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Related Categories: Extra Large Stretched Canvas | Stretched Canvas 40x60" | 18x18 | 18x24 Canvas | 48x48 Stretched Canvas | 20x30 Canvas | Canvas 5x5" | 18x36 Canvas
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Art Alternatives Studio Classic Cotton Stretched CanvasSave Up to66%Off list…the canvas to 10 ounces. The all-media primed surface is suitable for acrylics, oil paints, and other wet or dry media. Each canvas is stretched around kiln-dried solid pine stretcher bars. Sizes twenty-four inches or longer have cross braces for additional support. Art Alternatives Studio canvases… 3/4" Deep - An All-Purpose Canvas Perfect For Wet Or Dry Media! Art Alternatives Classic Cotton Stretched Canvas is terrific for traditional painting and mixed media techniques. The unbleached 5oz. cotton duck is primed with acid-free acrylic titanium gesso, which brings the finished weight of the canvas to 10 ounces. The all-media primed surface is suitable for acrylics, oil paints, and other wet or dry media. Each canvas is stretched around kiln-dried solid pine stretcher bars. Sizes twenty-four inches or longer have cross braces for additional support. Art Alternatives Studio canvases have a 3/4" depth profile with paintable edges. Key Features: * 3/4" depth profile * Primed with acid-free acrylic titanium gesso * Unbleached cotton duck * 100% natural cotton * Stretched around kiln-dried solid pine stretcher bars * 10oz. primed weight * 5oz. raw weight before priming * Back stapled Perfect For: * Traditional painting and mixed media techniques * Oils, acrylics, and dry media * Spray painting, mixed media and craft projects * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation See More
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New Wave u.go™ Plein Air Wet Panel Carriers
Starting At: 110.95
…Dimensions: 13x2x16.5" * Weight: 4.75 pounds * Includes two u.go 1" Panel Reducer Tracks * Stores 4 standard thickness panels 0.20 or less, back-to-back, in the 2 tack systems * Common Sizes Held: 12x16" , 12x12", 11x14", 10x12", 10x10", 9x12" 8x10", and 6x12" * Panel Height: Holds 16" or less Stores 4 Standard Thickness Panels, Back-To-Back The u.go™ Plein Air Wet Panel Carrier offers a durable design to transport and carry wet painting panels safely. The rugged, waterproof exterior is made of solvent-resistant material to protect your wet paintings from the elements, while the rigid aluminum interior provides maximum protection. A track system inside the carrier allows you to fit different panel sizes. Carriers are available in both Large and Medium. Each carrier includes 2 u.go 1" Panel Reducer Tracks to carry panels of different widths. The Reducer Tracks can be placed in multiple positions within the central track system to hold your desired panel widths. Key Features: * Lightweight panel carrier design * Easy to adjust, shoulder strap * Waterproof and solvent-resistant exterior * Rigid aluminum frame for ultimate protection * Includes two u.go 1" Panel Reducer Tracks * Stores 4 standard thickness panels 0.20 or less, back-to-back, in the 2 tack systems * Made in the USA of U.S. and imported parts Perfect For: * Professional artists and students * Transporting wet painting panels * Holding multiple wet panels * Plein air traveling * Everyday studio use 2 Sizes Available Medium: * Exterior Dimensions: 10x2x12.5" * Weight: 3.10 pounds * Includes two u.go 1" Panel Reducer Tracks * Stores 4 standard thickness panels 0.20 or less, back-to-back, in the 2 tack systems * Common Sizes Held: 9x12", 8x10", 8x8", 9x6", 6x8", and 5x7" * Panel Height: Holds 10" or less Large: * Exterior Dimensions: 13x2x16.5" * Weight: 4.75 pounds * Includes two u.go 1" Panel Reducer Tracks * Stores 4 standard thickness panels 0.20 or less, back-to-back, in the 2 tack systems * Common Sizes Held: 12x16" , 12x12", 11x14", 10x12", 10x10", 9x12" 8x10", and 6x12" * Panel Height: Holds 16" or less See More -
American Easel Wood Painting Panels - 2-1/2" Extra DeepSave Up to26%Off list…Painting Panels! * Birch plywood painting panels on solid, 2-1/2" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted… Super deep, super sturdy square format wood panels! When you need the strongest support for your heaviest or most impressive artwork, new American Easel 2-1/2" Extra Deep Painting Panels are the perfect choice! Made from smoothly sanded birch plywood mounted on solid poplar wood cradles, these long-lasting and extra strong panels are ideal for works in encaustics, mixed media, found object art, oils, acrylics, collage, and so much more! Paint on the panels as is, or prime with virtually anything you choose, from gessoes and glues to pastel primers, mounted papers, synthetic sizing, modeling pastes — the possibilities are endless! Presentation is effortless as well: just paint the smooth cradle edges and hang, no frame needed! The Extra Deep 2-1/2" profile is available in the most popular square format sizes, which are great for creating diptychs, triptychs and series. Support your heaviest artwork — and USA-made products — with new American Easel 2-1/2" Extra Deep Wood Painting Panels! * Birch plywood painting panels on solid, 2-1/2" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Ideal for both detailed works and heavier art requiring a strong substrate * Available in popular, square format sizes * Made in the USA! See More
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American Easel 7/8" Deep Wood Painting PanelsSave Up to48%Off list…Easel are the ideal surface for any painter or multimedia artist! Painting on panels provides a benefit to the artist in that they are inflexible, stretch and warp resistant, and hence are perfect both for detailed work as well as found object and heavier art that requires a sturdy support. Though… Classic wood painting panels perfect for any media! Made from splinter-free birch plywood mounted onto sanded, 7/8" deep solid poplar cradles, these new wood painting panels from American Easel are the ideal surface for any painter or multimedia artist! Painting on panels provides a benefit to the artist in that they are inflexible, stretch and warp resistant, and hence are perfect both for detailed work as well as found object and heavier art that requires a sturdy support. Though they can be used as is for certain applications, these panels can be primed with virtually any ground, from standard gessoes to rabbit skin glue, pastel or encaustic ground, mounted papers and more! The smooth, slightly beveled cradle edges can also be painted, and all that's needed for display is a single nail and the panels hang flush to the wall: no frame needed! Available in a wide array of rectangular and square sizes with a 7/8" profile. Paint like the old masters on panels proudly crafted in the USA! * Birch plywood painting panels on solid poplar 7/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Ideal for both detailed works and heavier art requiring a strong substrate * Available in rectangular, square formats * Made in the USA! See More
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American Easel Wood Painting Panels - 1-5/8" DeepSave Up to46%Off list…artist! Proudly crafted in the USA from splinter-free birch plywood mounted onto sanded, 1-5/8" deep solid poplar cradles, these panels are stretch and warp-resistant. You can prime them with just about any ground, from traditional gesso and rabbit skin glue to synthetic sizing, pastel, or… Sturdy, cradled wood painting panels ideal for any artist! These new, all-wood painting panels from American Easel are the perfect surface for any painter or multimedia artist! Proudly crafted in the USA from splinter-free birch plywood mounted onto sanded, 1-5/8" deep solid poplar cradles, these panels are stretch and warp-resistant. You can prime them with just about any ground, from traditional gesso and rabbit skin glue to synthetic sizing, pastel, or encaustic grounds! Since the choice of priming is yours, so is the choice of media: use anything from watercolors, acrylics, and oils to egg tempera, encaustic, collage — even some sculptural effects on these strong and sturdy panels. With slightly beveled paintable cradle edges, a frame is not necessary. Just paint the edges and hang! The American Easel 1-5/8" Deep Painting Panels are available in a wide variety of rectangular and square sizes. Bring the tradition and versatility of wooden panels to your artwork with this new line from American Easel! Key Features: * Birch plywood on solid poplar 1-5/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as-is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Available in rectangular and square formats * Made in the USA! Perfect For: * Ideal for detailed works and heavier art requiring a durable substrate * Students, Teachers, Professionals * Mounting linen or canvas * Gallery presentations * Mounting sanded pastel or watercolor paper * Firm archival painting surface * Lightweight easy to hang * Acrylics, acryl gouache, pencil, collages See More
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Lascaux Acrylic Primer GessoSave Up to38%Off listA gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry… A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry Lascaux Acrylic Gesso has a pure white matt finish with a good tooth. The white ground is elastic, lightfast, and age resistant. Key Features: * Pure white matt, with good tooth * Elastic structure * Lightfast and age resistant * Rapid drying * Excellent adhesion * Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted 1:1 with water for the first coat. If desired after approx. 4 - 6 hours (according to the temperature), a second coat may be applied. Between the two coatings, uneven fibers and knots can be flattened with fine sandpaper. Coated fabrics can be rolled. On absorbent supports like paper, cardboard, and fibreboard Lascaux Gesso is applied diluted with 10 - 15% of water, as required. On wood or concrete, a preliminary coat of Lascaux Hydro Sealer diluted 1:4 with water is recommended. For the following coat of Lascaux Gesso, cut with 25% of water. Lascaux Gesso should not be used below the temperature of +46°F. Coverage: Approximately 50-100 ml/m2 per coat, depending on the support and application See More
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Awagami Japanese Handmade PapersSave Up to24%Off listOver 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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