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Related Categories: Legion Mini Pads | Smooth Drawing Paper | 9x12 Panels | Gray Tone Paper | Mixed Media Pad | Spiral Watercolor Paper | Tracing Paper Pads | Vellum Paper
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Strathmore 500 Series Drawing Bristol Sheet Packs Plate 23" x 29" (4 Ply 25 Pack)Save Up to38%Off list500 Series Drawing Bristol - 100% Cotton Sheet Packs All sheets 23×29". Sold in 25 sheet packs.Made of pure white 100% cotton, characterized by its super stiffness and surface strength. Available in 4 weights. 1 Ply is used rather exclusively for drawing and while the 4 Ply is used for ink… 500 Series Drawing Bristol - 100% Cotton Sheet Packs All sheets 23×29". Sold in 25 sheet packs.Made of pure white 100% cotton, characterized by its super stiffness and surface strength. Available in 4 weights. 1 Ply is used rather exclusively for drawing and while the 4 Ply is used for ink illustration and painting. Available in three surfaces, Plate and Vellum and Semi-Smooth Sheet. The Vellum surface has a slight tooth and the Plate surface is silky smooth. Plate surface has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush and marker. Vellum surface has a toothy finish that is excellent for pencil, charcoal, pastel and oil pastel as well as pen, airbrush, and light washes Surface: Medium (Vellum)* 25 Sheet Packs* graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage* Vellum surface has a toothy finish that is excellent for pencil, charcoal, pastel and oil pastel as well as pen, airbrush, and light washes* 100% cotton fiber, acid-free Surface: Ultra-Smooth (Plate)* 25 Sheet Packs* graphite pencil, pen & ink, marker, mixed media and collage* Plate surface has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush and marker.* 100% cotton fiber, acid-free NOTE: 2-Ply Plate Surface Not recommended for traditional watercolor techniques. Weight: 106 lb.125 g/m2 / 25 sheets/pkg Surface: Medium / Ultra-Smooth (Plate) See More
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Sennelier Artist Dry Pigments Burnt Umber 140 gramsSave Up to37%Off listBrown An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Venetian Red 140gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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