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Arches Natural White Watercolor Roll, 140lb Cold Press, 44-1/2" x 10ydSave Up to40%Off list…Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb… 100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More
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Bienfang Gridded Paper 10"x10" Grid, 11"x17"Save Up to37%Off list…(75gsm), acid-free paper. Available in three grid sizes (4x4, 8x8, and 10x10) inches. Key Features: * Smooth surface texture * Divided with non-reproducible blue lines * Inch lines are a bolder blue * Grids on each side of the paper for easy measuring * 19lb (75gsm), acid-free paper * 50 sheets in… Non-reproducing blue grid lines for easy measuring Bienfang is renowned for its Gridded Paper, which is perfect for designing, drawing, pattern making, and much more! The smooth paper sheets are covered on both sides in non-reproducing blue grid lines for easy measuring. The grids are divided into squares per inch, and inch lines are a bolder blue. Each glue-bound pad contains 50 sheets of 19lb (75gsm), acid-free paper. Available in three grid sizes (4x4, 8x8, and 10x10) inches. Key Features: * Smooth surface texture * Divided with non-reproducible blue lines * Inch lines are a bolder blue * Grids on each side of the paper for easy measuring * 19lb (75gsm), acid-free paper * 50 sheets in each glue-bound pad * Three grid sizes (4x4, 8x8, and 10x10) inches Perfect For: * Designing, drawing, and pattern making * Engineers * Architects * Graphic design * Interior design sketches See More
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Canson Fanboy Paper Comic Book Art Board 11x17 (24 Sheets)Save Up to33%Off list…acid-free, heavyweight illustration paper. Live and trim areas indicated by non-reproducible blue guidelines. For pencil, ink, and marker. Includes instructions. 150 lb drawing paper, 12 sheets. 11×17". Comic Book Layout Pages - 50 lb sketch paper, 35 sheets. Pre-printed layout templates. 8.5×11".… * How-to-draw instructions inside * No buckling or bleed through on large inked areas * Smooth texture, ideal for scanning * Can be used with lightboxes * Acid-free with no optical brighteners * Extra white color for excellent contrast * Good resistance to erasing and scraping Canson's Fanboyâ„¢ papers, offered in industry standard sizes for comic strips, comic books, and manga, are designed to appeal to both novices and established illustrators. Fanboy's comic and manga products fulfill professionals' needs while offering beginners the tools needed to create their own comic and manga characters and stories. All papers are acid-free, and are specially formulated for use with pens, pencils and markers. Comic Book Art Boards - made with Canson's specially formulated, acid-free, heavyweight illustration paper. Full trim format shows live and trim areas indicated by non-reproducible blue guidelines. For pencil, ink, and marker. Includes instructions. 150 lb drawing board, 24 sheets. 11×17". Comic Book Cover Sheets - made with Canson's specially formulated, acid-free, heavyweight illustration paper. Live and trim areas indicated by non-reproducible blue guidelines. For pencil, ink, and marker. Includes instructions. 150 lb drawing paper, 12 sheets. 11×17". Comic Book Layout Pages - 50 lb sketch paper, 35 sheets. Pre-printed layout templates. 8.5×11". Comic Strip Boards - Industry standard 5×17" size with 4×13" boarders for daily strips. Non-reproducible blue guidelines provide precision inking capabilities pros need and packaged with instructions to get beginners going! 150 lb drawing board, 14 sheets. 5×17". Concept Sketch Pad - 100 lb bristol board, 10 sheets. Pre-printed sheets. Smooth for pen and pencil. 8.5×11". Concept Sketch Paper - Pre-printed sheets for working out story details and page ideas. Contains smooth, acid-free bristol board that is ideal for pencil and pen. See More
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Lineco Interleaving Tissue Paper, 11"x17" (100-Pack)Save Up to26%Off listPerfect for archival storage! Lineco Unbuffered Interleaving Tissue Paper is acid-free and is recommended for use with colored prints, textiles, and watercolors. Cyanotype, dry transfer or chromogenic prints also require unbuffered tissue in order to be stored archivally. This tissue is an excellent… Perfect for archival storage! Lineco Unbuffered Interleaving Tissue Paper is acid-free and is recommended for use with colored prints, textiles, and watercolors. Cyanotype, dry transfer or chromogenic prints also require unbuffered tissue in order to be stored archivally. This tissue is an excellent choice for separating prints, drawings or lithographs and protecting artifacts. In addition, unbuffered tissue is used with silk, leather, and other animal protein based textiles. Lineco Unbuffered Interleaving Tissue Paper is very thin (.001) 16gsm and offers maximum translucency and protection. Key Features: * Acid-free * Very thin (.001) 16gsm * Maximum translucency and protection Perfect For: * Separating prints, drawings or lithographs * Protecting artifacts * Archival storage See More
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Strathmore Sequential Paper 500 Series Plate Bristol 11x17", Pkg of 24 SheetsSave Up to53%Off list…in the industry standard 11×17" format. 300 Series Smooth and Vellum Bristol - 300 Series Smooth and Vellum 100 lb. Bristol surfaces are available in three sizes. The smooth surface is ideal for both traditional and specialty pen and ink.… Strathmore's 500 Series is the superhero of all Bristol surfaces, but what would a superhero be without a core of worthy minions? The 200, 300 and 400 Series all provide surfaces with their own unique attributes and staying power in the attack of the sequential artists. For every tool that you take into battle in you own quest for the ultimate story, Strathmore has a surface that will stand up to the challenge. 200 Series Smooth Blue Line Bristol - Our 200 Series Smooth surface is a Bristol weight board printed with non-reproducible blue lines for comic and Manga applications. These blue lined sheets are available in page and cover formats for artists who prefer the convenience of a grid lined sheet. Pads and sheet packs in this series are offered in the industry standard 11×17" format. 300 Series Smooth and Vellum Bristol - 300 Series Smooth and Vellum 100 lb. Bristol surfaces are available in three sizes. The smooth surface is ideal for both traditional and specialty pen and ink. Both surfaces work well with specialty pens and markers. Sheet packs and pads are available in the standard 11×17" format. Pads are available in 5×17" and 12×12". None of these surfaces are lined allowing the artist the flexibility of working outside the box. 500 Series Bristol - Strathmore 500 Series Bristol is an industry standard created in 1893. These 100% cotton 2 ply bristols are available in three surfaces in the standard 11×17" format. The plate surface has an ultra-smooth finish that is unsurpassed for detail work using traditional pen and ink tools, pencil along with specialty pens and markers. Vellum has a toothy finish that is excellent for graphite pencil, colored pencil, sketching sticks and specialty pens and markers. It is also a very good choice for charcoal pen and ink, air brush and light washes. Bristol surfaces are not recommended for traditional watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of either 15×22" or 22×30", this professional quality board was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. See More
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Canson Infinity Paper Packs Art Photo Rag Photographique (210gsm) 11" x 17" (Box of 25)Save Up to25%Off list…papers bring the beauty of fine art and traditional photography to the world of digital printing. Key Features: * Premium artist photo papers * Available in sheets and rolls Perfect For: * Digital printing * Fine art reproductions Arches Aquarelle Rag (310gsm) - 100% rag watercolor paper… Museum Quality Ink Jet Photo Papers These premium artist photo papers offer exceptional beauty and character to create black & white and color photographs and fine art reproductions. Using the purest natural materials without chemical substances that contribute to premature deterioration, Canson Infinity photo papers bring the beauty of fine art and traditional photography to the world of digital printing. Key Features: * Premium artist photo papers * Available in sheets and rolls Perfect For: * Digital printing * Fine art reproductions Arches Aquarelle Rag (310gsm) - 100% rag watercolor paper possesses the unique structure, surface texture, and warm white tone demanding artists expect from a traditional Fine Art digital photo art paper. This paper complies with the highest archival standards and is age-resistant. It gives a unique and unrivaled character to the Fine Art reproduction of traditional artwork and photographs. PhotoGloss Premium RC (270gsm) - An alpha cellulose acid-free digital art photo paper coated with polyethylene and a microporous color receiver layer. Gloss finish. PhotoSatin Premium RC (270gsm) is an alpha-cellulose, acid-free, digital art photo paper coated with a structured polyethylene and a microporous receiver layer. Satin finish. Platine Fibre Rag (310gsm) is a 100% cotton rag art paper with a pure white tone and no OBAs. Superior microporous coating brings this traditional darkroom paper to the digital era. Ideal for both color and black & white prints. Arches Velin Museum Rag (315gsm) - This 100% cotton, mould-made fine art paper is naturally age-resistant, has a smooth, fine-grain surface, and offers a pure white tone without OBAs. Rag Photographique (310gsm & 210gsm) - 100% cotton, museum grade Fine Art, and photo paper with a smooth white tone that offers a unique extra smooth surface and exceptionally high Dmax. Artist Canvas Professional Gloss (390gsm) is a premium glossy, polyblend canvas coated with a specially formulated inkjet receptive emulsion designed to accept the latest high technology pigmented inks. It is OBA-free and will not yellow, crack, or curl. It has an exceptional resolution, superior gloss, and extremely vivid color. Artist Canvas Water Resistant Matte (390gsm Artist Grade) is a premium, water-resistant, acid-free canvas with a pure white tone that stretches and mounts with ease. This OBA-free archival canvas can produce extremely precise, high-resolution images. BFK Rives (310gsm) - 100% Cotton, Mould made Fine Art paper. BFK Rives® has a unique pure white tone obtained without using OBAs and a very smooth and velvety texture. See More
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MaimeriBlu Watercolor Medium 75ml Honey Based MediumSave Up to22%Off listExplore different creative effects with Watercolor Mediums Adding Watercolor Medium to your paint is an easy way to explore different effects. With Natural and Synthetic Ox Gall, you can increase paint flow, enhance colour brightness, or prepare your paper for wet-on-wet techniques. Natural gum… Explore different creative effects with Watercolor Mediums Adding Watercolor Medium to your paint is an easy way to explore different effects. With Natural and Synthetic Ox Gall, you can increase paint flow, enhance colour brightness, or prepare your paper for wet-on-wet techniques. Natural gum arabic solution increases paint strength while enhancing shine. MaimeriBlu's Honey Based Medium improves paint elasticity and does not affect colour tone. The MaimeriBlu range also includes a latex-based masking fluid that allows you to keep covered areas white. Key Features: * Limitless opportunities * Increase paint flow * Enhance colour brightness and shine * Increase paint strength or flexibility * Mask areas with latex-based masking fluid Perfect For: * Professional watercolourists * Keeping areas of the paper white * Wider variety of watercolour effects * Wet-on-wet watercolour techniques Natural Ox Gall: You can use Natural Ox Gall to prepare your paper for wet-on-wet techniques. Adding a small amount improves paint flow while also adding shine and brightness. The medium does not affect the colour tone. Synthetic Ox Gall: You can add a small amount to improve paint flow. The medium also adds shine and brightness to paint. You can also use Synthetic Ox Gall to prepare paper for wet-on-wet techniques. The medium does not affect colour tone. Colourless Masking Latex: Mostly used for masking techniques. You can use Masking Latex to protect covered areas of paper from paint. Apply with a paintbrush or pen nib. Wash brushes immediately in water. Peel off the latex from the paper once completely dry. Honey-Based Watercolour Medium: This natural flower honey medium is made from a traditional recipe. You can add a small amount of medium to enhance the shine of specific colors on your palette. Honey Based Medium also improves the elasticity of the paint layer and does not affect tone colour. Kordofan Arabic Gum: Is a Natural gum arabic solution. A small amount added to watercolour paint increases strength and enhances shine. The medium does not affect tone colour. See More
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Grumbacher Academy Watercolor, Magnesium Green - 7.5 ml TubeSave Up to36%Off listGreen Only finely ground pigments are used in making this smooth, rich paint Made in the USA, Grumbacher Academy Artists' Watercolors are a collegiate line of 60 watercolor paints at an affordable price. Only finely ground pigments are used in making this smooth, rich paint. Either straight from the tube or when mixed with white, strokes and washes are vibrant and luminescent. All colors conform to ASTM D 4236 and are labeled AP. Made in the USA. Academy is an amazing watercolor at an affordable price using only the finest pigments, finely ground and evenly dispersed for vibrant washes and gradations. Easily rewettable with water cutting down on waste and perfect for making your own semi-moist colors for outdoors. Grumbacher® shares in this tradition as one of the only paint manufacturers in the world to produce its watercolors in America. The Academy® line of watercolor paint offers value and superior quality to artists of all levels. Key Features:* Quality line of 60 colors* Traditional ingredients* Finely ground pigments* Easily rewettable with water* Made in the USA* Available in 7-1/2ml tubes* All colors conform to ASTM D 4236 and are labeled AP* Perfect For:* Quality that it is often used by professionals* Vibrant washes* Quality at affordable prices* Outdoor painting* Students and Professionals Grumbacher Academy Watercolors offer a quality line of 60 color paints at an affordable price. Only finely ground pigments are used in making this smooth, rich paint. Either straight from the tube or when mixed with white, strokes and washes are vibrant and luminescent. See More
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Clearprint 1000H Design Vellum Pads 16 lb 11" x 17" (50 Sheets)Save Up to51%Off list1000H Design Vellum, the Industry's Standard! Clearprint's most popular 1000H vellum paper, Design Vellum is a 100% cotton sheet that is made transparent without the use of solvents. The paper features a smooth, transparent, and uniform surface. Pencil and pen lines are clean and crisp with no… 1000H Design Vellum, the Industry's Standard! Clearprint's most popular 1000H vellum paper, Design Vellum is a 100% cotton sheet that is made transparent without the use of solvents. The paper features a smooth, transparent, and uniform surface. Pencil and pen lines are clean and crisp with no feathery edges and no ghosting. With the ability to retain it's strength, stability, transparency, and printing qualities under exposure to heat, light, and atmosphere; This design vellum will not become yellow, brittle, or opaque with age. Compatible with a wide range of fine art media. Key Features: * Design Vellum Art Pads are 16lb/60GSM 50 Sheets * Isometric pads have fade-out grids * Retaining structure under exposure to elements * Does not yellow, brittle, or become opaque with age * 100% cotton sheet Perfect For: * A wide range of fine art media * Drafting and tracing artwork * Architectures and engineers * Retaining it's structure * 1000H Transparent Vellum can be used with most inkjet printers See More
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Winsor & Newton Thickened Linseed Oil Medium, 75ml BottleSave Up to43%Off list…oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss.… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Enkaustikos Encaustic Mediums Wax 5 lbSave Up to29%Off listA variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More
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Jacquard Dye Additive Soda Ash Dye Fixer 5 lb BagSave Up to10%Off list…After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Canson XL Bristol Pad Smooth 11"x17", 25 SheetsSave Up to40%Off list…Bristol, this paper is perfect for finished artwork by artists of any skill level! XL Bristol Pads -This bristol paper is available in two finishes- smooth and vellum and contain 25 pages per pad. This pad is perfect for working with both wet and dry media including ink, watercolor washes, graphite,… High Quality Bristol Papers At Low Prices! Canson believes that even students and beginner artists deserve to practice and work on a high-quality surface without having to spend a fortune to buy it. Working together with art teachers and professors, they developed their XL Bristol Pads line to serve just that purpose! An abundance of excellent quality paper at an exceptional value, XL pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! XL Recycled Bristol Pads -This versatile Bristol is eco-friendly, contains 30% Post Consumer Content. With a double-sided surface — one side Smooth and one side Vellum — the same paper can be used for detailed drawing in graphite or ink on the Smooth side, or more expressive and textured works on the Vellum side. Available in fold over tape-bound pads of 25 sheets of 96lb (260gsm) Bristol, this paper is perfect for finished artwork by artists of any skill level! XL Bristol Pads -This bristol paper is available in two finishes- smooth and vellum and contain 25 pages per pad. This pad is perfect for working with both wet and dry media including ink, watercolor washes, graphite, colored pencils, and even pastels or heavy markers. The bristol 100lb paper is acid-free and a bright white surface. These pads are perfect for students or professional work and can even handle light watercolor washes. The surface on the front is vellum and on the back is smooth. The dual surfaced nature of this product makes this the perfect choice for any artist working on both a vellum and smooth finish. The paper is bright white (without OBA), for better contrast. This paper contains 30% Post Consumer Content. Key Features:* 96lb and 100lb Bristol* 25 Sheets* Acid-Free* Tape Bound Binding* Smooth or Vellum Perfect For:* Wet and Dry Media* Pastels or Heavy Markers* Ink and Graphite Please note: Due to a recent packaging change, items received may appear different than those pictured, but will be of the same quality. See More
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Winsor & Newton Watercolour Mediums - Blending Medium, 75ml BottleSave Up to43%Off list…more information on each medium Key Features: * Limitless opportunities * Increasing drying time * Improving flow * Changing gloss and texture Perfect For: * Professional watercolorists * Altering the characteristics of watercolor * Exploring watercolor effects * Keeping areas of your paper clean Full Range Of Watercolor Mediums! Watercolor Mediums are used to create an even wider variety of techniques and effects for your work; from increasing drying time, improving flow, and changing gloss and texture, they provide limitless opportunities. The Winsor & Newton range also includes masking fluids to protect areas of your paper that you want to keep white. Click on the item number to view more information on each medium Key Features: * Limitless opportunities * Increasing drying time * Improving flow * Changing gloss and texture Perfect For: * Professional watercolorists * Altering the characteristics of watercolor * Exploring watercolor effects * Keeping areas of your paper clean See More
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Clearprint 1000H Fade-Out Vellum 11" x 17" Pad, 4 x 4 Grid, 50 SheetsSave Up to37%Off list…or copiers. Key Features:* 16lb/60GSM cotton vellum* 50 sheets per pad* 1000H, 100% cotton paper* Grid sizes vary in 4x4, 8x8, 10x10* Lines do not reproduce when photographed or scanned Perfect For:* Paper drafting, tracing, and drawing* Artists on the go* Removing images from the blue channel in… The world's most popular paper for drafting, tracing and drawing! Today 1000H Grid is enjoyed by the entire artist community as one of the best surfaces to work on with a transparent quality. All Fade-Out grids are printed in non-repro blue, which will not reproduce when used with traditional graphic arts cameras. Fade-Out has all the same qualities of the traditional 1000H cotton vellum while featuring non-repro blue grids in a wide range of gradations. Grid sizes are measured by number of boxes per inch. Available in 4x4, 8x8, and 10x10 grid lines, making it versatile for all different types of art. Lines will not reproduce when used with traditional graphic arts cameras or copiers. Key Features:* 16lb/60GSM cotton vellum* 50 sheets per pad* 1000H, 100% cotton paper* Grid sizes vary in 4x4, 8x8, 10x10* Lines do not reproduce when photographed or scanned Perfect For:* Paper drafting, tracing, and drawing* Artists on the go* Removing images from the blue channel in RGB mode See More
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12 Shades Of Grey Acrylic Paint, Green Grey, 75ml TubeSave Up to74%Off listGreen Impossible to find anywhere else at anywhere close to this amazing price. Are you ever curious about what happens in the shadows, the twilight or umbra of a painting? Give up control and go down the rabbit hole with 12 Shades of Grey and let the colors thrill you as you become entangled in their subtle, almost enigmatic shades. 12 Shades of Grey provide unique shades of hard-to-find greys. Highly pigmented acrylic paint from the finest materials and processed on triple mills, these acrylic paints will enable you to achieve amazing effects like you've never seen before. 12, lovely brilliant grey tones. Impossible to find anywhere else! Key Features: * 12 different shades of grey in a set of 12 or individually * Highly pigmented, triple-milled colors * Set includes 12 x 21ml tubes * Individual acrylic paint tubes sold in 75ml tubes * Very rich color, great coverage & consistent color * Perfect For: * Painting shadows and greys * Mixing without making muddy colors * Spending more time painting than mixing for better results * Practicing your painting * Never seen greys like these in any other art stores * Using them to paint the edges of a wrapped canvas Light Fastness Chart of the Oils & Acrylics in our 12 Shades of Grey Series Color No. Color Name Oil Color Acrylic Color 460 BLUE GREY **** *** 781 YELLOW GREY **** *** 342 RED GREY *** *** 343 ORANGE GREY *** *** 783 VIOLET GREY **** **** 694 BROWN GREY **** **** 787 GREY MID **** **** 786 PALE GREY *** **** 797 PAYNE'S GREY *** *** 796 WARM GREY **** **** 576 GREEN GREY *** **** 795 COLD GREY *** **** *** Very good lightfastness **** Excellent lightfastness Great Adds To A Palette "After purchasing a 12-tube set, I fell in love with the complementary tones the set offered. They quickly became my go-to acrylics for a series of canvases. I’m already a repeat purchaser and will keep these colors within reach for future work!" *** Package design may vary on 75ml tubes. See More
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Koh-I-Noor 270G Smooth Bristol Pad 11x17in-20 Sheet Spiral In/OutSave Up to41%Off listWhite Traditional 270GSM Bristol paper with bright white surface for high contrast artwork. Smooth surface is perfect for fine detailed work. Bristol pad is dual loop wire bound constructioin and features patent pending "in & Out" pages that allow you to remove sheets from the pad for drawing, reworking, scanning, and more. After completing your artwork simply return the sheets into the pad. In & Out" pages that allow you to remove sheets from the pad for drawing, reworking, scanning, and more. After completing your work, simply return the sheets into the pad. Key Features: * 270 GSM bristol vellum or smooth paper * 20 sheets bright white paper * Dual wire bound with "In & Out" pages * Acid-free paper Perfect For: * Fine detailed work * Tracing and sketching * See More
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Strathmore 500 Series Drawing Bristol Semi-Smooth (2 Ply 24 Sheets) 11X17INSave Up to47%Off list…has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush and marker.* 100% cotton fiber, acid-free NOTE: 2-Ply Plate Surface Not recommended for traditional watercolor techniques. Weight: 106 lb.125 g/m2 / 25 sheets/pkg Surface: Medium / Ultra-Smooth (Plate) 500 Series Drawing Bristol - 100% Cotton Sheet Packs All sheets 23×29". Sold in 25 sheet packs.Made of pure white 100% cotton, characterized by its super stiffness and surface strength. Available in 4 weights. 1 Ply is used rather exclusively for drawing and while the 4 Ply is used for ink illustration and painting. Available in three surfaces, Plate and Vellum and Semi-Smooth Sheet. The Vellum surface has a slight tooth and the Plate surface is silky smooth. Plate surface has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush and marker. Vellum surface has a toothy finish that is excellent for pencil, charcoal, pastel and oil pastel as well as pen, airbrush, and light washes Surface: Medium (Vellum)* 25 Sheet Packs* graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage* Vellum surface has a toothy finish that is excellent for pencil, charcoal, pastel and oil pastel as well as pen, airbrush, and light washes* 100% cotton fiber, acid-free Surface: Ultra-Smooth (Plate)* 25 Sheet Packs* graphite pencil, pen & ink, marker, mixed media and collage* Plate surface has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush and marker.* 100% cotton fiber, acid-free NOTE: 2-Ply Plate Surface Not recommended for traditional watercolor techniques. Weight: 106 lb.125 g/m2 / 25 sheets/pkg Surface: Medium / Ultra-Smooth (Plate) See More
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Clearprint 1000H Design Vellum Transparent 10 Sheet Pack Plain 11" x 17"Save Up to47%Off listThe World’s Most Popular Paper For Drafting, Tracing And Drawing! Clearprint 1000H Vellum is 100% cotton and includes plain and gridded options. 1000H Vellum is made transparent without the use of solvents. This process produces a crisp, translucent paper for tracing, drawing or drafting, while… The World’s Most Popular Paper For Drafting, Tracing And Drawing! Clearprint 1000H Vellum is 100% cotton and includes plain and gridded options. 1000H Vellum is made transparent without the use of solvents. This process produces a crisp, translucent paper for tracing, drawing or drafting, while maintaining superb archival quality and strength. Each type offers repeated erasing with no ghosting. Loose sheets work well with inkjet printers. The fade-out blue gridded sheets provide a perfect background for drawing in perspective, and the Engineering option includes a large title block. Available in packs of 10 vellum sheets. Key Features:* 16lb vellum* 100% cotton* Translucent and archival* Easily erased and redrawn on Perfect For:* Drafting and tracing* Drawing in perspective* Pen and pencil drawing* Making sketches to scale See More
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LUKAS Designer's Artist Gouache - Opaque White, 75ml TubeSave Up to71%Off listWhite A True Artists' Gouache! Opaque & Matte-drying to a velvety finish Opaque and matte-drying to a velvety finish, these fine water soluble paints & sets are the favorites of artists, illustrators and designers the world over! Using a base of high quality gum arabic and dextrin solution, these colors lift and flow easily, while a special additive allows you to paint large areas without streaking. Like all their lines, LUKAS uses only the finest in classic and modern pigments which score very highly on the international blue wool scale of light fastness. The high pigment content allows for superior covering power, and the frequent use of single pigment colors allows for clear and consistent mixing. Packaging styles may differ. Key Features:* 48 brilliant colors* 20ml Tubes* 75ml Tubes - Ivory Black & Opaque White* 20ml Tube sets of 6 or 12* Dries to an opaque, velvety matte finish* Exceptional covering power* Remains water soluble once dry* Outstanding fluidity, will not streak* High quality pigments with superior light fastness* Imported from Germany exclusively for Jerry's* Affordable gouache of incomparable quality* High quality gum arabic and dextrin solution* Colors lift and flow easily* Paint large areas without streaking* Perfect For:* Painting large areas without streaking* Illustration and design* Clean color mixing* Special additive allows you to paint large areas without streaking* Toxic and dangerous pigments like cadmiums and cobalt have been eliminated* Experimenting on dark colored surfaces* Bringing out intense detail in ways not possible with transparent watercolors* Adding opaque accents to a watercolor painting* Lightfast pigments ensure lasting results Germany's finest gouache is available in sets of 20ml tubes perfect for both studio use as well as taking on the road. LUKAS Studio Gouache Pro Set of 12, 20ml Tubes - White, Primary Yellow, Cadmium Yellow Light, Light Ocher, Primary Red (Magenta), Cadmium Red, Primary Blue (Cyan), Ultramarine Dark, Permanent Green, Burnt Sienna, Van Dyke Brown, and Ivory Black LUKAS Studio Gouache Starter Set of 6, 20ml Tubes - Opaque White, Cadmium Yellow Light, Primary Red (Magenta), Brilliant Green Blue, Medium Green, and Ivory Black LUKAS Studio Gouache Starter Set of 12, 20ml Tubes - Opaque White, Cadmium Yellow Light, Yellow Orange, English Red Light, Magenta, Cadmium Red Deep, Violet Bluish, Ultramarine Deep, Brilliant Green Blue, Medium Green, Yellow Ochre, and Ivory Black. See More
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