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Arches Natural White Watercolor Roll, 140lb Cold Press, 44-1/2" x 10ydSave Up to40%Off list…Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb… 100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More
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Lineco Self-Adhesive Hinging Tissue, 1'' x 400'' RollSave Up to26%Off list…archival quality pressure sensitive acrylic adhesive that is permanent and non-yellowing. Ideal for hinging translucent art such as Japanese paper, papyrus, and other lightweight art because it won't show through. The Fine English tissue adhesive is archival which offers a fast and safe alternative… Ideal for hinging light or translucent artwork Lineco Self-Adhesive Hinging Tissue is pressure sensitive, mounting and hinging tissue is a fine, long fibered tissue with an archival quality pressure sensitive acrylic adhesive that is permanent and non-yellowing. Ideal for hinging translucent art such as Japanese paper, papyrus, and other lightweight art because it won't show through. The Fine English tissue adhesive is archival which offers a fast and safe alternative for hanging prints, photos, and various artworks. The tissue is very thin, quite strong, translucent and completely acid-free. The 400" inch (35ft) long roll comes in a handy dispenser box. Mineral spirits are required to remove tissue once it has been applied. Key Features:* Acid-free* 1" x 400" long (35ft long)* Permanent and non-yellowing* pH Neutral, safe, easy to use* Pressure sensitive Perfect For:* Archival mounting* Framing* Conservation See More
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Strathmore Blank Creative Cards & Envelopes 5.25"x7.25" - Palm Beach (Set of 20)Save Up to48%Off list…general correspondence. All creative card packs include 70lb envelopes. Key Features: * Cards: 80 lb. cover * Envelopes: 70 lb. text * Available in different colors and sizes Perfect For: * Watercolor, acrylic, or gouache * Rubber stamps, die cuts, collage, and more * Customized correspondence for… The greeting cards you create yourself! Whether you are an accomplished artist or a creative crafter, the distinctive texture and quality of Strathmore® Creative Cards are the perfect way to personalize your correspondence. Ideal for colored pencils, rubber stamps, die cuts, collages, and more. The blank cards can be used to design a greeting for any occasion, from birthdays, holidays, and invitations to general correspondence. All creative card packs include 70lb envelopes. Key Features: * Cards: 80 lb. cover * Envelopes: 70 lb. text * Available in different colors and sizes Perfect For: * Watercolor, acrylic, or gouache * Rubber stamps, die cuts, collage, and more * Customized correspondence for any occasion! See More
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Books by Hand Blank Book Kit 5.25"x7.25" Ivory PagesSave Up to5%Off listWhite Professional Bookbinding Tools and Notions Books by Hand offers a range of tools and materials that are ideal for creating custom-made sketchbooks and journals. Whether you're a beginner or an experienced bookbinder, you'll find the binder needles and board punch easy to use. Additionally, their self-leveling, PH-neutral PVA adhesive enables you to neatly wrap a cover with bookcloth, providing a polished finish to your project. Key Features: * Professional bookbinding tools and notions * Paper backed bookcloth * Binder needles * Waxed linen thread * Binder board and bookboard punch * Acid-free adhesive Perfect For: * Creating a bespoke art book * Beginner and professional artists * Making sketchbooks and journals * Wrapping and gluing a book cover * Sewing signatures * Bookbinding Click on the item number to view a full product description. See More
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Old Holland Classic Pigment Schev. Yellow Medium 30gSave Up to25%Off listYellow Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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