Your Cart
SLI Search Template
Related Categories: 140 Lb Paper | Spiral Watercolor Paper | 22x30 Paper | 300 Lb Hot Press Watercolor Paper | Legion Mini Pads | Hot Press Watercolor Paper | Kilimanjaro | 300 Lb Paper
There were no results that contained all of the words in your query. These results contain some of the words.
-
Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
-
Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
-
Aquastroke Pro Water Brush Pen, 10mm Large FlatSave Up to68%Off list…for watercolor pencils, crayons, half pans, and watercolor tubes. Pair your Aquastroke Pro pen with a FanPan Watercolor Set and a Reflexions Watercolor Sketchbook for a perfect paint kit on the go! To create a brush marker, you can fill Aquastroke Pro with water-soluble inks or liquid watercolor!… An innovative way to paint either on-the-go or in the studio! The Aquastroke Pro Water Brush Pens are the perfect companion for any artist using water-soluble media. They allow you to add water without carrying a separate water supply. Just fill the barrel with water, squeeze to moisten the tip, and gradually squeeze to release water as you paint. Because Aquastroke Pro Water Brush Pens include a water basin, you don’t need to worry about spills or messes, making these pens perfect for Plein air! The Aquastroke Pro Brush Pens are made with high-quality, white nylon brush tips. They are simple to use, do not leak, and maintain their shape while you paint, making them incredibly accurate. The small and medium flats are perfect for shading, while the large flat brush can cover large areas. The springy, responsive rounds hold their shape and are great for detail work. Aquastroke Pro Water Brush Pens are perfect for watercolor pencils, crayons, half pans, and watercolor tubes. Pair your Aquastroke Pro pen with a FanPan Watercolor Set and a Reflexions Watercolor Sketchbook for a perfect paint kit on the go! To create a brush marker, you can fill Aquastroke Pro with water-soluble inks or liquid watercolor! Use it as a dip pen by filling it with water and dipping it into inks. You can slowly fade out the ink and create a nice gradient by slowly adding more water as you paint. Best of all, clean-up is easy! To clean the brush pen, simply squeeze the pen onto any surface, such as a palette, until the water comes out clean. Key Features: * Available in small, medium and large rounds * 4mm flat, 7mm flat, and 10mm flat brushes * Available in Set of 3 Rounds and Set of all 6 * Easy to use and easy to clean * Featuring the highest quality white nylon brush tips * Incredibly accurate * Bristles hold their shape * Does not leak * Water reservoir capacity: 8ml * Brush length with cap: 7" * Brush length without cap: 6.75" * Perfect For: * Plein Air Artists on-the-go * Watercolors, watercolor pencils, and water-soluble crayons * Fill the barrel with water, and you’re ready to go * Water and water-soluble inks or fluid watercolors * Great with all forms of watercolor media * Blending water media to create smooth gradients * Making watercolor painting much easier See More
-
Premo Sculpey 1 lb. Bar - TranslucentSave Up to14%Off listPremo Sculpey is a professional quality modeling clay that bakes in any home oven. Premo Sculpey quickly reaches a workable state with minimal conditioning and remains soft and pliable while offering extra resistance without crumbling. Mix Premo Sculpey with other polymer clay colors, powders or… Premo Sculpey is a professional quality modeling clay that bakes in any home oven. Premo Sculpey quickly reaches a workable state with minimal conditioning and remains soft and pliable while offering extra resistance without crumbling. Mix Premo Sculpey with other polymer clay colors, powders or pigments for interesting colors and textural effects. Premo Sculpey should be cured at 275º F (130 C) in a preheated oven for 30 minutes per quarter inch of thickness. DO NOT MICROWAVE. Once cured, the colors intensify and deepen. Hint: Conditioning of all polymer clays may be facilitated with the use of a pasta machine. Simply cut the block in half and feed each half through the largest setting. Repeat 10 times more and your clay should be conditioned. Available in value size 1 pound bars, in Black, Translucent and White. See More
-
Super Sculpey® 1 lb, Beige Polymer ClaySave Up to12%Off listSuper Sculpey is the Ultimate Sculpting Compound! Super Sculpey® is a unique polymer clay, loved by artists, doll makers and animation studios around the world. It has a ceramic like feel and allows for extremely detailed sculpting. Super Sculpey® features fine tooling and detailing characteristics,… Super Sculpey is the Ultimate Sculpting Compound! Super Sculpey® is a unique polymer clay, loved by artists, doll makers and animation studios around the world. It has a ceramic like feel and allows for extremely detailed sculpting. Super Sculpey® features fine tooling and detailing characteristics, and does not "fill in" after tooling. Tone sculpting compound that is shatter and chip resistant. Excellent for prototypes and works requiring the finest detail and that should be porcelain hard. It is used by movie studios and professionals worldwide and a favorite with doll makers! * Features fine tooling and detailing characteristics, and does not "fill in" after tooling * Stays soft until baked – Does not air dry. Remains soft until it is baked in your home oven * Extra clay can be stored and reused - won't dry out! * Works well for sculptures and figurines * Semi-translucent beige, that once baked, captures the glow of real skin * If you choose to bake your product, place it on a baking sheet or mat and put it in the oven at 275 °F (130 °C) for 15 minutes per 1/4 inch (6 mm) thickness. * After baking, it can be sanded, drilled, carved and painted with water-based acrylic paints Super Sculpey® works well for sculptures and figurines. While this option is beige, you can mix it with our other clays to make whatever color you desire for your project. It is an oven-baked clay that is a semi-translucent beige resembling skin once baked. This product remains soft until you bake it, allowing you to store it for a long time with ease. Our Super Sculpey® beige clay also can be painted, carved, sanded and drilled after baking, making it a versatile option. See More
-
Super Sculpey® Firm 1 lb. Oven-Bake Clay, GraySave Up to16%Off listPerfect texture for sculpting fine details Super Sculpey® Firm Oven-Bake Clay is extra firm polymer clay that holds detail, photographs well, and stays pliable until cured in the oven! Answering the demands of sculptors requiring a firmer, stronger polymer clay, Sculpey developed Super Sculpey FIRM… Perfect texture for sculpting fine details Super Sculpey® Firm Oven-Bake Clay is extra firm polymer clay that holds detail, photographs well, and stays pliable until cured in the oven! Answering the demands of sculptors requiring a firmer, stronger polymer clay, Sculpey developed Super Sculpey FIRM to meet their needs. With the same non-drying consistency and oven-cured formulation as popular Super Sculpey, Super Sculpey FIRM takes the polymer clay medium a step further! Its extra firm consistency does not have the tendency to mush and blend when molded, and it holds detail extremely well without blurring. * Perfect texture for sculpting fine details * Shatter and chip resistant * Professional quality oven-bake clay * Clay can be sanded, drilled, carved and painted with water-based acrylic paint. Once cured in a standard home oven, Super Sculpey FIRM polymer clay can be further worked with extensive tooling, carving, sanding and subtractive techniques, and resists any chipping and shattering. The medium-grey coloring makes it excellent for determining value and for photographing, and can be painted with water-based acrylics or heat-set Genesis oils once cured. Super Sculpey FIRM polymer clay is a favorite of maquette makers in movie studios, professional sculptors and doll makers the world over! * Polymer clay remains pliable indefinitely, until cured in a home oven* Extra firm formulation will not blend or blur, holds details extremely well* Grey color is ideal for seeing and photographing detail* Can be painted with acrylics or heat-set Genesis oils once cured* Super strong, chip- and shatter-resistant* Can be carved, drilled, and sanded after curing * Perfect for maquettes, mold-making, doll sculpture and more! See More
-
Plastalina Modeling Clay 1 lb. Bar - Turquoise
Starting At: 4.24
Green Non-toxic, colorful modeling compound stays pliable indefinitely! Van Aken Plastalina Modeling Clay is a pigmented, oil-based modeling clay is renowned the world over for its smooth consistency and brilliant color range. Plastalina modeling clay never hardens, remaining pliable and plastic for limitless reworking. It is favored by sculptors, model makers, clay animators, maquette makers and artists of all kinds as the finest colored modeling clay available. Sold in segmented 1lb. or 4.5lb. bars, wrapped in cellophane, Plastalina is an indispensible and versatile medium for any sculpture studio! Key Features:* Non-Toxic oil-based modeling clay* Brilliant, pigmented color range* Sulfur-free* Reusable / Non-hardening, remains pliable* Smooth consistency* Sold in 1 lb. and 4.5 lb. bars* 1 LB bars come in 24 vibrant colors* 4.5 LB bars come in Black, Ivory, Sculptor Grey, Terra Cotta & White * Made in U.S.A.* *Do not bake in oven* Perfect For:* Teachers and classrooms* Sculptors and fine artists* Maquette and model makers* Clay animation & 3D art* Molds for silicone rubber* Figurines* Limitless reworking & open time See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field