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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Richeson Synthetic Watercolor Brush Series 9010 Flat Wash 3/16"Save Up to42%Off listPerformance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. They offer a quick and flawless brush response coming to a split-proof, extrafine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached… Performance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. They offer a quick and flawless brush response coming to a split-proof, extrafine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached to short black lacquered wood handles. Sizes 1½" or larger with paddle handles. See More
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Jack Richeson Grey Matters Series 9832 Short Handle 3/16In Synthetic Watercolor FlatSave Up to28%Off list…distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked watercolor bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time.… Annoying glare and reflections? Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked watercolor bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features:* Anti-glare* Minimize color distortion* Non-reflective hair, ferrule, and handle* Synthetic hair for water media Perfect For:* Watercolor applications* Defined brush strokes* Creating fine details* Professionals, teachers, students* Plein air or in the studio, and ideal for toned palettes and canvas Questions and Answers: Does Grey Matter? – Yes, The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? No, The filaments that make a synthetic brush can range wildly from student quality to Professional – Determined by the number of different fibers and type that make up the brush head. The fewer different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? No, however, the fibers of economy brushes are typically bleached white. A color such as the Grey in Grey Matters is done to accomplish a result (Neutral to the eye) What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – mixed to accomplish very specific firmness, softness, and paint loading properties. Can a grey Matters Watercolor Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange) Once used for a medium – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums – at best it is risky See More
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Strathmore Blank Watercolor Greeting Cards 3.5"x4.875" (6 Pack Cards & Envelopes)Save Up to26%Off listWhite Watercolor cards for any occasion! These high-quality cards are made from 140 lb. cold press watercolor paper. The heavy-weight paper has excellent surface strength and resists buckling. Ideal for watercolor, acrylic, or gouache. The blank cards can be used to design a greeting for any occasion, from birthdays, holidays, and invitations to general correspondence. All creative card packs include 70lb envelopes. Key Features: * 140lb cards, 70lb envelopes * Cold pressed watercolor surface * Card Sizes: 5" x 6.875" & 3.875" x 9" * Full Size Matching Envelopes: 5.25" x 7.25" & 9.5" x 4.125" * Packs of: 6, 10, 50, & 100 (includes Envelopes) * Cards Weigh: 140lb. / 300 g/m2 * Envelopes: 70lb. / 104 g/m2 * Surface: Cold Press Perfect For: * Watercolors, inks, gouaches * Acrylics, markers * Pen and ink * Colored pencils, rubber stamps * Die cuts, collage and more * Customized correspondence for any occasion! * Use with water brush pens * See More
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Richeson's Quiller Water Media Brush Series 7010 Flat 3/16"Save Up to28%Off list…control. Key Features: * Synthetic Watercolor bristle * Short-handled * Razor's edge lines * Small flats have a round base * larger sizes have a folded flat base * Tapered strands of fiber * The right amount of hard snap to the brush Perfect For: * Watercolor & Gouache * Plein Air Artists *… Quiller Synthetic Watercolor brushes are truly advanced synthetic brushes. When wet, they come to a magnificent razor's edge, allowing the thinnest line, a broad wash or anything in between. The ferrules on these short-handled 7010 flats have a round base up to the 1" size and the larger sizes have a folded flat base. Richeson tapers the strands of fiber so that each synthetic strand comes to a fine point. With careful selection of 11 different weights of fiber strands, Richeson gently mixes these into a marvelous brush head. The mixing of the weights is critical and allows you to get just the right amount of hard snap to the brush. With the perfect mixture of a variety of thinner fibers Richeson has created the perfect color carrying blend. Stephen Quiller works very big and was really pleased when we developed a brush that could hold so much color while also retaining control. Key Features: * Synthetic Watercolor bristle * Short-handled * Razor's edge lines * Small flats have a round base * larger sizes have a folded flat base * Tapered strands of fiber * The right amount of hard snap to the brush Perfect For: * Watercolor & Gouache * Plein Air Artists * Thin lines or broad washes * Holding a lot of color * Backgrounds * Teachers and students * No-hassle, everyday use See More
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Strathmore Artist Trading Card Frames Pack, 6 Cards w/ EnvelopesSave Up to33%Off list…Board, 500 Series - 100% cotton drawing surface for dry media. * Watercolor, 400 Series - Intermediate grade watercolor paper is popular with watercolorists of all levels. This versatile, felt finished paper is ideal for mastering watercolor techniques or finished pieces. Acid-free. Make a card with… The biggest movement in art is very small, ATC's! Our bestselling fine art papers are available in official Artist Trading Card size so you can create, swap and collect art with artists from around the world. Precision-cut for a clean surface, these convenient cards are available for a range of mediums — drawing, watercolor, acrylic, oils and mixed media collage. * Bristol Smooth and Vellum, 300 Series - An economical bristol weight board available in two surfaces. Smooth finish is excellent for mechanical drawing, pencil, pen and ink. Ideal for experimentation with airbrush. Vellum finish is excellent for any dry media including pencil, charcoal, and pastel. Acid-free. * Acrylic 400 Series - Heavyweight linen finish is perfect for acrylic painting. Acid-free. * Illustration Board, 500 Series - 100% cotton drawing surface for dry media. * Watercolor, 400 Series - Intermediate grade watercolor paper is popular with watercolorists of all levels. This versatile, felt finished paper is ideal for mastering watercolor techniques or finished pieces. Acid-free. Make a card with your artist trading card artwork with the Strathmore Artist Trading Card Frames Pack Frame Cards w/ Envelopes- These tri-fold cards feature a cutout window which accommodates an ATC (2.25" × 3.25" opening). Cards slide easily into the pocket and provide a great way to display or send your trading cards. Envelopes are 3.625" × 5.125". See More
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Strathmore Paper Roll 300 Series Charcoal 36"x10yd RollSave Up to33%Off list…paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing-Â Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol-Â Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper-Â Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough-Â A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth-Â Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond-Â Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing-Â Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch-Â Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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