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Bee Paper Rag Watercolor Roll 140lb Cold Press 36in X 5ydSave Up to33%Off listWhite 100% cotton, acid free, cold pressed watercolor paper! Bee Rag Cold-Pressed Watercolor Paper is archival and made of 100% cotton. The 100% cotton, acid free, cold pressed watercolor sheets are an excellent value. Each Bee Rag Watercolor sheet and roll is milled in Europe. The versatile watercolor paper adapts to a variety of watercolor techniques. The rough surface is properly sized for maximum wet strength. An often overlooked aspect of Bee watercolor paper is its ability to accept an incredible range of mixed media, both wet and dry. Key Features:* 100% Cotton* Acid free* 140lb. (300 g/m2)* Natural white color* Cold press texture* Milled in Europe Perfect For:* Watercolor, gouache* Pencil, pen & marker* Crayon, charcoal, & pastel See More
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Arches Cover Paper 29" x 41", White - Pack of 25 sheetsSave Up to40%Off listWhite Papers Made Specifically for Printmaking, Publishing & Silkscreening Arches Cover paper is a premier mouldmade 100% cotton fine art paper. This famous heavyweight Cover Paper is acid-free, and buffered specifically for printmaking and publishing. Arches Cover paper has a visible, slightly flattened grain, two deckle edges, and a registered watermark. An excellent choice for Printmaking and publishing, as well as drawing, embossing, foil stamping, lithography, intaglio, and silkscreening. Perfect for an archival cover for prints and antique documents. Arches Cover is 100% cotton fiber, pH neutral, acid-free, internally sized, and buffered. Mouldmade in France. Key Features:* Heavyweight, Mouldmade papers* 100% cotton fiber* Acid-free and pH neutral* Internally sized and buffered Perfect For:* Archival covers for prints and antique documents * Printmaking and publishing* Drawing, Silkscreening, Lithography, and more! See More
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Bee Paper Super Deluxe Mixed Media Roll 36in x 5yd #808Save Up to31%Off listWhite The Only Super Deluxe Sketchbook You Will Ever Need! Created especially for mixed media artists, the Bee Paper Aquabee #808 Super Deluxe Mixed Media Paper Pads are well suited for dry and wet media. The heavyweight 93 lb. (150 gsm), neutral pH drawing paper has two distinct surfaces. The top side of the sheet has the tooth for dry media and works well as a cold pressed watercolor sheet. The bottom side is fabulous with pen and ink and works well as a hot pressed sheet for watercolor and other mixed media. Each sheet of paper is internally and externally sized. The double wire binding creates a flat surface, allowing the artist to draw across the page. The water-resistant cover can be personalized with acrylic paint. The back of the pad features an extra heavyweight 100% recycled chipboard that is perfect for field work. The natural white paper is acid-free and is available in 8 different spiral-bound pad sizes or a 36 In X 5 Yard roll. Key Features: * 93 lb. (150 gsm) * Water-resistant cover * Neutral pH drawing paper * Neutral white sheets * Assorted Sizes: 50 or 60 sheets (see pad info) * See Also: 36" x 5 yard roll * Acid-free * Internally and externally sized * Two distinct surfaces textures * Super deluxe mixed media pads #808 Perfect For: * Dry and wet media * Watercolor painting * Pen and Ink * Mixed-media journal * Field work See More
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Bee Paper #814 Rag (25%) 160lb Drawing Roll 36in X 5ydSave Up to25%Off listWhite The Perfect Paper for Large Scale Drawing Created especially for those who draw large scale, the Bee Paper #814 Rag Drawing Rolls are well suited for preliminary and final work. The 160 lb. (260gsm), archival quality, heavyweight drawing paper is perfect for pencil, pen, colored pencil, charcoal, pastel, and light use of wet media. The Bee Rag Drawing paper has a twenty-five percent cotton rag content and will take watercolor as well as dry media. The neutral PH paper is acid-free and is available in a 36" x 5-yard roll for large-scale drawings. Key Features:* 160 lb. (260 gms)* 36 inches x 5 yards of paper* Acid-Free* Pronounced texture heavyweight paper* 25% cotton rag content Perfect For:* Dry and some wet media* Large-scale work* Pencil, ballpoint ink, charcoal* Pastel* Light watercolor washes See More
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BFK Rives Printmaking Papers White, 29" x 41" 270gsm (10 Sheets)Save Up to50%Off listWhite Professional 100% cotton and no optical brightening agents Arches BFK Rives Printmaking paper is mould-made in France and has a smooth, absorbent surface. Soft, yet with enough body and substance to give good support to the print. It is half sized to give a good balance between good ink absorption and ink holdout. Acid-free and buffered. White has 4 deckle edges, Cream has 3 deckle edges. Rives BFK Paper is made of 100% cotton, are soft-sized, and buffered. Rives is perfectly suited for lithography, intaglio, screen printing, relief printing, linocut, collotype, and drawing. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). 100% cotton – Made on a cylinder mould Key Features: * Composition: 100% cotton – Made on a cylinder mould * Grammages: 250, 270, 280gsm * Texture: Cold Pressed- light fine grain with a smooth surface * Colors: white, cream, grey, tan and black * Edges (sheet): 4 deckle edges * Watermark (sheet): "BFK Rives® France" * Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) * Uses: lithography, intaglio engraving, letterpress, screen-printing, blind embossing, gold tooling, linocut, gravure process, calligraphy drawing * Free of any optical brighteners (OBAs) See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Williamsburg Extender Medium, 150ml TubeSave Up to30%Off list…to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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Gamblin Solvent-Free Gel Oil Medium 150ml TubeSave Up to48%Off list…purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Clearprint 1000H Design Vellum Transparent 10x10 Grid 36" x 5 yd RollSave Up to49%Off listThe worlds most popular paper for drafting, tracing and drawing! Clearprint 1000H Vellum Rolls are made of 100% cotton and are made transparent without the use of solvents. They produce a crisp translucent quality paper for tracing, drawing or drafting, while maintaining a true archival quality.… The worlds most popular paper for drafting, tracing and drawing! Clearprint 1000H Vellum Rolls are made of 100% cotton and are made transparent without the use of solvents. They produce a crisp translucent quality paper for tracing, drawing or drafting, while maintaining a true archival quality. Both the gridded and plain vellum options are part of the 1000H Series! Key Features:* 16lb vellum* 100% cotton* Translucent paper* Available in yard rolls Perfect For:* Drafting and tracing* Illustrators and engineers* Pen and pencil drawing* Making sketches to scale See More
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Rembrandt Extra-Fine Artists' Oil - Titanium White, 150ml TubeSave Up to25%Off listWhite The Professional's Choice - pure and intense colors Royal Talens makes Rembrandt Oil Paints with only the best raw materials. The professional artists' oils are lightfast, and all colors are rated for 100 + years in museum conditions. They grind the pigments extra fine on a three-roll mill. That's why Rembrandt oil paints have such a rich buttery feel. Royal Talens crafts each color with the same handling properties, dry time, and sheen, regardless of pigment. This formula allows you to work quickly with less mediums in most cases. Out of the 120 colors in the range, Rembrandt's transparent earth colors are the most famous. Many professional artists rank these colors as essential because of their breathtaking transparency and brilliance. Key Features: * 120 colors * 40ml & 150ml tubes * Linseed or safflower seed oil binder * Extra Fine pigment grind * High degree of lightfastness * Incredibly strong tinting strength * Harmonious handling properties * Highest pigment load * Made in Holland Perfect For: * Extra fine quality * Very pure and intense colors * Optimal color strength with very high pigment concentration * Complete range of 120 colors * Buttery feel * Noticeable brilliance and color intensity * The new well-balanced selection of 120 colors has traditional and contemporary tones. This range includes extremely lightfast permanent yellows, reds, ultramarine greens, and modern metal colors. Plus, a full complement of transparent glaze colors like Quinacridone Rose and opaque colors like Nickel Titanium Yellow add depth and interest. The four madder shades are perfect for artists seeking a range of permanent Alizarin Crimson shades. Deluxe Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. See More
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Williamsburg Handmade Oil Paint - Italian Yellow Ochre, 150ml TubeSave Up to30%Off listYellow Handmade Master Quality Oil Paints - Manufactured In The U.S.A! Getting the proper pigment is just the beginning! So much of the quality of oil paint is in the grinding. Each color is ground to enhance the beauty and luminosity specific to that particular pigment. Some colors by nature will feel slightly gritty, others extremely smooth. For instance, Cerulean Blue will have a beautiful velvet, light-absorbing surface with an extremely strong covering power; Siennas, by comparison, are often chunky or gritty to allow light to travel through the vehicle, exposing rich golden or mahogany undertow instead of just heavy, dull browns. Pigments are ground in pure alkali-refined, ph balanced linseed oil, and made in batches no larger than 5 gallons at a time. This gives total control over the paint, much like late 19th-century French color makers. All materials are hand measured, and every ounce of paint is scrutinized. Williamsburg Handmade Oil Colors are then packaged in 37ml and 150ml non-reactive aluminum tubes. Williamsburg Handmade Oil Colors are used by the world’s finest artists, whose works can be found at the Metropolitan Museum of Art and MOMA in New York City, the National Gallery of Art in Washington, D.C., and the Beaubourg in Paris. Key Features:* Professional, Handmade Oil Colors* Incredibly pigment rich paint* Dense buttery texture* Extensive Cobalt & Cadmium Colors* Large assortment of Earth Colors* Oil color line of 178 colors!* 37ml & 150ml Tubes* 237ml & 473ml Cans* Perfect For:* Professional Oil Painters* Discerning students & amateurs* Artists favoring Old Masters materials* Enthusiasts of handmade oil paints* Producing museum-quality artworks See More
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