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Fabric Block Printing Ink 2.5 oz - Opaque WhiteSave Up to34%Off listWhite A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More
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Gamblin Etching Ink - Etching White, 1lb CanSave Up to15%Off listWhite Strong reliable inks for edition printing Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Because of their high pigment load, Gamblin Etching Inks are a much better value than lower priced etching inks which are full of extenders. Inks are available in 1 lb. (300 ml) cans. Gamblin Etching Inks are all bound in the highest quality Burnt Plate Oil Key Features: * Inks are available in 1 lb. (300 ml) cans * High pigment load * Reliable inks for edition printing * Excellent working properties * Incredible sensitivity to the printmaker’s marks * Only the finest quality Burnt Plate Oil and lightfast pigments are used * Handcrafted in small batches at Gamblin’s factory in Portland, Oregon Perfect For: * Edition printing * Deep rich blacks * Engravers * Mezzotints * Strong lines & Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks print with unparalleled intensity and sensitivity to printmakers most finely detailed marks. See More
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Speedball Oil-Based Relief Ink Can - White, 8ozSave Up to25%Off listWhite Produce stunning prints with these vibrant relief inks! Speedball Oil-Based Relief Inks are formulated with high-quality pigments to be permanent, waterproof, and archival. The rich, vibrant inks are great for block and relief printing on paper. Special fillers are included as needed to maintain the consistency of the ink. All 10 colors carry the AP Seal and clean up with vegetable oil or solvent. Key Features: * Oil-based relief ink * Made with high-quality pigments * Permanent, waterproof, and archival * Special fillers maintain ink consistency * AP non-toxic colors * Vegetable oil or solvent clean-up Perfect For: * Block and relief printing * Hassle-free printmaking * Students and professionals * Printing crisp, archival-quality prints See More
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Speedball Opaque Fabric Screen Printing Ink 8 oz Jar - WhiteSave Up to26%Off listWhite Ideal for use on dark fabrics Screen printers of all ages and skill levels will love this exciting line of inks. Ideal for use on dark fabrics, paper, or cardboard. (Do not use on nylon fabric). All colors are permanent on fabric when properly heat-set. Non-flammable, no solvents, and no offensive smell! AP Non-Toxic conforms to ASTM D-4236 standards. These inks can be used for screen printing or use a paintbrush. All colors clean up easily with water. Available in 8 oz and 32 oz jars. Key Features:* Non-toxic* Cleans up easily with water* Permanent on fabric when heat-set Perfect For:* Painting on fabric* Use on dark fabrics * Screen printing See More
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Arches Watercolor 300lb Cold Press - Bright White, 22"x30" (10 Sheets)Save Up to40%Off listWhite The Artists' Choice For Watercolor Paper Since 1492! Mould-made in France, Arches bright white 100% cotton rag watercolor paper is considered the most popular in the world! Each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches watercolor paper is available in all three legendary watercolor paper finishes. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* 4 deckle edges: 2 natural deckled edges and 2 torn edges* Acid-free, no optical brightening agents Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache and acrylic Arches Watercolor Paper 100% Rag, Bright White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Arches Watercolor 300lb Cold Press - Natural White, 22"x30" (10 Sheets)Save Up to40%Off listWhite The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches 100% cotton rag watercolor paper is considered the most popular in the world! Each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches watercolor paper is available in all three legendary watercolor paper finishes. Arches watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Arches Aquarelle watercolor paper is one of the finest art papers in the world. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Fabriano Tiepolo Paper - White, 22"x30" (50-Sheets)Save Up to45%Off listWhite Exceptionally versatile and strong paper that can withstand the wear and tear of rigorous techniques Fabriano Tiepolo Printmaking Paper is Created with 100% cotton, this paperboard is indicated for all printmaking techniques (engraving, lithography, silk-screening, xylography and linocuts) and has a traditional Italian soft white color with a particularly smooth surface texture. Tiepolo Printmaking Paper is mould-made out of 100% acid-free cotton paper with a beautiful watermark and four deckle edges. It is superb for printmaking, screen printing, embossing, digital printing, drawing, light washes and other fine art media. Tiepolo is just shy of 140lb weight and is 22×30" in size. It is pH neutral, assuring inalterability over the time. The watermark is fixed point and placed below right on the sheet. It reproduces the CMF trademark surmounted by a star and enclosed in a circle. * For all printmaking techniques (engraving, lithography, silk-screening, xylography and linocuts) * 100% cotton, 140lb sheets * Watermarked, 4 Deckle Edges (Trademarked: C. M. FABRIANO 100% COTTON) * Mould-made out of 100% acid-free cotton paper * Acid Free, lignin free - Tiepolo is pH neutral, assuring inalterability over the time. * Upscale watercolor paper See More
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Fabriano Rosapina Printmaking Paper, White 20"x27" - 25 sheetsSave Up to45%Off listWhite Rosapina is a hidden jewel amongst printmaking papers Rosapina Printmaking paper is made with qualitatively high-level raw material (60% Cotton). Rosaspina paper is a mould made paperboard and suitable for all printmaking techniques (etching, lithography and silk screening). Rosapina printmaking paper performs as well as a 100% rag paper for all printmaking techniques. It is made of 60% cotton but lacks external sizing, giving it a sumptuously soft surface. Ideal for deep etching and aquatint and equally as luxurious as an upscale drawing paper. Mould-made Natural Grain with two deckle edges. All sheets are acid-free. * Sold only in Sheet Packs * Printmaking Papers * White or Ivory, 20" x 27" (50x70cm) * Type: Cotton * 220gsm sheets * Watermarked * 2 Deckle Edges * Surface & Finishing: Natural Grain * Acid Free, lignin free - with neutral alkaline sizing and an alkaline buffer content * Upscale drawing paper See More
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Speedball Night Glo Screen Printing Ink 8 oz Jar - WhiteSave Up to34%Off listWhite Inks for fabric that Glo In The Dark - High initial brightness and residual afterglowWith Speedball Night-Glo Fabric Screen Print Inks it may look like standard textile ink by day; at night it glows with phosphorescence! "Glow-in-the-dark" inks that exhibit high initial brightness and residual afterglow in darkened areas. At night, the ink glows in the dark! Afterglow lasts to up to 8 hours in darkened areas. Available in 8 oz jars. See More
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Arches Text Wove Paper 119 gsm 25.5x40" - Creamy White (10-Pack)Save Up to40%Off listWhite This softly woven cotton paper does not allow Ink to feather or bleed! The soft surface texture of Arches Text Wove Paper is perfect for hand lettering, drawing, bookbinding, and printmaking. Mouldmade in France from 100% cotton, the 120 gsm sheets are acid-free and have four deckle edges. Pen nibs glide smoothly across the creamy white surface with no ink feathering or bleed through. You can't find a better multi-use paper for drawing, etching, and calligraphy. Key Features: * 100% cotton, 120 gsm paper * Soft, medium-textured vellum surface * Acid-free and chlorine-free * Neutral pH- so you know your art will last * 4 deckled edges (sheets) * The surface is resistant to ink feathering and bleed through * Mouldmade in France Perfect For: * Calligraphy and bookbinding * Pen and ink * Pastel and charcoal * Relief printing and silkscreen * Letterpress and offset printing * Laser printing See More
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Somerset Velvet Printmaking Paper 22"x30", Satin White, 250gsm (25 Pack)Save Up to42%Off listWhite The choice of artisans and printmakers worldwide Somerset Velvet Printmaking Paper is a very popular grade of printmaking paper from the historic St. Cuthbert’s Mill in the UK, first introduced in the early 1970’s. Somerset is a beautiful paper to work with, boasting a lightfastness rating of 7 on the Blue Wool Scale for all colors. Originally intended as a printmaking paper, they have been 'discovered' to also be highly suitable for pastel drawing. Mould-made 100% cotton, acid free with four deckle edges. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. Each sheet comes with 4 deckle edges and is watermarked (except for the book papers) for authenticity. It remains flat after printing and offers durability and long life to finished editions of work. Key Features:* Mouldmade in UK* Acid free acrylic primer* 100% Cotton* Neutral pH, Acid-Free* Chlorine Free* 4 deckles (2 natural deckles, 2 tear deckles)* Lightly sized, gentle texture surface* Specialty Paper, printmaking papers* Lightfastness rating of 7 on the Blue Wool Scale Perfect For:* The choice of artisans and printmakers worldwide* Any printmaking application* Highly suitable for drawing, charcoal & pastels* Letterpress, engraving, foil stamping and offset* Remaining flat after printing* Durability and long life to finished editions of work See More
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BFK Rives Printmaking Papers White, 22" x 30" 250gsm (100 Sheets)Save Up to50%Off listWhite Professional 100% cotton and no optical brightening agents Arches BFK Rives Printmaking paper is mould-made in France and has a smooth, absorbent surface. Soft, yet with enough body and substance to give good support to the print. It is half sized to give a good balance between good ink absorption and ink holdout. Acid-free and buffered. White has 4 deckle edges, Cream has 3 deckle edges. Rives BFK Paper is made of 100% cotton, are soft-sized, and buffered. Rives is perfectly suited for lithography, intaglio, screen printing, relief printing, linocut, collotype, and drawing. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). 100% cotton – Made on a cylinder mould Key Features: * Composition: 100% cotton – Made on a cylinder mould * Grammages: 250, 270, 280gsm * Texture: Cold Pressed- light fine grain with a smooth surface * Colors: white, cream, grey, tan and black * Edges (sheet): 4 deckle edges * Watermark (sheet): "BFK Rives® France" * Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) * Uses: lithography, intaglio engraving, letterpress, screen-printing, blind embossing, gold tooling, linocut, gravure process, calligraphy drawing * Free of any optical brighteners (OBAs) See More
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Arches Cover Paper 19-1/2" x 25-1/2", White - Pack of 10 sheetsSave Up to40%Off listWhite Mould made in France! This famous heavyweight, Mould made sheet is 100% cotton, acid-free, and buffered. Arches Cover paper has a visible, slightly flattened grain, two deckle edges, and a registered watermark. An excellent choice for Printmaking and publishing, as well as drawing, embossing, foil stamping, lithography, intaglio, and silkscreening. Perfect for an archival cover for prints and antique documents. Arches Cover is 100% cotton fiber, pH neutral, acid-free, internally sized, and buffered. Mould made in France. Key Features:* Heavyweight, Mould made papers* 100% cotton fiber* Acid-free and pH neutral* Internally sized and buffered Perfect For:* Archival covers for prints and antique documents * Printmaking and publishing* Drawing, Silkscreening, Lithography, and more! See More
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Canson Edition Paper 250gsm 22" x 30" (Pack of 100)Save Up to33%Off listWhite * Lasting Performance -Â Archival Canson Edition papers deliver professional results with a variety of media. Versatile and affordably priced, Canson Edition is an excellent choice for artists and discerning art students alike. * Quality Features -Â Each sheet of Canson Edition paper features two deckle edges and two distinct surfaces, one smooth, one textured. Ideal for printmaking, drawing and multi-media expression. Available in seven colors and two weights, Canson Edition papers are 100% cotton, acid-free and made without optical brighteners. Â See More
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Somerset Book Printmaking Paper, Soft White - 19"x26", 115gsm (100 Pack)Save Up to41%Off listWhite Tested and used by the best book printers in the world Somerset Book Papers are 100% cotton mouldmade paper and have become the paper of choice for limited edition book printers who require a sheet to be consistent, stable, have great tensile strength and sizing characteristics that allow for printing applications using cold or hot type. The surface of Somerset Book Paper has just enough texture (matches the velvet finish of the cover range) to be ideal for graphite pencil, pastel and charcoal in addition to its intended use as a world class book paper.   In 1998 they selected Somerset Book to print a limited leather-bound edition of the "The Bible" that has become one of the most sought after editions printed in the last century .   * 100% Cotton fibre * Lightly sized: Sized internally and light external sizing, thus they maintain an incredible strength * Neutral pH, chlorine-free * Has 2 natural deckle edges and 2 tear edge * Specialty Paper Applications * Book Binding* Calligraphy* Laser* Letterpress* Offset* Pen & Ink* Pastel & Charcoal* Relief Printing* Silkscreen* Stationery See More
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Speedball 155 Monofilament Screen Printing Roll White 52 In X 5 YardSave Up to29%Off listWhite Professional Quality Monofilament Screen Printing Mesh Create custom patterned accessories and artwork with durable and easy to use monofilament printmaking mesh and stretched screens! Speedball's Monofilament Printing mesh provides the freedom to customize a variety of textile projects, from t-shirts and tote bags to decorative pillows and fabric wall hangings. 85 Monofilament is suited for printing on textiles and classroom settings; these screens are cord-locked, allowing artists to remove, replace, and tighten fabric between uses. 110 Monofilament is a professional-grade polyester fabric that is perfect for graphic and textile printing. Finer mesh numbers 155, 230, and 305 are ideal for delicate details and use on paper. Pre-stretched screens on frames are available in various standard sizes. Each high-quality hardwood frame is sanded smooth and accurately mitered. The monofilament screen fabric is durable and easy to clean after each use. Key Features: * Frames are made from high-quality wood * Sanded frames are accurately-mitered and precisely-fastened * A broad range of monofilament sizes * Designed to suit your printing needs * Durable and easy to clean after each use * Cord-locked, allowing artists to remove, replace, and tighten the fabric Perfect For: * Printing on textiles * Classroom settings * A variety of textile projects * T-shirts and tote bags * Decorative pillows and fabric wall hangings * Textile screen printing ink * Delicate details and use on paper See More
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Stonehenge Light Drawing & Printmaking 9x12in Paper Pad Smooth Finish, 30 Sheets (135 gsm 50LB)Save Up to41%Off listWhite Versatile paper, that works wonderfully across a range of other fine art applications The paper of choice of many members of the Colored Pencil Society of America, Stonehenge Light Paper by Legion has the ability to take multiple layers of wax-based and oil-based colored pencil without any buildup, allowing colors to penetrate and absorb into the surface of the sheet. It is also an excellent silkscreen paper with the ability to take as many as 50-75 colors, printed one color at a time, and maintain perfect color registration as a result of its incredible dimensional stability. The airy cousin to our classic white sheet. With a silky surface, it is perfect for the artist who prefers a more delicate sheet that can work with all fine drawing techniques. This is Stonehenge Light. Applications:Charcoal, Colored Pencil, Graphite Pencil, Pastel, Pen and Ink, Printmaking. Paper can accept multiple layers of wax-based and oil-based colored pencil without buildup, allowing colors to penetrate and be absorbed into the sheet. It is also excellent for use with graphite, charcoal, pastels, and watercolors Key Features: * 100% cotton, neutral pH * Acid free, chlorine free * Lightweight (135GSM), very versatile * White sheets, 30 sheets per pad, 50lb * Made in USA Perfect For: * Variety of media: pen, ink, silkscreen, stationary, relief printing, & more* Charcoal, Colored Pencil, Graphite Pencil, Pastel, Pen and Ink, Printmaking & Watercolors* All fine drawing techniques* The artist that prefers a more delicate sheet See More
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Arhnem 1618 Printmaking Paper 245 Gsm - Warm White, 22" x 30" Sheet (10 Sheets)Save Up to49%Off listWhite A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More
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Speedball 110 Mesh 20X24 Aluminum ScreenSave Up to26%Off listWhite These highly durable aluminum frames are a great addition to your screen printing arsenal! Speedball Aluminum Frame Screens are hand cut from premium grade aluminum and welded for a water-tight seal, then ground smooth for flatness and flawless edges. The high precision woven mesh is pneumatically stretched to industry standard tensions and can be stretched and re-stretched many times, giving these aluminum screen printing frames the ability to withstand multiple uses. Key Features: * Made from premium grade aluminum * Pneumatically stretched mesh fabric * Frame is smooth and water-tight * Mesh can be re-stretched for multiple uses Perfect For: * Screen printing projects * Customizing t-shirts * Crafters & DIYers * Home accessories projects See More
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Akua Liquid Pigment 4oz - Titanium WhiteSave Up to19%Off listWhite Print directly onto dry paper, without a press with Akua Liguid Pigments! Developed by a professional printmaker, Akua Liquid Pigments provide artists with intense colors and unmatched working properties. These liquid pigments are crafted from the highest-quality lightfast pigments, pure gum binders and honey. Absolutely no suspending agents, chalks, dryers or polymers are used! The color values of these Liquid Pigments are exceptionally strong, yet transparent, allowing for multi-layer printing. Akua Liquid Pigments' unique slow drying formula keeps the ink wet for hours while artists develop an image. The consistency of Akua Liquid Pigments is perfect for all monotype techniques and can be easily adjusted with Akua modifiers. Use Akua Liquid Pigments for monotype brushwork, Japanese woodcut and drawing. Akua Liquid Pigments can also be used on dry paper and without a press! Key Features: Crafted from light fast pigments, pure gum binders, and honey A rich working consistency Slow drying formula Highly pigmented, brilliant colors Developed by a professional print making artists Can be rolled directly onto a plate Prints on dry paper Contains no suspension agents, chalk, dryers or polymers! Perfect For: Artists of all skill levels Monotype brushwork, Japanese woodcut and drawing Use wtih Akua modifiers to adjust sheen, thickness and transparency Multi-layer printing Extended open times Tinting Akua Intaglio Inks Printing without a press Safe and easy clean up with soap and water See More
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Speedball Professional Relief Ink - Titanium White 8ozSave Up to34%Off listWhite Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Stonehenge Warm White Drawing & Printmaking Paper Pad (250 gsm) Vellum Finish, 15 Sheets 9X12Save Up to43%Off listWhite Stonehenge fine drawing and printmaking paper: now available in convenient pads! Available in: White & Warm White & Colors Drawing & Printmaking Pad! For over 30 years, Stonehenge paper has been beloved by artists of all techniques. The 100% cotton, acid free, calcium carbonate-buffered paper is strong and durable, and the flawless vellum finish is the perfect surface for any variety of media. Now this popular art paper is available in pads convenient for traveling or for small works! Perfect for all your graphite, charcoal, colored pencil, silverpoint, pastel, printmaking, pen and ink, and even watercolor works: take Stonehenge drawing paper pads with you into the field and experience the lush surface and incredible responsiveness of some of America's finest art paper! Key Features: * Available in: White & Warm, White & Colors Drawing & Printmaking Pad!* 15 sheet pad* 100% Cotton* Vellum finish* Acid Free * Neutral PH * Made in USA Specs: * 250 gsm* 90 lb* Pencil* Charcoal* Watercolor* Pen and Ink Perfect For: * Colored Pencil* Graphite Pencil* Pencil* Charcoal* Watercolor* Pen and Ink Stonehenge paper is ideal for etching, screen printing, embossing, drawing, and painting with a variety of media, including colored pencils, pastels, pen-and-ink, pencils, charcoal, acrylics, and watercolors. * Stonehenge White Paper Pads – Containing 15 sheets of White Stonehenge paper ideal for artwork in a wide variety of media! Tape-bound pads feature a strong chipboard backing for support while working, and are available in 5 sizes. * Stonehenge Colors - Multi Color Pads – The Stonehenge Multi Pads contain three sheets each of five Stonehenge colors, including Warm White, Natural, Cream, Fawn, and Pearl Gray, so artists can flip to the desired color as needed. Tape-bound pads feature a strong chipboard backing for support while working, and are available in 3 sizes.  See More
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Lenox Mini White Cotton 250 gsm 2.5x3.75 Pad 15 SheetsSave Up to44%Off listWhite 100% cotton, medium-texture fine art paper Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture fine art paper that is ideal for a variety of drawing and printing techniques with colored pencils, graphite, pastels, and charcoal. The smooth white surface also works well for silkscreening, offset lithography, etching, and embossing. Key Features:* 100% Cotton paper* Produced by an American mill* Soft textured finish* Acid-free* Pads: Tapebound/Top -92 lb / 15 sheets, 250 Gr/M2 weight* Papers are Neutral pH, no deckles 250 gsm weight Perfect For:* Graphite* Pastels* Colored pencils* Charcoal* Drawing with pastels* Silkscreening* Offset lithography* Etching and embossing See More
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Stonehenge Printmaking & Drawing Paper Roll 50"x10yd, NaturalSave Up to52%Off listWhite An American-made Drawing & Printmaking Classic! Stonehenge by Legion, a traditional fine art paper! This machine made sheet has a slight, even texture that compliments many artistic pursuits. It combines a 250gsm beefy weight, 2 deckle edges, strong surface, excellent acceptance of ink and wet media and pleasant feel. Internally sized, made of 100% cotton. * 22 × 30" Sheets 250 Gr/M2 weight. - 90lb.* Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.* Smooth, flawless surface* Machine-made in the United States* 100% cotton fibers, Acid-Free* Each sheet has two deckle edges* Sold In: Packs(10,25,100) & Rolls It is a favorite not only with printmakers but with artists that specialize in drawing and painting techniques in a variety of media including graphite, artist crayons, pastels, watercolor and colored pencils, inks, and light gouache. Stonehenge continues to be made in the USA as a high quality affordable paper that never compromises fiber composition, archival properties or its suitability for multiple mediums. Stonhenge papers are the "paper of choice" by the Colored Pencil Society of America See More
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Jacquard Screen Printing Ink 4 oz Jar - WhiteSave Up to30%Off listWhite Inks for screen printing, monoprinting, block and relief printing Jacquard Professional Screen Printing Inks have good body and screen beautifully with excellent resolution. With a slightly stiff hand they are especially well suited to commercial applications. They will not wrinkle paper when screening art prints. These inks were designed for all surfaces and are permanent. Permanent screen printing inks for most surfaces: fabric, paper, plastic, vinyl, leather, metal and more! Formulated for surfaces traditionally considered difficult to print on (such as synthetic fabric, leather, wood and vinyl), these innovative and unique water-based inks raise the bar for versatility. Jacquard Screen Printing Inks are archival and lightfast with much less water content compared to other water-based inks, allowing for superior detail and coverage. The ink won’t buckle or curl even lightweight artist papers, and the finish is a durable, scuff-proof semi-gloss. Dry-cleanable and extremely washfast on fabric after heat setting, the inks also self-cure after 72 hours. Open time on the screen has been greatly extended, giving printers more working time without in-screen drying. TECHNIQUES - screen printing, monoprinting, block and relief printing * Extended Open Time - These inks break new ground with a greatly extended open time. This gives you the flexibility to work with more colors without the ink drying in the screens. * Permanence - Archival and lightfast, these inks are permanent on most non-porous surfaces including: fabric, paper, plastic, vinyl, leather, metal, and more! Fabrics must be heat set for permanence and durability. Once set, the inks are fully washable and dry-cleanable on all natural and synthetic fabrics. * Water-based - No smelly solvents and clean-up is easy with just soap and water. Screen Printing Kit Professional quality screen kit for paper, fabric, vinyl, plastic, leather and more! Quality inks have long open time in screen and are easy to work with! Great for small production runs. Comes with 10×14" pre-stretched silk screen with lacquered wood frame, 9" wood handled squeege, Four 4 oz (118 ml) jars of Jacquard Semi-transparent Professional Screen Inks (Blue, Red, Black, Yellow), 4 oz Photo Emulsion ,1/3 gram, Diazo Sensitizer, 3 acetate sheets, Stir stick and Instruction booklet (in english, Spanish and French) See More
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Matisse Derivan Screen Printing Ink 250ml - WhiteSave Up to50%Off listWhite A totally water-based, silk screen printing ink! Matisse Derivan Screen Printing Ink has been formulated as a safe, non-toxic silk screen printing ink for fabric and tie-dyeing. It can be used in the classroom or at home safely without the worry of being exposed to harmful solvents such as white spirits, turps or thinners. Matisse Derivan Screen Printing Ink is water-based and washes up in water (before it is heat set) but has excellent rub resistance and lightfastness once heat set. All the colours may be intermixed to form bright secondary and tertiary colours. White (Opaque) may be mixed if pale pastel opaque prints are desired on dark colored fabrics. The Screen Reducer is a thick milky colored paste which dries colorless and transparent. It is used for intermixing with standard printing colours in order to extend deep colours into pale or lighter transparent shades (Red into transparent pink, etc.). It is mainly for white or pale fabrics. Best results are obtained from absorbent fabrics; avoid waterproof fabrics as they tend to inhibit penetration and repel the water-based colors. Clean up is a breeze! Simply wast all utensils, brushes and hands with soap and water to clean up! Key Features: * Water-based screen printing ink * Non-toxic * Clean up with soap and water * Excellent rub resistance * High lightfastness ratings Perfect For: * Use on absorbent fabrics, such as cotton, bamboo and hemp * Easy and safe to use on delicate fabrics; such as swimwear, baby wear and undergarments * Screen printing on dark colored fabrics See More
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Speedball Printmaking Paper Pad 20 Sheets 5X7 InSave Up to33%Off listWhite An artist favorite, this premium printmaking paper is now available in a convenient pad! Speedball Printmaking Paper Pads were developed through a collaboration between Speedball and Schut Papier of Holland. This fine art paper is made with strong, absorbent fibers, which accept multiple layers of ink beautifully. Suitable for all printmaking media, from water-based inks to traditional oil-based inks, this high-quality printmaking paper works very well damp or dry for a variety of techniques, including relief printing and intaglio. Each pad of printmaking paper contains 20 sheets of white, 90 lb/245 gsm, acid-free paper. These premium printmaking paper pads are an extremely versatile addition to your printmaking arsenal! Speedball Mulberry Paper is an artist-quality printmaking paper made with a mix of Kozo (mulberry) and bamboo fiber. The thin paper is very strong, which makes it ideal for lino block, wood block, and screen printing. Key Features: * White, 90 lb/245 gsm, acid-free paper * Mulberry paper unbleached, neutral pH. 45gsm. * Extremely versatile, suitable for all printmaking media * Made with strong, absorbent fibers Perfect For: * Water-based or oil-based inks * Student printmaking projects * Relief printing and intaglio * Printmaking artists See More
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Akua Intaglio Ink 2oz - Opaque WhiteSave Up to11%Off listWhite Akua Intaglio Inks have Endless Open Time! Akua Intaglio Ink's endless open time, permanency, thick consistency, and easy clean up makes it a printmaker's dream come true! This line of water and soy-based ink contains absolutely no dryers, is packed with brilliant, lightfast pigments, and can be effortlessly applied to plastic, wood, linoleum, or metal plate. Use Akua Intaglio Inks for printmaking techniques such as monotype, relief, collagraph, and intaglio. Prints can be re-soaked immediately after printing, however, once the print is dried, Akua Intaglio is permanent. With Akua Intaglio Inks, artists have the choice of printing on damp or dry paper. Due to its endless open time, this printmaking ink will never skin or harden in the jar or on printmaking equipment. Clean up is safe and easy, as it requires only soap and water - No Solvents Necessary! Key Features: * Soy and water-based formula * Artist quality inks * Thick consistency with minimal water content * Highly pigmented, brilliant colors * Developed by a professional printmaking artist * Endless open time * Non-toxic Ink * Will not skin in a jar or dry on equipment * Dries through absorption into paper fibers * Cleanly wipes off from etching plates Perfect For: * Artists of all skill levels * Intaglio/Etching, Monotype, Relief and Collagraph * Printing on damp or dry paper * Extended open times * Printing on plastic, wood, linoleum, and metal plate * Blending colors * Re-soaking prints (immediately after printing) * Safe and easy clean up with soap and water * See More
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Charbonnel Aqua Wash Etching Ink - Snow White Titanium, 60ml TubeSave Up to20%Off listWhite Vivid, permanent, non-toxic inks for intaglio, lithography, and more! Charbonnel Aqua Wash Etching Inks are made with extra-fine lightfast pigments and an innovative oil binder that makes clean-up a breeze! The oil emulsion inside the ink allows you to use it like any other traditional solvent-based ink. Charbonnel Aqua Wash Inks clean up with soap and water and are non-toxic. No water is used within the inks, so your printing plates and tools will not rust. Key Features: * Water-washable etching inks * Odorless and non-toxic * Extra-fine lightfast pigments * Cleans up easily with soap and water! * Slow drying time similar to traditional inks * Will not rust tools or plates * Stable and long-lasting inks Perfect For: * Intaglio, lithography, monotype, and more! * Artists that prefer not to use toxic solvents * Studio and classroom use * No-hassle, everyday studio use * Easy clean-up with soap and water * Working in large groups * Studio and classroom use * Student artists See More
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Speedball Block Printing Water-Soluble Ink 8oz - WhiteSave Up to46%Off listWhite The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
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Speedball Fabric Screen Printing Ink 8 oz Jar - WhiteSave Up to28%Off listWhite No offensive smell and cleans up with water! Screen printers of all ages and skill levels will love this exciting line of inks. Ideal for use on cotton, polyester, blends, linen, rayon and other synthetic fibers. Also works great on paper, and cardboard. (Do not use on nylon fabric). All colors are permanent on fabric when properly heat-set. Non-flammable, no solvents, and no offensive smell! AP Non-Toxic conforms to ASTM D-4236 standards. These inks can be used for screen printing or use a paintbrush. All colors clean up easily with water. Available in 8 oz and 32 oz jars. Key Features:* Non-toxic* Cleans up easily with water* Permanent on fabric when heat-set Perfect For:* Painting on fabric* Screen printing* Screen printers of all ages and skill levels Deluxe Sets Available with Exclusive Extras! Click on the item number to view the contents of each set. See More
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Speedball Acrylic Screen Printing Ink 8 oz Jar - WhiteSave Up to34%Off listWhite Available in 19 brilliant opaque colors and process permanent acrylic colors. These inks are for use on paper, wood and cardboard. Easy clean-up with water. Colors available in 8 oz and 32 oz jars. 1 Gallon available in Black and White. See More
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Charbonnel Etching Ink - Snow White RS, 200ml CanSave Up to20%Off listWhite Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More
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