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Related Categories: 18x18 | Extra Large Stretched Canvas | Stretcher Brace | 18x24 Canvas | 60x60 Canvas | 3" Deep Stretched Canvas | 20x40 Canvas | Stretched Canvas 40x60"
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Fredrix Pro Series Dixie Canvas Kit 36x96"Save Up to43%Off listWhite Fredrix PRO Dixie Canvas Kit- Create Your Own Canvas! With the Fredrix PRO Dixie Canvas Kit, stretching your own canvas has never been easier! This titanium primed heavy weight canvas is suitable for oils, acrylics and alkyds with a primed weight of 17-1/2oz and 1-3/8" deep stretcher bars. The Fredrix Clever Lever, included, cuts traditional stretching time in half. The stretched canvas has substantial tooth and is available in a variety of sizes. Pro Dixie Stretch-it-yourself canvas kit features our heavy weight 12oz acrylic unprimed canvas. Patent Pending Clever Lever eliminates the need for pliers. The specially grooved stretcher bars and corner braces allow the canvas to easily square which results in a tightly stretched canvas every time. Key Features: * Unprimed weight 12oz * Primed weight 17-1/2oz * 1-3/8" deep stretcher bars * Acrylic titanium primed cotton canvas * New corner brace design ensures easy and accurate square up * Primed in the USA! * Perfect For: * Stretching your own canvas * Saving on freight * Easy stretching See More
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Holbein Artist Acrylic 2L White Gesso (LL) X-CoarseSave Up to35%Off listWhite Professional quality gesso at an affordable price With Holbein Acrylic Gesso, you can prime your canvas with a Black, Clear, or White gesso. If you prefer a colored ground, you can mix acrylic paint with the white or clear gesso to create a custom ground. Holbein Gesso has fool-proof sealing properties and provides the right amount of tooth for raw canvas. Their white gesso is available in smooth, medium, coarse, and extra coarse textures so you can further customize your surface. Holbein's space-saving poly bags are better for the environment because they use less plastic than standard rigid bottles and result in less post-consumer waste. It's easy to pour the acrylic gesso out of the spout, and the bags don't take up lots of space in the studio. Holbein gesso adheres well to most surfaces, including paper, cloth, canvas, wood, stone, and primed metal. Overpaint it with acrylics, oils, or pastels. Try Holbein's professional Gesso today! Key Features: * Acrylic gesso dries to an ultra-matte finish * Thick, creamy, smooth consistency * Preparatory ground for raw canvas * Excellent sealing properties * Smooth, medium, coarse, and extra coarse texture * Environmentally friendly space-saving poly bags * Easy to pour spout * Made in Japan Perfect For: * Ground for acrylics, oils, or pastels * Most surfaces * Paper, cloth, canvas, wood, stone, and primed metal * Use as a painting texture medium * Creating a solid matte background * Adding texture to a painting * Impasto techniques Holbein White Gesso is available in the following textures: * Smooth (S): Smooth texture that is almost like an eggshell. * Medium (M): A regular matte surface. * Coarse (L): Fine sand texture. * Extra Coarse (LL): Rough sand texture. See More
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Fabriano Artistico Watercolor Block - 14"x20" Vegan Extra White, 140lb Hot Press (15 Sheets)Save Up to50%Off listWhite Master Quality Watercolor Papers That Will Stand The Test Of Time Fabriano Artistico Enhanced Watercolor Blocks now feature improved color lifting capabilities, increased surface resistance, and a vegan-friendly sizing! The paper is mold made of 100% cotton that is chlorine and acid-free, guaranteeing long conservation and stability over time. The paper is sized both internally and externally, making it ideally absorbent. Available in cold or hot press surfaces, the brilliant extra white paper is not bleached and is watermarked “FABRIANO+ARTISTICO” on the short side. Fabriano Artistico Enhanced Watercolor blocks are glued on all four sides and are high-quality watercolor papers to satisfy the demanding requirements of all professional artists. Made In Italy. The paper is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, and drawing. Key Features:* Extra White or Traditional White Paper Blocks* 100% cotton* 140lb / (300 gsm)* Chlorine-free, Acid-free* No bleach or optical brighteners* Mold-made in Italy* Watermarked* External and internal sizing* No animal by-products used in sizing* Guaranteeing long conservation and inalterability over time* Glued on all four sides* Perfect For:* Artists that want the best* Professional watercolorists* Watercolor, tempera, gouache* Acrylic, ink, charcoal, graphite, and drawing * Suitable for printmaking* All water media!* An endless array of techniques Fabriano Artistico uses cotton balls instead of stretched and beaten cotton fibers, as in other brands, for consistent and even water absorption across the surface. This construction also provides a more robust and durable surface that can take a lot of punishment, whether it be scrubbing, erasing, or any other standard watercolor technique. No animal by-products are used in the sizing. The internal and external sizing produces a more consistent, non-yellowing, non-smelling, more resilient non-scuffing surface with no blotchy spots. The paper also has an overall superior color-lifting response due to the sizing used. See More
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Awagami Papers 86gsm Masa (Bright White), 21" x 31" (Pack of 10)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Magnani 1404 Portofino Watercolor Block 140lb Hot Press - 14" x 20" (20 Sheets)Save Up to40%Off listWhite Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More
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