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Acurit Self Healing Cutting Mat 12 x 18 in GreenSave Up to56%Off listGreen Protect your Work Surface With a Self-Healing Cutting Mat! Acurit Self-Healing Cutting Mats are perfect for use in the office, studio, or classroom to protect your work surface. Available in opaque Green and Black or translucent White, each self-healing cutting mat is gridded with easy-to-see lines for precise alignment when cutting paper with an X-Acto knife. Place the translucent white cutting mat on top of your lightbox to create the perfect surface for cutting out designs, silhouettes, overlays, layouts, and much more. Even after you cut, these mats are still perfect for writing or drawing. The self-healing surface is guaranteed to take over 10,000 cuts and still be your favorite work surface! Please click on the yellow tech note icon for the exact grid and mat dimensions. Key Features: * Self-healing cutting mat surface * Green and Black Opaque, or White Translucent * Four popular mat sizes * Gridded with easy-to-see measurement lines * Made of recyclable PVC * Translucent mats turn any lightbox into the ultimate tool * Perfect For: * Turning any tabletop into a cutting board * Home, office, studio, craft, or hobby * Straight edge and X-Acto or Acurit knife cutting * Cutting designs, silhouettes, overlays, layouts, and much more * Specialized or hobby, art and craft use * Everyday studio use See More
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Van Aken Kato Polyclay 2oz GreenSave Up to19%Off listGreen A polymer clay developed with an artist for artists! Kato Polyclay is an easy-to-use polymer clay that bakes in ten minutes to become a robust and sturdy material. You can mix Kato colors to create unique shades with ease once the clay has warmed up in your hand. Create beads for jewelry or sculpt figurines then bake in your household oven at 300 degrees Fahrenheit. Once cooked, the clay can be further improved by sanding and buffing. Kato Polyclays have color stability, uniform consistency, and excellent cured strength. More durable than other poly clays, objects made with Kato Polyclay become permanent works of art that will resist cracking and decay over time. Its smooth texture allows for detailed results for all types of craft, including sculpture, jewelry, home decor, and model making. Key Features: * Created in partnership with artist Donna Kato * Highly-pigmented non-sticky formula * Oven-hardening clay * Strong and durable * All colors are mixable * When sliced, it will maintain its shape * Keeps its shape and color after baking * Made in Georgia, USA * Certified non-toxic * Conforms to ASTM D-4236 * Sulfur-free, paraben-free, latex-free * Free of nuts, dairy, gluten, soy, corn, GMOs, pollen, nickel, lead, and VOCs *DO NOT EAT* Perfect For: * Creating figurines * Making jewelry * Custom color mixing * Letting your creative juices run wild * Sculpting character studies * School projects * Model making * Teachers and students * DIY up-cycling * Polymer caning-techniques * Bake between 275F (135C) and 325F (165C) for 10-30 minutes Polymer clay pieces may be cured in a standard oven or in a toaster oven. When curing compositions, it is recommended that you test the temperature of your oven (especially when using a toaster oven) with an oven thermometer. To do this, place the thermometer into the oven in the approximate location where you will be curing your piece; wait for the thermostat to adjust then adjust the temperature of your oven accordingly until the appropriate temperature is achieved. Kato Polyclay should be cured at about 300°F (150°C); however, it can be cured within the range of 275°F (135°C) and 325°F (165°C). It has been approved to be cured at 350°F (175°C). You should never exceed a temperature of 365°F (185°C) when curing Kato Polyclay. When cured at elevated temperatures, Kato Polyclay will become harder and more durable and have an increased surface gloss. For optimal strength, it is recommended that you cure your piece for 30 minutes. Curing Kato Polyclay for more extended periods will yield similar results as curing it at elevated temperatures; however, it is not recommended that you cure it for longer than the recommended time. Some projects may require that you cure a piece multiple times. For example, after adding an uncured piece of clay or another medium to it. When you create a project like this, it is a good idea to cure the piece in shorter increments of time. For example, if you were baking a piece three different times, it’s recommended that you cure the piece for 10 minutes the first two times and 30 minutes for the final curing this will save you time and ensure that your piece is permanent. See More
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Awagami Factory Paper 36gsm Kitakata Green 17" x 20.5" (Set of 5)Save Up to24%Off listGreen Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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R&F Encaustic Handmade Paint 104 ml Block - Cadmium GreenSave Up to20%Off listGreen Encaustic- perhaps the most beautiful and versatile of all paints! R&F Encaustics are handmade wax-based paints that have unique properties you won't find anywhere else! In the simplest of terms, encaustics are a type of wax-based paint. If you've never tried this fascinating media, let us tempt you with a vast array of powerful colors and unique properties to extend your talents! R&F Encaustics are made here in the USA with traditional milling machines, a very controlled and slow process. There are no additives or dryers in these paints, so the color is intense and brilliant, allowing each pigment's characteristics to shine. Only the best pigments and materials go into R&F products, making these encaustics the very best you can get! Key Features: * Intense and brilliant colors * Composed of beeswax, resin, and pigment * Encaustic paint will not yellow or darken * Encaustic paintings do not have to be varnished * Wax can always be reworked * Best pigments and materials * 104 ml Blocks measure 3-3/8" × 1-1/2" × 1-1/4" * Made in the USA Perfect For: * Use with heated tools or palette * Encaustic painting * Mixed media techniques * Experimenting with custom paint mixes * Artists of all skill levels * Classrooms and workshops * Creating layered collage Unique Colors 2023 Holiday Limited Edition Set of 6: contains Warm Pink, Nickel Yellow, Ancient Gold, Phthalo Green Pale, Turkey Umber Pale, and Provence Red. Opaque Colors Set of 6: contains Cadmium Yellow Medium, Cadmium Red Medium, Chromium Oxide Green, Cobalt Blue, Titanium White, and Ivory Black. The paints are packed in a 6x6" cradled Encausticbord. Translucent Colors Set of 6: This set includes six 40ml blocks of the translucent colors Alizarin Orange, Alizarin Crimson, Egyptian Violet, Indian Yellow, Ultramarine Blue, and Viridian. The paints are packed in a 6x6" cradled Encausticbord. Introductory Colors Set of 6: Get started with this set of 40 ml cakes in classic colors. It includes Cadmium Green Pale, King's Blue, Naples Yellow, Neutral White, Turkey Red, and Turkey Umber Greenish. Painter's Dozen Set of 12: The set of 12 includes Titanium White, Burnt Sienna, Unbleached Titanium, Chrome Oxide Green, Indigo, Ultramarine Blue Pale, Turkey Umber Pale, Manganese Violet, Alizarin Orange, Olive Yellow, Cobalt Blue, and Ancient Gold. See More
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