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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Masters Choice Watercolor Sheet 140 lb Hot Press 22.05x29.92 in (10-Pack)Save Up to36%Off listWhite Strong, robust paper for all watercolor techniques! Master's Choice Artists' Watercolor Paper was painstakingly developed over three years by world-renowned artists and the small family-owned Baohong mill. Initially released in Australia, the paper has a rabid fan base led by famous watercolorists such as David Taylor. Made with 100% natural cotton and sized internally and externally with traditional gelatin, the 140 lb. (300 gsm) paper is available in hot press, cold press, and rough textures in both sheets and blocks. Watercolor paper blocks are glued on all four sides, eliminating the need to stretch the paper before painting, as the glue prevents the sheet from buckling during painting. Reasonably priced Master's Choice Watercolor Papers are durable and perform well against the top watercolor papers on the market. Whether you are painting with watercolors or drawing with ink, Master's Choice Artists' Watercolor sheets and blocks provide an extraordinary surface for creative expression. Key Features: * Acid-free 100% cotton paper * Chlorine-free, pH-neutral, and archival * 140 lb. (300 gsm) paper * Available rough, cold, and hot press * Natural gelatine sizing * Unrivaled workability * Durable paper less likely to curl or warp * Natural White, no optical bleaches * Compare with other named brand watercolor papers * Full sheets are deckled on all four sides * Watermarked sheets * Block contains 20 sheets * Blocks are glued on all four sides Perfect For: * Watercolor artists * Watercolors, gouache, acrylics, and ink * Wet and dry watercolor techniques * Repeated erasing and painting * Creating professional artwork * Sketching, printmaking or drawing * Blocks eliminate the need to stretch paper * Traveling or spontaneous creativity * Portable painting surface * Plein air artists! See More
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Lascaux Thick Bodied Artist Acrylics Cadmium Red Light 750 mlSave Up to38%Off listRed The richest acrylic paints in the world! All Lascaux Thick Bodied Artist Acrylic colors dry to a consistent satin finish. The richness of the pigment along with the uniform character of the paint film produces vivid compositions not capable with any other brand. Colors are intensely pigmented, extraordinarily lightfast, and completely resistant to aging. They layer well without shrinking and cover exceptionally. Colors do not oxidize, yellow or crack even in the thickest layers. Synthetic Iron Oxide colors are substituted for natural earth colors to produce a richness in hue not possible with natural pigments. The range includes both transparent and opaque colors. Key Features: * In Sizes: 45ml, 200ml, 750ml * Maximum pigmentation * Lightfast, age-resistant & non-yellowing * Water-resistant when dry * Very good film flexibility * Semi-matt finish * Smooth and thick consistency * Highly concentrated and economical Perfect For: * Precision application with brush or palette-knife * Impasto * Thick texture * Painting on practically any surface * Plein air painters * Quick and easy cleanup * Artists and teachers See More
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Strathmore Paper Roll 300 Series Charcoal 36"x10yd RollSave Up to33%Off list…paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing-Â Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol-Â Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper-Â Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough-Â A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth-Â Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond-Â Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing-Â Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch-Â Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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Lefranc & Bourgeois Flashe Vinyl Paint - Black, 750 ml JarSave Up to30%Off listBlack Absolute Vinyl Colour On All Supports Lefranc & Bourgeois's FLASHE is a vinyl-based opaque paint that dries to a uniform, velvety matte finish. Vinyl paint is like acrylic in that you can use it on different surfaces, but FLASHE has a velvety matt finish and can be painted on glass and plastic without a primer, unlike acrylic. Special properties in the paint allow you to apply the same color to different surfaces without any big color shift, and you can dilute the paint with water to create wash effects. The paint adheres well and is resistant to weather, which makes it perfect for painting theatre decorations, faux finishes, frescos, and more. All FLASHE colours have a distinctive matt finish, except the iridescent colours, which have a luminous, satin finish due to their pearlescent pigmentation. Key Features: * Highly pigmented opaque vinyl paint * Radiant colour, matt finish, and exceptional durability * High-quality pigments specially selected for fine art * Identical color finish on all surfaces * It can be heavily diluted without breaking the film * Guaranteed to be 100% stable over time * Most surfaces do not need to be primed Perfect For: * Artists and illustrators * Non-oily painting surfaces, canvas, wood, fabric, leather, metal, paper, plastic, glass, and polystyrene * Creating transparent wash effects and patinas * Use as an undercoat for oil or acrylic murals * Transferring artwork from analog to digital * Spontaneous painting in the studio or outdoors * Fresco and wall painting, faux finishes, theater decorations, and more * Brush, sponge, spray gun, or an airbrush application FLASHE Colours have a uniform 30-minute drying time, and once dry, they are water-resistant. You can only remove the paint with alcohol-based solvents. Apply opaque colours with a single application, semi-opaque colours with two applications, and transparent colours with three to four applications. Watercolour: To create washes and patinas, dilute with between 1/3 and 2/3 water as desired. Varnish: Matt varnish can be applied on top to maintain the vibrancy of the colour without altering the shade. Gloss varnish will make shades a tone deeper and more vivid. Varnish is recommended for all outside applications. See More
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