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LUKAS Aquarell Watercolor Medium - Masking Fluid, 250 ml BottleSave Up to60%Off listProfessional Artist Watercolor Mediums Gum Arabic - Main binder medium for watercolors and gouache. May be used to create paints, or mixed with watercolors to increase gloss and transparency. Masking Fluid - Removable liquid frisket used to temporarily cover areas of paper and block paint.… Professional Artist Watercolor Mediums Gum Arabic - Main binder medium for watercolors and gouache. May be used to create paints, or mixed with watercolors to increase gloss and transparency. Masking Fluid - Removable liquid frisket used to temporarily cover areas of paper and block paint. Pre-testing fluid on certain papers is recommended. Can be used to create cloud and sky effects and more with it's temporary cover. Shellac Soap - Increase water resistance and create a buffer for other layers! Mix with watercolors to increase their water-resistance once dry. Wetting Agent (Ox Gall) - Liquid preparation medium for wetting painting surfaces; aids color flow. See More
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Old Holland Gumwater Arabic 250ml Bottle B1125Save Up to25%Off list…watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the finest quality and available in professional sizes. Key Features:* Medium for watercolors*… gives the paint greater transparency and brilliance Old Holland Arabic Gumwater Medium for watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the finest quality and available in professional sizes. Key Features:* Medium for watercolors* Binds to paper, board, canvas and woods* Greater transparency and brilliance* Made of pure gum* Dissolved in lukewarm water with glycerine See More
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Pebeo Colorex Watercolor Ink Light Green, 250mlSave Up to25%Off listGreen Color Mixing Inks - Bright, Velvety Finish! Ideal for cartoonists, designers, and tattoo artists, Pebeo Colorex Inks, (dye-based watercolor inks) are luminous and dry to a uniform velvety finish. The transparent dye-based inks are highly concentrated and can handle substantial dilution with water. Within the color ranges are three primary colors and one semi-permanent trichromatic black that is well suited for color-mixing. Colorex White is opaque and allows lightening and the creation of pastel tones. As with all inks, Colorex Ink is sensitive to ultraviolet rays. Ink paintings can be protected with a UV varnish to prevent extreme fading over time. Key Features: * 60 vivid, Dye-based watercolor inks * 3 sizes-45ml, 250ml, and 1 liter * Bright, velvety finish, and uniform solid colors * Dilute with water * Opaque white brightens colors * Semi-permanent trichromatic black * Sensitive to ultraviolet rays * Protect using a UV absorbent varnish * Eyedropper pipette attached to lid Perfect For: * Calligraphers, illustrators, and draftsmen * Cartoonists, designers, and tattoo artists * Airbrush, brush, or pen * Paper, Bristol board, canvas boards * Bringing out intense details * Measuring and mixing ease * Withstanding heavy dilution in water * Use with Graphic India Ink * Art schools See More
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Winsor & Newton Linseed Stand Oil Medium, 250ml BottleSave Up to43%Off list…oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss.… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Grafix Incredible White Mask Liquid Frisket, 8.5oz BottleSave Up to33%Off listHigh Quality Liquid Frisket Watercolor Medium Grafix Liquid Frisket is a high-quality liquid frisket perfect for watercolor masking. It dries to a neutral cream color that shows through dry paint. The "Dipstick" was the original applicator brush that Grafix developed to apply Liquid Frisket. The… High Quality Liquid Frisket Watercolor Medium Grafix Liquid Frisket is a high-quality liquid frisket perfect for watercolor masking. It dries to a neutral cream color that shows through dry paint. The "Dipstick" was the original applicator brush that Grafix developed to apply Liquid Frisket. The Grafix "Incredible Nib" is an improved version with unique fiber tips that stay firm when wet for greater precision and control. You can use the "Incredible Nib" to apply Liquid Frisket, as well as watercolor, acrylic, tempera, silk, and fabric paints. Nibs are easy to clean with soap and water. Key Features: * Liquid frisket watercolor medium * Water-based suspension of latex * Dries to a neutral cream color * Shows through dry paint * "Dipstick" or "Incredible Nib" applicator * Unique fiber tips stay firm when wet Perfect For: * Masking areas of a painting * Watercolor artists * Applying frisket masking fluid * Watercolor, acrylic, tempera, silk, and fabric paints * Students, teachers, and parents * Use in the classroom 8.5 oz Jar - Incredible White Mask is the highest quality latex liquid frisket mask you can buy. It has a tough film that is easily removed (we recommend using a rubber cement pick-up). The off-white color eliminates staining and is easy to see, unlike colorless products. Kit No. 1 - Contains an 8.5 oz jar of White Mask, an Incredible Nib, Liquid Frisket Removing tool, and a pamphlet. Kit No. 2 - with Dipstick - Contains a 2 oz jar of White Mask and a single-sided "Dipstick" applicator. Kit No. 3 - Contains a 4.5 oz jar of White Mask and the original incredible nib. Please note Liquid Frisket contains ammonia. See More
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Pebeo Latex-Free Drawing Gum 250ml JarSave Up to17%Off list…to as "frisket" Perfect For: * Inks * Watercolor * Gouache Original Pebeo Drawing Gum - The original natural latex formula is certified CL and should be used with caution. Original drawing gum can stay on your paper for a long time and should not rip your paper when removed. Please note the formula… Preserve the white paper or wash tones in your artwork! Drawing Gum is a peel-able rubber solution used to keep areas color free when using ink, watercolor, or gouache. It can be applied to your drawing or painting surface using a brush or a pen. The drawing gum solution dries gray. Pebeo Drawing Gum available in either a latex-free formula or the original latex recipe. Key Features: * Dry's within about 15 minutes * A resistant to preserve color * Often referred to as "frisket" Perfect For: * Inks * Watercolor * Gouache Original Pebeo Drawing Gum - The original natural latex formula is certified CL and should be used with caution. Original drawing gum can stay on your paper for a long time and should not rip your paper when removed. Please note the formula has a strong odor. Latex-Free Pebeo Drawing Gum - The no odor latex-free version of Pebeo Drawing Gum is certified as AP non-toxic. You should remove the drawing gum from your paper after a couple of weeks to avoid ripping the paper when the gum is removed. This drawing gum is perfect for those that are allergic to latex and sensitive to strong odors. See More
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Art Spectrum Colourfix Pastel Primer Jar 250 mlSave Up to33%Off listGrey This primer allows you to work in several layers with little to no fixing and allows the use of wet media such as oils, watercolors and acrylic colors for mixed media works. Colourfix primer is available separately and is the same used for priming the sheets. Use them to prime any paper or board or to cover unwanted passages or to "touch up" smudges or for reverse painting effects. Primers may be mixed to create unique hues. Clear Primer makes virtually any surface, even glass, a pastel surface and is excellent for experimenting allowing you to add pastels into your watercolors, acrylics or oil colors. Supertooth Pastel Primer available in Natural/Clear 250 ml Jar. See More
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Gamblin Artists' Oil Painting Mediums Neo-Megilp 8.5 ozSave Up to40%Off list…purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Old Holland New Masters Classic Acrylic Colors Cerulean Blue 250 mlSave Up to25%Off listBlue Highest pigment load acrylics with a 100% pure acrylic medium Designed to have little color shift from wet to dry, Old Holland New Masters Acrylics hold the maximum possible pigment content as well as look and feel of classic oils straight from the tube. In 1998, Old Holland’s chemists began research in the area of acrylic paint colors, with the goal to create an exceptional professional acrylic paint line that was worthy of carrying the Old Holland name. The project was dubbed "New Masters" as a long-held dream of the late owner Professor Theo de Beer, since Old Holland Oils were used by the old Dutch masters. He foresaw that the modern medium of acrylics would be used by the new masters of art. Key Features:* Full range of 168 colors* Highest pigment load* High impasto capabilities* Dries to a satin gloss* Oldest paint maker in the world!* Professional Acrylic Sets* All-Inclusive Deluxe Wood Box Set Perfect For:* Professional Acrylic Painters* Transitioning to acrylics from oils* Impasto painting to glazing* Feel of oil paints in an acrylic After testing more than 250 pigments and different mediums for the paints, they were incorporated into a series, irrespective of cost. Instead of the resins most of the major acrylics manufacturers incorporated into their products, Old Holland chose a 100% pure acrylic medium from a European manufacturer as the paint vehicle. More expensive than traditional popular resins, it gives New Masters Acrylics the same characteristics and texture of Old Holland’s Classic Oils. Utilizing traditional pigments like Genuine Manganese Blue, etc. to more modern lightfast anthraquinonoids and more, Old Holland produced acrylics that they tested with professional artists in various countries. By the end of 2005, the range of 168 colors was introduced, and consisted of opaque and transparent lightfast colors that were free of additives and fillers. Drying to a satin gloss, they can be used for a wide range of techniques from thick impasto to ultra-thin glazing. With an extensive selection of metallics, pearlescent, iridescent, and interference colors that are extremely lightfast, the high doses of pigment in the patented binding system ensure each color displays the unique characteristics of the individual pigment. Try the simple starter New Masters Set of 6, or spring for the Deluxe Wood Box Set — the perfect transition for the professional oil painter to the medium of acrylic painting — and fall in love! New Masters Acrylic Set of 6 - Includes six 60ml tubes of Titanium White, Azo Yellow Light, Naphthol Vermillion, Quinacridone Fuschia, Ultramarine Blue, and Phthalo Blue. New Masters Acrylic Deluxe Wood Box Set - Deluxe Italian Mabef Wood Sketch Box contains thirty 60ml tubes of Old Holland New Masters Acrylic Colors, three brushes, and a wood palette. See tech notes for complete set contents. See More
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