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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Holbein Heavy Body Acrylic 330ml Paynes GreySave Up to35%Off listGrey Professional heavy bodied paints are affordable with Holbein! Holbein's brilliant Heavy Body Artist Acrylics will bring your paintings to life. The lightfast colors are easy to mix and thin because the paint contains only the best organic and inorganic pigments. The buttery texture is brushable and retains peaks and marks when applied thickly. You can also thin the decadent color with water or medium to create a glaze or dry brush effect. Satisfyingly smooth and vivid, the Holbein heavy body acrylic colors are unforgettable. Holbein's luminous colors offer a glamorous glow not found in traditional pigments. The luminous colors contain fugitive fluorescent dyes that will fade over time. We recommend that you photograph your luminous artwork before the colors fade. Key Features: * 113 Sensational colors * Heavy body acrylic * High-quality organic and inorganic pigments * Buttery texture similar to extra fine oils * The brushable paint retains peaks * Longer working time * Superior covering power * Excellent lightfastness (except luminous colors) * Made in Japan Perfect For: * Acrylic painters * Adding luster and brilliance to your work * Effortless color mixing * Seamless thinning with medium * Thick impasto application * Professional quality at an affordable price * Painting with a brush, knife, or spatula * Students and professionals Primary Set of 5: Ideal for color mixing, this set of five primary colors includes 2 oz (60 ml) tubes of Primary Magenta, Primary Yellow, Primary Cyan, Primary Black, and Primary White. Basic Set of 6: This set contains 2 oz (60 ml) tubes of Quinacridone Red, Imidazolone Lemon, Viridian Hue, Phthalo Blue (Red Shade), Mars Black, and Titanium White. Luminous Set of 6: This set contains 2 oz (60 ml) tubes of Luminous Rose, Luminous Opera, Luminous Red, Luminous Orange, Luminous Yellow, and Luminous Lemon. Standard Set of 12: This set contains 12, 2 oz (60 ml) colors, including Naphthol Red Deep, Naphthol Red Light, Hansa Yellow Light, Yellow Ochre, Phthalo Green, Middle Green, Phthalo Blue, Ultramarine Blue, Dioxazine Violet, Burnt Sienna, Mars Black, and Titanium White. See More
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Mount Vision Soft Pastels Set of 25 - Flesh TonesSave Up to38%Off listPortrait Colors Beautiful, hand-made soft pastels! Mount Vision Handmade Soft Pastels consist of the highest quality pigments with the addition of chalk, talc, or clay and binders. Various combinations, depending on pigment, create different handling properties. The Mount Vision Pastel Company was founded in 2000, by artist Karl Kelly (a former paint maker for a small oil paint company). Handmade in small batches in Mount Vision, New York, the pastels possess a wonderfully soft and buttery feel. The pigment easily releases to the pastel surface with little resistance, allowing layers to build without becoming slick. Mount Vision Handmade Soft Pastels are consistently tested to achieve the best feel and color intensity for each pastel color. Mount Vision utilizes both traditional and synthetic pigments, which make great substitutes for traditional painting pigments that are health hazards to use in pastels (such as cadmiums, cobalts, etc.) Mount Vision's manufacturing process is simple and straightforward, creating a truly handmade product with great love and care by dedicated craftsmen. First, the pigments and chalks(or other binder) are weighed out on a scale, and then placed in an industrial sized mixing bowl. The mixture is fully mixed to the consistency of cookie dough, and then put through a sausage stuffer, where it is extruded onto wood boards. The boards are placed outside to dry the long pastel lines a little, to firm them slightly before handling. Once ready, the pastel lines are cut to size and then carefully rolled by hand to create a more uniform shape. The finished pastels are then placed on a drying rack to cure before hand labeling. Key Features:* Created from the finest traditional and synthetic pigments* Handmade by craftsmen in small batches in the U.S.* Pastels possess a soft, “buttery” feel in use* No hazardous pigments used Perfect For:* Serious Pastel Artists* Artists supporting U.S. Made manufacturers* Pastelists desiring softer pastels* Handmade pastel aficionados The beauty of Mount Vision’s color selection and color values is by other manufacturers that make a handmade product. Drawing on his extensive painting and printmaking background, Karl Kelly carefully designed the color palettes and selections to create every color imaginable a pastelist could imagine, from the palest color values to the most vibrant brights and darkest darks. Sold in both open stock individually and as sets. Health and Safety Statement from Mount Vision Pastel Company: If you have any Health and Safety questions please do not hesitate to Call 888 413-2009. Your health is our biggest concern. At Mount Vision Pastels we use no heavy metal pigments such as Cobalt or Cadmium. Because of the nature of pastels, i.e.. drawing directly with the pigment with very little binder, I question the use of these pigments. With the advances in the manufacture of synthetic pigments I feel that there are alternatives available for use that will serve the artist as well without the possible side effects. That said probably the biggest concern for pastelists is the pigment dust created by them. Whenever possible it is better to clean dust with a wet rag, sponge, or paper towel than to sweep it up (which causes more dust). Care should be taken if using a vacuum as often the pigment is finer than the bag and can blow through causing quite a dust storm. See More
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