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Fabriano Medioevalis Envelopes - 2-3/4"x4" (Box of 100)Save Up to32%Off list…Envelopes - Design & decorate your own cards and envelopes This stationery is the jewel of Italian paper making. Made on slow rotating mould machines and impeccably crafted out of the finest paper pulp in 260 gram weight folded cards and 120 gram weight envelopes. For card creations in a wide… Blank Deckled Stationery Cards & Envelopes - Design & decorate your own cards and envelopes This stationery is the jewel of Italian paper making. Made on slow rotating mould machines and impeccably crafted out of the finest paper pulp in 260 gram weight folded cards and 120 gram weight envelopes. For card creations in a wide variety of media. Fabriano Medioevalis Stationery Cards & Envelopes are a complete range of elegant blank cards and envelopes, illustrating Fabriano's enduring tradition of timelessness and quality. Fabriano Medioevalis brings distinctive Italian style and grace to personalized invitations, greeting cards and announcements for all occasions. Perfect surface for pen, pencil, charcoal, pastel, stamping, rubbings, stenciling, printmaking, letterpress, and inkjet printing. Fabriano Medioevalis Stationery Cards, Envelopes and Box Sets Key Features:* Soft white mould-made paper with deckle edges* Card weight is 260 gsm / Envelope weight is 120 gsm.* Distinctive Italian style* Crafted in Italy by the Fabriano mill* Luxurious soft feel* Available In: Blank Cards, Envelopes & Box Sets of Both* Impeccably crafted out of the finest paper pulp Perfect For:* Personalized invitations* Greeting cards* Announcements* For all occasions* Quick notes* Heartfelt thank you Fabriano's best-selling Medioevalis sizes are now available in combined card and envelope sets! See More
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Bee Paper Co-Mo 86lb Sketch Paper Pad 9X9Save Up to32%Off listWhite A heavyweight recycled Co-Mo sketch is a hard, clean sheet with excellent erasing qualities. Accepts light use of wet media well. Key Features: * Acid free * 86lb. (140 g/m2) * Natural white color * Double sized texture surface * Available in double wire bound pads (30 sheets) and rolls * Micro-perforated sheets Perfect For: * Pencil, pen & ink * Crayon, chalk & charcoal * Light washes See More
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Bee Paper 9X9in Super Deluxe Mixed Media Spiral Pad #808Save Up to31%Off listWhite The Only Super Deluxe Sketchbook You Will Ever Need! Created especially for mixed media artists, the Bee Paper Aquabee #808 Super Deluxe Mixed Media Paper Pads are well suited for dry and wet media. The heavyweight 93 lb. (150 gsm), neutral pH drawing paper has two distinct surfaces. The top side of the sheet has the tooth for dry media and works well as a cold pressed watercolor sheet. The bottom side is fabulous with pen and ink and works well as a hot pressed sheet for watercolor and other mixed media. Each sheet of paper is internally and externally sized. The double wire binding creates a flat surface, allowing the artist to draw across the page. The water-resistant cover can be personalized with acrylic paint. The back of the pad features an extra heavyweight 100% recycled chipboard that is perfect for field work. The natural white paper is acid-free and is available in 8 different spiral-bound pad sizes or a 36 In X 5 Yard roll. Key Features: * 93 lb. (150 gsm) * Water-resistant cover * Neutral pH drawing paper * Neutral white sheets * Assorted Sizes: 50 or 60 sheets (see pad info) * See Also: 36" x 5 yard roll * Acid-free * Internally and externally sized * Two distinct surfaces textures * Super deluxe mixed media pads #808 Perfect For: * Dry and wet media * Watercolor painting * Pen and Ink * Mixed-media journal * Field work See More
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Awagami Papers Okawara (51GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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