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SoHo Urban Artist Colossal Sketch PadsSave Up to41%Off listTape-Bound Sketch Pads Perfect For Dry Media SoHo Colossal Sketch Pads are great for sketching out big ideas as well as important details. Each tape-bound pad has 100 sheets of 75 lb. paper with a lightweight cover, so it's easy to flip it open to a clean page and start drawing. The medium-weight,… Tape-Bound Sketch Pads Perfect For Dry Media SoHo Colossal Sketch Pads are great for sketching out big ideas as well as important details. Each tape-bound pad has 100 sheets of 75 lb. paper with a lightweight cover, so it's easy to flip it open to a clean page and start drawing. The medium-weight, fine-tooth paper is perfect for dry media like graphite, charcoal, colored pencil, and conté. Whether you are an art student, a seasoned artist, or a doodler, these Colossal Sketch Pads are perfect for all dry mediums and styles! Key Features: * 100 sheets, tape-bound * Soft white color * 75 lb. (110gsm) medium-weight paper * Acid-Free * Fine-tooth surface * Available in sizes 9x12", 11x14", and 18x24" Perfect For: * Graphite, charcoal, colored pencil, and conté * Practice sketching and drawing * Capturing a drawing or idea quickly * Seasoned artists and art students * Everyday studio use See More
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SoHo Urban Artist Drawing and Heavyweight Drawing PadsSave Up to55%Off list…erasing. Key Features: * Drawing 92 lb. (150gsm): 24 sheets per wire-bound pad * Heavyweight 135 lb. (220gsm): 50 sheets per wire-bound pad * Acid-free dual-sided paper * Micro-perforated sheets * Available in multiple sizes Perfect For: * Quick studies and fine drawings * Capturing fine details *… The Perfect Paper for Sketching and Illustration SoHo drawing paper is available in two weights, standard and heavyweight. The standard 92 lb. paper has a uniform surface that is ideal for working with graphite, charcoal, and colored pencil. While the heavyweight 135 lb. paper can be used with wet and dry sketch media. Artist drawing papers typically weigh between 80 and 100 lbs. Our SoHo papers are much thicker, and the quality is noticeable. With a SoHo pad, you can rework areas, make corrections, and erase aggressively, knowing the paper will hold up. Both drawing papers are acid-free and have an even surface for precise marks and clean erasing. Key Features: * Drawing 92 lb. (150gsm): 24 sheets per wire-bound pad * Heavyweight 135 lb. (220gsm): 50 sheets per wire-bound pad * Acid-free dual-sided paper * Micro-perforated sheets * Available in multiple sizes Perfect For: * Quick studies and fine drawings * Capturing fine details * Finished illustrations * Repeated erasing and reworking * Spontaneous creativity * Travel SoHo Drawing Pads Wire-Bound Softcover - Acid-free drawing paper perfect for use with dry media such as pencil, pen & ink, charcoal, and more! 92 lb (150gsm), wire-bound with 24 sheets per pad. SoHo Heavyweight Drawing Pads Wire-Bound Hardcover - Acid-free drawing paper perfect for use with graphite, colored pencil, charcoal, pen & ink, marker, soft pastel, oil pastel, and light washes of wet media. 135 lb (220gsm), wire-bound with 50 sheets per pad. Whether you are an art student, a seasoned artist, or just enjoy sketching, these SoHo Drawing Pads are perfect for all dry mediums and styles! See More
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Soho Urban Artist Bristol Paper PadsSave Up to57%Off listPerfect for highly detailed drawings and illustrations Our SoHo Bristol pad is a staple for any artist or art student. The smooth 100 lb. acid-free paper is perfect for graphite, colored pencil, charcoal, inks, marker, mixed media, and collage. Each glue-bound pad contains twenty sheets of 100 lb.… Perfect for highly detailed drawings and illustrations Our SoHo Bristol pad is a staple for any artist or art student. The smooth 100 lb. acid-free paper is perfect for graphite, colored pencil, charcoal, inks, marker, mixed media, and collage. Each glue-bound pad contains twenty sheets of 100 lb. (270gsm) bristol smooth paper ready for practice or finished drawings. Key Features: * 100 lb. (270gsm) smooth bristol paper * Acid-free dual-sided paper * 20 sheets glue-bound * Cover: 128gsm cardstock * Backing: 1.5mm grey board with matte lamination * Available in sizes 9x12", 11x14", 14x17", and 19x24" * Perfect For: * Creating fine detail drawings * Wet and dry media * Heavy markers * Ink and graphite * Finished illustrations * Spontaneous creativity * Travel See More
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SoHo Urban Artist Tracing Paper PadsSave Up to57%Off listTranslucent vellum paper ideal for tracing! SoHo Vellum Trace Pads are glue-bound pads of 50 sheets designed for clean sheet removal. The beautifully translucent 25 lb. (50gsm) paper is ideal for tracing existing drawings. Almost any drawing tool can be used on the paper surface, including graphite… Translucent vellum paper ideal for tracing! SoHo Vellum Trace Pads are glue-bound pads of 50 sheets designed for clean sheet removal. The beautifully translucent 25 lb. (50gsm) paper is ideal for tracing existing drawings. Almost any drawing tool can be used on the paper surface, including graphite pencils, colored pencils, markers, pens, and inks. SoHo Vellum Trace paper supports the most delicate details and holds up to lots of erasing. The lightweight tracing pads are perfect for designers, architects, and students because the vellum paper is durable and versatile. Key Features: * 50 sheets glue-bound * Translucent white 25 lb. (50gsm) vellum paper * Acid-free * Cover: 300gsm coated card stock * Backer board: 2mm grey board * Available in sizes 9x12", 11x14", 14x17", and 19x24" * Perfect For: * Drawing media and tracing needs * Graphite, colored pencil, marker, pen, and ink * Erasing with out worry * Designers, architects, and students * Capturing details * Everyday studio use See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking *… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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