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Frida Smooth Effect Glass PaintsSave Up to73%Off list
Starting At: 1.94
Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath,… Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a transparent effect that looks just like stained glass. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Beautiful smooth texture that spreads easily * Available in 21 cool colors * Solvent based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood Frida Glass Paint Instructions > You Might Also Like Create intricate designs for your Frida Glass Paint with Frida Relief Outliners Frida Relief Outliners > See More -
GOLDEN Open Acrylic MediumsSave Up to30%Off list
Starting At: 4.68
…Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper copy directly into the wet gel. Let dry overnight. 2.… OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. Image Transfer How-To Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper copy directly into the wet gel. Let dry overnight. 2. Dampen the paper with a wet sponge. Wait a few minutes to allow water to soak paper. Begin rubbing carefully. Use a soft cloth or scrubbie to remove the paper. You will probably have to remove the paper a few times, for a clean transfer. When the water evaporates, you will be able to see the areas that you missed. See More -
Grumbacher Acrylic MediumsSave Up to45%Off list
Starting At: 11.90
…carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the… Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More -
Amsterdam All Acrylic MediumsSave Up to30%Off list
Starting At: 12.61
…and non-yellowing, can be mixed with other gel or acrylic mediums or thinned with water. For very dramatic thicknesses in structure, mix the paste with 1/3 of Amsterdam Extra Heavy Gel Medium to avoid cracking due to shrinking during drying. Heavy Gel Medium (Gloss) - Increases the viscosity and… Your Creativity Run Wild With These Premium Mediums! Talens Amsterdam All Acrylics offers a wide range of auxiliary acrylic mediums to achieve virtually any special effect you can dream up. With mediums from Gel to Modeling Paste, you can influence the properties of your acrylic colors to suit your whim and your painting style- make paint thicker, thinner; glossier, more matte; or model to high textural peaks. Available in convenient 250ml and 1 liter sizes. Gel Medium (Gloss) - Increases the gloss and transparency of acrylic colors while retaining the viscosity. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Gel Medium (Matte) - Reduces the gloss and increases transparency of acrylic colors, while maintaining the viscosity. Milky white, dries to a colorless and transparent matte finish. Use as an adhesive on all sorts of materials. Modeling Paste - Creates strong relief grounds. Paste can be used on its own or in combination with acrylics in any ratio, but as the paste has a white pigment, the color of the paint will be lighter. Can be painted over with acrylics or oil paint. Waterproof and non-yellowing, can be mixed with other gel or acrylic mediums or thinned with water. For very dramatic thicknesses in structure, mix the paste with 1/3 of Amsterdam Extra Heavy Gel Medium to avoid cracking due to shrinking during drying. Heavy Gel Medium (Gloss) - Increases the viscosity and transparency of acrylic colors, with a shiny gloss. Gives acrylic colors a thicker consistency when added. Increases brush stroke visibility. Enables the artist to apply color in an extremely thick layer in one stroke. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Heavy Gel Medium (Matte) - Increases the viscosity and transparency of acrylic colors, with a matted finish. Gives acrylic colors a pasty consistency when added. Increases brush stroke visibility. Enables the artist to apply color in an extremely thick layer in one stroke. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Extra Heavy Gel Medium (Gloss) - Increases the viscosity and transparency of acrylic colors quickly, with a shiny gloss. Gives acrylic colors an extremely thick consistency when added. Increases brush stroke considerably. Enables the artist to apply very thick layers of color. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Extra Heavy Gel Medium (Matte) - Increases the viscosity and transparency of acrylic colors quickly, with a matted finish. Gives acrylic colors an extremely thick consistency when added. Increases brush stroke considerably. Enables the artist to apply very thick layers of color. Milky white, dries to a colorless and transparent matted finish. Use as an adhesive on all sorts of materials. Key Features: * Additives for acrylic paints * Thin acrylic paints for glazing * Add body or texture to acrylics * Mediums dry clear Perfect For: * Acrylic Artists * Acrylics and mixed media * Students and professionals alike * Achieving multiple effects See More -
Da Vinci Professional Oil Color MediumsSave Up to50%Off list
Starting At: 7.15
…Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster… Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes when changing colors. Liquid Alkyd Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and reduce viscosity. Safflower Oil - Pure and refined for diluting light colored oil paints. Using safflower, rather than linseed, to dilute whites will help reduce yellowing. See More -
SoHo Urban Artist Acrylic Varnish & MediumsSave Up to41%Off list
Starting At: 2.79
…acrylic paint* Soft impasto, relief, effects* Gel works as a glue for collaging SoHo Satin Varnish: Use as an over varnish to protect the completed acrylic painting and to add a less than glossy, satin finish to the painting. Gloss Gel Medium : Acrylic gel with a smooth, buttery consistency. Ideal… Infinite Control To Add Texture And Effects! SoHo Acrylic Mediums offer artists the tools to preserve, add texture or even change a painting's finish! Gloss Gel Medium is made with premium acrylic polymer and is ideal for extending acrylic paint, creating glazes, transferring laser printed images, or building soft textures. The use of acrylic polymer gels and varnishes helps to broaden the possible outcomes for your painting. Brilliant for gloss impasto effects, SoHo Gloss Gel Medium holds moderate peaks and retains brush strokes. You can use SoHo Satin Varnish as an over varnish to protect the completed acrylic painting and add a satin finish to your artwork. Key Features:* Acrylic polymer emulsion gel* Satin varnish* Add texture, enhance color* Create a variety of effects* Perfect For:* Modifying paint handling characteristics* Changing the finish of a painting* Extending acrylic paint* Soft impasto, relief, effects* Gel works as a glue for collaging SoHo Satin Varnish: Use as an over varnish to protect the completed acrylic painting and to add a less than glossy, satin finish to the painting. Gloss Gel Medium : Acrylic gel with a smooth, buttery consistency. Ideal for glazing and brilliant gloss impasto effects. Mix with paint to increase body or apply directly for a transparent textural effect. Holds moderate peaks and retains brush strokes. See More -
Gamblin Galkyd MediumsSave Up to40%Off list
Starting At: 8.40
…Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More -
Sennelier Acrylic MediumsSave Up to33%Off list
Starting At: 5.52
…a dry brush. Permanent when dry, it can also improve the adhesion of paint. * Modeling Paste is a thick, white paste used to achieve textures and carved effects. This water-soluble modeling paste can be tinted by mixing with Sennelier Acrylics and is water-resistant when dry. * Water Gloss Gel has… Premium quality acrylic mediums now available in a easy to use, easy to store pouches! Sennelier Acrylic Mediums pouches are a new addition to a 130 year legacy of combining the traditions of the old masters with the innovations of modern chemistry. These versatile, professional quality mediums can be used with abstract and Sennelier Artist Acrylics Mediums and are available in 120ml and 500ml pouches. * Gesso is a universal primer with great coverage for non-oil surfaces. It can be tinted by mixing with Sennelier Acrylics and is ideal for use with acrylic, oil & egg tempera paints. * Gloss Varnish enhances the luminosity, depth and adherence as a glossy medium and creates a glossy, UV protective film when applied with a dry brush. Permanent when dry, it can also improve the adhesion of paint. * Modeling Paste is a thick, white paste used to achieve textures and carved effects. This water-soluble modeling paste can be tinted by mixing with Sennelier Acrylics and is water-resistant when dry. * Water Gloss Gel has a similar consistency to acrylics and improves transparency, depth, and vibrancy of colors. It is also a great adhesive for use in mixed media art work. * Acrylic Binding Gel Medium is ideal for use as a binder with pigments to customize paints and as an adhesive for mixed media techniques. It produces a smooth, permanent satin finish and can be used to seal slick and porous surfaces. Key Features: * Acrylic mediums come in convenient 120ml & 500ml pouches * Can be mixed with abstracts and Sennelier Artist Acrylics * Available in Gesso, Gloss Varnish & Modeling Paste mediums * Water Gloss Gel & Acrylic Binding Gel can also be used as adhesives Perfect For: * Studio & classroom use * A variety of surfaces * Mixed media artists * Mixing with acrylics for custom tints See More -
Sennelier #Green for Oil MediumsSave Up to35%Off list
Starting At: 7.64
…create glazes and the other effects such as impasto. Also invaluable if working in cold temperatures and speeds up drying time & adds shine to your finished work! Gel Medium: This Carthame oil-based formula has been designed for artists work with thick paints to build up depth. It preserves… Non-Toxic Additives for Oil Paints with these eco-friendly alternatives to traditional solvents! Sennelier Green For Oil is a range of non-toxic, biodegradable additives for oil paint. These bio solvent based additives are created from sustainable, raw materials such as vegetable oils and grain. 100% safe and easily disposable, they are odorless and safe enough to bring onto a plane. Sennelier Green For Oil products are just as effective as traditional solvents and work wonderfully with both the Sennelier Artists’ Oils and Rive Gauche. Be aware that they cannot be used with solvent based mediums and it is important to abide by the slightly longer drying time. Brush Cleaner: This non-toxic liquid cleaner is perfect for deep cleaning of all types of brushes, knives, palettes and other containers before next use. Matte Varnish: This clear & quick drying varnish protects your finished work with a non-reflective, matte finish. It can be mixed with gloss varnish for a satin finish. Gloss Varnish: This gloss varnish will enhance the brightest and most vibrant colors in your painting with a glossy finish. This quick and clear drying varnish can be mixed with matte varnish for a satin finish. Thinner: This bio-solvent thinner replaces petroleum distillate to thin your oil paints. Mix the product with your paint to make it more fluid and more suitable for the first drafts of your painting. Universal Medium: A perfect substitute for universal medium, this medium will enable you to improve the consistency of your paste, create glazes and the other effects such as impasto. Also invaluable if working in cold temperatures and speeds up drying time & adds shine to your finished work! Gel Medium: This Carthame oil-based formula has been designed for artists work with thick paints to build up depth. It preserves the consistency of oil paints without making the product too fluid, enabling artists to superpose colors without diluting the bottom layers of color. This medium also speeds up drying time! Key Features: * Non-toxic, biodegradable, eco-friendly additive * Just as effective as traditional solvents * The product range includes Thinner, Gel Medium, Universal Medium, Gloss & Matte Varnishes * 100% safe & easily disposable Perfect For: * Replacing petroleum based additives * Artists that work with oil paints * Sennelier Artists’ Oils & Rive Gauche * Safe for elderly, pregnant & allergy prone artists * Can be brought on a plane Sennelier #Green - Non-Toxic Additives For Oil Paints All Green for Oil products are bio solvent based (meaning from sustainable raw materials such as vegetable oils and grain) and are biodegradable. 100% safe and easily disposable, they can be brought into a plane. Great packaging and remarkable capabilities. See More -
Van Aken Kato Polyclay Mediums & AccessoriesSave Up to20%Off list
Starting At: 4.20
…is hard to condition. Repel Gel: Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Use a paintbrush to apply a thin coat of Repel Gel to the areas of the Polyclay… Polymer clay mediums developed with an artist for artists! You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Key Features: * Created in partnership with artist Donna Kato * Kato Polyclay mediums * Polypaste adhesion is permanent * Water-soluble, non-toxic Repel Gel * Repel gel prevents Polyclay from sticking to itself * Easy to use and easy to clean-up * Polypaste works as a softening agent * Made in Georgia, USA Perfect For: * Use with Kato Polyclay * Creating photo transfers * Use as adhesive, grout, or glaze (Liquid Polyclay) * Gilding by mixing Polypaste with mica powder * Creating textured surfaces or repairing cracks in polymer clay (Polypaste) * School projects * Model making * Teachers and students Kato Nublade: is a flexible six-inch blade constructed of high-quality stainless steel that resists rusting. Its robust and supple design allows you to make curved or straight cuts. Even after repeated bending, the stainless steel blade will return to its straight shape. Liquid Polyclay Medium: Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Liquid Polyclays should be cured at 300F (150C) for 20 minutes for a matte finish. To create a glossier finish, bake for an additional 10 minutes at 350F (177C), or wave a heat gun over the project until the desired glossiness appears. Do not inhale fumes and never cure above 350F (177C) or allow Liquid Polyclay to come in contact with an open flame. Polypaste Polymer Glue: You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. Because of its thick viscosity, it will not run. It is also a polymer clay, making it unlike any other adhesive out there. These unique properties make this medium useful in more ways than one. Polypaste can be used to bond polymer clay and finished Liquid Polyclay elements in any combination. Polypaste is exceptionally malleable; this makes it great for creating textured surfaces and embossing. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel: Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Use a paintbrush to apply a thin coat of Repel Gel to the areas of the Polyclay were you want to avoid adhesion during the curing process. Follow baking instructions and separate the clay where you applied the Repel Gel. You can rinse off any residue with cold water. See More -
LUKAS Acrylic MediumsSave Up to60%Off list
Starting At: 15.53
…medium slows the initial drying of the paint film, and the acrylic colors it is mixed with. Depending on the amount added, the drying can be delayed longer, allowing for wet-in-wet techniques. The medium contains an aqueous solution of various humectants and additives. Pearl Structure Gel,… Improve your Acrylics - LUKAS Professional Acrylic Mediums LUKAS has a rich tradition of top quality art supplies, supplying professional quality colors and mediums to artists since 1862. Their high-quality acrylic mediums, pastes, gels, primers, retarders, and varnishes have been carefully created to fulfill any acrylic painter’s needs. Any imagined texture, technique, or even faux finish is capable with one or more of the mediums below. Build up a massive volume of color with structure pastes in a variety of finishes from fine to extra coarse. Obtain specific looks with metallic modeling pastes, pumice pastes, glass beads, or pouring medium. Achieve granular looks with their structure pastes containing quartz sands. LUKAS manufactures a wide variety of acrylic painting mediums to dilute or extend paint, create different film sheens, and even retard drying time for wet-on-wet techniques. LUKAS also offers acrylic-based mediums for use in pouring paintings, airbrushing, and pastel grounds within an extensive collection of pastes, gels, and mediums. All mediums can be mixed with traditional acrylics for custom effects! Key Features: * Uses highest quality acrylic resins and materials * Create complex ground structures with Pastes and Gels * Retarders for longer work time and wet-on-wet painting * Mediums and metallic pastes to create different sheens and looks Perfect For: * Acrylic Painters * Pouring painting techniques * Faux Finishers * Artists of all Skill Levels * Experimenting with different textures and techniques Studio Universal Modeling Paste: V15963, V15964 Modeling paste created under the LUKAS Studio line, this modeling paste creates nice thicknesses of structure on the artwork. Dries an opaque greyish color. Contains aqueous acrylic resin dispersion (copolymer), fillers, and additives Retarding Medium: V15978 Retarding medium slows the initial drying of the paint film, and the acrylic colors it is mixed with. Depending on the amount added, the drying can be delayed longer, allowing for wet-in-wet techniques. The medium contains an aqueous solution of various humectants and additives. Pearl Structure Gel, Extra Fine: V15990 A milky white acrylic gel with pearlescent pigments dries a silvery-white, slightly transparent with intense pearly reflections. The color spectrum ranges from silver-white to light green to purples. The medium contains acrylic resin dispersion (pure acrylates) and pearlescent additives. Model Paste Set of 5: V16004 Set of five 125ml tubes includes the following mediums: Studio Universal Modeling Paste, Studio Light Structure Paste, Studio Extra Coarse Sand Modeling Paste, Crystal Gel, and Golden Modeling Paste. Color Cleaner: V15991 A cleaner formulated explicitly for Airbrushes and spray guns. Run Color Cleaner through the airbrush or gun after each color change, to reduce clogging of the nozzle. The medium contains surfactants, water, silicate, cleaning agents, and additives. See More -
Grumbacher Oil Mediums & VarnishesSave Up to37%Off list
Starting At: 16.71
…provides the artist with a non-yellowing, flexible, transparent matte film when dry. When used for an overall matte finish on varnished and unvarnished work it will not dull tonal values and may be painted over. Quick drying and ready for use, it contains no wax and will not mar or smudge through… Grumbacher Mediums enhance and heighten oil colors Since 1853, Grumbacher has been providing artists with excellent quality artist materials and good old fashioned value. The oldest and one of the biggest producers of art supplies in the United States, Grumbacher contributes a variety of mediums for use with professional-quality oil paints. Grumbacher Oil Painting Mediums are wonderful for extending oil paints, stimulating drying time, building transparency, or producing a range of oil painting effects. Key Features: * Extending oil paints * Accelerating drying time * Increasing transparency Perfect For: * Oil paint * Grumbacher Permalba Oil Colors * Creating a variety of oil painting effects. LiquiGlaze - is a resin-based glazing and mixing medium similar to Liquin. Matvar 53® - A matte finish varnish for oil color, watercolor, and tempera painting. This colorless, acrylic resin varnish provides the artist with a non-yellowing, flexible, transparent matte film when dry. When used for an overall matte finish on varnished and unvarnished work it will not dull tonal values and may be painted over. Quick drying and ready for use, it contains no wax and will not mar or smudge through handling. Resists cracking, peeling, blush and bloom. Thin and clean up with turpentine. Res-n-Gel® - This colorless mixing medium provides a buttery consistency. Res-n-Gel prevents colors from running, retains brush stroke and holds sharply defined lines. Adds luminosity and brilliance and accelerates drying. Synvar® Varnish - is an acrylic gloss varnish for use with oils or acrylics. "Oil Mediums and Their Uses" DVD - This DVD features fine artist Johnnie Liliedahl. She demos each of Grumbacher's Oil Mediums; discusses what The Masters used and why; how to mix your own mediums; what cannot be mixed; plus the uses and results of all and more! Some items in this category are considered Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Robert Simmons Sapphire Short Handle BrushesSave Up to42%Off list
Starting At: 10.24
Stiffness Watercolors Acrylics Oils Sapphire by Robert Simmons- the Finest Red Sable Hair from Europe Sapphire Hair is a blend of Synthetic and RED SABLE, ideal for fine art watercolor and decorative art, oil, and water-based oil applications. Sapphire brushes are appointed with Sapphire blue… Stiffness Watercolors Acrylics Oils Sapphire by Robert Simmons- the Finest Red Sable Hair from Europe Sapphire Hair is a blend of Synthetic and RED SABLE, ideal for fine art watercolor and decorative art, oil, and water-based oil applications. Sapphire brushes are appointed with Sapphire blue kiln-dried wood handles and 22 kt gold plated seamless ferrules. The Sapphire brush is a quality handmade artist tool made of 15% (by weight) pure red sable hair which holds more color and provides the traditional superior point and spring for professional artists working in all mediums. At Jerry's prices, treat yourself to a little bit of luxury at extremely attractive pricing! Sapphire is very desirable as it behaves much like a Kolinsky brush, but without the costs. Key Features: * Spring and point behaves like that of Kolinsky Sable * Made from a unique blend of the finest European dressed Pure Red Sable hair and premium synthetic filaments; with no other natural hair fillers * 15% (by weight) pure red sable hair holds more color and provides the traditional superior point and spring for professional artists working in all mediums * Sapphire brushes work with the greatest of ease and deliver a split-proof point or tapered thin edge * Made by hand in the Dominican Republic, with the famous Robert Simmons Lifetime Guarantee against any defect in materials or workmanship * The filaments create a responsive brush that snaps back to shape after each stroke * Best Sable & Synthetic Brush Mix on the market * Available in a wide range or short handled series for watercolor painting and decorative arts Perfect For: * Professional artists * Watercolors, decorative arts, oil and water-based oil colors * A Kolinsky Sable-like painting experience * Holding and laying down large washes of color * Super responsive brush strokes * A lifetime of great use * The discerning artist looking for a high quality brush at an extremely attractive price point with a lifetime guarantee See More -
General's Charcoal Pencil SetsSave Up to35%Off list
Starting At: 7.45
…Cedar wood. Includes 3 Primo charcoal pencils, one Primo Bianco Pencil, a Magic Black Eraser and a sharpener. Primo Euro Blend Charcoal Set - This set includes: 3 Primo Euro Blend Pencils, 1 Primo Bianco Pencil, 1 Primo Elite Grande Pencil, 4 Primo Compressed Sticks, 1 Magic Black Eraser, 1 Kneaded… Artist Set - This set includes: 2 Charcoal White Pencils, 8 Charcoal Pencils, 6 Primo Charcoal Pencils, 1 Primo Bianco Charcoal Pencil, 1 Carbon Sketch Pencil, 10 Compressed Charcoal Sticks, 2 Compressed Charcoal White Sticks, 1 Magic Black Eraser, 1 Sharpener and 1 Drawng Pad. Primo Set - Primo® Euro Blend ™ Charcoal Pencils, in black and pure white, are premium charcoal pencils. Created with a unique, creamy formula, they can be used alone or in combination with other charcoal, pastel, or mixed media. Also can be used for quick layouts for oil painting. Handcrafted with genuine Incense Cedar wood. Includes 3 Primo charcoal pencils, one Primo Bianco Pencil, a Magic Black Eraser and a sharpener. Primo Euro Blend Charcoal Set - This set includes: 3 Primo Euro Blend Pencils, 1 Primo Bianco Pencil, 1 Primo Elite Grande Pencil, 4 Primo Compressed Sticks, 1 Magic Black Eraser, 1 Kneaded Rubber Eraser and 1 Sharpener. The Original Charcoal Drawing Pencils Set of 8 - This set includes: 1 HB Pencil, 1 2B Pencil, 1 4B Pencil, 2 6B Pencils and 1 White Pencil, with a bonus Carbon Sketch pencil and All-Art sharpener. See More -
Silver Brush Tom Lynch Watercolor Brushes and Brush SetsSave Up to48%Off list
Starting At: 20.79
…Lynch series is a perfect addition to your painting arsenal! Key Features: * A balanced blend of natural and synthetic hair * Primarily comprised of Kolinsky grade red sable * Releases color in a slow, controlled manner * Brush collapses for storage, fits right in a pocket! Perfect For: * Artists… Strong, Beautiful Paintbrush for Use with Watercolor! World renowned watercolorist Tom Lynch and Silver Brush have teamed up to develop the Tom Lynch watercolor brush series. The Tom Lynch line is primarily comprised of Kolinsky grade red sable script liners, rounds, flats, and shaders; while the sets include a mixture of natural and synthetic blend brushes, made from natural squirrel hair, and black synthetic filaments. Tom Lynch has improved the essential watercolor brush shapes with gold-plated ferrules and light weight wooden handles. Not to be outdone Silver Brush and Tom Lynch have designed two pocket-sized travel brushes; that when not in use, collapse to fit within the gold plated handle for secure storage. To begin using the brush, simply remove the gold cap, exposing the brush and ferrule, and insert the gold cap into the handle. You will find that the Tom Lynch series is a perfect addition to your painting arsenal! Key Features: * A balanced blend of natural and synthetic hair * Primarily comprised of Kolinsky grade red sable * Releases color in a slow, controlled manner * Brush collapses for storage, fits right in a pocket! Perfect For: * Artists of all skill levels * Plein air and watercolor application * Safely traveling with watercolor brushes About Tom Lynch Tom has been referred to as one of the nation's premier watercolorists. He has written 7 books and hosted several award winning PBS TV Art Series. He was recently listed as one of the nation's top 20 teachers by a leading Art magazine. He is represented by some of the nation's leading museums and art galleries. He has been the spokesperson for the entire National Art Materials Trade Association, and continues to be the international spokesperson for many leading art material manufacturers. Tom is currently featured on the new cable TV channel Visual Arts Network, and in 2007 he became the CMO and featured artist for Art Academy Live (the leading on-line education source). With his uniquely styled landscape paintings, he strives for a level of excitement, movement and resonance that seems to push somewhere beyond what the environment naturally provides. See More -
Frida Pearl Effect Glass PaintsSave Up to73%Off list
Starting At: 1.94
Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 19 different solvent-based colors with a pearlescent style to choose from. Just tape your design underneath, outline… Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 19 different solvent-based colors with a pearlescent style to choose from. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a pebbled, pearlescent effect in 20 vibrant and bright colors. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Pebbled, pearl-like surface * Available in 19 vibrant colors * Solvent based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood Frida Glass Paint Instructions > See More -
Frida Texture Effect Glass PaintsSave Up to73%Off list
Starting At: 1.94
Make Your Own Stained Glass Creations With Excellent Results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath,… Make Your Own Stained Glass Creations With Excellent Results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a transparent effect that looks just like stained glass. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Beautiful smooth texture that spreads easily * Available in 21 cool colors * Solvent-based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood * Frida Glass Paint Instructions > You Might Also Like Create intricate designs for your Frida Glass Paint with Frida Relief Outliners Frida Relief Outliners > See More -
New York Central® Munich Premier Hybrid Brushes & SetsSave Up to82%Off list
Starting At: 8.89
…thinnest inks to the heaviest paints, gels, and pastes * Superb brush response stroke after stroke * Traditional and water soluble oil colors * All acrylics (thin inks and heavy body colors) * Spontaneous strokes and controlled lines The blending of two types of hair to improve… Super Hybrid Brush! Natural Hog Bristle Blended With Strong Synthetic New York Central® Munich Premier Brushes are a scientific breakthrough in brushes created for greater control and resiliency than traditional hog hair bristle brushes. Hog brushes have been relied on by artists for thousands of years. Natural hog hair has not changed, but we have made advancements in how the hair is treated and prepared. Each strand of Munich hog hair goes through our state-of-the-art process before we blend it with our proprietary synthetic filament. The natural and synthetic hairs are interlocked and cupped within nickel-plated steel ferrules. Quick and spontaneous strokes come out naturally from these springy bristles, and their natural flagged ends are great for laying down color. A scientific breakthrough in brushes created for greater control and resiliency than traditional hog hair bristle brushes. A blend of natural hog and synthetic hair Key Features: * "Hybrid" A blend of natural hog and synthetic hair * Scientific breakthrough in brushes * Created for greater control and resiliency than traditional hog hair bristle brushes * Cupped and fitted within quality nickel-plated steel ferrules * Long wood triple lacquered handles * Ferrules are varnished, making them super rust resistant * Natural flagged ends grip paint well and distribute it evenly * Interlocked hair construction for excellent springy brush response * May be cleaned with solvent-based cleaners or soap and water Perfect For: * Oil and acrylic paint * Use with the thinnest inks to the heaviest paints, gels, and pastes * Superb brush response stroke after stroke * Traditional and water soluble oil colors * All acrylics (thin inks and heavy body colors) * Spontaneous strokes and controlled lines The blending of two types of hair to improve performance in bristle brushes Modern artists use everything from thin inks to thick acrylics and oils. Our brush makers worked tirelessly to create a brush that you could use with any paint. To do this they blended natural hog with synthetic hair. The result is a brush for use with all media. Unlike traditional bristle brushes, these can be cleaned with soap and water without altering their spring and bounce. You can depend on the bristles to hold lots of color. Their spring allows for quick and spontaneous strokes, and their flagged tip ends allow you to precisely lay down color. Each brush is hand cupped and fitted inside nickel-plated steel ferrules, which are varnished, making them super rust resistant. The long triple lacquered wood handles have a balanced feel for easel painting. New York Central® Munich Premier Brushes are great for painting with different thicknesses of acrylic and oil paint. You’ll find that these brushes make painting more enjoyable and that you reach for them each time you paint. See More -
SoHo Urban Artist Charcoal and Drawing SetsSave Up to56%Off list
Starting At: 2.43
…Vine Charcoal is free of binding agents that make erasing difficult. SoHo Willow Charcoal is very soft. You can easily blend the charcoal on paper with your fingertips, a blending stump, a soft brush, or a chamois cloth. SoHo Compressed Charcoal sticks are perfect for drawing on a large scale. The… Quality Charcoal For Drawing! SoHo Urban Artist Charcoals are made with quality materials to provide the best drawing experience. The charcoal comes in compressed sticks, powders, vines, and willow sticks. These different types of charcoal allow you to create expressive drawings and sketches. SoHo Vine Charcoal is perfect for quick expressive marks and gestural drawing. It's easy to erase marks and make corrections because SoHo Vine Charcoal is free of binding agents that make erasing difficult. SoHo Willow Charcoal is very soft. You can easily blend the charcoal on paper with your fingertips, a blending stump, a soft brush, or a chamois cloth. SoHo Compressed Charcoal sticks are perfect for drawing on a large scale. The extra soft charcoal glides smoothly across sketch paper and is perfect for drawing in a free loose style. Our compressed charcoal is naturally water-soluble and can be manipulated with a wet brush. SoHo charcoal and graphite powders are perfect for developing large-scale value drawings. Use the powders with any combination of other drawing media to add backgrounds or create soft shading of your works. Cover small or large areas using a brush, blender, stomp, or tortillon. Key Features: * Various sizes and formats of charcoal * Vine, willow, compressed, or powder * Available in different hardnesses Perfect For: * Drawing and sketching * Quick marks and gestural sketching * Live figure drawing * Still life drawings and value studies Please note: Due to the natural properties of vine and willow sticks, sizes may vary slightly. SoHo Drawing Sets Include Exclusive Extras! Click on the item number to view the contents of each set. See More -
Le Plume 3000 Brush Tip Markers & SetsSave Up to50%Off list
Starting At: 1.50
…a flexible fiber brush tip capable of creating both fine lines and bold strokes, and feature a vibrant, alcohol-based ink that is permanent when dry. In addition to comic book and manga art, LePlume Brush Tip Markers are ideal for graphic and landscape design, fine art sketches, stamping, journaling… Colorful, permanent brush-tip alcohol-based ink markers Le Plume Permanent Brush Tip Markers from Marvy Uchida are a vibrant and versatile tool for any artist. LePlume 3000 Markers sport a flexible fiber brush tip capable of creating both fine lines and bold strokes, and feature a vibrant, alcohol-based ink that is permanent when dry. In addition to comic book and manga art, LePlume Brush Tip Markers are ideal for graphic and landscape design, fine art sketches, stamping, journaling and more. Brush up all your marker art with LePlume 3000 Brush Tip Markers! Great for travel or as an introduction to these high quality markers, LePlume Brush Tip Marker Sets add color and fun to any project! Key Features:* Markers with flexible brush tip * Vibrant, alcohol-based ink * Permanent when dry * Color-theme sets of 6, 24 Perfect For:* Comic book & manga artwork * Fine art sketching & drawing * Graphic & landscape design * Journaling, stamping & more! See More -
Raphael Mixacryl Oil And Acrylic BrushesSave Up to45%Off list
Starting At: 13.72
Versatile Paint Brushes For Discerning Artists! Combining the strength and retention of a natural bristle with the spring and durability of synthetic fibers. The inclusion of synthetic fibers is perfect for impastos and relief effects with the color retention you expect from natural bristles. The… Versatile Paint Brushes For Discerning Artists! Combining the strength and retention of a natural bristle with the spring and durability of synthetic fibers. The inclusion of synthetic fibers is perfect for impastos and relief effects with the color retention you expect from natural bristles. The interlocked assembly is perfect for heavy body acrylics and gives an excellent response on the canvas. Key Features:* Synthetic and natural fibers * Nickel plated ferrules* Spring and durability* Excellent paint load Perfect For:* Acrylic, oil and gesso* Artists of all skill levels* Easy to cleaning* Excellent response on the canvas See More -
STAEDTLER Lumograph Drawing SetsSave Up to17%Off list
Starting At: 7.49
…high break-resistance * PEFC-certified wood from sustainably managed forests Perfect For: * Writing, drawing, and sketching * Cross-hatching and blending * Drawing on paper and matt drawing film * Classical watercolour painting and sketching Click on the item number to view the contents of each set.… Harness the Best Features of Graphite and Charcoal With Lumograph! STAEDTLER's Lumograph pencils are the perfect tools for drawing and sketching. The high-quality graphite and charcoal materials help you create beautiful artworks. The super-bonded lead reduces breakage during use and while sharpening, ensuring you can keep working without interruption. If you're looking to create preliminary sketches for watercolour paintings, Lumograph watercolour graphite pencils are ideal. For artists seeking to develop expressive drawings, Lumograph charcoal pencils contain a high proportion of carbon and charcoal, resulting in the deepest blacks. Key Features: * Assorted drawing sets * Wide variety of grey tones * Super-bonded lead with high break-resistance * PEFC-certified wood from sustainably managed forests Perfect For: * Writing, drawing, and sketching * Cross-hatching and blending * Drawing on paper and matt drawing film * Classical watercolour painting and sketching Click on the item number to view the contents of each set. Please note: The alphanumeric description of each pencil denotes the lead's hardness. The higher the number, followed by a "B", the softer it is; the higher the number, followed by an "H", the harder it is. See More -
Danube Professional Watercolor Quill Brushes by Creative MarkSave Up to77%Off list
Starting At: 52.89
…Quill Professional range of Superb Kazan Squirrel brushes only from Creative Mark. Handmade in Germany, these Kazan squirrel's tail and synthetic blend brushes feature a long point for controlling linear strokes and detail. With a huge brush belly, these brushes hold a large amount of color and does… Stiffness Watercolors Acrylics Oils Superb Kazan Squirrel Quill Brushes, Great for All Watercolor Techniques! Experience the precision of Danube Professional Watercolor Quill Professional range of Superb Kazan Squirrel brushes only from Creative Mark. Handmade in Germany, these Kazan squirrel's tail and synthetic blend brushes feature a long point for controlling linear strokes and detail. With a huge brush belly, these brushes hold a large amount of color and does not leave hair behind. Superb brush response--perfect for watercolorists looking for superior control. The key combination to creating this perfect brush was painstakingly balancing the combination of soft (yet resilient) synthetic fiber hair in specific lengths, and adding the right balance of natural hair. Thanks to new state of the art synthetics, this ideally balanced relationship of the mix works flawlessly and has provided near universal acclaim for the Danube Professional Watercolor Quills. For natural hair, we use the sought-after winter coat of the Kazan Squirrel's tail. This hair gets its name from the Kazan Russian Province, native to this animal and the bitter, extreme cold that this thick, strong, bushy coat protects it from. This fullness and coat strength, coupled with modern synthetics, allows the hair in these brushes to stand up to textured watercolor papers better than all others. Key Features:* Handmade in Germany* Kazan squirrel's tail & synthetic blend* Huge Brush Belly* Long point for linear strokes* Holds large amounts of color* Superb brush response Perfect For:* Textured watercolor paper* Heavy washes* Watercolorists looking for superior control* Scripting, holds a lot of ink* Large areas and tiny corners* Studio or Travel Specs:* Kazan squirrel and synthetic blend* Varnished gold wire* Sizes based on diameter in mm Danube Watercolor Quill Set - This set includes a size 6, 10 and 14 along with a black bamboo brush roll up. Great for travel or in the studio! See More -
GOLDEN Paste MediumsSave Up to30%Off list
Starting At: 13.64
…Creating textures* Blends with colors* Artists of all levels * Crackle Paste - Thick and opaque, designed to develop fissure-like cracks as it cures.* Coarse Molding Paste - Dries to a hard surfaced, stiff but flexible film.* Fiber Paste - Offers a dry film that has an appearance… Achieve a variety of effects and expressions Molding Pastes are water-based products formulated with 100% acrylic polymer emulsions, which give great flexibility and durability. Drying times greatly depend upon film thickness. They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colors they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties Key Features:* Acrylic paste mediums* Easy clean up* 100% acrylic polymer emulsions* Flexibility and durability Perfect For:* Building surfaces* Creating textures* Blends with colors* Artists of all levels * Crackle Paste - Thick and opaque, designed to develop fissure-like cracks as it cures.* Coarse Molding Paste - Dries to a hard surfaced, stiff but flexible film.* Fiber Paste - Offers a dry film that has an appearance of rough handmade paper.* Hard Molding Paste - Dries to a hard, opaque film. * Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic.* Regular Molding Paste - Excellent for building surfaces or creating textures. See More -
Jacquard Pearl-Ex Powdered Pigments & SetsSave Up to41%Off list
Starting At: 4.88
Use with oils, acrylics, watercolors, fabric paint and more! Pearl-Ex pigment colors can be mixed into any media and applied to any surface! And the variety of finishes Pearl Ex can produce is nearly endless—from metallic sheens to pearlescent shimmers to all manner of faux finishes. Pearl Ex… Use with oils, acrylics, watercolors, fabric paint and more! Pearl-Ex pigment colors can be mixed into any media and applied to any surface! And the variety of finishes Pearl Ex can produce is nearly endless—from metallic sheens to pearlescent shimmers to all manner of faux finishes. Pearl Ex creates a metallic look without being a metal. The particles are flat platelets with two surfaces, therefore it lays down beautifully like a thin coating of metal. The different particle sizes produce different looks from a fine, smooth, pearly luster to a highly metallic sheen. It is a safe, non-toxic, inert powdered pigment with a neutral pH. It is extremely color fast and stable. These colors will not tarnish or fade and is therefore ideal for archival applications. Add Pearl-Ex pigments to any viscous medium such as acrylic, gouache, oils, varnish, wax, paper pulp and clay. Great for faux finishing, mixed media art and more. Pearl Ex powdered pigment colors can be mixed into any media and applied to any surface Key Features:* Can be mixed into any media* Applied to any surface* Creates a metallic look without being a metal* Lays down beautifully like a thin coating of metal* Produce different looks from a fine, smooth, pearly luster to a highly metallic sheen* Safe, non-toxic, inert powdered pigment with a neutral pH* Extremely color fast and stable* Archival, colors will not tarnish or fade* Available in: .75oz/22ml jars 32 Color set - 32, 0.1 oz (3 g) bottles - 3 gram jars of each color of Pearl Ex Pigments Series 1 Set of 12 - Micro Pearl, Macro Pearl, Super Russet, Super Copper, Brilliant Gold, Sparkle Gold, Silver, Super Bronze, Sunset Gold, Interference Violet, Interference Gold, and Duo Red-Blue. Series 2 Set of 12 - Includes: Aztec Gold Antique Copper Antique Silver Duo Green-Yellow, Bright Yellow, Flamingo Pink, Spring Green, Turquoise, True Blue, Misty Lavender, Blue Russet, and Sparkling Copper. Series 3 Set of 12 - Includes: Carbon Black, Pumpkin Orange, Salmon Pink, Pink Gold, Reflex Violet, Grey Lavender, Mink, Sky Blue, Pearl White, Antique Bronze, and Duo Blue-Green. NOTE: Click on Yellow Icon Next To Products For Full Color Contents Pearl-Ex Powdered Pigment Details: Pearl Ex Powdered Pigments may be used any time a metallic or pearlescent effect is desired: mix them into acrylics, oils, printing inks, encaustics, alcohol inks, epoxy, glues, casting resins, clay, varnishes...the list goes on! Try it mixed with Gum Arabic for a DIY metallic calligraphy ink or watercolor, in the Pearl Ex Varnish for working on non-porous surfaces Fabric/Fiber/Surfaces polymer clay, encaustics, paper, shrink plastic, leather, glass, canvas, wood, and more! Mix with a binder to use on natural and synthetic fibers See More -
Brusho Crystal Colours & Sets by ColourcraftSave Up to11%Off list
Starting At: 6.73
Incredibly versatile, highly pigmented watercolour ink powder Totally intermixable, Brusho Crystal Colours can be used on paper, canvas, or even wood. Brusho Crystal Colours are a unique new watercolour ink that is transparent and highly pigmented. It is renowned for its versatility and can be used… Incredibly versatile, highly pigmented watercolour ink powder Totally intermixable, Brusho Crystal Colours can be used on paper, canvas, or even wood. Brusho Crystal Colours are a unique new watercolour ink that is transparent and highly pigmented. It is renowned for its versatility and can be used in many different ways. With a broad, vibrant color range, many fantastic effects can be made when mixing Brusho and other solvents like water or bleach. They can be sprinkled on a brush for painting, dissolved in water, sprinkled on wet paper, painted on papier-mâché, fabric and much more. They are completely non-toxic and non-harzardous, but can still stain unprotected skin. They have been manufactured in Sheffield, England for over 35 years. They are the versatile ink powder crystals to fuel your imagination! Key Features:* Highly Pigmented Water Colour Ink Powder* Versatile ink powder crystals* Can be mixed with water to make watercolour washes and designs* Versatile powder crystals can be used for numerous creative effects and enhancements* Wide range of 32 colours* Completely non-toxic and non-harzardous* Dissolves in water* Sprinkled on wet paper* Painted on papier-maché, fabric and more Perfect For:* Can be sprinkled on a brush for painting* Watercolour painting * Fabric effects for wall hangings, design work, stage backdrops* Stencils* Creating designs using wax, crayons or candles. Craft Spritzer Set — Ideal for card making and other crafts, this set includes six 15 gram pots Brusho Crystals (Sunburst Lemon, Orange, Alizarin Crimson, Violet, Turquoise, and Sea Green), plus a spritzer bottle for creating bursts of vibrant background color. Assorted Set of 8 — This basic introductory set contains Yellow Ochre, Rose Red, Lime Green, Olive Green, Moss Green, Sandstone, Terracotta, and Burnt Sienna in 15 g pots, plus an instructional leaflet. Assorted Set of 12 — This broader range of 12 colors includes Lemon, Yellow, Orange, Scarlet, Brilliant Red, Purple, Ultramarine, Leaf Green, Emerald Green, Turquoise, Dark Brown, and Black in 15 gram pots, along with an instructional leaflet. Assorted Set of 24 — This complete set of 24, 15 gram colors includes Lemon, Yellow, Gamboge, Orange, Vermilion, Scarlet, Brilliant Red, Ostwald Red, Crimson, Cobalt Blue, Ostwald Blue, Ultramarine, Prussian Blue, Turquoise, Leaf Green, Emerald Green, Sea Green, Violet, Purple, Light Brown, Dark Brown, Grey, Black, and White, plus an instructional leaflet. See More -
Silver Brush Black Velvet Voyage® Brushes & SetsSave Up to35%Off list
Starting At: 31.33
…Designer Round size 10 with a long point. Key Features: * Available in 4 sizes: 2, 4, 6, 8 * A balanced blend of natural squirrel hair and black synthetic hair * Releases color in a slow, controlled manner * Brush collapses for storage, fits right in a pocket! Perfect For: * Artists of all skill… The Watercolor Brush That Closes For Travel! Silver Brush Black Velvet Voyage travel brushes, designed from their popular Black Velvet Watercolor Brushes! The exclusive blend of black synthetic filament with natural squirrel hair makes Black Velvet Voyage travel brushes the most unique and responsive watercolor brush, able to absorb fluid media easily with the absorbency of natural squirrel, but lay it down with the tighter control of a synthetic. When not in use, these handy, pocket-sized brushes collapse and fit inside the handle for secure storage. To begin using the brush, simply remove the gold cap, exposing the brush and ferrule, and then insert the gold cap into the black handle. The perfect travel brush for any artist that works with inks, gouaches, watercolors, fluid acrylics, or dyes! The Voyage Travel Brush set features Voyage travel brushes in size 2, 6, 8 and as an exclusive for Jerry’s we have added a FREE Golden Natural™ Designer Round size 10 with a long point. Key Features: * Available in 4 sizes: 2, 4, 6, 8 * A balanced blend of natural squirrel hair and black synthetic hair * Releases color in a slow, controlled manner * Brush collapses for storage, fits right in a pocket! Perfect For: * Artists of all skill levels * Plein air and watercolor application * Safely traveling with watercolor brushes * Workshops or classes Jerry's Exclusive Set: Voyage 4pc Travel Set w/ Free Golden Natural BrushSize #2 Black Velvet® Voyage Plein Aire Travel Brush, Size #6 Black Velvet® Voyage Plein Aire Travel Brush, Size #8 Black Velvet® Voyage Plein Aire Travel Brush, FREE Size 3/8" Angular Golden Natural® Natural Hair and Taklon Blend Brush Watercolor Plein Air Travel Set Highly rated items for plein air: Set includes 1 Silverbrush Black Velvet Voyage Brush (sz. 6), 1 set of LUKAS Aquarell Studio Watercolors (12 tubes of 12ml), 1 5x7" Reflexions Aqua Journal, 1 Eldajon Watercolor Palette and 1 Creative Mark Mesh Zipper Bag (12x16") Every item in the set fits flawlessly into the Mesh Zipper Bag See More -
New York Central® Natural & Synthetic Blue Squirrel Dagger StripersSave Up to40%Off list
Starting At: 23.29
Superior Professional Dagger Stripers The New York Central® Natural & Synthetic Blue Squirrel Dagger Stripers have sword-shaped bristles that are ideal for pinstriping, hand lettering, and ornamental designs. Handmade in Germany, both the squirrel and synthetic brushes feature brass… Superior Professional Dagger Stripers The New York Central® Natural & Synthetic Blue Squirrel Dagger Stripers have sword-shaped bristles that are ideal for pinstriping, hand lettering, and ornamental designs. Handmade in Germany, both the squirrel and synthetic brushes feature brass ferrules and cedar handles. For our Natural Dagger Stripers, we use the sought-after winter coat of the Blue Squirrel's tail which is highly prized for its length, superb tip, and elasticity. The soft blue-black hair is highly absorbent and when wet comes to an exceptionally fine point. Squirrel hair has little or no spring and is perfect for creating precise linear strokes. Thanks to the recent advances in synthetic hair technology we have designed an economy line of New York Central® Synthetic Dagger Stripers that mimic the properties of Blue Squirrel hair almost exactly. When pressure is applied to the New York Central® Dagger Striper and the brush 'twisted' through the stroke you can create curved lines. The sizes range from 00 through 4 and are best used between a 20 and 45-degree angle to the painting surface. Thanks to the recent advances in synthetic hair technology we have designed an economy line of New York Central® Synthetic Dagger Stripers that mimic the properties of Blue Squirrel hair almost exactly. Key Features:* Natural & Synthetic Blue Squirrel Hair* Sword-Shaped Bristles* Handmade in Germany* Up to 2-1/4” inch Bristle Length* Sizes Range 00 through 4* Highly Absorbent* Fine Point- when wet comes to an exceptionally fine point* Perfect For:* Pinstriping* Hand Lettering & Sign Painting * Watercolor and Gouache* Enamel and Acrylic* Precise Linear Strokes * Blue Squirrel Hair Devotees Natural Blue Squirrel Dagger Striper 538 Stiffness Watercolors Acrylics Oils The Natural Dagger Stripers are made with Blue Squirrel hair, which is highly prized for its length, superb tip, and elasticity. The soft blue-black hair is highly absorbent, and when wet comes to a fine point. Squirrel hair has little or no spring and is perfect for creating precise linear strokes. Synthetic Blue Squirrel Dagger Striper 544 Stiffness Watercolors Acrylics Oils The New York Central® Synthetic Dagger Stripers mimic the properties of Blue Squirrel hair. The synthetic hair allows the brush to hold a tremendous amount of color and release it with perfect control. See More -
Creative Mark Micro Mini Detail BrushesSave Up to81%Off list
Starting At: 5.09
…for filling in areas and creating perfect edges. The set includes Spotter #20/0, and Flat #10/0. Blend and Curve Set of 3: The Blend & Curve Set includes Fans and an Angle Shader to blend with ease and create beautiful curved lines. Set of 3 includes Fan #20/0, Fan #12/0, and Angle Shader… Stiffness Watercolors Acrylics Oils Excellent for small details and tight spaces! Micro Mini detail brushes are excellent for getting into tight spaces and painting intricate details! The synthetic Golden Taklon bristles can handle all media types while creating the most delicate lines. The easy-to-hold short balanced handles and seamless nickel-plated ferrules make the micro brushes a joy to use. Your favorite Micro Mini brushes are now available in Micro Tini Sets! These specialized sets allow you to purchase the brushes you need for the effect you want to paint. Enjoy the same quality synthetic golden Taklon filament brushes with easy-grip short handles for precise control in oils, acrylics, watercolors, or gouache. Key Features:* Quality synthetic Golden Taklon * Easy to hold short handles* Seamless nickel-plated ferrules* Specialized sets* Perfect For:* Painting with precise control* Oils, acrylics, watercolors, and gouache* Painting intricate details* Working on models and ceramics* Wildlife and Marine Artists* Doll makers, model and miniature enthusiasts Micro Mini Set of 12: Brush shapes included in the set are Spotter, Angular Shader, two sizes of Rounds, two sizes of Fans, a Shader, Script Liner, Liner, Grass Comb, Long Liner, and a Filbert. Micro Mini Set of 30: Brush shapes included in the set are Angular #12/0, Angular #5/0, Fan #20/0, Fan #12/0, Filbert #10/0, Filbert #0, Filbert #2, Flat #20/0, Flat #10/0, Flat #0, Liner #20/0, Pointed Round #20/0, Pointed Round #12/0, Pointed Round #10/0, Pointed Round #5/0, Pointed Round #0, Rigger #20/0, Script #20/0, Script #10/0, Shader #10/0, Shader #0, Shader #2, Spotter #20/0, Spotter #10/0, Spotter #5/0, Teardrop #10/0, Teardrop #5/0, Teardrop #3/0, XL Liner #10/0, and XL Liner #7/0. Dynamic Duo Set of 2: The Dynamic Duo is perfect for filling in areas and creating perfect edges. The set includes Spotter #20/0, and Flat #10/0. Blend and Curve Set of 3: The Blend & Curve Set includes Fans and an Angle Shader to blend with ease and create beautiful curved lines. Set of 3 includes Fan #20/0, Fan #12/0, and Angle Shader #12/0. Fine Line Brush Set of 3: The Fine Line Set gives you complete control, creating the strokes needed for the most delicate lines in your work. The set of 3 includes Script Liner #20/0, Rigger #20/0, and Liner #20/0. Perfect Points Set of 4: The Perfect Points set offers the versatility of pointed rounds to help add detail with ease. The set of 4 includes Pointed Round sizes: #5/0, #10/0, #12/0, and #20/0. Jerry's Exclusive - Best Seller! The synthetic Golden Taklon bristles of the Micro Mini detail brushes can handle all media types while getting into tight spaces and creating the most intricate details! See More -
Grumbacher Professional Oil MediumsSave Up to42%Off list
Starting At: 7.27
…slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More -
Sennelier Extra-Fine Artist Oil Sticks & SetsSave Up to35%Off list
Starting At: 8.03
…Extra-Fine Artist Oil Sticks can be used alone or in combination with tube oil paints. Like regular oils, they can be diluted with turpentine and dry to a hard film. These creamy, lightfast sticks may be used for sketching or for producing complete works of art on any traditional oil paint surface.… Made from pure, concentrated pigments, the finest safflower oil and high-quality mineral wax Sennelier Extra-Fine Artist Oil Sticks can be used alone or in combination with tube oil paints. Like regular oils, they can be diluted with turpentine and dry to a hard film. These creamy, lightfast sticks may be used for sketching or for producing complete works of art on any traditional oil paint surface. Sennelier Artists’ Oil Sticks allow you to approach oil painting in an entirely new and expressive manner. They extend the degree of spontaneity, allowing for greater freedom in approach and without the need for a brush. Please note that packaging may vary - same great oil painting stick, with a new label! Key Features: * 82 colors available * Series 1: 41 colors (labeled S1) * Series 2: 21 colors (labeled S2) * Series 3: 20 colors (labeled S3) * Made of pure pigment, safflower oil, and mineral wax * Excellent lightfastness ratings * Can be diluted with turpentine * Intermixable with oil paints and mediums Perfect For: * Oil painters * Use for quick sketching * Canvas, panels, boards * Working with texture effects * Painting complete works of art * Traditional and contemporary techniques Sennelier Oil Sticks are a combination of oil paint, with a small amount of the oil substituted with natural mineral wax enabling them to be produced in stick form. These sticks are produced from pure pigments and have the highest possible lightfast and permanence ratings. Oil sticks can also be fully intermixed with conventional oil colors and mediums. A special mineral wax gives the sticks a creamy consistency, which ensures the adhesion of the color on all commercial oil painting surfaces. These Sennelier Extra-Fine Oil Sticks contain selected vegetable oils to guarantee permanent protection against yellowing. Varnish can be applied to your work after 6 months, as with conventional oil paints. Before using these Sennelier Extra-Fine Oil Sticks, remove the fine protective film on the stick. This film will re-form in a few days if the stick is not used. Colors dry in 2-4 days, depending on the thickness of the paint layer and the ambient temperature. See More -
Ranger Tim Holtz Alcohol InksSave Up to20%Off list
Starting At: 2.39
Bold, Transparent, Fast-Drying, Acid-Free Inks! Ranger Tim Holtz Alcohol Inks are vibrant, fast drying, dye-based inks that can be used to create colorful effects when layered together on non-porous surfaces. Ideal for use on Alcohol Ink Yupo Paper the inks can be applied to glossy paper, plastic,… Bold, Transparent, Fast-Drying, Acid-Free Inks! Ranger Tim Holtz Alcohol Inks are vibrant, fast drying, dye-based inks that can be used to create colorful effects when layered together on non-porous surfaces. Ideal for use on Alcohol Ink Yupo Paper the inks can be applied to glossy paper, plastic, glass, metal, glazed tiles, and other slick surfaces. Permanent, acid-free, and transparent, these inks can be intermixed and layered to create new colors and interesting shapes. Choose from a variety of complementary colors to create abstract washes of color that can be used as backgrounds in scrapbooks, journals, or stand-alone works of art. These inks coupled with the Yupo paper are magic! Key Features: * Dye-based, acid-free inks * Multi-surface inks * Permanent and transparent * Fast-drying * Can be intermixed * 0.5 fl. oz. bottles, flows easily * Precision tips * Coordinating colors * Beautiful and vibrant color Perfect For: * Glossy paper, glass, metal, shrink plastic * Non-porous surfaces * Yupo paper or glazed tiles * Creating backgrounds * Scrapbooks, journals, or stand-alone works of art * Mixed media * Personal greeting cards Please note: The manufacturer does not recommend using Tim Holtz Alcohol Inks, Metallic Mixatives, or Alcohol Ink Blending Solution in spray bottles as these contents contain alcohol and should not be airborne. See More -
Gamblin Artists' Oil Painting MediumsSave Up to40%Off list
Starting At: 4.50
…shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium -… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More -
Winsor & Newton Sceptre Gold II Short Handle BrushesSave Up to40%Off list
Starting At: 6.77
This brush combines red sable hair with golden synthetic fiber. All brushes have good durability, excellent spring and lots of color holding capacity. Each brush with polished maroon wood handles and seamless polished gold tone metal ferrules. Great for watercolor, oil color, alkyds and acrylic… This brush combines red sable hair with golden synthetic fiber. All brushes have good durability, excellent spring and lots of color holding capacity. Each brush with polished maroon wood handles and seamless polished gold tone metal ferrules. Great for watercolor, oil color, alkyds and acrylic color! See More -
Old Holland Pigments & Raw MaterialsSave Up to25%Off list
Starting At: 22.95
…the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw… Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More -
Jack Richeson Ambrosia Print RackSave Up to39%Off list
Starting At: 210.93
Made from environmentally friendly wood! This print rack is the durable, environmentally friendly Richeson Ambrosia Print Rack from Jack Richeson. It is made from fine eco-friendly Lyptus wood which is sustainably grown in South America and grows faster than most other hardwoods. The Ambrosia print… Made from environmentally friendly wood! This print rack is the durable, environmentally friendly Richeson Ambrosia Print Rack from Jack Richeson. It is made from fine eco-friendly Lyptus wood which is sustainably grown in South America and grows faster than most other hardwoods. The Ambrosia print rack is adjustable and can open to hold artwork of any size.. Key Features: * Base dimensions: 37"x22" * Rack height: 32" * Gusset: 6-7/8" * Made from environmentally sustainable Lyptus wood Perfect For: * Holding prints, canvases and other pieces of art * Traveling to art shows, conventions and more * Artists of all skill levels See More
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