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Sennelier Artist Dry Pigments Ivory Black 120 gramsSave Up to37%Off listBlack An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Lineco Self-Adhesive Hinging Tissue, 1'' x 400'' RollSave Up to26%Off list…archival quality pressure sensitive acrylic adhesive that is permanent and non-yellowing. Ideal for hinging translucent art such as Japanese paper, papyrus, and other lightweight art because it won't show through. The Fine English tissue adhesive is archival which offers a fast and safe alternative… Ideal for hinging light or translucent artwork Lineco Self-Adhesive Hinging Tissue is pressure sensitive, mounting and hinging tissue is a fine, long fibered tissue with an archival quality pressure sensitive acrylic adhesive that is permanent and non-yellowing. Ideal for hinging translucent art such as Japanese paper, papyrus, and other lightweight art because it won't show through. The Fine English tissue adhesive is archival which offers a fast and safe alternative for hanging prints, photos, and various artworks. The tissue is very thin, quite strong, translucent and completely acid-free. The 400" inch (35ft) long roll comes in a handy dispenser box. Mineral spirits are required to remove tissue once it has been applied. Key Features:* Acid-free* 1" x 400" long (35ft long)* Permanent and non-yellowing* pH Neutral, safe, easy to use* Pressure sensitive Perfect For:* Archival mounting* Framing* Conservation See More
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Old Holland Classic Pigment Deep Ochre 120gSave Up to25%Off listBrown Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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