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Rembrandt Watercolor Hardbound Journal Cold-Press (30-Sheets) 90lb 8.2 x 11.6Save Up to20%Off listWhite Expertly Bound Journals With Premium Acid-Free Paper! Rembrandt Hardbound Watercolor Journals meet the requirements of professional artists. Each bound journal has a hardcover and contains high-quality paper made of 25% cotton and the best lignin-free cellulose. The 90lb (200 gsm) paper is acid-free, PH-neutral, and buffered to guarantee durability. Internal sizing, along with unique surface sizing, ensures perfect water absorption and optimal color lifting. The paper’s medium grain texture is equal to a soft cold-press surface and is ideal for media such as watercolor, gouache, acrylic, ink, charcoal, and pencil. Key Features: * Medium grain, soft cold-press texture * Acid-free, PH-neutral, and buffered * 30 sheets * 25% cotton + lignin-free cellulose * 90lb, 200 gsm weight * Internal and surface sizing * Hardcover bound * Paper from responsible sources * Made in Italy Perfect For: * Journal sketchbook * Wet and dry media * Watercolor, gouache, acrylic, and ink * Charcoal and pencil * Optimal color lifting * Professional artists * Colored pencil * Lightweight and portable * Travel or Plein air sketching See More
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Asagami Art Paper Sheet 43gsm, 5"x10" (20 Sheets)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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