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Wipe-Tex E Z Wipers Painting RagsSave Up to22%Off listEnvironmentally friendly, reusable cleaning method! Tired of having a messy studio? Sick of wasting money on reams of paper towels? Concerned that your cleaning is having a negative impact on the environment? E-Z Wipers are your solution! These soft, lightweight, low-lint rags are perfect for… Environmentally friendly, reusable cleaning method! Tired of having a messy studio? Sick of wasting money on reams of paper towels? Concerned that your cleaning is having a negative impact on the environment? E-Z Wipers are your solution! These soft, lightweight, low-lint rags are perfect for cleaning up paint or medium spills, for staining, polishing, dusting, and even faux finish techniques. Made from white cotton knit, they are environmentally friendly and sustainable, as they can be washed and reused almost limitlessly! Don't throw away piles of paper towels: keep your workspace clean and the environment unpolluted with these handy, inexpensive, reusable cloths! * Smooth, lightweight white cotton knit rags * Soft, absorbent, low-lint material * Good for cleaning, painting, staining, polishing, dusting and even faux finishing! * >E-Z Wipers available in 1 lb bags and 5 lb boxes See More
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Speedball Block Out TapeSave Up to24%Off listKeep frames and artwork clean with this repositionable block out tape! Speedball’s Block Out Tape is a necessity for screenprinting and a variety of art projects. This self-wound, polyethylene film tape has an aggressive, water-based adhesive that is resistant to inks and solvents. Durable enough to… Keep frames and artwork clean with this repositionable block out tape! Speedball’s Block Out Tape is a necessity for screenprinting and a variety of art projects. This self-wound, polyethylene film tape has an aggressive, water-based adhesive that is resistant to inks and solvents. Durable enough to withstand multiple pressure washes and solvent baths, this 2" x 36 yards block out tape is easily repositionable and leaves no residue when removed from frames and mesh surfaces. Key Features: * 2" x 36 yards * Durable polyethylene film tape * Aggressive, water-based adhesive * Repositionable and leaves no residue Perfect For: * Keeping screenprinting frames clean * Mixed media artists * Taping off painting boundaries * Professional & DIY printers See More
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SoHo Urban Artist Disposable Studio WipesSave Up to72%Off listClean Up Oil, Acrylic and Other Paints With These Non-Toxic and Biodegradable Studio Cleaner & Paint Remover Wipes New Artist Studio Cleaner & Paint Remover from SoHo are the epitome of convenience and the easy way to keep your studio and brushes clean! These… Clean Up Oil, Acrylic and Other Paints With These Non-Toxic and Biodegradable Studio Cleaner & Paint Remover Wipes New Artist Studio Cleaner & Paint Remover from SoHo are the epitome of convenience and the easy way to keep your studio and brushes clean! These pre-moistened wipes are Non-Toxic and Biodegradable. No harsh solvents or turpentine, and are the ultimate cleaner for varnish, acrylic, oil-based paints and brushes! Not only are SoHo Artist Paint and Brush Cleaning Wipes perfect for cleaning up wet spills, drips and splatters on work surfaces, they are also an effective and gentle cleanser for hands, brushes, tools, floors and more — and can even remove dried acrylic paint from non-porous surfaces! Safe to use on almost any surface, including glass, woodwork, and old finishes, SoHo Artist Studio Cleaner Wipes also effectively clean grease, oil, scuff marks, and adhesive residue. When finished, simply throw the used Artist Studio Wipe in the trash bin — no special disposal necessary! Keep your brushes and painting area clean with a minimum of effort with new Non-Toxic Artist Studio Cleaner Wipes from SoHo Urban Artist! Updated packaging is green. Key Features:* 40 disposable cleaner wipes in each container* Disposable, pre-moistened wipes* Clean wet varnish, acrylics, oils & more* Removes dried acrylic from smooth surfaces* Can be used for removing excess paint off brushes, cleaning hands, surfaces & tools* Safe for use on tables, glass, wood, old finish & more Perfect For:* Top Use: Remove excess paint off brush heads* Cleaning wet paint spills, drips & splatters* remove paint from hands and surfaces* Quick cleansing after painting sessions* Keeping a tidy studio or home with less work* Safe & quick disposal* Use in the studio, home or en plein air! See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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