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Golden High Flow Acrylic - Primary Cyan, 16oz BottleSave Up to30%Off listBlue High-fluidity, ink-like acrylic colors perfect for airbrush, illustration, mixed media and more! Acrylic paint innovators GOLDEN have developed a versatile new line of ultra-fluid colors ideal for any application from calligraphy to crafts! High Flow acrylics flow like ink and are non-clogging but boast the same intense pigment load, high lightfast ratings, and superior permanence as exhibited in GOLDEN's other professional quality paint lines. High Flow Acrylics can be used in refillable paint markers, technical pens, and airbrushes but perform equally well with traditional brush work, pen and ink techniques, staining and washing, and even pouring directly from the bottle! The artistic possibilities are endless. Available in a wide range of 49 vibrant, intermixable colors, GOLDEN High-Flow acrylics work beautifully on almost any surface, including paper, raw or primed canvas, board, wood, fabric, and more. Whether doing technical drawings, airbrush art, calligraphy, graffiti, watercolor techniques, illustration, detailed or abstract art, new GOLDEN High Flow Acrylic Colors can keep up with your every artistic move! Key Features:* Super-fluid, high intensity acrylic paint* Superior pigment load & light fastness* 85 colors including iridescent & fluorescents* All compatible with GOLDEN acrylics & mediums* Can be used in refillable paint markers, technical pens, and airbrushes* High Flow acrylics work beautifully on almost any surface* * Available in 1 oz., 4 oz., 16 oz., & gallon bottles Perfect For:* Airbrush, technical pen & refillable marker* Traditional painting & illustration techniques* Staining, washing, & pouring straight from the bottle* A versatile, ink-like paint ideal for any artist!* Paper, raw or primed canvas, board, wood, fabric, and more* Traditional brush work, pen and ink techniques, staining and washing, and even pouring directly from the bottle What are High Flow Acrylics? High Flow Acrylics are GOLDEN'S newest acrylic paint that can go from brush to marker or from dip pen to airbrush and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including staining, leveling, calligraphy, and mixed media. See More
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Koh-I-Noor 270G Smooth Bristol Pad 11x17in-20 Sheet Spiral In/OutSave Up to41%Off listWhite Traditional 270GSM Bristol paper with bright white surface for high contrast artwork. Smooth surface is perfect for fine detailed work. Bristol pad is dual loop wire bound constructioin and features patent pending "in & Out" pages that allow you to remove sheets from the pad for drawing, reworking, scanning, and more. After completing your artwork simply return the sheets into the pad. In & Out" pages that allow you to remove sheets from the pad for drawing, reworking, scanning, and more. After completing your work, simply return the sheets into the pad. Key Features: * 270 GSM bristol vellum or smooth paper * 20 sheets bright white paper * Dual wire bound with "In & Out" pages * Acid-free paper Perfect For: * Fine detailed work * Tracing and sketching * See More
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Canson XL Bristol Pad Smooth 11"x17", 25 SheetsSave Up to40%Off list…pad is perfect for working with both wet and dry media including ink, watercolor washes, graphite, colored pencils, and even pastels or heavy markers. The bristol 100lb paper is acid-free and a bright white surface. These pads are perfect for students or professional work and can even handle light… High Quality Bristol Papers At Low Prices! Canson believes that even students and beginner artists deserve to practice and work on a high-quality surface without having to spend a fortune to buy it. Working together with art teachers and professors, they developed their XL Bristol Pads line to serve just that purpose! An abundance of excellent quality paper at an exceptional value, XL pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! XL Recycled Bristol Pads -This versatile Bristol is eco-friendly, contains 30% Post Consumer Content. With a double-sided surface — one side Smooth and one side Vellum — the same paper can be used for detailed drawing in graphite or ink on the Smooth side, or more expressive and textured works on the Vellum side. Available in fold over tape-bound pads of 25 sheets of 96lb (260gsm) Bristol, this paper is perfect for finished artwork by artists of any skill level! XL Bristol Pads -This bristol paper is available in two finishes- smooth and vellum and contain 25 pages per pad. This pad is perfect for working with both wet and dry media including ink, watercolor washes, graphite, colored pencils, and even pastels or heavy markers. The bristol 100lb paper is acid-free and a bright white surface. These pads are perfect for students or professional work and can even handle light watercolor washes. The surface on the front is vellum and on the back is smooth. The dual surfaced nature of this product makes this the perfect choice for any artist working on both a vellum and smooth finish. The paper is bright white (without OBA), for better contrast. This paper contains 30% Post Consumer Content. Key Features:* 96lb and 100lb Bristol* 25 Sheets* Acid-Free* Tape Bound Binding* Smooth or Vellum Perfect For:* Wet and Dry Media* Pastels or Heavy Markers* Ink and Graphite Please note: Due to a recent packaging change, items received may appear different than those pictured, but will be of the same quality. See More
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Strathmore Sequential Paper 500 Series Plate Bristol 11x17", Pkg of 24 SheetsSave Up to38%Off list…work using traditional pen and ink tools, pencil along with specialty pens and markers. Vellum has a toothy finish that is excellent for graphite pencil, colored pencil, sketching sticks and specialty pens and markers. It is also a very good choice for charcoal pen and ink, air brush and light… Strathmore's 500 Series is the superhero of all Bristol surfaces, but what would a superhero be without a core of worthy minions? The 200, 300 and 400 Series all provide surfaces with their own unique attributes and staying power in the attack of the sequential artists. For every tool that you take into battle in you own quest for the ultimate story, Strathmore has a surface that will stand up to the challenge. 200 Series Smooth Blue Line Bristol - Our 200 Series Smooth surface is a Bristol weight board printed with non-reproducible blue lines for comic and Manga applications. These blue lined sheets are available in page and cover formats for artists who prefer the convenience of a grid lined sheet. Pads and sheet packs in this series are offered in the industry standard 11×17" format. 300 Series Smooth and Vellum Bristol - 300 Series Smooth and Vellum 100 lb. Bristol surfaces are available in three sizes. The smooth surface is ideal for both traditional and specialty pen and ink. Both surfaces work well with specialty pens and markers. Sheet packs and pads are available in the standard 11×17" format. Pads are available in 5×17" and 12×12". None of these surfaces are lined allowing the artist the flexibility of working outside the box. 500 Series Bristol - Strathmore 500 Series Bristol is an industry standard created in 1893. These 100% cotton 2 ply bristols are available in three surfaces in the standard 11×17" format. The plate surface has an ultra-smooth finish that is unsurpassed for detail work using traditional pen and ink tools, pencil along with specialty pens and markers. Vellum has a toothy finish that is excellent for graphite pencil, colored pencil, sketching sticks and specialty pens and markers. It is also a very good choice for charcoal pen and ink, air brush and light washes. Bristol surfaces are not recommended for traditional watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of either 15×22" or 22×30", this professional quality board was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. See More
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R&F Blending Medium, 16ozSave Up to20%Off listHandmade oil paints in a convenient drawing stick form! R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents. Blending… Handmade oil paints in a convenient drawing stick form! R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents. Blending only traditional materials: finely milled pigments, natural wax (beeswax & plant wax), and alkali refine linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently the formulas are complex and manufacturing is labor intensive, and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types, and are colorless sticks that can be worked into a Pigment Stick color to increase transparency, or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed, to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Perfect For: * Use with Traditional Oils and Encaustic Paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Works on any surface primed for traditional oils * Thinning with solvents and oil mediums See More
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