Your Cart
SLI Search Template
Related Categories: 18x24 Canvas | Extra Large Stretched Canvas | Wood Panels | 24x36 Canvases | 12x18 Canvas | 12x24 Linen | 8x16 Panel | Canvas Sizes
-
The Edge All Media Pro Cotton Canvas, 10"x30" - 11/16" Deep (Box of 6)Save Up to83%Off listWhite Professional Stretched Canvas with Four Paintable Edges Superior Priming For The Best Overall Results! Long favored with oil and acrylic painters, The Edge All Media Cotton Canvas is known for its’ tuck-n-roll style construction, providing beautifully clean, painted edges. Featuring a lovely, medium-toothed surface, the beefy 14oz. primed weight makes for a sturdy surface for all painting styles, even mixed media (The 100% cotton surface is an 8oz. raw weight before priming). Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. Creative Mark’s professional-quality white acrylic primer helps maintain color richness and brilliancy, while providing excellent adhesion for paint. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Back spline stretched and stapled at each corner for durability, canvases can be wired for frameless presentation. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. Look for The Edge All Media Cotton Canvases in deeper depths for an even more striking presentation! Singles up to size 24x30in. Boxes of 6 All Sizes Please Note: Packaging may be labeled 3/4"; however actual canvas depth is 11/16". Key Features: * Available in: Single or Boxes of 6 * Beefy 14oz. primed weight * 8oz. raw weight before priming * 100% natural cotton * Triple-acrylic, archival priming * Medium tooth surface * Deluxe stretched canvas * Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materials Perfect For: * Oils, Alkyds, Acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! The Edge, Long Sizes, Why Long?As good as squares are they actually are used so often as there are few ways to do multi canvas expressions. There are diptych and triptych but not often used as long canvases are hard to find and so most often you have 2:3 ratio canvases. The Edge Long Canvas Sizes will go up 1:7 See More
-
Ampersand Museum Series Gessobord 2" Cradled Panel 10" x 30"Save Up to42%Off listWhite Gessobord™ The #1 Painting Panel for Oils and Acrylics It's true. Ampersand Museum Series Gessobord™ is the most trusted pre-gessoed wood panel by artists for their work. The superior, professional quality acrylic gesso ground does not dull colors, and the wonderful lightly sanded surface provides exceptional paint adhesion and brush control. The bright titanium white ground makes colors pop, or can easily be tinted with any ground color of choice. Just unwrap and paint, no additional priming needed! Choose from 1/8" Flat Panels, 3/4" Cradled, 1.5" and 2” Deep Cradled Panels, all made in the USA Made with Ampersand’s 1/8" True Artist Hardbord™ and Archiva-Seal™ technology, the surface is acid-free, non-yellowing, and archival. Perfect for all painting techniques with traditional and water-mixable oils, acrylics and acrylic gouache, and even brittle paints like Egg Tempera and Caseins! A delicate enough surface for glazing, fluid brush strokes, and tight detail, it is still tough enough to hold up to the most rigorous palette knife painting, collage, and mixed media applications. Only Ampersand builds their cradles by hand with premium grade 13-ply birch hardboard for maximum stability and a clean, finished look from edge to edge. Gessobord is manufactured from products that are sustainably forested, to ensure the protection of wildlife, plants, soil, and water. Panels are formaldehyde-free, and contain no harmful volatile organic compounds. The most trusted pre-gessoed wood panel by artists for their work. The #1 painting panel for oil & acrylics! Key Features: * Ready to use, pre-gessoed wood panel * 88% thicker gesso than other brands * Ideal for oil paints, acrylics, and mixed media * Lightly sanded surface provides exceptional brush control * Protected by Ampersand’s proprietary Archiva-Seal barrier technology, the most advanced formula for sealing wood * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly and fully made in the USA * Perfect For: * Oils, Acrylics, and Mixed Media * Brittle media like Caseins and Egg Tempera * Excellent for anything from fine brushwork to palette knife painting * Ideal for thin glazing, alla prima, and even impasto * Tough enough to hold the most rigorous pallet knife painting and collage * Plein air painting - 1/8” panels fit easily into pochade boxes * #1 painting panel for oil & acrylics! * 1/8” Flat Panels- perfect for plein air or studio painting; fit most standard rabbeted frames. * 3/4” Cradled Panels - offer more support for heavier weight media like collage, mixed media, or heavy texture applications; fit traditional canvas-style framing. * 1 1/2” Cradled Panels - can be used with all techniques and mediums, standard gallery depth sides can stand alone or frame with floater-style framing options. * 2” Deep Cradled Panels - offers maximum support and frameless presentation, all in one. See More
-
Ampersand Claybord Panel 2" Cradle - 10" x 30" (Box of 4)Save Up to43%Off listWhite Claybord™ The Ultimate Multi-Media Panel Museum Series Claybord™ is made using 1/8” Hardbord panels, featuring Ampersand’s simply amazing kaolin clay ground formula. This ultra-smooth sanded, highly absorbent clay ground is similar in paintability to the clay gesso grounds used during the Renaissance and allows paint colors to remain true and brilliant! While Claybord allows the use of traditional materials, tools, and techniques, it is also an ideal surface for mixed media and experimentation. Details can be added, highlights created, and mistakes corrected. Apply paint and ink using brushes, sponges, palette knives, paper towels, airbrush, technical pens, and painting tools. Claybord is also an excellent printing surface, and can also be used for image transfers. Key Features:* Acid-free, ultra-smooth, highly absorbent kaolin clay ground * Amazing with alcohol inks * Protected by Ampersand’s proprietary Archiva-Seal barrier technology, the most advanced formula for sealing wood * Cradles constructed using premium grade 13-ply birch plywood* Archival, eco-friendly and fully made in the USA* Perfect For:* Ink, graphite, acrylic, gouache, collage, egg tempera, airbrush, scratchboard, and more.* Ideal for image transfers and as a printing surface* Additive and subtractive processes with any artists tools* Surface ideal for brittle media like egg tempera and caseins * 1/8" Flat Panels - ideal for plein air and studio painting— slips easily into pochade boxes. Flat panels allow for standard framing. * 3/4" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 1-1/2" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 2" Deep Cradle Panels - for maximum support and frameless presentation, all in one. With Claybord, paints, and inks can be manipulated to vary tonal values, develop highlights, and correct mistakes. Various artist tools, such as Ampersand scratchboard tools, hobby knives, razor blades, etching tools, sand paper, oil-free steel wool, and electric erasers, can be used. Claybord's clay coating allows for the use of sgraffito techniques to cut into the surface and re-expose the white clay ground. The coating is 7 to 10 dry-mils thick, allowing for multiple cut-ins or erasers. The smooth finish and the absorbency of the clay ground allow the use of abrasives like oil-free steel wool or sand paper to remove pigment without damaging the finish. Ampersand & Golden High Flow Acrylics Smooth Sampler Value Pack - Ampersand and Golden Artist Colors have teamed up to introduce artists to the amazing synergistic possibilities that exist with our smooth panels and Golden's High Flow acrylics. Includes: * 9x12" 3/4" Ampersand Claybord * 9x12" 7/8" Artist Panel Primed Smooth * 1 oz Golden High Flow Acrylic Color - Green Gold * 1 oz Golden High Flow Acrylic Color - Indigo Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Claybord is archival, eco-friendly, formaldehyde-free, and made by hand in the USA. See More
-
Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field