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Canson Edition Antique White Paper, 30"x44" 250gsm (25 Sheets)Save Up to33%Off listWhite A Versatile Art Paper Ideal for Drawing and Traditional Art Printing Canson Edition Papers offer lasting performance and are 100% cotton, acid-free and made without optical brighteners. Complies with the ISO 9706 standard on permanence, a guarantee of optimal conservation to deliver professional results with a variety of media and printmaking. Versatile and affordably priced, Edition is an excellent choice for drawing, lithography, offset, intaglio, typography and suitable for silk screen. Each sheet of Canson Edition paper features two deckle edges and two distinct surfaces, one smooth, one textured ideal for printmaking, drawing and multi-media expression. Available in 2 colors and sizes, Canson Edition papers are 100% cotton, acid-free and made without optical brighteners. * Antique White or Bright White * Comes in 2 sizes * 250 gsm sheets* * 100% cotton * ISO 9706 standard on permanence, a guarantee of optimal conservation * Double sided: light grain and smooth * 2 deckle edges * Acid-free, No optical brighteners * Ideal for drawing, lithography, offset, intaglio, typography, printmaking, drawing and multi-media expression * Also suitable for silk screen See More
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Arhnem 1618 Printmaking Paper 320 Gsm - White, 30" x 44" Sheet (100 Sheets)Save Up to49%Off listWhite A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More
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Enkaustikos Encaustic Mediums Wax 5 lbSave Up to20%Off listA variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More
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Jacquard Dye Additive Soda Ash Dye Fixer 5 lb BagSave Up to10%Off list…After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Creative Mark Fine Tip Liner Brush #15x0Save Up to41%Off list…making very fine, delicate lines. Their ultra-fine, split proof points make them extremely reliable for virtually any media. Try them with inks, watercolors, gouaches, acrylics, and even oils when you need finely controlled lines or gentle slight touches of color! Creative Mark Fine Tip Liners are… Perfect For Technical Artists, Fine Detail & Illustrators! These specially developed liner brushes are skillfully fashioned of white multiple filament hair, and are capable of making very fine, delicate lines. Their ultra-fine, split proof points make them extremely reliable for virtually any media. Try them with inks, watercolors, gouaches, acrylics, and even oils when you need finely controlled lines or gentle slight touches of color! Creative Mark Fine Tip Liners are made with nickel plated brass ferrules, firmly attached to lacquered deep bronze-colored, short wood handles. The ends of these Fine Tip Liners are beautifully finished with warm grey dipped ends, making the brushes as attractive as they are functional. Key Features:* Sizes from 6 all the way down to 20/0* Ultra-fine, split-proof points for incredible detail* Brush heads are multifilament, white synthetic soft hair* Nickel plated brass ferrules* Lacquered deep bronze-colored, short wood handles Perfect For:* Watercolor and gouache* Inks, acrylic and oils* Technical artists and illustrators* Artists of all skill levels* See More
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Da Vinci Micro-Nova Series 175 Golden Synthetic sz. 15x0 AngleSave Up to30%Off list…Watercolor and acrylic * Fine detail work * Miniature and micro painting * Watercolorists of all skill levels * Students, teachers, professionals * Finessing delicate patterns The Nova Blue brush set contains high-quality synthetic bristles that mimic the performance of natural watercolor… The Ultimate miniature detail brush! The short handle da Vinci Micro-Nova series 170 and series 175 synthetic detail brushes are perfect for painting intricate details. The bristles are made of the finest golden synthetic fiber. The Series 175 brush head is bent by hand at an ideal angle for intricate details. All Micro-Nova brushes hold a perfect point and are suitable for all types of miniature, tabletop, and micro painting. da Vinci production masters take great pride in selecting only the finest quality synthetic hair for the brush's longevity and flexibility. Each brush has a nickel-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to ensure that the brush-head is flawless and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Finest golden synthetic fiber * Extra-sharp point * Rust-resistant seamless ferrule * Spring and control * Series 175 brush head is bent * Made in Germany Perfect For: * Watercolor and acrylic * Fine detail work * Miniature and micro painting * Watercolorists of all skill levels * Students, teachers, professionals * Finessing delicate patterns The Nova Blue brush set contains high-quality synthetic bristles that mimic the performance of natural watercolor hair. The set includes a number 30 flat, a round number 4, a filbert 8, and a flat 6 providing you with 4 essential watercolor brushes for your next project. Experience the smooth and controlled brushstrokes, remarkable color retention, and excellent durability of da Vinci's Series 11660 Nova Blue brushes, a must-have for aspiring and professional artists. See More
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