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Charbonnel Lithographic Crayon - No2 Medium Hard Black, 12 CountSave Up to20%Off listBlack Wax Crayons Perfect for Drawing on Stone Charbonnel Lithographic Crayons are perfect for drawing out designs on a lithographic stone. Each crayon is made from high-quality bee’s wax, which can be thinned and sharpened. Charbonnel's hard crayons are great for drawing light, controlled lines, while the softer wax is better for expressive mark-making. Key Features: * Bee's wax lithography crayons * Available in a range of hardnesses * Water-resistant Perfect For: * Lithography * Creating detailed or expressive lines * Drawing on stone or paper Copal Crayons deliver fine, light, and easily controlled lines. No1 Crayons produce finer, lighter, and more easily controlled lines than their softer counterparts. No2 Crayons deliver fine, light, and easily controlled lines. No3 Crayons balance the finer, more easily controlled lines of our hardest crayons with our softer crayons' rich, smoky black lines. No4 Crayons deliver rich, expressive black lines. No5 Crayons deliver rich, expressive black lines. See More
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LUKAS Studio Linol Ink 250ml BlackSave Up to56%Off listBlack Richer, cleaner, and brighter block prints! LUKAS Studio Linol water-soluble inks are an advance in block printing ink and are guaranteed to give you vibrant, uniform, and sharp block prints. Special attention has been given to ensure that the viscosity of the ink is uniform and does not vary. This viscosity and a special proprietary "factor" ingredient allow each inking plate or block to print cleanly. The concentration of pigment produces rich, vibrant colored prints. LUKAS Studio Linol Printmaking Inks, are also excellent for Monotype printing and can be easily cleaned up with water! Purchase up to 3 bottles of Lukas Studio Linol Inks. If they are not better than the inks you already use, call us for a full refund and keep the ink! *Limited to 3 bottles per customer. Key Features:* 12 intense colors in 250ml bottles* Uniform ink viscosity* Colors are workable for an extended period* Lightfastness from good to very good* Use straight or mix with water* Prints can be overprinted after drying* Low odor, easy to clean with water* Guaranteed to be better than the ink you use!* Perfect For:* Producing vibrant, uniform, and sharp block prints* Lino, wood, cardboard, rubber, twine and organic items like leaves and potatoes* All manual relief printing techniques* Smooth, consistent coverage* Excellent adhesion on absorbent substrates * Good adhesion on non-absorbent substrates* Artists of all skill levels See More
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Charbonnel Lithographic Ink - Crayon Black, 200mlSave Up to20%Off listBlack Oil-Based Range of Black Litho Inks Charbonnel Lithographic Inks are formulated for direct transfer printing on stone. The oil-based black inks come in varying levels of intensity. Black Crayon is the lightest, Black Drawing falls in the middle, and Black Velvet is the deepest of the three. Roll-Up Black is a non-drying lithography ink that temporarily protects your lithography stone between prints. The inks greasy texture is highly resistant to water, so it can also be used to secure your drawing after you have processed the stone. Autographic Ink is a greasy and rich black drawing ink for use on Lithography stones or plates. Key Features: * Oil-based lithography inks * Light, medium, and deep blacks * Greasy and water resistant * Highly pigmented Perfect For: * Lithography * Printing stark details * Plate or stone printing See More
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Awagami Editioning Papers Sampler Pack of 20, 8" x 10"Save Up to24%Off listAssorted Colors Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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