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Fabriano Medioevalis Stationery Short Folded Blank Cards - 4-1/2"x6-3/4" (Box of 100)Save Up to32%Off list…Envelopes - Design & decorate your own cards and envelopes This stationery is the jewel of Italian paper making. Made on slow rotating mould machines and impeccably crafted out of the finest paper pulp in 260 gram weight folded cards and 120 gram weight envelopes. For card creations in a wide… Blank Deckled Stationery Cards & Envelopes - Design & decorate your own cards and envelopes This stationery is the jewel of Italian paper making. Made on slow rotating mould machines and impeccably crafted out of the finest paper pulp in 260 gram weight folded cards and 120 gram weight envelopes. For card creations in a wide variety of media. Fabriano Medioevalis Stationery Cards & Envelopes are a complete range of elegant blank cards and envelopes, illustrating Fabriano's enduring tradition of timelessness and quality. Fabriano Medioevalis brings distinctive Italian style and grace to personalized invitations, greeting cards and announcements for all occasions. Perfect surface for pen, pencil, charcoal, pastel, stamping, rubbings, stenciling, printmaking, letterpress, and inkjet printing. Fabriano Medioevalis Stationery Cards, Envelopes and Box Sets Key Features:* Soft white mould-made paper with deckle edges* Card weight is 260 gsm / Envelope weight is 120 gsm.* Distinctive Italian style* Crafted in Italy by the Fabriano mill* Luxurious soft feel* Available In: Blank Cards, Envelopes & Box Sets of Both* Impeccably crafted out of the finest paper pulp Perfect For:* Personalized invitations* Greeting cards* Announcements* For all occasions* Quick notes* Heartfelt thank you Fabriano's best-selling Medioevalis sizes are now available in combined card and envelope sets! See More
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Global Arts Premier Sanded Paper 320 Grit Italian Clay Sanded Paper Sheets 5 Pack 26x40"Save Up to39%Off list…Archival Quality Pastel Paper Made From 100% Cotton! Global Art Pastel Premier Sanded Paper is double primed and coated with aluminum oxide to produce the perfect surface for pastel and other dry media use. This double priming culminates in a unique type of 100% cotton paper that is archival quality… Truly Unique, Archival Quality Pastel Paper Made From 100% Cotton! Global Art Pastel Premier Sanded Paper is double primed and coated with aluminum oxide to produce the perfect surface for pastel and other dry media use. This double priming culminates in a unique type of 100% cotton paper that is archival quality and extremely durable. It is able to withstand up to 25 layers of pastel and scrubbing and reworking. It is not only ideal for pastels, but is also used by many artists with media such as oils, acrylics, colored pencil and even charcoal. Made in the U.S.A. Key Features:* 100% Cotton, archival quality* Available in 3 different grits* sheets, rolls, and pochettes* Made in the USA Perfect For:* Multiple layers of pastel* Pastels, oils, acrylics* Graphite and charcoal* Scrubbing and reworking See More
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UART Sanded Pastel Paper 600 Grade 27" x 40" (Pack of 10)Save Up to45%Off list…Sanded Pastel paper is the choice of many professional pastel, colored pencil, charcoal and water color artists. Its texture is ideal for pastel drawings where consistency is demanded UART Pastel Paper will accept multiple applications of soft and hard pastels, as well as watercolor and oil washes.… Professional Sanded Paper Great for Underpainting UART Premium Sanded Pastel Paper is designed for the artist that seeks quality and consistency in their painting surface. Our computer-controlled electrostatic coating process results in a consistent grain application. This, along with our high quality standards provide the artist with a uniform work surface that remains constant. UART Premium Sanded Pastel Paper is pH neutral and acid free. UART Pastel Paper accepts underpainting using a wide variety of media such as water, oil, mineral spirits, turpenoid and alcohol. After the underpainting process, the tooth still holds many layers of pastel and the grain will remain affixed to the paper. UART Pastel Paper is available in seven grades from 240 to 800. The 240 has the largest tooth available in a sanded pastel paper. The 280 and 320 are great for the artist that wants a little extra layering. The UART Pastel Paper 400 has proven to be a favorite of pastel artist's. The finest tooth is our 800 grade, popular for colored pencil as well as pastel. The 500 and 600 grades provide a moderate tooth. With seven grades to offer, UART meets the needs of the artists. UART Sanded Pastel paper is the choice of many professional pastel, colored pencil, charcoal and water color artists. Its texture is ideal for pastel drawings where consistency is demanded UART Pastel Paper will accept multiple applications of soft and hard pastels, as well as watercolor and oil washes. Great results have also been achieved using other mediums too.* Multiple Grades, Various Resistances! * Available in 7 grades from 240 to 800 * Neutral pH, acid free * See the videos using: Water Pastels, Pastels and Colored Pencils uART pastel paper is an excellent surface for holding many layers. Trust your work on uArt Premium Pastel Paper * 240 – the largest tooth available in a sanded pastel paper * 280 – ideal for those with a heavier hand or who want texture to show * 320 – perfect for artists who desire extra layering * 400 – a favorite of many professional pastel artists and ideal for those trying UART for the first time * 500 – a moderate tooth for any medium * 600 – perfect for those with a focus on detailed work * 800 – finest tooth, popular for super fine pastel or colored pencil application See More
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Arhnem 1618 Printmaking Paper 245 Gsm - White, 26" x 40" Sheet (100 Sheets)Save Up to49%Off listWhite A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More
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Lenox 100 250 gram / 10-Pack 26x40" - WhiteSave Up to44%Off listWhite 100% cotton, medium-texture fine art paper Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture fine art paper that is ideal for a variety of drawing and printing techniques with colored pencils, graphite, pastels, and charcoal. The smooth white surface also works well for silkscreening, offset lithography, etching, and embossing. Key Features:* 100% Cotton paper* Produced by an American mill* Soft textured finish* Acid-free* Pads: Tapebound/Top -92 lb / 15 sheets, 250 Gr/M2 weight* Papers are Neutral pH, no deckles 250 gsm weight Perfect For:* Graphite* Pastels* Colored pencils* Charcoal* Drawing with pastels* Silkscreening* Offset lithography* Etching and embossing See More
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Gamblin Galkyd Painting Medium 32 oz BottleSave Up to25%Off list…purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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