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Ampersand Museum Series Aquabord 2" Deep Cradle Panel 22x30"Save Up to36%Off listWhite Acid-free textured clay surface that absorbs watercolors like a fine paper Colors retain their purity and vibrancy on Aquabord in a way that even the finest watercolor papers cannot. This multimedia panel simulates the absorbency and texture of cold pressed paper but allows color to be lifted back to white easily while leaving the richest, most vibrant color possible. The surface is workable and can withstand color lifting and scrubbing even after the watercolor has dried. Glazes and transparent layers of color look amazing on Aquabord. It will not tear, shrink or buckle even under heavy water application. The Museum Series Aquabord is available in a 1/8" flat panel, or a 7/8", 1-1/2", or a 2" cradled panel. The 2" Deep Cradle eliminates the need for framing altogether. Stain, paint or wax the cradle edges and eliminate the cost of framing altogether! Key Features: * Acid-free textured clay surface absorbs watercolors like a fine paper * Available in 1/8", 7/8", 1-1/2", or 2" depth * Texture similar to cold-pressed watercolor paper * Unlike paper, it will never tear, shrink or buckle * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly, and made in the USA Perfect For: * Watercolor, gouache, casein, acrylics, and inks * Painting bright, brilliant watercolors * Lifting color easily * Applying endless layers and glazes of color * Creating incredible details and highlights * Great for gouache, acrylic, and ink too! Frame Without Glass - Watercolors can be sealed and displayed without glass keeping colors and textures true to life! Artist and Environment Friendly - Ampersand Aquabordâ„¢ is made from sustainable forest products that ensure the protection of wildlife, plants, soil, and water. Always formaldehyde-free and no harmful volatile organic compounds. See More
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Winsor & Newton Professional Watercolor Sheet 140 lb Cold Press 22x30 (10-Pack)Save Up to40%Off listWhite Durable, mould-made, 100% cotton watercolor paper! Winsor & Newton's 100% cotton Professional Watercolour Blocks and Sheets provide the best surface for smooth, even washes of transparent color. Cold and hot press sheets are formed on a traditional Italian cylinder mould for durability. Internally and externally sized cotton fibers make up the robust absorbent paper. Free from acids and optical brighteners, this paper is archival and resistant to yellowing. Portable bocks are glued on all four sides and contain 20 sheets each. Winsor & Newton Professional Watercolour Blocks and Sheets have precise sizing for superb absorbency and pigment dispersion. Key Features: * 100% Cotton paper * 140lb (300gsm) Bright natural white paper * Cold and hot press texture * Made on a traditional cylinder mould * Internally and externally sized * Acid-free and non-yellowing * Free of optical brighteners * Optimal water absorbency and pigment dispersion * Blocks glued on all four sides * Watermarked sheets * Crafted in Italy * Perfect For: * Professional watercolorists * Watercolor and gouache * Suitable surface for acrylic and soft pastel * All water media! * An endless array of techniques * Wet-on-wet or wet-on-dry techniques * Lifting and scrubbing * Multiple layers of wet media * Travel or use in the studio See More
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Strathmore 400 Series 280gsm 22" x 30" Heavyweight Printmaking Paper (25 Sheets)Save Up to33%Off listExceptional printmaking paper with series tailored to each level of expertise! Strathmore printmaking paper meets the versatile range of needs from beginners to professionals! 300 Series paper is ideal for beginners, 400 Series paper is ideal for intermediate printmaker. Perfect for techniques such… Exceptional printmaking paper with series tailored to each level of expertise! Strathmore printmaking paper meets the versatile range of needs from beginners to professionals! 300 Series paper is ideal for beginners, 400 Series paper is ideal for intermediate printmaker. Perfect for techniques such as relief, lithography, intaglio, and screen print, Strathmore printmaking papers feature a strong and durable surface that is still soft enough to absorb many layers of ink. Its natural white color offers artists a crisp, clean surface to lay prints. All Strathmore printmaking papers are acid-free and made in the USA! Key Features: * Natural white papers are strong and durable, yet soft enough to absorb many layers of ink * Convenient sizes and formats, including pads and large sheets * Pads feature easy-to-use flip-over covers that allow sheets to tear out cleanly * Full size sheets are ideal for larger finished prints and proofing * Acid free * Made in the U.S.A. * Ideal for a wide variety of printmaking techniques * Including relief, lithography, intaglio, screen print and more * 300 Series Lightweight - ideal for beginners This range of printmaking papers feature a weight of 120 gsm, a soft and durable medium surface texture, is acid-free, and contains high alpha cellulose wood fiber. These lightweight papers are ideal for printmaking, relief printing, and practicing. It is available in 4 popular sized, glue-bound pads. These sizes include 5x7" (40 pages), 8x10" (40 pages), 11x14" (30 pages), and 18x24" (30 pages).* 400 Series Heavyweight - ideal for intermediate printmakers This range of printmaking papers feature a weight of 240 gsm, a soft and durable medium surface texture, is acid-free, and contains high alpha cellulose wood fiber. These heavyweight papers are ideal for printmaking, lithography, intaglio, and screen printing. It is available in 4 popular sized, glued-bound pads and a pack of loose sheets. The pad sizes include 5x7" (20 pages), 8x10" (20 pages), 11x14" (15 pages), and 18x24" (15 pages). The pack of loose sheets is sized 22x30" and includes 25 sheets! See More
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Strathmore 500 Series Mixed Media Paper - 4 Sheets 22x30"Save Up to33%Off listWhite Strathmore 500 Series Mixed Media Paper & Boards - Professional quality paper and board specifically designed for wet and dry media art! New from Strathmore Artist Papers comes their finest selection of art surfaces for multimedia artwork: 500 Series Mixed Media Paper and Boards! As with all of Strathmore's 500 Series line, these new paper surfaces are made of only the finest 100% cotton, and are archival, being both acid and lignin-free. Mixed Media Paper and Boards are the perfect surface for finished art in wet and dry media, collage, and more! They are internally sized for wet media work, with a slightly toothy vellum finish perfect for drawing techniques. The ideal professional grade surfaces for any multimedia art, whether graphite, colored pencil, watercolor, gouache, light acrylic, pastel, pen and ink, marker, collage and much more! Key Features: 100% cotton paper Professional grade surface Archival, acid and lignin free Internally sized Toothy vellum finish Popular Ready-Cut sizes Perfect for: Both wet and dry media art Drawings in pencil, marker, colored pencil, pen and ink Paintings in watercolor, gouache, light acrylic and inks Multimedia works and light collage * Mixed Media Paper – This 100% cotton, 90 lb. paper is archival and durable, being internally sized with a toothy vellum finish. Perfect for bookbinding techniques as well as mixed media art. Sold in packs of four 22x30" sheets. * Mixed Media Board – This sturdy, 52 pt. board consists of 2 sheets of Mixed Media paper mounted on either side of a high quality white board. Ideal for vigorous techniques, collage, fine art and commercial illustration. Available in standard 22x30" boards or packs of popular Ready Cut sizes for ready-made frames and mats. See More
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Pro Draft Parallel Edge Board 16x21" U-PEB1621K Martin
Starting At: 187.77
The latest innovation for drawing and painting in and out of the studio! The Martin® Deluxe Adjustable Parallel Straight Edge Board stands alone as the premier item in its class and in the industry! This lightweight and portable board features a nonporous white melamine drawing surface and an… The latest innovation for drawing and painting in and out of the studio! The Martin® Deluxe Adjustable Parallel Straight Edge Board stands alone as the premier item in its class and in the industry! This lightweight and portable board features a nonporous white melamine drawing surface and an anti-warp aluminum body straightedge that easily secures into position with two locking knobs. This deluxe model surface is backed with the exclusive and innovative Martin Adjusto-stand which provides five (5) angles of adjustment and rubber feet for added stability. Includes comfort handle for easy transport. White melamine top with aluminum straightedge. Key Features & Specifications:* Smooth white scratch-proof melamine surface* Straightedge suitable for both ink and pencil* Locking knob secures vertical motion of straightedge* Large, easy to adjust knobs* Unique 5 angle Adjusto-Stand* Lightweight and handle makes it easy to transport* Angle adjustment varies with size of board. Larger boards will have a larger angle adjustment* Each side of the unit has large knobs for adjusting the straight-edge to align with the artwork/drawing and stay parallel* High resin particle board to prevent board breakage* Each side of the unit has large knobs for adjusting the straight-edge to align with the artwork/drawing and stay parallel Now you can draw, paint or sketch on anything as thin as tracing paper and as thick as illustration board and still have a smooth working parallel straight edge that will assist you in designing. Each is equipped with an all metal ratched stand underneath to obtain the perfect working angle with supreme stability. This superb, durable white drawing board won't warp and will provide years of trouble-free service. The angle of the board at the highest notch is a 30-degrees relative to the table it is sitting on. * #U-PEB1621K—16" X 21" * #U-PEB1824K—18" X 24" * #U-PEB2026K—20" X 26" * #U-PEB2331K—23" X 31" * #U-PEB2436K—24" X 36" See More -
Strathmore Sequential Paper 500 Illustration Board for Wet Media 22" x 30" (Box of 12)Save Up to38%Off list…charcoal pen and ink, air brush and light washes. Bristol surfaces are not recommended for traditional watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for… Strathmore's 500 Series is the superhero of all Bristol surfaces, but what would a superhero be without a core of worthy minions? The 200, 300 and 400 Series all provide surfaces with their own unique attributes and staying power in the attack of the sequential artists. For every tool that you take into battle in you own quest for the ultimate story, Strathmore has a surface that will stand up to the challenge. 200 Series Smooth Blue Line Bristol - Our 200 Series Smooth surface is a Bristol weight board printed with non-reproducible blue lines for comic and Manga applications. These blue lined sheets are available in page and cover formats for artists who prefer the convenience of a grid lined sheet. Pads and sheet packs in this series are offered in the industry standard 11×17" format. 300 Series Smooth and Vellum Bristol - 300 Series Smooth and Vellum 100 lb. Bristol surfaces are available in three sizes. The smooth surface is ideal for both traditional and specialty pen and ink. Both surfaces work well with specialty pens and markers. Sheet packs and pads are available in the standard 11×17" format. Pads are available in 5×17" and 12×12". None of these surfaces are lined allowing the artist the flexibility of working outside the box. 500 Series Bristol - Strathmore 500 Series Bristol is an industry standard created in 1893. These 100% cotton 2 ply bristols are available in three surfaces in the standard 11×17" format. The plate surface has an ultra-smooth finish that is unsurpassed for detail work using traditional pen and ink tools, pencil along with specialty pens and markers. Vellum has a toothy finish that is excellent for graphite pencil, colored pencil, sketching sticks and specialty pens and markers. It is also a very good choice for charcoal pen and ink, air brush and light washes. Bristol surfaces are not recommended for traditional watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of either 15×22" or 22×30", this professional quality board was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. See More
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R&F Encaustics - Heat Gun Nozzle (Reduction), 7/8"Save Up to20%Off listEverything you need for fusing and smoothing encaustic paint! The key to a strong and stable encaustic paint film is that the layers of wax are securely fused to one another. R&F supplies some of the best heating tools you can find to do precisely that! From hot air guns and torches that allow… Everything you need for fusing and smoothing encaustic paint! The key to a strong and stable encaustic paint film is that the layers of wax are securely fused to one another. R&F supplies some of the best heating tools you can find to do precisely that! From hot air guns and torches that allow you to evenly smooth and fuse encaustic paints without touching them, to tacking irons for surface work, R&F has all the best heating and fusing tools for any encaustic artist!* Hot Shot Heat Gun – An essential tool for fusing encaustic paint without touching it! The Hot Shot Heat Gun features a 1" opening, dual fan speed, and adjustable temperature control. Use to fuse large areas of paint with a sweeping motion, or focus on one spot.* Heat Gun Nozzles – These nozzles fit onto the nose of the Hot Shot Heat Gun to alter the air flow. Use the 2 1/8" Fan Nozzle to spread the air flow over a wider area, or the 7/8" Reduction Nozzle to narrow it to a specific area.* 21st Century Tacking Iron – Use like heated tools to manipulate and smooth an encaustic surface. Also helpful for melting wax drips off the side of a painting panel to smooth the edges. The 21st Century Tacking Iron is lightweight, with smooth rounded edges and an adjustable temperature dial.* Solder-It Mini Pro Torch – A safe and easy method for fast spot-fusing of encaustic paint. Self-igniting, with an on/off switch that can be used with one hand. Great for detailed and meticulous fusing. See More
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Nujabi Individually Handmade Watercolor Paper Sheets 200 lb Soft Cold Press 22" x 30" (Pack of 25)Save Up to67%Off list…Also In: Circle Round: 16in Diameter Artist Testimonial & Review "I loved this paper the moment I touched it. Marie's Oil Paints seem to keep a lot of vibrancy on the paper. The texture is wonderful for dry brush experimentation. I'll always keep a few sheets on hand to see what I can do with it." Individually Handmade Watercolor Papers Made of 100% cotton these acid-free sheets are handmade sheet by sheet in a paper making method with more than a thousand years of tradition behind it. Since this is a handmade sheet the surfaces may be a bit different than what you are used to. Nujabi paper does not contain much sizing unlike other watercolor papers on the market, as a result, only small amounts of water can be used on Nujabi paper. The soft cold pressed handmade watercolor paper is more in line with the texture of a cold pressed mould made sheet but the grain is softened so it may be easily drawn on. Key Features:* Handmade Indian Watercolor Paper (not cut sheets)* All sheets with natural deckle edges!* 100% cotton, Acid-free* 200lb Soft Cold Press Handmade Papers* Paper making method with more than a thousand years of tradition behind it* Absorbs the paint quickly so perfect for wet on wet* Can take multiple layers of paint* Also In: Circle Round: 16in Diameter Artist Testimonial & Review "I loved this paper the moment I touched it. Marie's Oil Paints seem to keep a lot of vibrancy on the paper. The texture is wonderful for dry brush experimentation. I'll always keep a few sheets on hand to see what I can do with it." See More
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Jack Richeson Printmaking Supplies Clear Carve 22x30"Save Up to42%Off listFlexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. *… Flexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. * Clear Carve- Clear Carve from Jack Richeson is a perfect clear surface for carving an image over any image, photo or sketch. Made from flexible and durable material that is easy to carve, Clear Carve wont crack or dry out and eliminates the need for any sort of messy image transfer paper. * Lino Grip- This lightweight linoleum block stop flawlessly holds linoleum in place as you carve better than any piece of wood or metal rest. Compact for easy storage, this slim, flexible, and grippy lino grip is easy to wash and perfect for aiding in the safe use of carving tools. It's great for beginners. Key Features: Made from flexible and durable materials Easy to clean Clear Carve is available in several sizes Easy to carve Speeds up block printing Perfect For: Beginners and students Tracing works of art, photographs and more! Learning the basics of block printing Holding linoleum in place (Lino Grip) Use with carving and other printmaking tools See More
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Fabriano Studio Watercolor Paper - 22"x30", 140lb Cold Pressed (20-Pack)Save Up to53%Off listNow Available In Easy-To-Frame Sizes! Fabriano Studio Watercolor Paper is made of 25% cotton and lignin free cellulose and is available in a lovely cold pressed or hot pressed surface. The paper is sized internally and externally, providing a paper surface that will hold up to vigorous painting… Now Available In Easy-To-Frame Sizes! Fabriano Studio Watercolor Paper is made of 25% cotton and lignin free cellulose and is available in a lovely cold pressed or hot pressed surface. The paper is sized internally and externally, providing a paper surface that will hold up to vigorous painting while guaranteeing optimal absorbance. The paper is made up of 100% of E.C.F. pulp (Elemental Chlorine Free), from responsibly managed forests that are respectful of environmental standards. It is a fantastic sheet for artists at all skill levels seeking high-quality paper at a modest price. Fabriano Studio Watercolor Paper is perfect for watercolor, gouache, tempera, acrylic, ink, charcoal, and drawing. Key Features:* 25% Cotton* Archival quality* Acid-free* Internal and external sizing* 100% elemental chlorine free pulp* Exceptional value and quality* Available in different sizes and bindings* Perfect For:* Watercolorists* Drawing and sketching* Fine artists and students* Artists at all skill levels* Watercolor and gouache* Tempera, acrylic, ink* Charcoal and graphite See More
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Stonehenge Aqua Watercolor Paper 22"x30" - 275lb, Hot-Press (10 Sheets)Save Up to38%Off listWhite Stonehenge Aqua is everything an expensive paper is without the expense. Stonehenge Aqua Professional Watercolor Blocks and Papers are as finely crafted as it is affordable. Performing way beyond its price point, it has been tested to its limits, and as it turns out, it has no limits. Wet-on-wet or wet-on-dry, it has a wonderful crispness that anchors beautiful work across every task and technique. With Stonehenge Aqua, blending is effortless, and lifting is no longer a chore. It welcomes masking while never relinquishing the control you both demand and desire. Bright colors dry bright. Blocks or sheets it’s flat paper that dries flat. Making possibilities a reality is why Stonehenge Aqua Watercolor Papers came to be. Watercolor is all about possibilities. Because it’s not just about beautiful paint. There’s another factor: a wonderfully whimsical element – water. Together, they allow for form and flow, chaos and connection, beauty and structure. Key Features: * Professional watercolor papers (140lb & 300lb) * Blocks, pads, sheets, and rolls * Cold Press and Hot Press * 100% cotton - acid, chlorine, OBA, and Lignin-Free * Neutral pH * Same surface on both sides * Buckle-resistant, dries flat * Sized for watercolor * Superior quality Perfect For: * Wet-on-wet or wet-on-dry techniques * Lifting and scrubbing color * It’s flat paper that dries flat * Multiple layers of wet media * Effortless Blending * Bright colors dry bright See More
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New York Central Watercolor Paper 140 lb Cold Press - 22" x 30" (10 Pack)Save Up to75%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet is 100% Cotton and has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. The 5x7", 9x12", 11x14", 16x20", and 22x30" watercolor sheets come in reusable zip-top packaging designed to keep your paper clean. New York Central® Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Available in rough, cold, and hot press * Bright white 140lb & 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Sizing preserves the luster and transparency of watercolors * Superior surface stability * Made on cylinder mould * Holds up to scrubbing and erasing * Sold in sheet packs of 10 * Convenient zippable packaging keeps your paper clean Perfect For: * Wet and dry media* Watercolor, gouache, ink, and fluid acrylic* Scrubbing and color lifting techniques* Professional watercolorists* All water media! See More
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