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Bee Paper Pen Sketcher 70lb Paper Pad 8.5X8.5Save Up to39%Off listWhite The Perfect Paper for Detail Work Created especially for those who sketch with a pen, the Bee Paper Pen Sketcher Pad is well suited for detail work. The smooth textured heavyweight sketch paper takes pencil, ballpoint, ink, and illustration markers very well. The natural white paper is acid-free and is available in four different spiral-bound pad sizes. The 5½" × 8½" size is bound on the short side in a landscape orientation. The 8½" × 11" and the 3½" × 5½" sizes are bound in a portrait orientation. Each Bee Paper Sketcher Pad contains 50 sheets of 70 lb (114 gsm) paper. Key Features:* 70lb (114 gms)* Each book contains 50 sheets* Acid-Free* Smooth textured heavyweight paper Perfect For:* Pen and ink* Detail work * Pencil, ballpoint ink, Micron pens* Illustration Markers See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Pepin 1920's Avante-Garde Origami BookSave Up to11%Off listOrigami Paper For The Fine Artist Origami is the more than a thousand-year-old Japanese art of paper folding. In the 19th century, paper folding also became popular in Europe and now it is loved all over the world. Origami is often meant to be decorative, but it can be practical as well: envelopes,… Origami Paper For The Fine Artist Origami is the more than a thousand-year-old Japanese art of paper folding. In the 19th century, paper folding also became popular in Europe and now it is loved all over the world. Origami is often meant to be decorative, but it can be practical as well: envelopes, folders, and boxes can be created by simply folding a sheet of paper in the right way. The possibilities are endless, ranging from simple shapes for children to play with to very intricate structures. The PEPIN Origami books are full of exceptional pattern designs from around the world. Each book contains 96 sheets of beautifully designed origami paper. The Avant-Garde, Art Deco, Japanese and Chinese patterns are printed on 8.5 x 8.5" inch paper sheets with soy-based ink. Each origami book contains 12 unique designs and each pattern has its own 8-page section in the book. The thickness of the paper is specifically designed for the crisp, sharp folds that are needed for origami. The PEPIN Origami books contain folding diagrams and are the perfect companion for learning the art of Japanese paper folding. Key Features:* Unique pattern designs* Each book contains 96 sheets* 8.5 x 8.5" inch sheets* 12 pattern designs per book* Printed with soy-based ink Perfect For:* Origami* Learning the art of Japanese paper folding See More
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