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Silverpoint Coated Paper 19-7/8" x 26", 270gsm 20 PackSave Up to35%Off listSilver Coated paper perfect for silverpoint drawing Most artists use Legion Art Coated Cover for Silverpoint and Metal-Point drawing, but you can also use it for offset printing. The extremely smooth paper is coated with a matte clay coating, giving it a soft, velvety feel. This unique coating allows artists to spend less time preparing uncoated sheets with the necessary ground and more time drawing. Key Features: * 100% high alpha cellulose, 270gsm weight * Matte coated paper * Acid-free and neutral pH and * Smooth surface * Buffered with calcium carbonate * Made in USA Perfect For: * Silverpoint and metal point drawing * Offset printing * Printing reproductions of fine art * Silkscreen * Watercolor See More
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Canson Artist Series 10W Translucent Trace 18in x 50yd RollSave Up to26%Off listProfessional quality tracing paper perfect for drafting and overlays! The Canson Artist Series Tracing Paper Pads are exceptionally transparent tracing paper ideal for all drafting and design techniques. The smooth, scrape-resistant surface holds detail extremely well, and erases cleanly without… Professional quality tracing paper perfect for drafting and overlays! The Canson Artist Series Tracing Paper Pads are exceptionally transparent tracing paper ideal for all drafting and design techniques. The smooth, scrape-resistant surface holds detail extremely well, and erases cleanly without smudging. Well suited for graphite, ink, and even marker applications. Available in fold over, tape-bound pads of 50 sheets of 25lb (40gsm) translucent paper. * Acid and lignin-free * Smooth and translucent* Erasable and smudge resistant* Available in pads of 50 sheets* Excellent for drafts and designs in pencil, ink, marker and more! See More
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Sennelier Artist Dry Pigments Burnt Umber 140 gramsSave Up to37%Off listBrown An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Venetian Red 140gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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