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Related Categories: Watercolor Art Brushes | Brushes, Oil Acrylic | 2" Brush | Synthetic Fan Brush | Wash | Bright | Acrylic Varnish | Brushes For Oils
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Silver Brush Atelier Golden Taklon Quill Brush #160Save Up to35%Off list…of premium brushes for artists working with oils, watercolors and acrylics! Silver Brush Atelier Brushes are a series of premium paint brushes that are available in three different styles. The Mottler series is a 72 brush assortment that has extra long handles with bristle brushes in angle and… Create your next masterpiece with this series of premium brushes for artists working with oils, watercolors and acrylics! Silver Brush Atelier Brushes are a series of premium paint brushes that are available in three different styles. The Mottler series is a 72 brush assortment that has extra long handles with bristle brushes in angle and oval shapes for varnishing, graining, transparent painting and priming and badger blend brushes in flat shapes for softening edges and blending. The dressed goat hair of the Hake series, in an assortment of 62 brushes, is ideal for washes and backgrounds in watercolors and acrylics, and for softening brush strokes in oils. Quill Series brushes are made with white goat hair, golden taklon, or a blend of black squirrel and synthetic hair. This assortment of 54 quill brushes is perfect for detail work, washes, and blending with oils, acrylics or watercolor. Key Features: * Series of high-quality paintbrushes in 3 styles * The Mottler Series has extra long handles & bristle or badgers brush heads * The goat hair of the Hake series is great for washes and backgrounds * The Quill series are made of squirrel blend, white goat hair or golden taklon Perfect For: * Portrait artists * Watercolor artwork * Working in oils * Acrylic artwork See More
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Jerry’s Artarama Mesh Zipper Bag Medium-Large 10" x 14"Save Up to50%Off list…spills within the bag during transport! Use them in your studio, classroom, home or art cases for separating art supplies such as paints, paint brushes, colored pencils, sketchbooks and erasers. They're also excellent for quickly transporting art supplies! No need to pack everything up, just pick… Protect, carry and organize art supplies with Jerry's Artarama Mesh Zipper Bags! We have partnered with Creative Mark to bring you a selection of durable Mesh Zipper Bags. The Jerry's Artarama Mesh Zipper Bags are an easy solution for organizing and transporting art supplies! Due to their construction of plastic covered mesh, these bags will protect art supplies from liquid and dirt. They will also retain liquids if paint or ink spills within the bag during transport! Use them in your studio, classroom, home or art cases for separating art supplies such as paints, paint brushes, colored pencils, sketchbooks and erasers. They're also excellent for quickly transporting art supplies! No need to pack everything up, just pick up your Mesh Zipper Bags and go! Please note: Packaging received may appear slightly different than pictured. Due to a recent manufacturer change, some Mesh Zipper Bags may be received with a red Jerry’s Artarama tag. Key Features:* Available in 5 convenient sizes* Constructed from durable plastic coated mesh* Features a zip closure* Semi-opaque Perfect For:* Organizing and separating art supplies* Transporting art supplies without the hassle of packing* Use in classrooms, studios, homes and art supply cases* Protecting supplies from liquid and dirt See More
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Fredrix Red Label Medium Texture Duck 3/4" Profile - 10" x 14" (Box of 6)Save Up to46%Off listWhite Professional Medium Tooth Cotton Canvas - Primed and Ready! Fredrix Red Label 3/4" Deep Cotton Canvas features superior quality medium textured, duck canvas. It is double-primed with acid-free acrylic gesso for use with oil or acrylic painting. The canvas is stapled onto the back of standard stretcher bars. Paint on all four edges and hang it with or without a frame. All sizes larger than 24" x 36" include single or double bracing for added support. Key Features:* 3/4" Deep profile* Primed Weight: 12oz(406 g/m2)* Unprimed Weight: 7oz(237 g/m2)* 100% cotton duck canvas* Double-primed with acid-free titanium gesso* Medium tooth* Back-stapled, 4 paintable edges* Primed in the USA!* Perfect For:* Oil or acrylic painting* Impasto techniques* Mixed media* Painting on all four edges All sizes larger than 24″ x 36″ include single or double bracing for added support See More
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Ambiance Eco Rubberwood Frame - Black, 10" x 14"Save Up to58%Off listBlack Eco-Friendly Frames Made of Sustainable Wood Ambiance Eco Frames are made of sustainably grown wood and feature a flat-front profile for an attractive minimalist look. Rubberwood is less brittle than hardwood, and bamboo is denser than hardwoods like ash and maple. Each frame comes with lightweight acrylic glazing, hardboard backing, and hardware. The break-resistant acrylic glazing is lighter than glass and is protected on both sides from scratches and smudges by a thin film that can be removed before use. It’s very easy to install flat artwork in these frames. Simple turn buttons on the backing board slide into slots on the inside edge of the frame, allowing you to swap out art quickly. Sizes 3x5" through 10x14" feature an easel back for tabletop display. All of the frames feature D-ring style loops attached to the backing board for hanging in either direction. Ambiance Eco Frames neatly define but never overwhelm your artwork. Pair your Eco Frame with an Ambiance mat (sold separately) for a professional look. Bamboo is available in a natural finish clear coat, and rubberwood is available in black. Key Features: * Made of sustainable bamboo (natural) or rubberwood (black) * Profile depth: 11/16", face width: 5/8" rabbet depth: 7/32" * Available in a variety of popular sizes * Solid construction and clean lines * Sustainably grown wood * Acid-free hardboard backing with turn buttons and d-rings * Lightweight, break-resistant acrylic glazing included * Simple to use backing holds your artwork in place * Sizes 3x5" through 10x14" have an easel back for tabletop display Perfect For: * Quickly swapping out artwork for a show * Framing sketches, prints, watercolors, and photographs * Hanging art vertically or horizontally on a wall * Tabletop display * Use with Ambiance mats (sold separately) * Artists that want to support the earth * An attractive minimalist look * Displaying your art * Giving your art as a gift Eco-Friendly sustainable wood: Rubberwood is considered a renewable source. The trees are mainly grown for the latex sap they produce, but once the tree reaches the end of its lifecycle and stops excreting sap, the wood is harvested for processing. New trees are planted to replace the trees that are harvested. Bamboo is also a remarkable green material because it prevents soil erosion, supplies biofuel, and provides a wholesome food source for wildlife. Bamboo produces more oxygen and can absorb more carbon dioxide compared to an equivalent tree mass. Additionally, it does not take very long to regrow a bamboo crop. Eco Frames are naturally better for the environment because they are made with sustainable wood that is responsibly harvested. See More
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Stonehenge Black Aqua Watercolor Paper 140 lb Hot Press Pad - Black, 10"x14" (15 Sheets)Save Up to38%Off listBlack BLACK is 100% cotton paper sized for watercolor Black paper is not a new thing, but Black 100% cotton paper sized for watercolor is. Utilizing their vast experience producing new papers for emerging markets, Legion was able to work directly with artists to create something totally new and desirable. And with recent introductions of new metallic and pearlescent watercolor paints, pencils, pens, markers and inks, the timing couldn’t be better for Stonehenge Aqua Coldpress Black to bring these media to life. Black paper is an exciting, new world. Instead of building up shadows, one builds up light. It’s a place where negative space is transformed into positive. And while it may be dark, it’s a chance for those who live and breathe watercolors to bring a new breed of creativity to light. Key Features: * 100% cotton, CP 140lb or 300lb * Acid-free, Neutral pH, Chlorine-free * Same surface on both sides * Professional 'crisp' feel * Buckle-Resistant, dries flat * Perfect For: * Many kinds of mediums * Blending of colors (paint mixes well and does not dry up quickly) * Lifting techniques See More
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Arches Watercolor Block 10"x14", 140lb Cold Press, 20 SheetsSave Up to40%Off listConvenient pre-stretched 100% cotton watercolor blocks Arches watercolor blocks are a favorite among artists for more than 500 years manufactured in the same French mill since 1492. Made from 100% cotton linters and both internally and externally gelatin sized, these blocks are durable acid-free,… Convenient pre-stretched 100% cotton watercolor blocks Arches watercolor blocks are a favorite among artists for more than 500 years manufactured in the same French mill since 1492. Made from 100% cotton linters and both internally and externally gelatin sized, these blocks are durable acid-free, pH-neutral and air-dried paper. Arches Aquarelle watercolor blocks are one of the finest art papers in the world. You too can bring this historical, artist quality paper to your own works with these convenient, pre-stretched blocks! Glued on all four sides, eliminating the need to wet and stretch the paper before painting, as the glue prevents the sheet from curling and buckling during painting. Arches Aquarelle Watercolor Blocks are available in 3 surface finishes, 2 paper weights, and all in a Natural White shade. Excellent for all types of watercolor painting, ink drawing, washes — and the ideal portable painting surface, perfect for plein aire artists! Arches Aquarelle Watercolor Paper Blocks are available in 3 surface finishes, 2 paper weights, and all in a Natural White shade.* 140lb Blocks (300gsm, 20 sheets) - Available in Cold (medium texture), Hot (smooth texture) and Rough (high texture) Press surfaces. Each block contains 20 sheets glued on all four sides. * 300lb Blocks (640gsm, 10 sheets)Sizes: 9x12", 10x14" & 12x16" - These Cold Press (medium texture) blocks feature 10 sheets of heavyweight, 300lb Arches Natural White watercolor paper, glued on all four sides. Key Features:* 100% cotton watercolor paper* Both internally and externally gelatin sized* Durable acid-free, pH-neutral and air-dried paper* Glued on all four sides* Glue prevents the sheet from curling and buckling* 3 surface finishes: Cold Press, Hot Press & Rough* 2 paper weights: 140lb & 300lb * 20 sheets per block (140lb) / 10 sheets (300lb)* Natural White shade Perfect For:* Watercolor artists* Eliminating the need to wet and stretch the paper before painting* Watercolors, gouache, acrylics, and ink* Keeping paper perfectly flat* Not needing stretching, taping or clamping to stay flat* Painting right away without a lot of prep work* Drawing as it provides a sturdy support surface to work on* For traveling or spontaneous with watercolor creativity* Plein aire artists NOTE: Once a piece is finished, simply slip a craft knife or razor blade under the top sheet to lift it up and reveal a brand new sheet beneath. See More
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NY Central Watercolor Block 140lb Hot Press - 10" x 14" (20 Sheets)Save Up to77%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s 100% Cotton Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal and external gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. New York Central Watercolor Blocks are available in a range of unique sizes, and come in 140lb and 300lb weights. The rigid backing board supports the paper and makes plein air painting simple. All four sides of the block are glued to prevent the top sheet from curling and buckling as you paint. There is no need to stretch the paper before using it! New York Central Watercolor Blocks are ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Bright white 140lb and 300lb paper made with 100% cotton * Acid-free and archival * Internally and externally sized * Seven block sizes * Available in cold and hot press * Sizing preserves the luster and transparency of watercolors * Blocks eliminate the need to stretch paper * Superior surface stability * Made on a cylinder mould * Holds up to scrubbing and erasing Perfect For: * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Scrubbing and color lift techniques * Professional watercolorists * Simplifying the painting process * Keeping paper perfectly flat * For traveling or painting on the go Please note: The bottom edge of each block has a one-inch section that is not glued. Insert a clean palette knife between the sheets in this section to separate the top sheet from the rest of the block. Gently slide the knife around all four edges until the top sheet is separated. See More
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Magnani 1404 Portofino Watercolor Block 140lb Hot Press - 10" x 14" (20 Sheets)Save Up to40%Off listWhite Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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