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Ecoline Liquid Watercolor 9.4 x 12.6 in Paper Pad & Basic Set of 10, 30ml JarsSave Up to36%Off listAssorted Colors Vibrant colors look best on this paper! Ecoline Liquid Watercolor Paper has a soft, cold press texture that is especially well-suited for Ecoline liquid watercolor inks and brush pens. Each paper pad contains 12 sheets of 140 lb. (290gsm) paper that is ideal for artistic impressions, illustrations, calligraphy, or ink drawings. The paper surface is perfect for imaginative designs and sketches. Key Features: * 12 sheets of 140 lb. (290gsm) paper * Smooth cold press texture * Glue binding for easy sheet removal * Brilliant colors look best on this paper * Made in Germany * Click on yellow circle icon for set information Perfect For: * Watercolor and pigmented inks * Ecoline inks and brush pens * Illustration * Fashion design * Calligraphy, drawing, product design * Artistic impressions See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Ecoline Liquid Watercolor 9.4 x 12.6 in Paper Pad & Basic Set of 10, 30ml JarsSave Up to36%Off listAssorted Colors Brilliant Colors of Liquid Watercolor - dilutable with water and rewettable Ecoline Liquid Watercolors by Royal Talens are highly intense, saturated dye-based liquid watercolors that dry within minutes and bring every piece of art to life. They are dilutable with water and can be rewetted. The Ecoline formula is based on dyes and gum Arabic. Ecoline Liquid Watercolors are astonishingly bright, and you can easily control the color intensity by thinning with water. They are transparent and give the best results when used on white or very light-colored paper. Ecoline Liquid Watercolors are versatile enough for use with a watercolor brush, airbrush, or technical drawing pen. The jar includes a pipette built into the cap for measuring drops of color or mixing on a palette. You can also work straight from the bottle with a brush or pen. Key Features:* Ready to use liquid watercolor* Eyedropper pipette attached to lid* Short drying time* Good adhesion to paper or board* Click on the yellow circle icon for set information Perfect For:* Professional Artist and Students * Illustrators, Fashion Designers, Calligraphers* Measuring and mixing ease* Bringing watercolor art to life* See -> Ecoline Color Chart See More
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Sennelier Shellac Ink 30ml Bottle - SanguineSave Up to37%Off listRed Luxurious texture and incredibly rich colors in a NEW innovative size New Standard Size! 1-3/8" stick size is long enough to easily hold and short enough to not require breaking. New size eliminates waste! No need to break the sticks any longer! Richeson Hand-Rolled Soft Pastels offer luxurious texture and incredibly rich colors in on innovative size suitable for studio or plein air work. The first whisper of a stroke on your surface will be enough to convince you that our pastel artisans have achieved what many hove reached for, but few have attained: a professional quality, pigment-rich soft pastel at an affordable price point. Our carefully crafted 500+ color range has been divided into creative color sets to meet every artistic need. New Standard Size! 1-3/8" stick size is long enough to easily hold and short enough to not require breaking! Key Features:* NEW Standard Size! 1-3/8" stick size* Sets come in: 20, 40, 80 & 120 pieces* Easy to hold and short enough to not require breaking* Luxurious texture and incredibly rich color* Hand-Rolled, handmade* Over 500 unique colors* Beautiful buttery texture* Does not crumble* Specialty Sets for: Portrait, Landscape, Nocturne, Color Wheel, Floral, Fur & Feathers, Value Spectrum and Colors Perfect For:* An innovative size suitable for studio or plein air work* Professional quality, pigment-rich soft pastels* Affordable prices* Less waste* Smooth or textured subtrates* Mixed media application* Long enough to easily hold and short enough to not require breaking. Set Contents: Click on the yellow icon next to each product below Value Spectrum SetsDiscover Richeson's Value Spectrum sets! The basic color divisions are separated into values, from 1 (darkest darks) to 10 (lightest lights). Instructors will quickly find these sets are essential in transitioning students' cognitive understanding of values to practical application. Artists working "en plein air" will appreciate having dark, middle and light value sets al the ready, helping lo overcome the challenges of differentiating values in sunlight. In the studio, the Value Spectrum sets allow the artist lo focus on color temperature transitions because the value matching has already been done. See More
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