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Escoda Bravo Series 6115 Extra Long Squared Edge Round Brush #5Save Up to34%Off listFinely crafted from Light Ox Ear Hair These Short Handled Brushes make painting frame fillets, hand lettering, or tight detail painting a breeze! Escoda's Bravo Light Ear Ox Hair Brushes are crafted using the hair from inside of the ox's ear. One of the earliest hairs used for brush making, Ox Hair… Finely crafted from Light Ox Ear Hair These Short Handled Brushes make painting frame fillets, hand lettering, or tight detail painting a breeze! Escoda's Bravo Light Ear Ox Hair Brushes are crafted using the hair from inside of the ox's ear. One of the earliest hairs used for brush making, Ox Hair Brushes historically can be traced back beyond ancient Egyptian artisans, decorating the inside of pyramids and temples using Ox Hair brushes. Ox Hair has been used through the ages for brush making due to the capacity of the hair to hold a large amount of pigment, especially with oil and watercolor. The Bravo Brush line was created with short, well-lacquered handles, designed to excel at tight detail painting. Bravo 6115 Series: Extra Long Round Brushes feature a slightly squared end on the brush tip, and very short, shiny, varnished handles for ultimate control. Traditionally a fillet painting brush. Bravo 6218 Series: Long Filbert Brushes with a long tip pointed tip for tight detail spots, but with the ability to give a larger, wider pull for greater area coverage when painting a full stroke. Bravo 6318 Series: A Long Flat Brush, this brush series features the ability to create nice controlled strokes that cover more area with paint while maintaining a clean square edge for lettering or detail. Bravo 6421 Series: A Pointed, Long Length Round Brush, this brush series offers tight detail control in a sharp point. Bravo 6521 Series: This Long Length Round Brush features a square tip for exceptionally sharp lettering or long, transitioning strokes. Key Features: * Short handled brushes designed for tight detail and lettering control * Lightly squared lettering tips for easy hand lettering work * Triple-crimped, nickel-plated brass ferrules * Manufactured in Spain by skilled artisans Perfect For: * Painting frame fillets * Hand lettering, very tight detail work * Woodworkers, Model Painters, Sign Makers * Marine Artists, Wildlife Artists * Watercolors, Oils, Acrylics See More
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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to25%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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