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Creative Mark Disposable Varnish Brush SetSave Up to40%Off list…your work and no brush to clean! It’s all possible with the six-pack of Disposable Varnish Brushes. Clean-up is easy; just throw away when you’re finished. Key Features: * Value pack of six 2" wide brushes * Uniquely designed for the smooth application of varnish * Soft brush tips deliver a smooth,… Stop trying to get the varnish out! Use a disposable brush instead We all know that varnish brushes are almost impossible to clean. No matter how much soap or water you use, the bristles never look or perform the same way again. Worst of all, hairs often fall out and cause even more frustration. Creative Mark’s Disposable Varnish Brushes are made for single-use and make varnishing a quick and easy process. Soft white synthetic filaments ensure even application, and extra strong glue keeps the hair in the ferrule. Imagine no hairs stuck to your work and no brush to clean! It’s all possible with the six-pack of Disposable Varnish Brushes. Clean-up is easy; just throw away when you’re finished. Key Features: * Value pack of six 2" wide brushes * Uniquely designed for the smooth application of varnish * Soft brush tips deliver a smooth, even finish * Extra strong glue keeps bristles in place * Triple crimped ferrule * Short wooden handles, made of unfinished wood * A guilt-free price for a single-use brush Perfect For: * Uncomplicated, easy varnish application * One time use * Easy cleanup, no need to wash, just throw away * Use with most paints, stains, varnish, and gesso * Applying brush-on adhesives * Many projects around the home or studio See More
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New York Central® Gigante Bristle Brushes - Large Scale Painting BrushesSave Up to64%Off list…area. These brushes hold a lot of color and the tip of the brush is most useful for reaching smaller areas without having to switch brushes. You can cover a lot of area with this brush like all flat brushes. 2" brush is 13" long and the 3" is 13.6" long. The handle is made of varnished beech wood… Stiffness Watercolors Acrylics Oils Premium brushes designed for all artists painting large scale - Handmade in Germany Handmade by skilled artisans in Germany the Gigante range of high quality hog bristle brushes compliments all your other high end bristle brushes. The basic assumption of the line is that most artists use regular size bristle brushes for most of their needs and that would include painting on a grand scale. They are not made just to be big but are made to work flawlessly. The long handle makes them a favorite of artists in the world all over. you will love and enjoy to paint with these premium high quality brushes! Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints. High End Bristle Brushes Handmade by skilled artisans in Germany - Designed for all artists painting large scale Key Features:* Handmade by skilled artisans in Germany* High quality hog bristle brushes* Available in 4 shapes* Angular, oval, flat mottlers & Domed sash round* Made to work flawlessly* Long handle professional brushes* Varnished beech wood handles* Nickel plated ferrule, a rust proof tin coating* Exceptional quality for the price* Note: Click on Yellow Icon Next to each product for more details* Perfect For:* Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints* Endless possibilities* All artists painting large scale* Complimenting all your other high end bristle brushes* Long handle makes them a favorite of artists* Covering a lot of area* Excellent control of your paint* FLAT MOTTLERS: Priming to painting to varnishing* OVAL MOTTLERS: Cutting in backgrounds, general painting, varnishing and large scale glazing There are four shapes to the Premium Gigante Brush line: ANGULAR MOTTLERS Sometimes artists look at this brush as if it is a specialty brush but it is not. It is used by some of the most famous artists of our time and a real tool for professional house and industrial painting. As you glance at the brush you will see one end has a hair length of 1.57" it then angles to 2" on the 2" wide brush and to 2.17" on the 3" wide brush. The shape allows artists and painters to curve their strokes. This is especially useful for cutting in basic shapes and to run the brush along a circular area. These brushes hold a lot of color and the tip of the brush is most useful for reaching smaller areas without having to switch brushes. You can cover a lot of area with this brush like all flat brushes. 2" brush is 13" long and the 3" is 13.6" long. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. OVAL MOTTLERS You'll immediately appreciate the natural flagged ends of these brushes that provide an excellent control of your paint. The oval shape is like an artists' filbert brush. Its intention is to allow for clean controlled strokes without flaring of the hair through the stroke. You can use this brush for cutting in backgrounds, general painting, varnishing and large scale glazing. FLAT MOTTLERS This brush is a workhorse of epic proportions and is one of the most beloved of all brushes used by artists that work large in scale. It has superior quality bristle hair with natural flagged ends to grip and release color with superb precision. It can be used flat or on its sides for various needs. The endless uses of this brush can't all be listed however it is ideal for almost all stages of a painting from priming to painting to varnishing. Use it with all your favorite media. Available in 2" wide with 2" long hair and a 12.7" length or 3" wide with 2" hair length and a 13.4" length. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. DOMED SASH ROUND BRUSHES The bushy round shape of the brush make it perfect for loading and creating long continuous soft edged linear strokes. The natural flagged ends and fullness of the hair allows it to cover large areas with ease. The brush works in unison with the other three shapes in this series and is a vital tool for a myriad of uses. This brush style has a history dating back to birth of artist brushes and has been the go to brush ever since. These brushes feature a long length which is instrumental to working large. It will be a brush you won't want to stop using. Available in 3 diameters: 20mm (.787") with a hair length of 43mm (1.7") and a total length with handle of 10.8", 25mm (1") with a hair length of 48mm (1.9") and a total length with handle of 11.2" and 30mm (1.18") with a hair length of 53mm (2.1") and a total length with handle of 11.8". With special nickel, encapsulated ferrule and long varnished beech wood handles. Clean and Care Recommendation: These brushes are made to be professional tools. For cleaning oil colors from brushes, we recommend Chelsea Classical Studios Lavender or Citrus brush cleaners. They not only will thoroughly clean the paint out of your brush but also will condition them to work flawlessly each time See More
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Mimik Kolinsky Synthetic Watercolor Mottler BrushesSave Up to71%Off list…of natural kolinsky red sable! We guarantee these mottler brushes will perform better than any other natural hair; if you are dissatisfied send back the used brush for your money back! great for Watercolor Washes, Soft Blending, Varnishing, Decoupage Gel Application, Hard Edge and creating unique… Animal-Friendly Mottlers! Outperforms any natural kolinsky hair Artists worldwide had been asking for a mottler in our Mimik Kolinsky line. So, we set out to create a brush that would be considered the very best in the world. A brush that can hold as much color as thicker mottlers while maintaining excellent control and a sharp edge. We took the idea to our expert brush makers in Germany. After several tries, the finest mottler was born. The brush, made of synthetic kolinsky hair, can be fully loaded for long, uniform strokes across a paper surface without needing to reapply the color. The fine-edged tip creates a split proof line, allowing the artist to create all sorts of strokes and lines not capable with any other brush. Our mottler will outperform any natural kolinsky hair, including all known synthetics for its shape, color holding capacity, resiliency, and feel. Plus, these synthetic mottlers are only a fraction of the cost of natural kolinsky red sable! We guarantee these mottler brushes will perform better than any other natural hair; if you are dissatisfied send back the used brush for your money back! great for Watercolor Washes, Soft Blending, Varnishing, Decoupage Gel Application, Hard Edge and creating unique strokes by changing angle of the edge during the stroke. Outperforms any natural kolinsky hair, including all known synthetics for its shape, color holding capacity, resiliency, and feel. Can be fully loaded for long, uniform strokes across a paper surface without needing to reapply. Key Features: * Handmade in Germany by master brush makers * Synthetic kolinsky contains no animal hair * Sleek lacquered paddle handles, short handle * Nickel-plated brass ferrules * Outperforms natural kolinsky hair every time * Superior paint and water carrying capacity * Bristle comes to a razor-thin, fine-edged tip * Unbelievable controlled strokes * Created to the highest standards * Animal-friendly, cruelty-free! * A fraction of the cost of natural kolinsky * Click on the yellow circle icon for size and set information * Perfect For: * Watercolor Washes, Watercolor applications* Soft blending* Varnishing* Creating split proof lines* Decoupage Gel Application* Hard Edge* Background wash applications* Defined brush strokes* Wetting dry watercolor paper with water* Uniform strokes across a paper surface* Unique strokes by changing angle of the edge during the stroke* Professionals, teachers, students* More working time as it holds a lot of color See More
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FX Effects Spatcher BladesSave Up to70%Off list…common uses are: Applying paints, gesso, and mediums: Spreading paint with a brush has all sorts of drawbacks. Hair sheds, brushes hold various amounts of paint, so you end up with excess paint in some areas, and brushes are hard to clean. With Spatchers, you can put color on the surface directly… The Original Spatcher by Creative Mark. Apply, Spread, Scrape, Lift, Mix - Create The silicone Spatcher blade provides a smooth laydown of color or medium while still being robust enough to spread and manipulate the thickest paints and mediums. Each Spatcher features a nickel-plated brass ferrule that is glued into the paddle-style varnished wood handle. Two finishing nails secure the ferrule in place for years of carefree use. You can quickly clean the blade with soap and water or wipe clean with solvents. If acrylic paint dries on the blade, you can peel it right off. The tapered edge provides crisp and exact strokes and allows for many creative techniques. Available in 1", 2", and 3" widths. If you don’t have a tool like this in your studio, you need to buy one! Key Features: * High-quality silicone blade * Fine edge, tapered shape * Firm blade * Nickel-plated brass ferrules * Varnished wood paddle handles * Available in 1", 2", and 3" widths * Strong enough to push through thick paints * Easy to clean with soap and water or solvents * The blade will not absorb medium or paint Perfect For: * All viscosities of paint and medium * Applying, removing, scraping, and moving color * Oil, acrylic, modeling paste * Smooth laydown of color * Developing new and exciting effects * Spreading gesso or large areas of paint * Faux finishing effects There are endless applications for this tool, but the most common uses are: Applying paints, gesso, and mediums: Spreading paint with a brush has all sorts of drawbacks. Hair sheds, brushes hold various amounts of paint, so you end up with excess paint in some areas, and brushes are hard to clean. With Spatchers, you can put color on the surface directly and let the tool do the work of spreading it on canvas, board, or panel. If you like, you can soften any marks with a soft brush. Applying layers of colors in multiple ways: Here is where your creativity takes over. You can add colors with a basic spread of paint or use the edge to add linear shapes and layer color. If still wet, you can scrape into the bottom layer to create interesting effects. You can inversely take away by lifting paint off your substrate. For the application of modeling paste: Use the Spatcher as a trowel and then easily build up the impasto regions to your liking with the fine tip. In mixed media, apply 2D or 3D objects with various glues, polymer medium, or gel mediums. See More
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