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Related Categories: 11x14 Mixed Media | Millbrook | 8.5x11 Paper | 18x18 | Gray Tone Paper | Windsor Newton Markers | 9x12 Panels | 9x12 Frame
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Jerry's Pro Foam Board Box of 25 11x14 (3/16 In Thick) Black on BlackSave Up to78%Off listPre-cut foam board sheets make fast work of any project! In developing our line of foam board we went to the artist and framer and asked them what they wanted. Above anything else, they wanted a board that was acid-free so they could use it with their original artwork. They wanted a board that… Pre-cut foam board sheets make fast work of any project! In developing our line of foam board we went to the artist and framer and asked them what they wanted. Above anything else, they wanted a board that was acid-free so they could use it with their original artwork. They wanted a board that allows for mounting without difficulties and the ability to be cut cleanly and bounce back from the compression of the cut. Pro-Foam does this remarkably well. Within the line, there are many variations of thickness and size of foam board. Key Features: * All boards are acid-free * Polystyrene foam core * PH Value: White= 9 * PH Value: Black= 8.3 * Allows for reliable mounting * Cuts easily and with memory Perfect For: * Backing, mounting, and framing * Cutting cleanly with bounce back * Archival framing * Presentations * Reliable mounting * Artists of all skill levels White 1/8" (3mm) board - The best value when the mount is only for picture framing. White 3/16" (5mm) board - The most popular for various matting and presentation usages. White 3/8" (10mm) board - Used behind pre-cut mats to add depth and for various presentation techniques. Black 3/16" (5mm) board - Gaining wide popularity because of its professional finish. Some artists use this board as an interior mat to gain depth. Fushion IT - This self-adhesive board allows for quick work for mounting ink jet print. Since the adhesive is not reversible we suggest that it be limited for use with print. Special Sizes - Jerry's Acid-Free Pro-Foam is a money saver in two ways. The first is basic pricing but the second is the availability of the 36×48" size. See below for even standard sizes for each board. * 32×40" - 8×10", 16×20" * 36×48" - 9×12", 12×16", 18×24", 24×36" Please note: We cannot guarantee that all corners will arrive without damage. See More
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Manchester Colonial Picture Frame, 11"x14" Wood FrameSave Up to52%Off listGold A Classic Design That Evokes The Feel of the Colonial Age The Manchester Colonial style wood frames come in a variety of convenient, ready-made sizes. The Manchester style uses a stepped inner lip to offset it from the painting. The outer edge has a rounded interior and corner with a raised design to give a stacked look. The golden hue is slightly antiqued and has light gray accents. Perfect for virtually any type of artwork that requires classic simplicity with the appeal of age. The frame has a 3-1/2" wide face and a rabbet of 3/4". These beautiful wooden frames feature a classic design that evokes the feel of the Colonial age. ManchesterThe golden hue is slightly antiqued and has light gray accents, uses a stepped inner lip to offset it from the painting and outer edge has a rounded interior and corner with a raised design to give a stacked look. Key Features:* 3-1/2" face width and 3/4" rabbet depth* Plein Air style with stepped inner lip* The outer edge has a rounded interior and corner with a raised design to give a stacked feel* The golden hue is slightly antiqued with a light gray in the grooved areas.* The back surface is black* Open back, ready made frame Perfect For:* Landscape, floral and still life paintings with an old world feel* Photographs, landscapes and still life paintings that require simplicity Please note: frames do not include glass See More
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Provence Colonial Picture Frame, 11"x14" Wood FrameSave Up to67%Off listGold A Classic Design That Evokes The Feel of the Colonial Age These beautiful wooden frames feature a classic design that evokes the feel of the Colonial age. Available in a variety of convenient, ready-made sizes you're sure to find the Provence Colonial frames to complement the style of all your photos, paintings and portraits. The Provence Colonial frame has a scoop design with a round back. The Gold leaf has a gray wash on the ornamentation. The inside lip is a speckled bright gold leaf panel. The outer back edge is decorated with beading. The thickness of the moulding is offset with the light, airy color tone. The frame has a 3-3/8" face width and 1/4" rabbet depth. It is perfect for floral, landscape and still life paintings with an old world feel. Provence Gold leaf has a gray wash on the ornamentation and the outer back edge is decorated with beading. Thickness of the moulding is offset with the light, airy color tone Key Features:* 3-3/8" face width and 1/4" rabbet depth.* Scoop design with rounded back* Gold leaf with a light gray wash on the ornamentation.* The inside lip is a speckled bright gold leaf panel.* The outer edge back surface is decorated with beading Perfect For:* Landscape, floral and still life paintings with an old world feel Please note: frames do not include glass See More
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AlumaComp Aluminum, 11"x14" Archival Painting & Mounting PanelSave Up to78%Off listSilver 100% Archival / Unprimed Aluminum Boards - Acid Free- Adds Value to Your Artwork 100% Archival Boards - Acid Free- Adds Value to Your Artwork Great for Plein Air Painting - Painting on metal panels has been historically recorded since before the times of Rembrandt, who painted many of his great masterpieces on copper. In the last 20 years, professional artists have been moving towards working on aluminum composite panels (ACP), which feature lighter weights and stronger construction. AlumaComp is widely used for mounting fine art, photographs, linen and canvas to create an incredibly stable painting panel, or to use on its own as a reliable, archival painting support. The brushed aluminum surface takes primer beautifully, providing texture that grips the primer for a perfect bond. The smooth aluminum surface can be used as is to take advantage of its' beautiful finish, or custom sanded or polished for any texture necessary for your artistic applications. When used as a painting panel, the smooth side can be used as the work’s actual highlights for a modern look— either left bare as is, or sanded/buffed back to the bare metal before varnishing to take advantage of the metallic glow. Simply peel the screened film used to protect both sides, and let your creativity do the rest. Key Features: * Double-sided – one brushed aluminum, one polished smooth * 100% Archival Rigid and strong, yet lightweight * 4mm (3/16") thick * Acid-Free - Archival, will not decay * Prime and Paint in traditional oils & acrylics * Use primed or unprimed * Accepts most fine art media, primed or painted directly * Perfect for use as a mounting surface for photography, linen and canvas, even image transfers * Will not mold, or mildew like stretched canvas or wood panels * Can be Framed - No backing board needed * Sold Individually or in Boxes of 2 Perfect For: * Adding Value to Your Art * Plein Air - Lightweight & free from moisture * Professional Photographers, Fine Artists, Graphic Artists * Oils, Acrylics, Mixed Media, Watercolors * Art Prints, Inkjet, Screen Printing, Photos * Creating artwork with a fresh, modern look * Saving shipping costs to clients and galleries, due to lighter weight * Experimental and modern art * Working in environments where humidity levels fluctuate* See below for the larger sizes sold in boxes of 2: 36" x 36" - 18" x 72" - Also not for larger sizes, may need to support to prevent bending Professional Artist Eric Armusik "My work requires the highest standards and after 15 years of painting on wood i have abandon it forever after painting on AlumaComp, I will be painting all 40 large panels using this substrate as well as many more paintings, commissions and mounting of my prints", "It's an amazingly versatile substrate for those who want the smooth surface of a panel but are afraid to paint on something like wood which is prone to warping" Eric Armusik, (b. 1973) paints classical figurative art that fuses his life experiences with art history. His paintings are a declaration to the dramatic power of representational art. The origin of his inspiration does not lie in academia, but rather his childhood, surrounded by the vivid paintings he saw in Gothic cathedrals as a child. Eric doesn’t aspire to simply paint a figure; he paints a moment, a human experience, and an emotional dialogue that transcends culture, religion and time itself. See More
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