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Canson Mi-Teintes Touch Sanded Paper, Twilight (131) 22" x 30" (10 Sheets)Save Up to56%Off listThe perfect pastel surface! Great for colored pencils, mixed media, and more! Canson's Mi-Teintes Pastel Papers and Boards have an innovative, sanded coating with a smoother, finer tooth than other pastel papers. The highly receptive surface is ideal for soft pastels as it holds multiple layers of… The perfect pastel surface! Great for colored pencils, mixed media, and more! Canson's Mi-Teintes Pastel Papers and Boards have an innovative, sanded coating with a smoother, finer tooth than other pastel papers. The highly receptive surface is ideal for soft pastels as it holds multiple layers of color. The boards make for a heavier, sturdier surface than any other pastel paper, ensuring your work will not warp or buckle even if a wash is applied. Not only is Mi-Teintes Touch the perfect surface for soft pastels, but it also lends itself beautifully to other types of media. Graphite and colored pencil, silverpoint, charcoal, crayon, inks, oil pastel, airbrush, acrylics, and even oil colors produce beautiful effects on this finely textured substrate — making Mi-Teintes Touch the ideal choice for mixed media works! Key Features: * Finely textured, sanded pastel papers and boards * Unique primer formulated for a smoother surface * Delicate surface tooth * Gentler on pastels, fingers, and blending tools * Can hold multiple layers of color * 218 lb paper or sturdy, heavyweight board Perfect For: * Soft pastels and oil pastels * Graphite, charcoal, and colored pencil * Silverpoint, ink, airbrush, acrylics, and oil colors * Great for works in mixed media and more! See More
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Strathmore Illustration Boards Vellum Light 22" x 30" (Pack of 15)Save Up to38%Off list100% Cotton Illustration Board The highest quality illustration board available. 100% cotton fiber paper is mounted on both sides of the board to create a balanced tension that prevents warping. Regular surface has a slight tooth, high surface is plate smooth, 240-1 and 240-2, heavyweight, and… 100% Cotton Illustration Board The highest quality illustration board available. 100% cotton fiber paper is mounted on both sides of the board to create a balanced tension that prevents warping. Regular surface has a slight tooth, high surface is plate smooth, 240-1 and 240-2, heavyweight, and 240-3, lightweight. See More
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Magnani 1404 Pescia Printmaking Paper 140lb - Grey, 22" x 29.9" (Pack of 10)Save Up to40%Off listGrey Top-quality 100% Cotton Printmaking Paper. Love Your Paper! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Pescia Printmaking Paper is perfect for anyone who desires the highest quality paper available Pescia Printmaking Paper is made by evenly distributing cotton fibers on a slowly rotating wire cylinder before it is pressed onto special marking felts and dried. The paper's smooth surface and delicate sizing make it ideal for etching, engraving, intaglio, aquatint, stone litho, and silkscreen. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, archival printmaking paper * 140lb (300 gsm) weight * Very soft surface texture * Delicately sized for better prints * Mould made on a cylinder machine * Available in white, soft white, cream, grey, and light blue * Sheets have 4 deckled edges and a watermark * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * Made in Italy Perfect For: * Professional printmakers * Etching, engraving, intaglio, aquatint, stone litho, and silkscreen * Drawing with pen and ink * Any printmaking application * Remaining flat after printing * Students, teachers, and artists See More
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Sennelier Artist Dry Pigments HelIos Red 40 gramsSave Up to37%Off listRed An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Schev. Rose Deep 40gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Charbonnel Etching Ink Additive - Hard Black Ball Ground, 40 GramsSave Up to20%Off listBlack Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More
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