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Liquitex BASICS Acrylic Mediums Open Stock and SetsSave Up to30%Off list…Modeling Paste, Iridescent Medium, and Coarse Texture Gel. With the set you will find that you can adjust the texture, flow, and surface sheen of your acrylic paints by mixing them with different Liquitex BASICS Mediums. The Modeling Paste and Coarse Texture Gel can be used to create backgrounds for… Prep, Paint, and Finish Your Painting With Liquitex BASICS Mediums! Liquitex BASICS Mediums and Varnishes provide the dependable quality of Liquitex at an economical price! The Introductory Set of Liquitex BASICSMediums provides you with a warm intro to the world of acrylic mediums. The set of 75ml tubes includes Gesso, Gloss Gel Medium, Modeling Paste, Iridescent Medium, and Coarse Texture Gel. With the set you will find that you can adjust the texture, flow, and surface sheen of your acrylic paints by mixing them with different Liquitex BASICS Mediums. The Modeling Paste and Coarse Texture Gel can be used to create backgrounds for mixed media work while the Iridescent Medium is great for adding that extra shimmer to your paints. Liquitex Basics has also created a non-yellowing Matte and Gloss Varnish that can be used to permanently protect your finished acrylic paintings! Artists on a budget or students just starting out should know that Liquitex Basics Mediums and Varnishes are essential! Key Features: * 250ml, Mediums * Dependable and affordable * Adding extra shimmer to your paints * Adjust the texture, flow, & surface sheen * Permanently protect your finished acrylic paintings * Excellent working qualities Perfect For: * Students learning Acrylics * Artists painting large scale * Budget-minded Artists Gloss Gel Medium 200ml: A thick, transparent medium for mixing with acrylic paint to improve color blending, extend paint volume and drying time and increase paint transparency. Gloss Gel Medium can also be used as a glue for paper and canvas. Permanent, non-yellowing, flexible and water resistant when dry. Dries to a gloss finish. Modeling Paste 200ml: Opaque matte structure paste. Ideal for 3D effects, for use on canvas and wood. When added to acrylic paint it thickens the consistency of the paint. Produces brush stroke retention in paintings. The paste can be used on its own to build up the texture. Water resistant when dry. Coarse Texture Gel 200ml: Dries to a course 'sand' like finish. When dry can be painted with Liquitex acrylic colors or mixed with color before application. Iridescent Medium 200ml: Provides pearlescent effects when added to acrylic colors. Adds shimmer to paint. Mix with acrylic color before application or apply on top of dry painting. Matte Fluid Medium 250ml: Improves the flow of color for blending as well as increasing transparency. Can be mixed with Basics Acrylic Colors for an extra matte finish. Gloss Fluid Medium 250ml: Improves the flow of color for blending as well as increasing transparency. Can be mixed with Basics Acrylic Colors for an added gloss finish. Matte Varnish 250ml: Permanent matte varnish used to protect finished paintings. Matte Varnish can be mixed with Gloss Varnish to vary the final sheen of the work. Varnish is non-yellowing. Gloss Varnish 250ml: Permanent gloss varnish used to protect the finished painting. Gloss varnish may be mixed with Matte Acrylic Varnish to vary the sheen to satin. Varnish will not yellow over time. See More
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Pebeo Studio Acrylics MediumsSave Up to25%Off list…Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling… Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More
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Iwata Artool Airbrush StencilsSave Up to13%Off listCreate your favorite effects with an Artool template Create quick and clean patterns with airbrush templates from Artool. The templates incorporate the most popular organic and geometric shapes. These laser-cut templates make airbrushing much more efficient. You can use the polymer-coated templates… Create your favorite effects with an Artool template Create quick and clean patterns with airbrush templates from Artool. The templates incorporate the most popular organic and geometric shapes. These laser-cut templates make airbrushing much more efficient. You can use the polymer-coated templates with solvent and water-based paints. With proper care, the template will withstand years of use. Artool templates work well on various surfaces, including metal, polycarbonate plastic, and fiberglass. Key Features: * Polymer-coated and solvent-resistant templates * Laser-cut designs for detailed effects * Works with both solvent and water-based paints * Save time cutting frisket or acetate stencils * No software or plotters needed * Rotate or flip the template as you paint Perfect For: * Automotive artists and hobby enthusiasts * Fine artists and illustrators * Painting hard-edge contours or softer-edges * Airbrushing metal, polycarbonate plastic, or fiberglass See More
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Brush and Pencil Colored Pencil AdditivesSave Up to10%Off list…Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it… Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so that you can make corrections and even erase areas. With Touch-Up Texture, you can recover lost surface tooth in your drawing. All you need to do is apply a small amount of Touch-Up Texture, allow it to dry, and add new layers of colored pencil. Or use it to create bright white highlights by mixing it with their Titanium White Powder. You can also apply Titanium White Powder with an applicator sponge in areas where you need to add white. No matter what you need to fix in your drawing, Brush and Pencil have the additive for the job. Key Features: * Colored pencil additives * Each additive has its own characteristics * Archival colored pencil tools * Sifter's included with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender is a non-toxic and archival dry blending lubricant for colored pencils. The non-toxic powder works best on rigid, toothy surfaces like gessoed panels and sanded paper. You can dispense the powder with the included sifter and blend it with a sponge or short bristle brush. Powder Blender unlocks oil-based colored pencils and makes everything adjustable, correctable, and erasable. The powder performs best with oil-based pencils, but you can use it to pretreat a wax-based drawing before adding more layers. Once everything is blended, you can secure the layer with Fixative. Titanium White Jar + Sifter: Brush and Pencil took the Titanium White found in colored pencils and created a ground-breaking powder with it. The white powder is completely opaque and has excellent covering power. In areas where you need white, you can apply Titanium White powder with an applicator sponge. If you use too much, you can lift it back with mounting putty. Mix a pinch of Titanium White with a few drops of Brush and Pencil's Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it dry, and add new layers of colored pencil. Or mix it with Colored Pencil Titanium White to create bright white highlights. Colored Pencil Touch-Up Texture is non-toxic, archival, and pH-neutral. The glass bottle comes with a brush applicator. See More
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Frida Texture Effect Glass PaintsSave Up to73%Off list…with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using… Make Your Own Stained Glass Creations With Excellent Results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a transparent effect that looks just like stained glass. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Beautiful smooth texture that spreads easily * Available in 21 cool colors * Solvent-based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood * Frida Glass Paint Instructions > You Might Also Like Create intricate designs for your Frida Glass Paint with Frida Relief Outliners Frida Relief Outliners > See More
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Winsor & Newton Watercolour MediumsSave Up to43%Off list…used to create an even wider variety of techniques and effects for your work; from increasing drying time, improving flow, and changing gloss and texture, they provide limitless opportunities. The Winsor & Newton range also includes masking fluids to protect areas of your paper that you want to… Full Range Of Watercolor Mediums! Watercolor Mediums are used to create an even wider variety of techniques and effects for your work; from increasing drying time, improving flow, and changing gloss and texture, they provide limitless opportunities. The Winsor & Newton range also includes masking fluids to protect areas of your paper that you want to keep white. Click on the item number to view more information on each medium Key Features: * Limitless opportunities * Increasing drying time * Improving flow * Changing gloss and texture Perfect For: * Professional watercolorists * Altering the characteristics of watercolor * Exploring watercolor effects * Keeping areas of your paper clean See More
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Winsor & Newton Galeria Acrylic Gel MediumsSave Up to30%Off list…further with Galeria Gel Mediums! Winsor & Newton’s Galeria Acrylic Gel Mediums are texture additives that pair perfectly with their Galeria line. Explore the full range of Gel Mediums to create different textures with acrylic paint. An extensive and versatile range, the Galeria Gel Mediums provide… Push the performance of Acrylics further with Galeria Gel Mediums! Winsor & Newton’s Galeria Acrylic Gel Mediums are texture additives that pair perfectly with their Galeria line. Explore the full range of Gel Mediums to create different textures with acrylic paint. An extensive and versatile range, the Galeria Gel Mediums provide great value and are easy to use. Key Features: * Additives for Different Effects * Alter Texture and Paint Structure * Designed for Galeria Acrylics * Economical Gel Mediums Perfect For: * Students and budgeting artists * Adding texture to your acrylic paintings * Adding weight and structure to paint * Dimensional build-up of Acrylics Black Lava Texture Gel - Granular paste containing fine particles of black flint. It can be used alone or mixed with acrylic paint. The gel allows you to achieve a heavier and more pronounced texture. Glass Beads Texture Gel - This medium comprises small, spherical glass beads suspended in a thick, clear acrylic gel. When used with transparent color, the effects are arresting and jewel-like. Heavy Structure Gel - The heaviest gel available in the Galeria range. Ideal for creating strong surface texture and very high peaks. Smooth and flexible. Heavy layers are easily and quickly built up. Satin finish prevents thick layers from looking too plastic. Sand Texture Gel - Helps you create a finer and more consistent texture. The gel contains refined and purified sand to ensure the most interesting sand grain texture. Structure Gel - Add to acrylic color to create high peaks. Smooth and flexible, it provides a gloss finish with good clarity. See More
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Claessens Oil Primed Medium Texture Linen RollsSave Up to66%Off list…general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most… Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Crescent Textured Black Art BoardsSave Up to30%Off list…one of the blackest black boards on the market Truly one of the blackest black boards on the market. The Textured Black Boards features one smooth side that is perfect for mounting, and a textured side ideal for pastels, chalk and acrylic paint. Perfect for mounting and dramatic presentations made… Truly one of the blackest black boards on the market Truly one of the blackest black boards on the market. The Textured Black Boards features one smooth side that is perfect for mounting, and a textured side ideal for pastels, chalk and acrylic paint. Perfect for mounting and dramatic presentations made of a medium weight quality. Now finally ready to use in the most popular traditional pad sizes! Key Features: * Blackest black board on the market * Both a smooth and textured side * Medium weight quality, pH neutral Perfect For: * Mounting and dramatic presentations * All pastel, chalk, colored pencil, & acrylic paint applications * Easy portability, for outside use See More
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Montana Tech SpraysSave Up to32%Off list…and crafters * Mixed media artists * Graffiti artwork TEXTURE Spray 400ML Can - TEXTURE coating spray is a primer that can be manipulated wet to even out imperfections or create unique textures on many different surfaces. Montana TEXTURE coating spray to create impasto structured surfaces, even… Experiment with new effects and techniques with this series of Montana high Tech sprays! Montana Cans TECH Sprays series sprays allows artists to experiment with their use of new techniques in spray paint applications. The Montana Tech series offers different sprays as a perfect addition to Montana color and effect sprays. Besides three Varnishes there are now four special Primers for professional pre-treatment of different surfaces. ACETONE spray serves as a thinner or cleaner. Montana REMOVER can be used to remove paint residues from cement and other surfaces. A further new innovation is the Montana ADHESIVES, which are offered in both permanent and repositionable (great for use with stencils and patterns). Endless possibilities of new techniques and effects can be achieved using the Tech sprays and Montana GOLD together! Each Tech spray comes in a 400ml Montana Spray Can and works well with Montana GOLD color sprays. Key Features: * Montana Tech Sprays Texture, Primer, Varnish, Remover, Adhesive & Acetone * 400ml Spray Cans * High-tech sprays provide unique textures and effects * Easy to use and suitable for a variety of different surfaces * Works well with Montana Cans GOLD color sprays * See more details below and in tech notes - Click on Yellow "T" Perfect For: * Fine Artists * Works of art and more * Mural artists * DIYer and crafters * Mixed media artists * Graffiti artwork TEXTURE Spray 400ML Can - TEXTURE coating spray is a primer that can be manipulated wet to even out imperfections or create unique textures on many different surfaces. Montana TEXTURE coating spray to create impasto structured surfaces, even out cracks and holes, or create a unique surface on your substrate. Applicable on many different surfaces such as wood, glass, stone, ceramics, porcelain, acrylic, and other non-elastic surfaces. By spraying your object with a thick layer of the TEXTURE spray, the foundation will be coated with a high-grade, well-adhering substance that can be molded while wet to achieve the desired structure. PRIMER Spray 400ML Can - Montana offers different primers for application on different surfaces that need to be pre-treated such as plastic, metal, and styrofoam.The Universal Primer also works on leather, cardboard, wood, and many other materials. Montana PRIMER sprays enable excellent adhesion and further coating of synthetic, nitro-combi, or acrylic spray paints. Use primers for efficient and more permanent results. Easy to apply, easy to sand, and easy to re-coat. Universal PRIMER is easily applied to pre-treat many substrates, from leather and wood to plastic and styrofoam VARNISH Spray 400ML Can - Montana VARNISH is an acrylic-based, acid-free, and quick-drying clear varnish. No yellowing or de-saturation. For interior and exterior use. Can be used for art, hobby, crafts, and DIY. Available in gloss, semi-gloss, and matte finish. The gloss level is shown on donut (see top of can). Protects and fixes paint on surfaces like canvas, paper, charcoal drawing, bast fibre, wood, photos, etc. Protects against oxidation. ACETONE Spray 400ML Can - Montana ACETONE spray is also known as CAP CLEANER is a universal thinner and cleaning agent that is transparent in color. Removes residues of paint, lacquer, silicone, wax, tar, and de-greasing. Suitable for pre-treatment before painting objects or to remove paint residues after painting. Can be used on porcelain, glass, ceramics, blank metals, and others. It Evaporates quickly without leaving residues. REMOVER Spray 400ML Can - Montana REMOVER spray dissolves and removes lacquers quickly and thoroughly. Pollution-free etching spray for most usual types of lacquer. Do not use on cars! Application is possible on many surfaces such as walls, clay bricks, stone, concrete surfaces, marble, asphalt, glass, metal, and wooden surfaces. It becomes a gel-like consistency, to keep from running off vertical surfaces. Application on non-ferrous metals might cause discoloration. Content is ph-neutral. REMOVER is a ph-neutral, pollution-free etching spray that thoroughly dissolves and removes lacquers. REMOVER can be used to remove paint residues from cement and other surfaces ADHESIVE PERMANENT / SPRAY GLUE Spray 400ML Can - Single application spray ADHESIVE for permanent adhesion. Acid-free The Montana ADHESIVE spray consists of a synthetic base with solvents. Suitable for most materials like foam, jute, felt, textiles, insulating material, expanded polystyrene, plastics, foils, paper, cardboard, and wood and to adhere inlays. Not suitable for use with artificial leather or other materials with plasticizing agents or softeners (e.g. plasticized PVC). See More
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Claessens Oil Primed Fine Texture Linen RollsSave Up to66%Off list…linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #12 - Single OP #12 Claessens Linen features a moderately fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists… Claessens Oil Primed Linen Rolls Feature Meticulous Craftsmanship for Techniques needing a smooth surface! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type is passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #12 - Single OP #12 Claessens Linen features a moderately fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 11.36oz. Double Oil Primed Linen Roll #12 - Double OP #12 Claessens Linen features a moderately fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 12.59oz. Double Oil Primed Linen Roll #9 - Single OP #9 Claessens Linen features a fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait, realist artists, and general painters who enjoy the more moderately fine tooth it offers. Warp 11cm/14cm weft; weighs 11.50oz. Single Oil Primed Linen Roll #13 - Single OP #13 Claessens Linen features a very fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 9.59oz. Double Oil Primed Linen Roll #13 - Double OP #13 Claessens Linen features a very fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 10.50oz. Quadruple Oil Primed Linen Roll #13 - Quadruple OP #13 Claessens Linen features a very fine texture and a quadruple layer of primer for oil and alkyd painting. It is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface the quadruple priming and Very Fine weave offers. Warp 23cm/23cm weft; weighs 11.36oz. Key Features: * Available up to 6 yard rolls: see product listing details below * Professional Quality Linen * Very-Fine and Fine textures * Oil primed by hand * Best bonding surface for oils * Click on Yellow Icon near product for more details Perfect For: * Professional Oil Painters * Portraits & trompe l’oeil * Techniques needing a smooth surface * Aspiring students & amateurs * See More
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Unprimed Cotton Duck Deluxe Canvas BlanketsSave Up to76%Off list…These cotton ducks are durable, double filled and have a very uniform canvas surface* Single Fill - 7oz. unprimed weight economy cotton sheeting with a uniform medium texture.* Army Duck -Â 10 oz. unprimed weight smooth canvas that is very much liked for portrait and realism. See details below Professional Cotton Duck Canvas At An Amazing Value! Are you tired of painting on small standard sized canvases and find it difficult or prohibitively expensive to work larger? Deluxe Unprimed Cotton Duck has the answer with their line of professional quality Cotton Duck canvas blankets— all at an affordable price! These deluxe raw unprimed canvas blankets are crafted from only the highest quality cotton fibers and are available in a range of ounce weights. These premium raw unprimed canvases are available in large blankets that you can stretch to your desired canvas size! Deluxe raw unprimed canvas blankets are crafted from only the highest quality cotton fibers Key Features:* Professional quality Cotton Duck canvas blankets* Unprimed canvas blankets* Crafted from only the highest quality cotton fibers* Available in large blankets that you can stretch to your desired canvas size* Great for muralist or large scale works* Can be gessoed and or to stretch your own canvas Unprimed Cotton Duck Canvas Blankets Details: * Unprimed Cotton Duck (#'s)* #8 (18oz. Unprimed)* #10 (15oz. Unprimed)* #12 (12oz. Unprimed)* These cotton ducks are durable, double filled and have a very uniform canvas surface* Single Fill - 7oz. unprimed weight economy cotton sheeting with a uniform medium texture.* Army Duck -Â 10 oz. unprimed weight smooth canvas that is very much liked for portrait and realism. See details below See More
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Daler-Rowney Murano Textured Fine Art PapersSave Up to54%Off listBreathing New Life into Traditional Pastel Paper Daler-Rowney’s Murano Textured Fine Art Papers have a luxurious feel thanks to its 45% cotton content and naturally textured surface. This paper is perfect for use with pastels, as well as colored pencils, charcoal, printmaking or multi-media… Breathing New Life into Traditional Pastel Paper Daler-Rowney’s Murano Textured Fine Art Papers have a luxurious feel thanks to its 45% cotton content and naturally textured surface. This paper is perfect for use with pastels, as well as colored pencils, charcoal, printmaking or multi-media use. Weighing in at 98 lbs or 160 gsms, and available in a wide range of 35 colors, Murano Art Papers are the perfect choice for artists. Key Features: * 35 Unique colors * Available in packs of 10 * Luxurious and natural textured surface Perfect For: * Pastels * Colored pencils or other dry media * Artists of all skill levels See More
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Brush & Pencil Advanced Colored Pencil Spray FixativesSave Up to16%Off list…sprays are non-yellowing and non-darkening. Texture Fixative is essential if you burnish a lot or sometimes forget to draw details. It's a lifesaver when it comes to adding color to areas that are slick with too many layers. You can also use Texture Fixative when adding color to dark backgrounds… Specially formulated for colored pencil artwork Brush and Pencil developed the Advanced Colored Pencil Fixatives for colored pencil artists. Both of the fixative sprays are non-yellowing and non-darkening. Texture Fixative is essential if you burnish a lot or sometimes forget to draw details. It's a lifesaver when it comes to adding color to areas that are slick with too many layers. You can also use Texture Fixative when adding color to dark backgrounds for ''dark to light'' and ''light to dark" work. The spray dries fast and protects covered layers from water, alcohol, and odorless mineral spirits. Once you have finished your drawing, you should protect it with a coat of Advanced Colored Pencil Final Fixative. The Final Fixative spray adds an extra layer of UV protection. Both Textured Fixative and Final Fixative are archival, UV-resistant, and fast-drying. Please note: You should only use these fixatives on rigid (non-flexible) surfaces. Both of the sprays harden once dry. Key Features: * Acid-free and archival * Protects work from UV Rays * Minimal color shift * Non-toxic and low odor * Non-yellowing and non-darkening * It dries and hardens in minutes * Permanently bonds to wax medium * Texture Fixative layers are resistant to OMS Perfect For: * Protecting colored pencil artwork * Preventing smudging * Adding additional colored pencil layers * Restoring the surface tooth * Isolating colored pencil layers * Working with colors on black or dark surfaces See More
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Ampersand Museum Series Claybord PanelsSave Up to43%Off list…offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 1-1/2" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater… Claybord™ The Ultimate Multi-Media Panel Museum Series Claybord™ is made using 1/8” Hardbord panels, featuring Ampersand’s simply amazing kaolin clay ground formula. This ultra-smooth sanded, highly absorbent clay ground is similar in paintability to the clay gesso grounds used during the Renaissance and allows paint colors to remain true and brilliant! While Claybord allows the use of traditional materials, tools, and techniques, it is also an ideal surface for mixed media and experimentation. Details can be added, highlights created, and mistakes corrected. Apply paint and ink using brushes, sponges, palette knives, paper towels, airbrush, technical pens, and painting tools. Claybord is also an excellent printing surface, and can also be used for image transfers. Key Features:* Acid-free, ultra-smooth, highly absorbent kaolin clay ground * Amazing with alcohol inks * Protected by Ampersand’s proprietary Archiva-Seal barrier technology, the most advanced formula for sealing wood * Cradles constructed using premium grade 13-ply birch plywood* Archival, eco-friendly and fully made in the USA* Perfect For:* Ink, graphite, acrylic, gouache, collage, egg tempera, airbrush, scratchboard, and more.* Ideal for image transfers and as a printing surface* Additive and subtractive processes with any artists tools* Surface ideal for brittle media like egg tempera and caseins * 1/8" Flat Panels - ideal for plein air and studio painting— slips easily into pochade boxes. Flat panels allow for standard framing. * 3/4" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 1-1/2" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 2" Deep Cradle Panels - for maximum support and frameless presentation, all in one. With Claybord, paints, and inks can be manipulated to vary tonal values, develop highlights, and correct mistakes. Various artist tools, such as Ampersand scratchboard tools, hobby knives, razor blades, etching tools, sand paper, oil-free steel wool, and electric erasers, can be used. Claybord's clay coating allows for the use of sgraffito techniques to cut into the surface and re-expose the white clay ground. The coating is 7 to 10 dry-mils thick, allowing for multiple cut-ins or erasers. The smooth finish and the absorbency of the clay ground allow the use of abrasives like oil-free steel wool or sand paper to remove pigment without damaging the finish. Ampersand & Golden High Flow Acrylics Smooth Sampler Value Pack - Ampersand and Golden Artist Colors have teamed up to introduce artists to the amazing synergistic possibilities that exist with our smooth panels and Golden's High Flow acrylics. Includes: * 9x12" 3/4" Ampersand Claybord * 9x12" 7/8" Artist Panel Primed Smooth * 1 oz Golden High Flow Acrylic Color - Green Gold * 1 oz Golden High Flow Acrylic Color - Indigo Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Claybord is archival, eco-friendly, formaldehyde-free, and made by hand in the USA. See More
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Da Vinci Professional Liquid Art Multi-Media PanelsSave Up to68%Off listProfessional Art Panels with 1/8" raised lip to contain media Contain Your Media While Your Imagination Runs Wild! The Da Vinci Professional Liquid Art gesso panels feature a 1/8" raised lip which is part of the frame around the panel itself. The natural wood can be left as-is or stained and painted… Professional Art Panels with 1/8" raised lip to contain media Contain Your Media While Your Imagination Runs Wild! The Da Vinci Professional Liquid Art gesso panels feature a 1/8" raised lip which is part of the frame around the panel itself. The natural wood can be left as-is or stained and painted for frameless presentations. Gessoed with a professional quality gesso and great for use with Fluid Acrylics, High Flow Acrylics, Glazing liquids, Pouring Mediums, Encaustics, Pebeo Resin Paints and Alcohol-based dyes. Available in several sizes, with a choice of 3/4" or 1.5" depth. Great for Fluid acrylics & High flow acrylics, Liquid art techniques and pouring paints & pouring mediums. Contain Your Media While Your Imagination Runs Wild! 1/8" raised lip in 3/4" or 1.5" cradle depths Key Features:* 1/8" raised lip to contain media* Choice of 3/4" or 1.5" cradle depths* Quality gessoed surface* Natural wood frame* Accepts various liquid media* Can be unframed, framed or shown in floater frame* See Videos and Jerry's LIVE Perfect For:* Allowing artisitc freedom while containing media* Resin-based paints * Acrylics and mixed media* Fluid acrylics & High flow acrylics* Pouring paints & pouring mediums* Encaustics* Resin pours, Alcohol inks & dyes* Gouache and pouring mediums* Watch Our Jerry's LIVE Demo on Painting & Pouring on our Liquid Art Panels Relax, play, and enjoy the process of producing a pouring painting with Turner Acryl Gouache and Pouring Medium, on a Da Vinci Pro Liquid Art Panel. No drawing or prior art skills required! Want the full supply list to follow along? Click Here Da Vinci Liquid Art Professional Panels with 1/8" raised lip is the only line to come in size 1.5" deep! See More
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