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Fabriano Medioevalis Folded Blank Cards & Envelopes - 4.5"x6.7" (Box of 20)Save Up to32%Off list…Envelopes - Design & decorate your own cards and envelopes This stationery is the jewel of Italian paper making. Made on slow rotating mould machines and impeccably crafted out of the finest paper pulp in 260 gram weight folded cards and 120 gram weight envelopes. For card creations in a wide… Blank Deckled Stationery Cards & Envelopes - Design & decorate your own cards and envelopes This stationery is the jewel of Italian paper making. Made on slow rotating mould machines and impeccably crafted out of the finest paper pulp in 260 gram weight folded cards and 120 gram weight envelopes. For card creations in a wide variety of media. Fabriano Medioevalis Stationery Cards & Envelopes are a complete range of elegant blank cards and envelopes, illustrating Fabriano's enduring tradition of timelessness and quality. Fabriano Medioevalis brings distinctive Italian style and grace to personalized invitations, greeting cards and announcements for all occasions. Perfect surface for pen, pencil, charcoal, pastel, stamping, rubbings, stenciling, printmaking, letterpress, and inkjet printing. Fabriano Medioevalis Stationery Cards, Envelopes and Box Sets Key Features:* Soft white mould-made paper with deckle edges* Card weight is 260 gsm / Envelope weight is 120 gsm.* Distinctive Italian style* Crafted in Italy by the Fabriano mill* Luxurious soft feel* Available In: Blank Cards, Envelopes & Box Sets of Both* Impeccably crafted out of the finest paper pulp Perfect For:* Personalized invitations* Greeting cards* Announcements* For all occasions* Quick notes* Heartfelt thank you Fabriano's best-selling Medioevalis sizes are now available in combined card and envelope sets! See More
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Enkaustikos Encaustic Mediums Hot Cakes Slick Wax 177 mlSave Up to20%Off listA variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More
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Old Holland Raw Materials Copal Resin 95gSave Up to25%Off listPrepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic,… Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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