Your Cart
SLI Search Template
Related Categories: Hot Press Watercolor Paper | All Watercolor Paper | 140 Lb Paper | Saunders Waterford | Cold Press Paper | 12x12 | 22x30 Paper | Art Tape
There were no results that contained all of the words in your query. These results contain some of the words.
-
Magnani 1404 Annigoni Drawing Paper Pad 117lb - 14" x 18" (25 Sheets)Save Up to40%Off listWhite A Truly Unique Paper Developed By A Maestro Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Annigoni Drawing Paper is perfect for anyone who desires the highest quality paper available. For over 70 years, Annigoni Drawing Paper has been made to the specifications of the famous portrait painter Pietro Annigoni. Annigoni is best known for his famous oil paintings of Queen Elizabeth II and John F Kennedy. Still, in his spare time, he worked closely with the Magnani mill to develop this unique paper for his preparatory sketches. Annigoni Drawing Paper is made by evenly distributing a mixture of beige-colored cotton and dark cellulosic fibers on a slowly rotating wire cylinder before it is pressed onto special Magnani marking felts and dried. The soft yet rough paper texture is ideal for using charcoal, graphite, pastel, and light ink washes. During his life, Pietro sometimes primed the paper with rabbit skin glue so that he could use oil paints on the surface. Annigoni is a truly unique paper not found anywhere else in the world. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, acid-free archival drawing paper * Beige colorant and dark wool fibers give the paper depth * Soft yet rough surface texture * Mould made on a cylinder machine * Developed by the famous artist Pietro Annigoni * Very unique and one-of-a-kind paper * Available in pads or 2 deckle edge sheets * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * No watermark * Can be treated with rabbit skin glue for use with paint * Made in Italy Perfect For: * Mixed media use * Sketches and finished artworks * Drawing with pencils, charcoal, sanguine, and pastel * Wet and dry media * Light scrubbing and erasing See More
-
Magnani 1404 Arte Moderna Mix Media Pad 140lb - 14" x 18" (20 Sheets)Save Up to40%Off listWhite 100% Cotton Paper Made with 600 Years of Knowledge Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Arte Moderna Mixed Media Paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Arte Moderna Mixed Media Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. Thanks to its vegan sizing, the paper has superior absorbency and can withstand multiple layers and washes. Its natural rough surface makes it ideal for dry and wet mixed media techniques. No optical brighteners are used to give Arte Moderna its extra bright white color. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Magnani 1404 Arte Moderna Mixed Media Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * 100% cotton, archival mixed media paper * Mould made on a cylinder machine * 140lb (300 gsm) weight * Extra white color * Rough natural surface texture * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Made in Italy Perfect For: * Sketches, finished artworks, and drawings * Watercolor, gouache, ink, acrylic, graphite pencils, charcoal, sanguine, pastel, and colored pencils * Wet and dry media * Light scrubbing and erasing See More
-
Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
-
Ampersand Museum Series Aquabord 1/8" Flat Panel 14" x 18"Save Up to36%Off listWhite Acid-free textured clay surface that absorbs watercolors like a fine paper Colors retain their purity and vibrancy on Aquabord in a way that even the finest watercolor papers cannot. This multimedia panel simulates the absorbency and texture of cold pressed paper but allows color to be lifted back to white easily while leaving the richest, most vibrant color possible. The surface is workable and can withstand color lifting and scrubbing even after the watercolor has dried. Glazes and transparent layers of color look amazing on Aquabord. It will not tear, shrink or buckle even under heavy water application. The Museum Series Aquabord is available in a 1/8" flat panel, or a 7/8", 1-1/2", or a 2" cradled panel. The 2" Deep Cradle eliminates the need for framing altogether. Stain, paint or wax the cradle edges and eliminate the cost of framing altogether! Key Features: * Acid-free textured clay surface absorbs watercolors like a fine paper * Available in 1/8", 7/8", 1-1/2", or 2" depth * Texture similar to cold-pressed watercolor paper * Unlike paper, it will never tear, shrink or buckle * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly, and made in the USA Perfect For: * Watercolor, gouache, casein, acrylics, and inks * Painting bright, brilliant watercolors * Lifting color easily * Applying endless layers and glazes of color * Creating incredible details and highlights * Great for gouache, acrylic, and ink too! Frame Without Glass - Watercolors can be sealed and displayed without glass keeping colors and textures true to life! Artist and Environment Friendly - Ampersand Aquabordâ„¢ is made from sustainable forest products that ensure the protection of wildlife, plants, soil, and water. Always formaldehyde-free and no harmful volatile organic compounds. See More
-
Ampersand Museum Series Pastelbord Single 14" x 18" 1/8" flat woodSave Up to32%Off listGrey Pastelbord - The Solid Choice for Pastels and More! Pastelbord's unique surface is a hand-applied kaolin clay ground textured with fine marble dust granules. Amersand Pastelbord holds more pastel layers than any other surface! Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper except more durable and more versatile. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface. Available in 1/8" flat Gray, Green, Sand, and White for hand-tinting. Conservator quality wood materials and sealing processes, no other panel on the market protects an artist’s work like an Ampersand panel Key Features:* 1/8" flat wood panels* More durable and more versatile than paper* The coating is pH neutral and non-yellowing* Truly permanent museum quality surface* Marble-dust tooth holds more layers than pastel paper* Holds artwork still eliminating excessive pastel dust collecting inside the frame* Available in white, gray, sand, and green tones* Archival, Handcrafted in the USA Perfect For:* Soft or oil pastels and pastel pencils* Achieve amazing results with acrylics, oils, watercolors, gouache, charcoal and more* Exquisite Sanded Surface* More durable and more versatile surface Ampersand™ Pastelbord wood panels are Archival, Handcrafted in the USA, made from FSC certified sustainable US forest products. We use completely green manufacturing processes that protect the natural environment. No harmful chemicals used, no dangerous emissions for artists. A smart choice. Made with conservator quality wood materials and sealing processes, no other panel on the market protects an artist’s work like an Ampersand panel. Unmatched Techniques - Perfect for soft or oil pastels and pastel pencils. Pastels go on smooth, blend beautifully, and colors stay rich and vibrant. Exceptional for both wet and dry pastel painting. Not Just for Pastels - Achieve amazing results with acrylics, oils, watercolors, gouache, charcoal and more Exquisite Sanded Surface - Ampersand Museum Series Pastelbord's unique surface is a hand-applied kaolin clay ground textured with fine marble dust granules. Amersand Pastelbord holds more pastel layers than any other surface! Available in Gray, Green, Sand, and White for hand-tinting. Video - See Video on Colored pencil on Ampersand Pastelbord, blending with solvents in our "Video Tab" See More
-
Ampersand Museum Series Scratchbord 14" x 18"Save Up to46%Off listBlack Claybord Black™ Surface! Ampersand Scratchbords have all the features and benefits of Claybord, including its archival properties. Under its India ink layer, Scratchbord has a smooth, absorbent kaolin clay ground applied to a sealed, 1/8" True Artist Hardbordâ„¢. Simply put, Scratchbord is Ampersand’s Claybord panel, sprayed with an even coat of high-quality, deep black India Ink. Originally developed as an alternative to scratchboard paper, it is the surface of choice for most professional scratchboard artists today. Not only can you create exquisite white-on-black art, you can add color to create amazing colorful scratchboard works. Colored inks can be applied to the white areas and then scratched again for to create additional highlights and volume. Ampersand offers a collection of Scratchbord/Claybord Inks The Professional's Choice for Scratchboard Products! Perfectly Inked Clay Surface -Scratchbord™ has a smooth, absorbent kaolin clay ground evenly coated with India Ink. Acid-free and absolutely archival. Create the Finest Detail -Scratch easily with controlled, clean, crisp white lines to create exquisite white on black art. Will not tear, crack or bend. For best results, try the Claybord™ tools & accessories. Frame without Glass -Seal finished scratchbord with a spray fixative to dissolve fingerprints or smudges. Then, frame your art without glass. Scratchbord Essentials Etching Set - This perfect gift package comes with everything needed for etching including three sizes of Scratchbord, a Scratchbord tool kit and Scratchbord ink set. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field