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ArtResin™ Epoxy Resin Mini Kit 8 ozSave Up toOff list
Starting At: 15.00
…protect the user from a mess, as well as skin irritation. Clean skin promptly with soap and water if it does come in contact with the product. If the product somehow comes in contact with your eyes, flush with water repeatedly and do not rub. Promptly seek medical attention. Work in a… Unparalleled non-yellowing protection! ArtResin™ is a self-leveling crystal clear epoxy resin that forms a beautiful, durable finish for any artwork. Formulated with unparalleled non-yellowing protection, ArtResin™ has a HALS (hindered amine light stabilizer) added for extremely efficient long term yellowing protection. Designed specifically for creative projects, this crystal clear resin is easy to use. ArtResin™'s 1:1 mixing ratio is user-friendly with easy to understand directions. Simply combine equal parts Resin and Hardener, stir, then pour or spread over your project. The topcoat is self-leveling and fully cures in 72 hours. ArtResin™ has been designated by the American Society for Testing and Materials as non-toxic when used as directed. It is formulated using the highest quality materials and therefore produces no VOCs or fumes. It is a clean system, meaning there are no solvents or non-reactive diluents—everything in it reacts so nothing is free to become airborne and cause health issues. It is also non-flammable. For all these reasons, it is therefore classified as a non-hazardous material and is shippable by air. Furthermore, many curatives have a powerful odor, however ArtResin has only a low odor and is applicator friendly. Key Features:* ArtResin™ Mini KIt, Starter kit, Studio Kit & Accessory Kit* Fully cures in 72 hours* No VOCs or fumes (conforms to ASTM D4236)* Non-toxic (when used as directed)* Long term yellowing protection* Self-leveling* Durable crystal clear finish* Easy to understand directions Perfect For:* Enhancing and protecting your work* Acrylic, watercolor* Oil paint that has completely dried* Spraypaint, encaustic, ink* Oil pastel, sculpture, silicone molds,* Other found objects. ArtResin™ is considered non-toxic when used as directed, however, there are some common sense safety precautions that every user should follow: Wear gloves. Epoxy resin is very sticky in its liquid form, so gloves will protect the user from a mess, as well as skin irritation. Clean skin promptly with soap and water if it does come in contact with the product. If the product somehow comes in contact with your eyes, flush with water repeatedly and do not rub. Promptly seek medical attention. Work in a well-ventilated area. Wear a respirator if ventilation is poor. For detailed health information, please see the ArtResin SDS.ArtResin™ Epoxy Kits ArtResin™ Starter Kit - Enough epoxy resin for a few projects, the Starter Kit includes 16 oz bottles of Resin and Hardener and covers approximately 8 square feet. ArtResin™ Studio Kit - For artists working on larger or multiple works. This kit includes half-gallon jugs of Resin and Hardener and covers approximately 32 square feet. ArtResin™ Mini Kit - Give ArtResin™ a try with the Mini Kit. It includes 4 oz bottles of Resin and Hardener and covers approximately 2 square feet. Epoxy Resin Accessory Kit - This pack of epoxy resin accessories includes five pairs of nitrile gloves, one reusable stir stick, and five reusable spreaders. The jagged-edge spreaders help disperse resin evenly. Wipe them clean with paper towel and they're ready for next time. ResinTint Color Mixing Guide See More -
Golden Color Pouring Medium Gloss 8ozSave Up to30%Off list
Starting At: 13.64
Matte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also… Matte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a few days before moving. Do not pour thicker than 1/8” (3mm) or attempt to accelerate drying. Key Features: * Does not craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to chalky surfaces Color Pouring Medium may craze, but this is usually the result of too much paint being added and in turn, countering the acrylic solids level or the pour has been applied in too thick of a layer. This medium retains a slight cloudy quality making it a poor choice as a clear top coat or even transparent color layer. See More -
Golden 8oz Gloss Color Pouring Mediums Set 5 Fluid Acrylic 1oz ColorsSave Up to30%Off list
Starting At: 31.42
…Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium… GOLDEN Gloss & Matte Color Pouring Sets With Fluid Acrylics With a choice of either Gloss or Matte Color Pouring Medium and five Fluid Acrylic colors, these sets are a great starting point for artists. Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most acrylic paints, although GOLDEN Fluid and High Flow Acrylic paints are most suitable for pouring applications. CPM (Gloss) and (Matte) can be combined to create a range of sheens. Color Pouring Medium (Gloss) dries to a uniform smooth, glossy paint layer; Color Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing extender for pouring acrylic colors. The set includes an 8 oz. bottle of Colour Pouring Medium Gloss along with 1 oz. Fluid Acrylic Titanium White, Naphthol Red Light, Primary Yellow, Teal and Primary Cyan. GOLDEN Matte Pouring Medium Set* GOLDEN Colour Pouring Medium Matte is a leveling, low crazing extender for pouring acrylic colors, allowing artists to create pours with a velvety matte surface. The set includes an 8 oz. bottle of Color Pouring Medium Matte along with 1 oz. Fluid Acrylic Titanium White, Benzimidazolone Yellow Medium, Alizarin Crimson Hue, Prussian Blue Hue and Green Gold. GOLDEN Color Pouring Medium (Gloss) Features:* Resists “Crazing” (formation of crevices or valleys on an acrylic pour surface from uneven drying) better than other acrylic mediums* Dries to a glossy, flexible, and level finish with moderate clarity. Note: not intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up to 1/8” (3 mm)* Mixtures should be premixed and allowed to sit overnight before use, and may be stored for future use (in properly labeled, tightly sealed HDPE plastic containers)* Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium (Matte) Features:* Mixtures can be used immediately. Air bubbles should dissipate during drying* Resists crazing* Improves leveling of paint mixtures* Dries to a thin, smooth, matte finish* Uniquely suited for large color fields* As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* Mixable with Iridescent and Interference Colors for satin metallic effects* Mixtures may be stored for future use (in properly labeled, sealed HDPE plastic containers)* Color Pouring Medium (Matte) dries thinner than Color Pouring Medium (Gloss)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour,/lI> See More -
GOLDEN Gesso Pastel Ground 8 ozSave Up to30%Off list
Starting At: 14.90
…of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired,… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More -
GOLDEN Absorbent Ground White 8 ozSave Up to30%Off list
Starting At: 14.90
White Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More -
Sargent Art 8 oz Washable School GlueSave Up to25%Off list
Starting At: 0.97
White Bonds to almost any porous surface! Sargent Art® Washable Glue is terrific for simple craft projects, including making slime. The non-toxic glue conforms to ASTM D 4236 and is suitable for children aged three and older. The advanced glue formula is excellent for children because it washes from most surfaces when wet and bonds to almost any porous surface. Great for both children and adult crafters. Use at home or in the classroom. Key Features: * Dries quickly and doesn't stain * Safe, non-toxic, pourable white glue * Bonds to almost any porous surface * Dries quickly * Dries clear * Conforms to ASTM D 4236 * Easily washed off with soap and water while wet * Washes from most fabrics * Available in 4oz, 8oz, 16oz, and gallon glue bottles Perfect For: * Making slime * Projects of almost any kind * Papercrafts * Scrapbooking * Artists of all skill levels * Teachers and students * Home, office and school use See More -
Jacquard Dye Additive Synthrapol 8 oz BottleSave Up to10%Off list
Starting At: 3.95
Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More -
Iwata Medea Airbrush Cleaner 8 oz BottleSave Up to14%Off list
Starting At: 7.29
You Imagine. IWATA Performs. You Create. Iwata Airbrush Cleaning Kits include the same great tools Iwata Technicians use to clean and restore airbrushes to perfect working conditioning. Iwata's Airbrush Cleaner is a mild, general-purpose cleaner that is great for cleaning any airbrush or artist… You Imagine. IWATA Performs. You Create. Iwata Airbrush Cleaning Kits include the same great tools Iwata Technicians use to clean and restore airbrushes to perfect working conditioning. Iwata's Airbrush Cleaner is a mild, general-purpose cleaner that is great for cleaning any airbrush or artist tool. The Raised Ridge Airbrush Cleaning Mat is the perfect spot to disassemble and clean your airbrush. When you reassemble your airbrush, you can follow the cutaway diagram on the mat to ensure everything goes back in the right place. With these Iwata cleaning supplies, you will be well on your way to perfect airbrush maintenance. Key Features: * Cleaning kits include all of the cleaning supplies you need * Environmentally safe general-purpose cleaner * The raised edge on the mat prevents parts from rolling away Perfect For: * Cleaning any airbrush or artist tool * Performing routine maintenance on your airbrush * Cleaning up fluid acrylics, watercolors, gouache, inks, or dyes Airbrush Cleaner, 16oz: Medea Airbrush Cleaner is a mild, general-purpose cleaner that is great for cleaning any airbrush or artist tool. Medea Airbrush Cleaner is the ideal cleaning fluid for acrylics, watercolors, gouache, inks, or dyes. Environmentally safe and ready to use Airbrush Cleaning Kit: Iwata Airbrush Cleaning Kit includes the same great tools Iwata Technicians use to clean and restore airbrushes to perfect working conditioning. Contains all the essential cleaning items including; Medea Airbrush Cleaner, Medea Thread Sealer, Extra Small Cleaning Brushes, Non-Shedding Pipe Cleaners, Iwata Nozzle Wrench, Iwata LED Magnifier, Iwata Premium Airbrush Lubricant, and Illustrated Step-by-step cleaning instructions you will be well on your way to perfect airbrush maintenance any time. Airbrush Cleaning Kit Refill: Iwata Airbrush Cleaning Kit Refill Pack includes the same great tools Iwata Technical Services use to clean and restore airbrushes to perfect working conditioning. Containing all the essential cleaning items including; Medea Airbrush Cleaner, Extra Small Cleaning Brushes, Non-Shedding Pipe Cleaners, Iwata Polishing Cloth, and Illustrated Step-by-step cleaning instructions you will be well on your way to perfect airbrush maintenance any time. Raised Ridge Airbrush Cleaning Mat: The Iwata Raised Ridge Airbrush Cleaning Mat is the perfect spot to disassemble and reassemble your airbrush. The raised ridge prevents your parts from rolling away. The soft fabric surface can handle most solvent-based cleaners, and the non-skid backing keeps your mat in place. Use the airbrush cutaway diagram on the mat to see all the main parts of an Iwata airbrush. The Iwata Cleaning Mat is a must-have in any artist's studio and works just as well for cleaning other small parts that might roll off a workbench or table. Universal Spray-Out Pot Replacement Filter Replacement filter for the CL 300 Universal Spray Out Pot. Not compatible with the older NAC 201 spray out pot. Airbrush Cleaner with Invertible 360 Degree Nozzle 16 oz: Medea Airbrush Cleaner With Invertable 360 Degree Nozzle contains 16 ounces of the Medea Airbrush Cleaner you know and love. The nozzle releases in a solid stream or a fine spray right-side-up or upside down to clean all your airbrushes, work surfaces, and studio tools. Use the powerful stream setting to quickly flush and rinse the airbrush cup of your airbrush. See More -
Liquitex Acrylic Soluvar Matte Varnish, 8oz BottleSave Up to40%Off list
Starting At: 18.29
Protect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based… Protect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based varnish allows you to easily clean and remove dust from the surface of the painting without damaging the paint under the protective layer. Best of all, it protects dried paints from UV light damage and resists the discoloration, yellowing, and fogging caused by humidity. Key Features: * Mineral spirit-based varnish * Increases brightness and color saturation * Improves surface durability * Protects colors from UV light damage * Resists discoloration - yellowing and fogging - caused by humidity, heat, and UV * Allows surface moisture to pass through and breathe Perfect For: * Protecting art * Oil and acrylic paintings * Use on flexible or rigid supports * Unifying the surface sheen * Guarding against dirt retention * Interior and exterior use * Protects against dirt How to use it - Application * Before varnishing, ensure the paint surface is fully dry - 72 hours-two weeks for acrylics, depending on thickness, and 6-12 months for oils. * Ensure your space is well-ventilated and dirt and dust-free. * Place the artwork flat on a surface - always varnish horizontally. * Apply 1-2 coats of Gloss Medium as a permanent isolating barrier first and leave to dry for three days. * Once completely dry, clean the surface with a lint-free rag dampened with mineral spirits. * Apply 1-2 layers of Soluvar, leaving 24 hours between coats. * Use long, even mists, covering the surface from top to bottom while moving from one side to the other. See More -
GOLDEN Acrylic Waterborne Varnish - Matte, 8ozSave Up to30%Off list
Starting At: 9.58
…and Gloss finishes. A waterborne acrylic varnish that dries to a protective flexible and dust resistant surface over acrylic paint. Removable with ammonia. Health Labeled (HL) product, please read and follow instructions and guidelines. Not for use by children. Recommended for interior use only. Archival Acrylic Varnishes for all varnishing applications! GOLDEN Acrylic Varnishes are professional, archival, and most contain ultraviolet light filters and stabilizers (UVLS) to provide archival protection to inhibit light damage. Available in spray or brush-on varnishes. Sheen options are available in gloss, satin, and matte final protective finishes to seal the painting. Be sure to read descriptions of each varnish to find the perfect fit for your artwork's optimum protection! Key Features: * Protects against dirt and dust * Provides moisture resistance * Gloss, Satin, and Matte finishes * Ultraviolet Light Stabilizers (UVLS) Perfect For: * Protects against UV light * Final varnishing and protective layer * Providing dust resistance * Archival Fine-Art Protection GOLDEN Waterborne Varnish - is a water-based acrylic polymer that protects interior acrylic paintings from dust and ultraviolet light. The varnish contains Ultra Violet Light Stabilizers [UVLS] that protect your art from light exposure. Waterborne Varnish can be thinned and cleaned up with water, eliminating the need for harsh solvents, and you can remove it from a painting with household ammonia. GOLDEN Isolation Coat - is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing. What does golden isolation coat do? Isolation coat serves two purposes: Seals any absorbent areas in order to create an even surface on which to apply the varnish. Protects the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal. GOLDEN Polymer Varnish with UVLS (Ultraviolet Light Stabilizers) - available in Matte, Satin, and Gloss finishes. A waterborne acrylic varnish that dries to a protective flexible and dust resistant surface over acrylic paint. Removable with ammonia. Health Labeled (HL) product, please read and follow instructions and guidelines. Not for use by children. Recommended for interior use only. See More -
GOLDEN GAC 900 Medium, 8oz BottleSave Up to30%Off list
Starting At: 13.64
GAC 100% acrylic polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create… GAC 100% acrylic polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other GOLDEN Mediums and Gels, GOLDEN GAC Acrylic Polymers have only a minimum amount of thickeners, levelers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymer medium is very fluid, and thinner than other GOLDEN Mediums. Since they do not have thickeners added, these polymers will reduce the thickness of most GOLDEN Acrylic Paints. Fluid Acrylics are slightly thicker than the GACs, but will be the color line least changed in viscosity with any addition of a GAC polymer. Each GAC medium represents a unique polymer that offers certain specific attributes. Therefore, each GAC medium will have its own unique benefits and applications. * GAC 100 Primer Extender Acrylic Polymer Medium: Universal acrylic polymer. Is a thin, translucent, gloss medium. Useful for thinning or extending colors as well as increasing flexibility. Wets out solids more readily than other polymers and is useful for creating homemade paints. GAC 100 provides basic protection from Support Induced Discoloration (SID) * GAC 200 Hard Acrylic Extender Polymer Medium: Promotes adhesion and film hardness. Hard acrylic extender for non-porous surfaces is the hardest and least flexible polymer we offer. It is Ideal for mixing with acrylic colors to increase film hardness, reduce dry film tack and to increase adhesion to many non-porous surfaces. Dries to a clear, high gloss, finish. GAC 200 is not recommended for flexible supports. * GAC 400 Low Crazing Acrylic Extender Polymer Medium: Stiffens textile fibers. Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film. * GAC 500 Self-Leveling Acrylic Polymer Medium: Extends fluid acrylics. Gloss extender for Fluid Acrylic Colors is a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat. * GAC 800 Low Crazing Acrylic Extender Polymer Medium (Pouring Medium): Reduces crazing. GAC 800 is a medium specifically produced to modify paints for pouring, such as when pouring a puddle onto a paint surface Is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.* See More -
GOLDEN Gesso Black 8 ozSave Up to30%Off list
Starting At: 13.64
Black A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More -
GOLDEN Open Acrylic Mediums Matte 8 ozSave Up to30%Off list
Starting At: 4.68
OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same… OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. Image Transfer How-To Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper copy directly into the wet gel. Let dry overnight. 2. Dampen the paper with a wet sponge. Wait a few minutes to allow water to soak paper. Begin rubbing carefully. Use a soft cloth or scrubbie to remove the paper. You will probably have to remove the paper a few times, for a clean transfer. When the water evaporates, you will be able to see the areas that you missed. See More -
Chroma Atelier Interactive Mediums and Additives - Pouring Medium, 8ozSave Up to40%Off list
Starting At: 7.39
Do more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics… Do more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics with Slow Medium. Traditional gels and pastes are excellent for adding texture and structure to your painting while also extending your paints. All of the Chroma Atelier Interactive Mediums offer limitless creative possibilities. Key Features: * Thin or thicken paint viscosity * Increases color transparency * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Chroma Atelier Interactive paints Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Pouring painting techniques * Faux finishers * Experimenting with different textures and techniques Unlocking Formula: is used to reopen touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects and pouring techniques. Self-leveling and dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. Fast Medium/Fixer: Is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. Slow Medium: Atelier Slow Medium slows down the drying time when added to Atelier Interactive Acrylic paint. You can thin the viscosity of your Interactive paint while also giving yourself more time to work. Ideal for larger paintings. It tacks up quickly, but it can easily be brought back to a more fluid stage by spraying it with water. Thick Slow Medium: has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small amounts. Just add to your palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. Heavy Gel Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. *Note that the Heavy Gel Gloss uses conventional fast-drying technology, but it can take quite some time to dry when they are applied thickly. Clear Painting Medium: is one of the most popular mediums in acrylic painting. It is used with the paint to dilute the viscosity and blend colors without losing pigment intensity. This mid-viscosity medium allows the paint to spread over a surface for more blendable gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. See More -
Liquitex Acrylic Fluid Mediums - Glazing, 8ozSave Up to40%Off list
Starting At: 7.97
Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins… Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins to maintain or enhance adhesion and durability. With Liquitex Acrylic Fluid Mediums, you can give your paint a gloss or matte finish, while thinning and extending its volume. Glazing Medium: Increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. Gloss Medium: All-purpose medium for imparting gloss. Matte Medium: Mix into colors, so that they dry uniformly matte. Satin Medium: Mix into colors, so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending and mixing colors. Blending medium dries to a clear, flexible, non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent * Intermixable with all Liquitex materials * Perfect For: * Acrylic painting * Minimizing paint waste * Collaging & mixed media * Photo transfers * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces See More -
Liquitex Acrylic Gesso Surface Prep Black Gesso 8 ozSave Up to39%Off list
Starting At: 12.25
Black Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More -
MAS Envirotex Lite Epoxy Kit (4 oz Resin, 4 oz Hardener) 8 ozSave Up to49%Off list
Starting At: 10.99
Creates a one of a kind, crystal clear, super hard, lustrous finish Envirotex Lite is a water clear reactive polymer compound that cures to a thick, glossy coating in about 8 hours at 70°F, and reaches full strength and toughness in about 36 hours. This durable, resilient material requires no… Creates a one of a kind, crystal clear, super hard, lustrous finish Envirotex Lite is a water clear reactive polymer compound that cures to a thick, glossy coating in about 8 hours at 70°F, and reaches full strength and toughness in about 36 hours. This durable, resilient material requires no polishing to produce a high gloss. One coat is all that is usually required for a deep attractive finish, however, two or more coats maybe applied one over the other by simply wiping the surface with a clean cloth and alcohol prior to re-coating. Key Features:* EnviroTex Lite: 8oz Kit, 32oz Kit & Gallon Kit* Use over acrylics or thoroughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish* Hardens to a high-gloss finish, and cures completely in 36 hours* The solvent-free formula is 100% solids and has no unpleasant odors* Waterproof as well as heat- and alcohol-resistant* Use Envirotex to coat, wood, rock, Sculpey, jewelry and more* Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look* Use it to create a hard lustrous finish for table tops, plaques, clocks, figurines etc* Instructions are included* Kits include resin and catalyst Use over acrylics or throughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish. Use Envirotex to coat, wood, rock, Sculpey, jewelry and more. Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look Envirotex Lite Kits - Pour On High Gloss Finish * Gallon Kit 02128: (1/2 gallon resin, 1/2 gallon Hardener), Coverage: 32 square foot* 32oz Kit 0232: (16oz resin, 16oz Hardener), Coverage: 8 square foot* 8oz Kit 02008: (4oz resin, 4oz Hardener), Coverage: 2 square foot* Envirotex Lite is used as a table tops, bar tops, resin art, wood, rock, sculpey clay, acrylic pour, jewelry and more. Envirotex Lite® is alcohol and heat resistant. Envirotex Lite® creates a hard lustrous finish for table tops, plaques, clocks, figurines etc. A Gallon Kit consists of 1/2 gallon of Resin and 1/2 gallon of Hardener, making a total of one gallon. See More -
Chelsea Classical Studio Lavender Brush Cleaner 8ozSave Up to50%Off list
Starting At: 9.79
…Perfect For: * Cleaning brushes and palette knives * A cleaner and safer workspace * Artists looking for natural, environmentally friendly, cleaning products * Cleans better and more thoroughly "There is only one correct way to clean and preserve brushes of any kind. Immediately after use, the paint… A Safer natural alternative to turpentine that actually smells like lavender! Cleans Better and More Thoroughly Than Almost All Other Brush Cleaners and Solvents. Conditions Brushes Making The Hair Subtle Maintaining Maximum Working Quality. CCS Lavender Brush Cleaner™ is a safer, natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Made from 100% natural distilled fruits and flowers, featuring lavender, Chelsea Classical Studio's Lavender Brush Cleaner is a safer natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Lavender not only is more natural than harsh chemicals such as turpentine, but it also has a nice aroma that is often used in aromatherapy and other therapeutic holistic practices. It is very effective at cleaning oil paints from brushes during or after painting. Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. What: Effective oil painting brush cleaner made from 100% natural distilled oil essences of fruits, flowers, and lavender. Why: Naturally safe, Safer alternative to turpentine; cleans brushes as well but with a lovely lavender scent! * Less abrasive to brushes than turpentine or mineral spirits * Pleasant scented, safe, natural alternative Key Features: * Safer natural alternative to turpentine * Pleasant aroma * Less abrasive to brushes than turpentine / mineral spirits * Made from natural oil essences of fruit, flowers and lavender * Made in the USA from Old World Master Techniques * Available in: 2 oz., 4 oz., 8 oz., 16 oz. and 32 oz. bottles Perfect For: * Cleaning brushes and palette knives * A cleaner and safer workspace * Artists looking for natural, environmentally friendly, cleaning products * Cleans better and more thoroughly "There is only one correct way to clean and preserve brushes of any kind. Immediately after use, the paint or varnish should be thoroughly rinsed out with the appropriate solvent..." -Ralph Mayer, the Artist's Handbook How To Use Lavender Brush Cleaner CCS Lavender Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil based soap and warm water afterwards to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More -
Jacquard SolarFast Dye 8 oz - VioletSave Up to30%Off list
Starting At: 4.96
Violet Quick and Easy! This new method of fabric printing produces incredibly detailed results, with very little effort! This exciting new line of dyes opens a whole new world of possibilities, in both DIY fashion and fine arts. Textile and paper artists alike can now print continuous tone photographs in any color, quickly and easily. No darkroom required! Printing on fabric has never been easier: no heat, steam or chemical setting needed, and it leaves fabric completely soft to the touch! On paper, SolarFast has zero relief and offers unbelievable detail. SolarFast is washable, lightfast and archival. SolarFast can also be used to create photograms, shadow prints, and ombrès on fabric and paper. It can also be enjoyed with painting, tie dyeing, screen printing, stamping, batik and more. Just apply the dye, expose it to sunlight, wash and you're done! SolarFast is permanent on all artist papers and natural fabrics, including cotton, linen, canvas, silk, hemp, and wool. Key Features: * Sun exposure time is 10 minutes to 1 hour depending on surface * 14 different colors of dye * SolarFast thins and cleans up with water * Permanent, washable, lightfast and archival * Leaves fabric completely soft to the touch! Perfect For: * DIY fashion and fine art * Photo transfer without a dark room * Screen printing that is soft to the touch * Textile and paper artists * Creating photograms, shadow prints, and ombrès on fabric and paper See More -
Chelsea Classical Studio Medium Clarified Extra Pale Cold Pressed Linseed Oil 8ozSave Up to50%Off list
Starting At: 10.48
…unlike traditional linseed oils * Created through reproducing the methods of the Old Masters * Free from impurities * No harsh chemicals used in production! Perfect For: * Decreasing average drying time * Use with fine oil colors * Material-conscious artists * Professional artists * Use in final… Meticulously handcrafted Extra Pale Linseed Oil that will darken and yellow less unlike traditional linseed oils! Brighten Up Your Paintings - The Chelsea Classical Medium, Clarified, Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Washing the oil and filtering it with natural minerals, the mucilage and fat is removed which greatly improves the acidity and drying of the oil, and the unnecessary coloration caused by impurities is removed. Cold-Pressed Linseed Oil is traditionally known as the best extracted linseed oil, as opposed to pressing extractions by heat or chemicals. This professional-quality linseed oil will not darken like traditional linseed oils and provides brighter and richer tones and hues when used with oil colors. Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities- improves acidity and drying of oil. * Handmade using finest quality ingredients * Created with Old Masters methods * Made in the USA from Old World Master Techniques Key Features: * Handmade from the highest quality ingredients * Dries quickly * Will darken and yellow less unlike traditional linseed oils * Created through reproducing the methods of the Old Masters * Free from impurities * No harsh chemicals used in production! Perfect For: * Decreasing average drying time * Use with fine oil colors * Material-conscious artists * Professional artists * Use in final works of art * Creating a strong, flexible surface! * Stretched canvases * Use in studios or professional classrooms Read Blog Article A Truly Revolutionary Bright Idea for Oil Colorists - Brighten Up Your Paintings The Chelsea Classical Medium Clarified Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Revolutionary Bright Idea for Oil Colorists Painting fat over lean See More -
Chelsea Classical Studio Medium Clarified Pale Cold Pressed Walnut Oil 8ozSave Up to50%Off list
Starting At: 10.48
…use with whites and light colors* Created through reproducing the methods of the Old Masters* Free of impurities* No harsh chemicals used in production!* Made in the USA from Old World Master Techniques Perfect For:* Improving light colors to be richer* Increasing the brightness of whites* Use with… Thoroughly hand cleaned and purified walnut oil that improves the richness and brightness of white and light oil colors! The Chelsea Classical Medium, Clarified Pale Cold-Pressed Walnut Oil, is cleaned by hand and made with only natural ingredients. This walnut oil is washed by traditional, natural processes that strive to make the palest, cleanest, and most pure walnut oil for artists’ to use. The mucilage and fat is removed, which greatly improves the acidity and drying of the oil. It is then further cleaned by multiple processes that filter out the remaining impurities and unnecessary coloration. This professional-quality walnut oil will not darken, and provides brighter and richer tones and hues in oil colors. Walnut oil is naturally less yellow and dries slower than Linseed oil. For best results, we recommend using it for whites and light colors! What: Hand cleaned and purified Walnut Oil; washed and cleaned by traditional methods. Why: Improves richness and brightness of whites and light colors; dries slower than linseed oil. Where: Made in the USA from Old World Master Techniques * Free of fats and impurities * Use with whites & light colors Key Features:* Handmade from the highest quality ingredients* Increases brightness and richness in tones and hues* For best results, use with whites and light colors* Created through reproducing the methods of the Old Masters* Free of impurities* No harsh chemicals used in production!* Made in the USA from Old World Master Techniques Perfect For:* Improving light colors to be richer* Increasing the brightness of whites* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean Artist’s guide to oil painting solvents See More -
Chelsea Classical Studio 8oz Medium Lavender Spike Oil SolventSave Up to53%Off list
Starting At: 14.15
…other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent… A safer natural solvent for oil painting! Distinctive, sweet lavender scent The Chelsea Classical Medium, Lavender Spike Oil Essence has a distinctive, sweet lavender scent, and is a safer, natural alternative to Turpentine, does not cause chronic health problems that are often associated with turpentine or odorless petroleum mineral spirits. Lavender Spike Oil Essence is so safe to use and has such a pleasant scent, that it is often used for making soaps and in aromatherapy! With this medium, artists can mix with other oil painting mediums, resins and varnishes. As with any medium please refer to the Safety Data Sheets for full details: Click here What: Natural solvent that thins oil painting mediums, resins, and varnishes. Why: Sweet smelling alternative to toxic turpentines and odorless mineral spirits that can cause chronic health issues. * Safer, natural alternative to turpentines & mineral spirits* Dilutes oil painting mediums and varnishes Key Features:* Distinctive, sweet lavender scent* Dilutes oil painting mediums* A safer, natural alternative to turpentine and mineral spirits* Safer natural solvent for oil painting* Features a distinctive, sweet lavender scent * Perfect For:* Dissolving resins and varnishes* Health-conscious artists* Promoting well-being* Use with fine oil colors* Blending colored pencils* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More -
Jack Richeson Shiva Signature Rectified Turpentine, 8oz BottleSave Up to35%Off list
Starting At: 8.98
Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More -
Enkaustikos Encaustic Mediums USP Refined Yellow Beeswax 8 ozSave Up to20%Off list
Starting At: 6.39
A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More -
Liquitex Gloss Acrylic Pouring Medium 8 ozSave Up to46%Off list
Starting At: 12.22
Flowing applications of color without crazing or cracking Liquitex Pouring Medium creates even puddles, poured sheets, and flowing applications of color without crazing or cracking. The paint film dries without holding bubbles and retains its high gloss and wet appearance when dry. Iridescent… Flowing applications of color without crazing or cracking Liquitex Pouring Medium creates even puddles, poured sheets, and flowing applications of color without crazing or cracking. The paint film dries without holding bubbles and retains its high gloss and wet appearance when dry. Iridescent Pouring Medium has the same high gloss finish, but with an iridescent shimmer. Matte Pouring Medium does not produce a high gloss sheen and is perfect for photography. After the artwork is photographed, the painting can be varnished with a gloss varnish if a high gloss finish is desired. Slightly thicker than the original formula Iridescent and Matte Pouring Medium still produces pools, puddles, drips, and beautiful effects when mixed with Acrylic Inks or Soft Body Acrylics. Key Features: * Gloss, iridescent, or matte * 8oz, 16oz, 32oz bottle, or gallon * Fluid texture and transparent opacity * Creates even “puddles” and flowing applications of color * Does not craze, crack, or hold bubbles once dry * Flexible, non-yellowing, and water-resistant when dry * Will not add transparency when mixed with color * Gloss and iridescent retains high gloss wet appearance once dry * Perfect For: * Liquitex Soft Body Acrylic Color * Acrylic Painters * Pouring painting techniques * Faux finishers * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Professionals and students * Teachers * An endless array of techniques Liquitex Pouring Mediums - How To Use Pouring Medium - Tips, Techniques & Projects Click Here for the Liquitex Pouring Medium Tips & Projects See More -
R&F Blending Medium with Drier, 8ozSave Up to20%Off list
Starting At: 8.12
Designed for blending edges, heightening transparency, and glazing colors! R&F Blending Sticks & Mediums are the same as R&F Pigment Sticks without the pigment. Excellent for glazing, blending edges, and heightening transparency, the medium can be worked directly into color, or you can use it to… Designed for blending edges, heightening transparency, and glazing colors! R&F Blending Sticks & Mediums are the same as R&F Pigment Sticks without the pigment. Excellent for glazing, blending edges, and heightening transparency, the medium can be worked directly into color, or you can use it to blend colors on a surface. R&F uses only natural beeswax, plant wax, and linseed oil in its mediums. The medium is available in a jar or stick format with or without Cobalt Drier. The blending medium with drier contains Cobalt Drier, which helps speed up pigment drying time. Cobalt Drier can affect color, so the best method is to work colors on top of the medium after some of it is spread on canvas. Key Features: * Blending medium adds body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors See More -
GOLDEN MSA Varnish w/ UVLS, Matte 8ozSave Up to30%Off list
Starting At: 10.49
…light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More -
GOLDEN Acrylic Gel Mediums Extra Heavy MoldIng Paste 8ozSave Up to30%Off list
Starting At: 13.64
Achieve a variety of effects and expressions Molding Pastes are water-based products formulated with 100% acrylic polymer emulsions, which give great flexibility and durability. Drying times greatly depend upon film thickness. They dry to an opaque, semi-gloss film to which subsequent layers of… Achieve a variety of effects and expressions Molding Pastes are water-based products formulated with 100% acrylic polymer emulsions, which give great flexibility and durability. Drying times greatly depend upon film thickness. They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colors they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties Key Features:* Acrylic paste mediums* Easy clean up* 100% acrylic polymer emulsions* Flexibility and durability Perfect For:* Building surfaces* Creating textures* Blends with colors* Artists of all levels * Crackle Paste - Thick and opaque, designed to develop fissure-like cracks as it cures.* Coarse Molding Paste - Dries to a hard surfaced, stiff but flexible film.* Fiber Paste - Offers a dry film that has an appearance of rough handmade paper.* Hard Molding Paste - Dries to a hard, opaque film. * Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic.* Regular Molding Paste - Excellent for building surfaces or creating textures. See More -
Liquitex Acrylic Effects Mediums Glass Beads 8 ozSave Up to40%Off list
Starting At: 6.75
Designed to achieve various techniques, applications, special effects & pouring! Liquitex offers a variety of specialty products including Pouring Mediums, Fluid Mediums, Gel mediums, Texture Gels and Additives which have been specifically designed to achieve various techniques, applications and… Designed to achieve various techniques, applications, special effects & pouring! Liquitex offers a variety of specialty products including Pouring Mediums, Fluid Mediums, Gel mediums, Texture Gels and Additives which have been specifically designed to achieve various techniques, applications and special effects. Fluid Effects Mediums:* Increase Flow * Dry transparent or translucent * Extend the volume of thin paint * Excellent archival adhesive for collage Gel Effects Mediums* Adds body * Increase ‘open’(working) time * Dry transparent or translucent * Extend the volume of paint * Hold brush or knife marks * Make an excellent archival adhesive for collage Liquitex offers a variety of specialty products which have been specifically designed to achieve various techniques, applications and special effects. Airbrush Medium - A liquid medium incorporating an acrylic polymer. Specifically formulated to thin acrylic colors for airbrush application. Can also be used when working a regular brush. Fabric Medium - A fluid medium incorporating an acrylic polymer with ultimate flexibility and adhesion. Enhances the workability of acrylic paint on fabric. Controls bleeding of colors thinned with water. Flow Aid - A binder-free aqueous solution with surfactants. Use in conjunction with any acrylic medium or acrylic color when increased flow and absorption and decreased film tension and friction are required. Iridescent Medium - A fluid medium incorporating an acrylic polymer with ultra-fine pearlescent mica pigment. Produces a range of iridescent or metallic colors when mixed into acrylic colors. LiquiThick Thickening Gel - A binder-free heavy body gel with high levels of gelling agents. Used in small amounts, produces handling characteristics very close to that of oil or encaustic paint. At higher concentrations, can thicken paint or acrylic mediums to "cake" or sculptural consistency. Pouring Medium - A fluid medium incorporating an acrylic polymer with high resin solids. Creates even puddles, poured sheets, and flowing applications of color. Slow-Dri Fluid Retarder - A binder-free fluid with slow drying agents. Increases 'open' (working) time of acrylic paint. Reduces paint skinning-over on palette. Increases blending time, making blending of colors and detail brushwork easier. Slow-Dri Gel Retarde - A binder-free gel with slow drying agents. Designed to be used with Liquitex Heavy Body Artist Color and Heavy Body mediums. Increases 'open' (working) time of acrylic paint. String Gel - A medium viscosity medium incorporating an acrylic polymer with a resinous, stringy consistency. Enhances depth of color and increases transparency and flow. Masking Fluid - Masking Fluid is a colorless, latex-based liquid that you can use to mask areas. Many artists use Liquitex Masking Fluid to block off sections of a painting and allow the surface to show through. Crackle Paste - You can use Liquitex Crackle Paste on its own or mix with acrylic color to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium - You can mix Liquitex Glass Medium with acrylic color to adhere paint on slick non-porous materials like glass. The medium dries to a high gloss, scratch-resistant finish once heat set. Gold Metallic Medium - With Liquitex Gold Metallic Medium, you can give acrylic paint a metallic gold effect or use it on its own to add gold surface highlights. Silver Metallic Medium - With Liquitex Silver Metallic Medium, you can give acrylic paint a metallic silver effect or use it on its own to add silver surface highlights. See More -
Liquitex Acrylic Gel Mediums Matte 8 ozSave Up to60%Off list
Starting At: 4.50
Add texture, enhance color, increase transparency! Liquitex Acrylic Mediums are made from 100% acrylic polymer emulsion and produce strong films when dry. When added to acrylic paint, they modify the paint handling characteristics, appearance or volume to produce an infinite variety of effects.… Add texture, enhance color, increase transparency! Liquitex Acrylic Mediums are made from 100% acrylic polymer emulsion and produce strong films when dry. When added to acrylic paint, they modify the paint handling characteristics, appearance or volume to produce an infinite variety of effects. Liquitex Gel Mediums can add texture, enhance color and increase transparency within your work. Gels also add "open time" as they tend to dry slower than thinner paint films. These mediums also modify acrylic paints in a variety of ways and, since they contain acrylic resins, tend to improve adhesion and durability. Modeling Pastes are thick acrylic gel blended with marble dust for a strong durable, opaque texture. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects. * Adhesion and durability Flexible Modeling Paste - Matte, opaque preparation of marble dust and polymer emulsion. Use on a flexible surface for heavy textures and 3D forms. Gloss Gel - This heavy body gloss medium and extender makes acrylic colors more transparent. Heavy Gel (Gloss) - Gives acrylic colors a high degree of drag and density. Great for impasto techniques and glazes. Light Modeling Paste - Putty-like compound that can be shaped while wet or carved when dry. Will not crack or chip. Non-toxic. Matte Gel - Reduces gloss of acrylic colors. Also used as a matte collage adhesive. Super Heavy Gel (Gloss) - Add to acrylic colors to form a sculptural, high-peak consistency. Dries clear with very low shrinkage. Great for collage and mixed media. Super Heavy Gel (Matte)- A super thick gel which retains high-peaks and crisp brush and knife strokes with little shrinkage. Modeling Paste - Putty-like compound that can be shaped while wet and carved when dry. Slow-Dri Blending Gel - This fluid medium will increase the open working time of your acrylics by up to 40%. Dries clear to a flexible, non-yellowing and water-resistant film that will not change the viscosity of your color. Ultra Matte Gel - Use to extend paint up to double amounts without changing color. Dries to a matte finish while maintaining color opacity. AP non-toxic. Liquitex Satin Gel Medium- is made of a 100% acrylic polymer emulsion and creates a durable, flexible film resistant to abrasion once dry. When added to acrylic paint, the satin gel increases texture and extends volume with a satin finish. You can also use the gel medium as a strong adhesive. Silkscreen Medium- You can transform acrylic paint into slow-drying silkscreen ink with Liquitex Silkscreen Medium. The medium changes the thickness of water-based acrylic paints by increasing fluidity so you can use them for silkscreening and mono-printing. This acrylic medium increases paint volume and drying time but doesn't affect paint color or opacity. Extended drying time lets you position ink to create the exact printed fabric designs you want. See More -
Modern Options Metallic Surfacers & Patina Solutions Gilded Gold 8 ozSave Up to2%Off list
Starting At: 8.69
Metallic Over thirty years of experience serving the needs of Artists! The Metallic Surfaces, Antiquing, and Tinting Solutions are designed to create durable metallic finishes and authentic antique patinas quickly and easily on any paintable surface. No special skills or tools required, they're suitable for both indoor and outdoor applications and easily clean up with water. These various mediums contain pure ground metals suspended in a water-based acrylic solution. Use on textiles, canvas, Claybord, metal or wood for a myriad of painting effects and faux finishes. They provide opaque coverage with lightfast results. Maybe brushed or spayed on. The Patina Solutions can be applied over Metallic Surfacers, these colored solutions actually oxidize to an aged verdigris or textural rust. Metallic Surfacers - These various mediums contain pure ground metals suspended in a water-based acrylic solution. Use on textiles, canvas, Claybord, metal or wood for a myriad of painting effects and faux finishes. They provide opaque coverage with lightfast results. Maybe brushed or spayed on.* Use on wood, plaster, ceramic, metal, plastic and cloth* Easy to apply—requires no special skills* Use indoors or outdoors* Water-based for easy cleanup Patina Solutions - Applied over Metallic Surfacers, these colored solutions actually oxidize to an aged verdigris or textural rust. Tinting Solutions - These are not oxidation agents, but lightly pigmented solutions that add contrast, depth, and color to Modern Option's finishes.* Antiquing Solutions create a true patina or rust finish* Tinting Solutions provide contrast and texture* No special tools required* Use indoors or outdoors* Water-based for easy cleanup Key Features:* Permanent and fade resistant* Water-based for easy cleanup* Easy to apply—requires no special skills* No special tools required Perfect For:* Exterior and interior applications* Creating a true patina or rust finish* Wood, plaster, ceramic, metal, plastic and cloth* Contrast and texture Sophisticated Finishes was formerly known as Modern Options. See More -
Jacquard Neopaque Fabric Color - Flowable Extender, 8oz JarSave Up to30%Off list
Starting At: 5.30
Dazzling opaque colors for fabric, paper, leather, wood and more! These gorgeous, brilliant opaque paints spread smoothly and stay flexible. They are a perfect choice for fabric and leather, but are also stunning on surfaces like paper, photos, wood, shrink plastic and even styrofoam! Neopaque… Dazzling opaque colors for fabric, paper, leather, wood and more! These gorgeous, brilliant opaque paints spread smoothly and stay flexible. They are a perfect choice for fabric and leather, but are also stunning on surfaces like paper, photos, wood, shrink plastic and even styrofoam! Neopaque paints are designed to cover dark backgrounds with light application. On light backgrounds they produce a subtle "designer palette" alternative to a more intense color scheme. Neopaque colors may be painted, stenciled, screen printed, airbrushed (when diluted) and stamped. They may also be added to Jacquard Lumiere colors to produce an antique effect. Available in 2.25 oz and 8 oz bottles. See More -
Grumbacher Pre-Tested Turpentine, 8 oz BottleSave Up to42%Off list
Starting At: 7.27
…colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More -
GOLDEN Acrylic Gel Mediums High Solid Gloss 8ozSave Up to30%Off list
Starting At: 14.27
Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer… Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Click on the notepad icon for more information Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects * Adhesion and durability Clear Granular Gel: is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Clear Leveling Gel: [formerly Self Leveling Clear Gel] produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Clear Leveling gel dries to a flexible, high gloss film while imparting a leveling quality when mixed with acrylic paint. It blends well with GOLDEN Acrylic colors to produce glazes. Clear Tar Resin Gel: GOLDEN Clear Tar Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine, detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. Extra Heavy Gel (Gloss, Matte, or Semi-Gloss): Have the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. Extra Coarse Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Extra Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Fine Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte): are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Pumice Gel: Available in fine, coarse, and extra coarse texture. The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Regular Gel (Gloss, Matte, or Semi-Gloss): Regular Gel is ideal for extending paint and regulating transparency without changing consistency. Useful for impasto effects and holding moderate peaks of texture. They blend well with colors and will retain brush strokes upon drying. Soft Gel (Gloss, Matte, or Semi-Gloss):Thinner than GOLDEN Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Useful as a non-removable isolation coat, applied over the painting and before the varnish (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water). See More -
Gamblin Burnt Plate Oil #000 8oz BottleSave Up to40%Off list
Starting At: 4.50
Brown True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More -
Jacquard Lumiere Fabric Color - Old Brass, 8oz JarSave Up to37%Off list
Starting At: 5.30
Metallic Dazzling metallic colors for fabric, paper, leather, wood, and more! These gorgeous metallic paints spread smoothly and stay flexible on fabric and leather! The line contains traditional metallic colors as well as pearlescent and hi-lite colors. The hi-lite colors are practically transparent on light colors and show up beautifully on darker tones and these stunning light-bodied paints brush on smoothly and are formulated to last. The newest addition to the Lumiere line is our Wine Country Palette. It consists of seven autumn colors in rich, sophisticated tones. Whether you want a little sparkle or a lot of dazzle, there is a Lumiere color for you! They won’t crack, peel or chip, even on flexible surfaces like fabric, leather, vinyl or rubber. Soft to the touch and washfast on fabric, Lumiere paints also exhibit unparalleled adhesive properties, even on non-porous surfaces like ceramic and metal. Lumiere colors are lightfast and weather-resistant, and their high pigmentation provides excellent coverage, even on dark grounds. Key Features: * Stunning light-bodied paints * Metallic and pearlescent acrylic * Soft to the touch and washfast * Lightfast and weather-resistant * Brushes on smoothly * High pigmentation provides excellent coverage * Won’t crack, peel, or chip on flexible surfaces Perfect For: * Fabric, leather, vinyl, and rubber * Ceramic and metal * Fine arts, crafts, or textile applications * Paper, photos, wood, plastic, and styrofoam See More
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