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Rembrandt Watercolor Hardbound Journal Cold-Press (30-Sheets) 90lb 8.2 x 11.6Save Up to20%Off listWhite Expertly Bound Journals With Premium Acid-Free Paper! Rembrandt Hardbound Watercolor Journals meet the requirements of professional artists. Each bound journal has a hardcover and contains high-quality paper made of 25% cotton and the best lignin-free cellulose. The 90lb (200 gsm) paper is acid-free, PH-neutral, and buffered to guarantee durability. Internal sizing, along with unique surface sizing, ensures perfect water absorption and optimal color lifting. The paper’s medium grain texture is equal to a soft cold-press surface and is ideal for media such as watercolor, gouache, acrylic, ink, charcoal, and pencil. Key Features: * Medium grain, soft cold-press texture * Acid-free, PH-neutral, and buffered * 30 sheets * 25% cotton + lignin-free cellulose * 90lb, 200 gsm weight * Internal and surface sizing * Hardcover bound * Paper from responsible sources * Made in Italy Perfect For: * Journal sketchbook * Wet and dry media * Watercolor, gouache, acrylic, and ink * Charcoal and pencil * Optimal color lifting * Professional artists * Colored pencil * Lightweight and portable * Travel or Plein air sketching See More
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Art Spectrum Colourfix Smooth Rainbow Pack Pastel Papers - 20"x28" (20 Sheets)Save Up to35%Off listAssorted Colors Create beautiful pastel art pieces with these versatile pastel papers! Art Spectrum Colourfix Smooth Pastel Papers are 340gsm pastel papers created by screen printing Colourfix Smooth Primer onto European Archival 300gsm hot press watercolor paper. The Colourfix primer contains lightfast acrylic color and a proprietary mixture of several types of silica to impart a smooth tooth. The Colourfix surface can take many pastel layers, which means that there is no need to spray layers with fixative constantly. Available in a full range of 20 colors as well as Rainbow, Cool, and Warm color packs, these pastel papers are versatile enough to work with wet and dry mediums. Key Features: * 340gsm pastel papers * Smooth texture with a soft tooth * Versatility allows artists to work with several mediums * Tooth enables excellent resistance for pastel drawing * Surface will hold multiple layers of pastel without the need for fixative * Clean white border for beautiful presentation * Available in 20 colors Perfect For: * Pastel artists * Wet and dry mixed media * Working with pastels, oil colors, & watercolors * Charcoal, pencils & other dry media * Soft pastels and oil pastels * Ink or thin acrylic-based colors * Gouache and watercolor See More
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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to25%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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