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Ampersand Claybord Flat 1/8" Art Tile - 1"x2" (Pack of 16)Save Up to41%Off listWhite The Biggest Movement In Art Is Very Small! Ampersand Claybord Art Tiles are perfect for all your creative projects! These phenomenal art tiles have a smooth, highly absorbent Kaolin clay surface and strong Hardbord™ backing perfect for collage, smear-free rubber stamping, miniature paintings, mixed media, magnets, jewelry, embellishments, and for mounting paper, or fabrics. Thin applications of paint or ink can be removed, reapplied, or scratched through to add contrast, texture, and exquisite details. Key Features: * Kaolin clay surface accepts a variety of media * Ultra-smooth and highly absorbent ground * 1/8" thick flat panels * Available in 5 mini sizes * "Mini" is on-trend * Artist Trading Card size available * Made in the USA Perfect For: * Inks, oils, acrylics, acrylic gouache, and mixed media * Mid-level to professional artists * Collage work and miniature paintings * Mounting paper or fabrics * Inks and as a scratchboard surface * Image transfers and as a printing surface * Additive and subtractive processes * Designing pendants or brooches See More
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Strathmore 500 Series Drawing Bristol Sheet Packs Plate 23" x 29" (4 Ply 25 Pack)Save Up to38%Off list500 Series Drawing Bristol - 100% Cotton Sheet Packs All sheets 23×29". Sold in 25 sheet packs.Made of pure white 100% cotton, characterized by its super stiffness and surface strength. Available in 4 weights. 1 Ply is used rather exclusively for drawing and while the 4 Ply is used for ink… 500 Series Drawing Bristol - 100% Cotton Sheet Packs All sheets 23×29". Sold in 25 sheet packs.Made of pure white 100% cotton, characterized by its super stiffness and surface strength. Available in 4 weights. 1 Ply is used rather exclusively for drawing and while the 4 Ply is used for ink illustration and painting. Available in three surfaces, Plate and Vellum and Semi-Smooth Sheet. The Vellum surface has a slight tooth and the Plate surface is silky smooth. Plate surface has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush and marker. Vellum surface has a toothy finish that is excellent for pencil, charcoal, pastel and oil pastel as well as pen, airbrush, and light washes Surface: Medium (Vellum)* 25 Sheet Packs* graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage* Vellum surface has a toothy finish that is excellent for pencil, charcoal, pastel and oil pastel as well as pen, airbrush, and light washes* 100% cotton fiber, acid-free Surface: Ultra-Smooth (Plate)* 25 Sheet Packs* graphite pencil, pen & ink, marker, mixed media and collage* Plate surface has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush and marker.* 100% cotton fiber, acid-free NOTE: 2-Ply Plate Surface Not recommended for traditional watercolor techniques. Weight: 106 lb.125 g/m2 / 25 sheets/pkg Surface: Medium / Ultra-Smooth (Plate) See More
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Yasutomo Kozo Art Paper 58 gsm 13-3/4" x 10-1/2" Sheet (Pack of 10)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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