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Canson Mi-Teintes Touch Sanded Paper, Twilight (131) 22" x 30" (10 Sheets)Save Up to56%Off listThe perfect pastel surface! Great for colored pencils, mixed media, and more! Canson's Mi-Teintes Pastel Papers and Boards have an innovative, sanded coating with a smoother, finer tooth than other pastel papers. The highly receptive surface is ideal for soft pastels as it holds multiple layers of… The perfect pastel surface! Great for colored pencils, mixed media, and more! Canson's Mi-Teintes Pastel Papers and Boards have an innovative, sanded coating with a smoother, finer tooth than other pastel papers. The highly receptive surface is ideal for soft pastels as it holds multiple layers of color. The boards make for a heavier, sturdier surface than any other pastel paper, ensuring your work will not warp or buckle even if a wash is applied. Not only is Mi-Teintes Touch the perfect surface for soft pastels, but it also lends itself beautifully to other types of media. Graphite and colored pencil, silverpoint, charcoal, crayon, inks, oil pastel, airbrush, acrylics, and even oil colors produce beautiful effects on this finely textured substrate — making Mi-Teintes Touch the ideal choice for mixed media works! Key Features: * Finely textured, sanded pastel papers and boards * Unique primer formulated for a smoother surface * Delicate surface tooth * Gentler on pastels, fingers, and blending tools * Can hold multiple layers of color * 218 lb paper or sturdy, heavyweight board Perfect For: * Soft pastels and oil pastels * Graphite, charcoal, and colored pencil * Silverpoint, ink, airbrush, acrylics, and oil colors * Great for works in mixed media and more! See More
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Strathmore Illustration Boards Vellum Light 22" x 30" (Pack of 15)Save Up to38%Off list100% Cotton Illustration Board The highest quality illustration board available. 100% cotton fiber paper is mounted on both sides of the board to create a balanced tension that prevents warping. Regular surface has a slight tooth, high surface is plate smooth, 240-1 and 240-2, heavyweight, and… 100% Cotton Illustration Board The highest quality illustration board available. 100% cotton fiber paper is mounted on both sides of the board to create a balanced tension that prevents warping. Regular surface has a slight tooth, high surface is plate smooth, 240-1 and 240-2, heavyweight, and 240-3, lightweight. See More
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Magnani 1404 Pescia Printmaking Paper 140lb - Grey, 22" x 29.9" (Pack of 10)Save Up to40%Off listGrey Top-quality 100% Cotton Printmaking Paper. Love Your Paper! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Pescia Printmaking Paper is perfect for anyone who desires the highest quality paper available Pescia Printmaking Paper is made by evenly distributing cotton fibers on a slowly rotating wire cylinder before it is pressed onto special marking felts and dried. The paper's smooth surface and delicate sizing make it ideal for etching, engraving, intaglio, aquatint, stone litho, and silkscreen. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, archival printmaking paper * 140lb (300 gsm) weight * Very soft surface texture * Delicately sized for better prints * Mould made on a cylinder machine * Available in white, soft white, cream, grey, and light blue * Sheets have 4 deckled edges and a watermark * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * Made in Italy Perfect For: * Professional printmakers * Etching, engraving, intaglio, aquatint, stone litho, and silkscreen * Drawing with pen and ink * Any printmaking application * Remaining flat after printing * Students, teachers, and artists See More
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Winsor & Newton Liquin Original Medium 2.5 Liter BottleSave Up to43%Off list…film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Amsterdam Standard Series Acrylic Paints - Titanium White, 2.5 LitersSave Up to35%Off listWhite An excellent choice for the beginning or intermediate artist! An excellent medium body acrylic paint for the artist who seeks high quality and high value. Made in Holland from carefully selected pigments. Features include a very high level of lightfastness, short drying time, and an acrylic resin paint that is virtually odorless when wet. The Standard Series Amsterdam Acrylic colors can be mixed with water or acrylic mediums, and clean up requires only water and soap. Their thick creamy consistency is perfect for Oil like effects. Amsterdam Acrylics are quick drying and non-toxic, so they are perfect for the student or studio! Please click on the yellow circle technote icon to view pigment information for each individual color. Key Features:* Thick medium body acrylic paint* 100% acrylic resin* High level of lightfastness* Short drying time* Virtually odorless* Quick drying and non-toxic Perfect For:* Oil type effects* Impasto* Heavy application* Clean up with soap and water* Classroom or studio* Beginner and intermediate artists See More
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