebooks contain FSC-certified, chlorine-free, acid-free paper. The 90 gsm paper comes in either a grid or a dot grid pattern, perfect for writing down notes and ideas. Notebook spine options include stitched, glued, or spiral. The durable outside covers have a unique canvas-like texture and a scratch-resistant finish designed to withstand daily use. Journal with spiral hidden inside the cover; 70 pages, 2 types. The back cover is reinforced to allow you to write perfectly all the way to the last page. Cloth bound journals with sewn spines; 80 pages, 3 types. External strap matches the cover with a description of the product Glued pads with detachable sheets; 80 pages, 2 types. The back cover is reinforced to allow you to write perfectly all the way to the last page. External strap matches the cover with a description of the product. Key Features: * Bioprima 90gsm paper * Light ivory paper color is soft on the eyes * Squared dot grid or line grid layout * Glued, stitched, or spiral bound * Available in hardcover or softcover * FSC-certified, chlorine-free, acid-free paper * Production powered by renewable energy * Entirely made in Italy Perfect For: * Quick-drying, perfect for all types of writing, and the light ivory color is relaxing on the eyes. * Writing down notes and ideas * Drafting with pencils * Ballpoint, fountain, and marker pens * Work, travel, or school * Everyday studio use A5 and A4 Glued notebooks: Glued pads with detachable sheets; 80 pages. The back cover is reinforced so you can write on all of the pages, even the last one. The external strap matches the cover. Stitched notebooks: Journals with sewn spines; 80 pages. The external strap matches the cover. Hidden Spiral notebooks: The spiral is hidden inside the cover; 70 pages. The back cover is reinforced so you can write on all of the pages, even the last one. Fabric notebooks: Cloth bound journals with sewn spines; 80 pages. The external strap matches the cover color. What is Bioprima Paper? Bioprima Paper is high-quality paper, ideal for writing papers, corporate image and social communication, elegant monographs, de luxe publications, agendas and art reproductions See More
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Marabu Silhouette Stencil Three Birds 8.3x11.7 InSave Up to26%Off listBeautifully designed, re-usable negative stencils Marabu Silhouette Stencils are a line of intricate negative stencils, suitable for paper, canvas, wood, textiles and more. They make wonderful decorative details for fashion designs or mixed media applications. These stencils are made of laser-cut… Beautifully designed, re-usable negative stencils Marabu Silhouette Stencils are a line of intricate negative stencils, suitable for paper, canvas, wood, textiles and more. They make wonderful decorative details for fashion designs or mixed media applications. These stencils are made of laser-cut polyester and are re-usable, durable, easy to clean and PVC-free. These stencils combine well with other Marabu Creative products, particularly Marabu Fashion sprays for beautiful textile effects. Key Features: * Hard-wearing laser-cut polyester * Easy to clean with water * Re-usable * Available in 12x12 In, 8.3x11.7 In and 6x6 In sized designs Perfect For: * Stenciling on textiles, paper, wood and more * Fashion designs, scrapbooking, card-making, journaling, mixed media and more * Suitable for spraying, rolling, stippling & spatula application of all Marabu textile and acrylic paints See More
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