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Schmincke Liquid Charcoal 35ml Grape Seed BlackSave Up to21%Off listBlack A Mess-free alternative to Charcoal that works like gouache! Schmincke Liquid Charcoal is a clean, dust-free alternative to traditional Charcoal. The three distinct charcoal colors are made by charring fruit seeds in barrels. Grape Seed Black has a cold black-grey tint with blue undertones. Cherry Pit Black is more of a warm brown, and Peach Stone Black works well as a neutral black or grey. Because it is bound by gum arabic Liquid Charcoal smudges less. If you apply a thick layer to smooth paper you can create intentional smudges. When thinly applied to textured paper the Charcoal is resistant to smudging. Liquid Charcoal does not muddy colors, so it's perfect for underpainting and mixed media. Key Features: * Liquid charcoal bound by gum arabic * PBK 8, pit black * Charred fruit seeds from the EU area * Thinned charcoal is resistant to smudging * Dilute with water to create dramatic values * Muddys paint colors less than traditional charcoal * Easy to subtract areas with water or eraser Perfect For: * An interesting addition to a watercolor palette * A base underpainting for oil or acrylic * Watercolor paper and canvas * Charcoal mixed media drawing * Stand-alone material * Making the leap from drawing to painting * Covering large areas with a base ground quickly Please note: Shades may vary from batch to batch because the pigments are natural. Each batch may have minimal color variation. See More
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Gamblin PVA Sizing 33.8oz, Artists' Oil Painting MediumSave Up to40%Off listWhite True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Michael Harding Watercolor - Cobalt Teal Blue Shade, 15ml TubeSave Up to25%Off listBlue The Reinvention of Watercolours Michael Harding Artists Watercolours offer the clarity and longevity of Harding's famous oils in watercolour form. The range offers 135 vibrant colours, 92 of which are single pigment shades excellent for clean color mixing. Each pigment has been carefully bound with gum arabic and honey to maximize its impact. Due to the inclusion of honey in the formula, these colours exhibit excellent rewetting properties and can be reactivated easily with water. A mix of traditional colours and modern shades are included to cater to various artistic styles. Plein air artists will appreciate the wide selection of greens, while portrait artists will enjoy using the large selection of earth tones. These watercolours boast remarkable vibrancy, clarity, and longevity, offering a gorgeous palette to bring your artwork to life. Click the item number to discover each colour’s pigment details Key Features: * Beautiful range of 135 colours * Highly pigmented and finely milled * Excellent lightfastness * Bold, intense colours * No fillers used * Crafted with care Perfect For: * Artists and students * Effortless application and blending * Painting washes, glazes, and details * Adding depth and strength with colour * Lovely granulating effects See More
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Weathered Blue Wide Country Chic Custom Wood FrameSave Up to96%Off listBlue Perfect for complementing landscape, sepia tone or black and white paintings or photos! Purchasing a beautiful, rustic, custom wood frame has never been easier. These gorgeous, weathered looking frames are available in narrow and wide styles with many different colors and in custom sizes. With the worn, weathered look of old barnwood, Country Chic Custom Wood Frames are perfect for landscape, sepia tone or black and white paintings and photographs. Dimensions: Narrow: Face 1½", Rabbet Depth 3/8", Overall Depth ¾" Wide: Face 2½", Rabbet Depth 3/8", Overall Depth ¾" Key Features: * Custom sized frames available * Weathered, rustic look * Available in narrow and wide styles Perfect For: * Landscape paintings and photos * Custom frame sizes * Country themed wedding decorations Please note: Most Custom Framing orders ship 2-3 days after ordering date. Due to the nature of custom frames, they will take longer to ship and are unable to be returned. They do not come with glass or backing. All custom frames will be cut with a 1/8" frame allowance. This is a standard allowance in the frame industry to allow for clearance. For example, if you order a 18x24" frame, it will be cut to 18-1/8" x 24-1/8". This will allow your 18x24" artwork or print to fit into the frame without being too tight. See More
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Caran d'Ache Neocolor II Water-Soluble Wax Pastels - Turquoise Blue, No. 171Save Up to20%Off listBlue Creamier than children's wax pastels - Use alone or with other media! Caran d’Ache products are globally acknowledged for high quality pigments and excellent lightfastness. Caran d’Ache Neocolor II Aquarelle Artists’ Water-Soluble Wax Pastels are softer than colored pencils, creamier than children’s wax pastels, and tremendously responsive to a wet brush. The Neocolor II Aquarelle Artists’ Water-Soluble Wax Pastels allow you to combine wet and dry techniques in the same composition. Because of their strong pigmentation, light colors cover dark colors and vice-versa. This wonderful medium may be used alone or with a combination of other media! Key Features:* Water-soluble* 4” IN long* 1/8” IN diameter* Perfect For:* Arists and students * Mixed media See More
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Bob Ross Soft Oil Color - Warm White, 37ml TubeSave Up to30%Off listWhite Ideal for Floral and Wildlife Painting! These twenty-two luscious, pigment-rich colors were picked from nature's gardens. They have a luxuriously soft, smooth flowing consistency, perfect in tone and texture for floral and wildlife painting. Ultimately blendable, they can combine to create unlimited hues of unimaginable beauty. All colors are available in 37 ml tubes. See More
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LUKAS Designer's Artist Gouache - Violet Bluish, 20ml TubeSave Up to67%Off listViolet A True Artists' Gouache! Opaque & Matte-drying to a velvety finish Opaque and matte-drying to a velvety finish, these fine water soluble paints & sets are the favorites of artists, illustrators and designers the world over! Using a base of high quality gum arabic and dextrin solution, these colors lift and flow easily, while a special additive allows you to paint large areas without streaking. Like all their lines, LUKAS uses only the finest in classic and modern pigments which score very highly on the international blue wool scale of light fastness. The high pigment content allows for superior covering power, and the frequent use of single pigment colors allows for clear and consistent mixing. Packaging styles may differ. Key Features:* 48 brilliant colors* 20ml Tubes* 75ml Tubes - Ivory Black & Opaque White* 20ml Tube sets of 6 or 12* Dries to an opaque, velvety matte finish* Exceptional covering power* Remains water soluble once dry* Outstanding fluidity, will not streak* High quality pigments with superior light fastness* Imported from Germany exclusively for Jerry's* Affordable gouache of incomparable quality* High quality gum arabic and dextrin solution* Colors lift and flow easily* Paint large areas without streaking* Perfect For:* Painting large areas without streaking* Illustration and design* Clean color mixing* Special additive allows you to paint large areas without streaking* Toxic and dangerous pigments like cadmiums and cobalt have been eliminated* Experimenting on dark colored surfaces* Bringing out intense detail in ways not possible with transparent watercolors* Adding opaque accents to a watercolor painting* Lightfast pigments ensure lasting results Germany's finest gouache is available in sets of 20ml tubes perfect for both studio use as well as taking on the road. LUKAS Studio Gouache Pro Set of 12, 20ml Tubes - White, Primary Yellow, Cadmium Yellow Light, Light Ocher, Primary Red (Magenta), Cadmium Red, Primary Blue (Cyan), Ultramarine Dark, Permanent Green, Burnt Sienna, Van Dyke Brown, and Ivory Black LUKAS Studio Gouache Starter Set of 6, 20ml Tubes - Opaque White, Cadmium Yellow Light, Primary Red (Magenta), Brilliant Green Blue, Medium Green, and Ivory Black LUKAS Studio Gouache Starter Set of 12, 20ml Tubes - Opaque White, Cadmium Yellow Light, Yellow Orange, English Red Light, Magenta, Cadmium Red Deep, Violet Bluish, Ultramarine Deep, Brilliant Green Blue, Medium Green, Yellow Ochre, and Ivory Black. See More
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Strathmore 500 Charcoal Paper 19"x25" - #130 White, Pack of 25Save Up to33%Off listWhite 100% Cotton Acid Free Premium Charcoal Paper/Pads The staple for charcoal and pastel artists for over 110 years, this 100% cotton fiber paper has a traditional laid finish that provides the precise shading control needed for these media. Colors include bright white, white, black and nine tints. Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, mixed media Key Features: * 64 lb. 95 g/m2* Laid Surface* 100% cotton fiber* Raised texture* Acid-free paper* 24 Sheet Pads: Wire Bound Perfect For: * Graphite pencil* Colored pencil* Charcoal* Sketching stick* Soft pastel* Mixed media Its raised texture is also suitable for pen, pencil, or art crayon Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Colors in pad include 3 sheets each of eight colors.Please note: The manufacturer reserves the right to substitute colors in assorted packs. Colors may be different than pictured. See More
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Bruynzeel 24ct Milkmaide Tin Set & Soho 5.6x8.26 White SketchbookSave Up to55%Off listWhite Designed in collaboration with Rijksmuseum (the Dutch National Museum) Inspired by the works of Van Gogh, Vermeer, and Rembrandt displayed at the Netherland's famous Rijksmuseum, the Rijksmuseum's sets have been designed in collaboration with Rijksmuseum (the Dutch National Museum) to help inspire artists by reminding them of the old masters. Much like the Rijksmuseum's vision of linking individuals with art and history, Brunyzeel Dutch Masters Pencil Sets link artists to some of the greatest artworks of all time. These graphite, and colored pencil sets contain colors and grades that were carefully chosen to evoke the work of the Dutch Masters. Available In Sets Of:* Graphite Pencil Tin Set of 12* Colored Pencil Tin Set of 24 - Milkmaid* Watercolour Pencil Tin Set of 24 - Van Gogh Portrait* Colored Pencil Tin Set of 50 - Nightwatch* See full description Rijksmuseum Bruynzeel Graphite Pencil Tin Set of 12 The Rijksmuseum Bruynzeel Graphite Pencil Tin Set of 12 has been designed in collaboration with Rijksmuseum (the Dutch National Museum) to help inspire artists by reminding them of the old masters. The set of 12 pencils come in a lovely tin and have a strong graphite core. The pencils have an excellent graphite transfer and a perfect balance in pencil hardness. The hardnesses of the pencils are as follows: 2H, 1H, HB, 1B, 2B, 3B, 4B, 5B, 6B, 7B, 8B, 9B. Milkmaid - Tin Set of 24 The Rijksmuseum Bruynzeel Colored Pencil Tin Set of 24 has been designed in collaboration with Rijksmuseum (the Dutch National Museum) to help inspire artists by reminding them of the old masters. This set includes 50 Bruynzeel Colored Pencils, one each of Burnt Sienna, Flesh, Brown Pink, Crimson Red, Light Flesh, Vermilion, Dark Red, Carmine, Permanent Orange, Madder Lake Light, Brown Ochre, Deep Yellow, Orange, Mid Orange, Yellow, Naples Yellow, Light Lemon Yellow, Yellow Brown, Yellowish Green, Leaf Green, Gold, Green, Olive Green Light, Chromium Oxide Green, Light Green, Deep Green, Emerald Green, Turquoise Blue, Sevres Blue, Viridian, Light Blue, Kings Blue, Indigo, Dark Violet, Mauve, Prussian Blue, Dark Pink, Candy Pink, Violet, White, Dark Gray, Dull Cold Gray, Cold Gray, Black, Black Intenso, Burnt Ochre, Dark Brown, Havana Brown, Ice Green, and Yellow Ochre. Night Watch - Tin Set of 50 "Developed with the Rijksmuseum, the most visited museum in The Netherlands, to pay homage to the Dutch Masters and their taste for high quality materials. Reusable tin cover art features The Night Watch, a famous Rembrandt painting. This 50-piece colored pencil set includes: rose (635), naples yellow red (670), pink (636), claret (637), purple (639), mauve (656), carmine (638), red (630), coral red (633), vermilion (631), scarlet (632), light orange (634), light red (628), light pink (624), orange (623), yellow (620), deep yellow (622), lemon yellow (625), yellow brown (629), light lemon yellow (621), yellow green (664), light green (660), moss green (665), green (661), green blue (667), azure blue (676), grass green (666), turquoise blue (652), light blue (651), cerulean blue (654), cobalt blue (655), ultramarine (650), Prussian blue (658), violet (653), red violet (659), blue violet (657), white (601), blue grey (678), cold grey (672), dark grey (674), black (610), umber (640), mid brown (644), dark brown (643), Havana brown (645), light brown (641), sienna (642), light ochre (626), yellow ochre (627), olive green (663)." Van Gogh Portrait - Tin Set of 24 "Developed with the Rijksmuseum, the most visited museum in The Netherlands, to pay homage to the Dutch Masters and their taste for high quality materials. Reusable tin cover art features a self-portrait of van Gogh. This 24-piece watercolor pencil set includes: black (410), dark grey (474), mid brown (444), light brown (441), Prussian blue (458), cobalt blue (455), turquoise blue (452), olive green (463), moss green (465), light green (460), yellow green (464), violet (453), blue violet (457), naples yellow red (470), candy pink (471), red (430), vermilion (431), orange (423), light orange (434), yellow ochre (427), yellow (420), lemon yellow (425), light lemon yellow (421), white (401)." See More
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Old Holland Classic Pigment Old Delft Blue 70gSave Up to25%Off listBlue Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Old Holland Classic Watercolor 18ml - Blue LakeSave Up to25%Off listBlue Made from only the best and purest pigments Old Holland Classic Watercolors are super intense colors made from extremely concentrated formulas. Old Holland has emerged as a quality leader in watercolor! Old Holland spent ten years assembling a range of 168 lightfast watercolor paints with the maximum degree of pigmentation that could be achieved. All color-making is done by hand. Made from the best and purest pigments! For great transparency, a binder was formulated based on distilled water in which bleached gum types, pure glycerin (99.9%), natural sugar syrups, honey, rabbit skin glue, and seaweed extract are dissolved. The color packs the greatest punch of any existing brand and is totally reliable with ASTM 1 or 2 lightfast ratings. Due to its highly concentrated nature, each color has an unsurpassed tonal range. Key Features:* Unparalleled colour strength* Rich range of 168 colours* ASTM 1 or 2 lightfast ratings* All color making is done by hand* Made from the best and purest pigments* Maximum pigmentation* Pigments are ground in stone* Binder based on gum arabic, glycerin* Silk screened colour example of the undertone on your tube* Highly concentrated* Unsurpassed tonal range* Available in 18 ml tubes (0.6 oz) Perfect For:* Watercolorists demanding the best* Depth and richness* Infinite shades* Mixing well and dry to a nice velvet finish See More
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Derwent Inktense Pencil - Antique WhiteSave Up to16%Off listWhite Water-Soluble Colored Pencil to ink in just one wash! Inktense Pencils are Derwents best watercolor pencils ever! You can use Inktense Pencils dry but mix them with water, and WOW! The color turns into vibrant ink. Once it's dry, the color is fixed, and you can work over the top of it because it is permanent. Derwent Inktense Pencils are great for using on fabric such as silk and cotton! Key Features:* Water-Soluble, Professional Quality Pencils* Colored Pencils are pre-sharpened* Use them dry or mix with water* Color is permanent once dry* Inktense Pencil Sets & Pencils* Sets of: 12, 24, 36, 72* Wood Box Set of 72* Round 8 mm barrel* Wide 4 mm core Perfect For:* Watercolorists* Pen and ink effects* Coloring book enthusiasts* Mixed media visual journals* Drawing on silk, cotton, paper, ceramic, and wood* Creating permanent fabric designs See More
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Canson Mi-Teintes Roll 59" x 11 yd in 335/WhiteSave Up to33%Off listWhite A huge favorite with colored Pencil, charcoal, and pastel artists! Canson’s Mi-Teintes is one of the world’s most celebrated papers for colored pencils, pastels, charcoal, and Conte’. Canson Mi-Teintes Assorted Color Sheet Packs cover a variety of color styles, for all artistic needs and interests. Mi-Teintes has a 55% cotton rag content, is gelatin sized, and has a sturdy 98lb weight, making it very strong and allowing repeated re-working in a variety of media. Each sheet has two distinct surface textures, one smooth and one with grainy texture, making it a marvelous work surface for pastellists, colored pencil artists, and charcoal lovers that enjoy working on a toned ground. Sheet size is 19" x 25" with 60 different colors available, 10 sheets per pack. Rolls are available in White and Black, and are 59" X 11 yards long. Key Features: * 55% cotton rag * Gelatin sized * Two distinct surface textures * 98 lb paper weight * Rolls available in Black and White Perfect For: * Pastellists, Colored Pencil Artists * Illustrators, Designers, and Fine Arts * Use with Charcoal, Conte’ sticks, Oil Pastels * Gelatin sizing accepts watercolor and gouaches * Use in Mixed Media See More
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Sennelier La Carte Pastel Paper - Antique White, 23"x31" (Pack of 10)Save Up to47%Off listWhite Especially Developed for Pastel Painting! La Carte Pastel Paper was the very first product developed especially for pastel painting. La Carte Pastel Paper has a 200 lb. stiff weight similar to Bristol. It cannot be easily folded, creased or punctured, unlike other pastel papers. La Carte Pastel has a neutral pH, slightly abrasive vegetable fiber coating that actually reacts with soft and oil pastels to provide enhanced adhesion and thus, reducing the need to heavily fix artwork. Key Features:* Available in 14 beautiful colors* Neutral pH* Velvety texture* Vegetable fiber coating for smooth tooth* Coating will not eat away even the softest pastel* Stiff 200 lb. weight* Surface can hold up to 25 layers of soft pastels! Available in 19x25” and 23x31” Sheets. Please note: Minimum Purchase Requirement is 5 SHEETS of the SAME SIZE in assorted colors See More
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Fabriano Tiziano Sheets (10-Pack) - Blue Grey, 20"x26"Save Up to45%Off listGrey Master Quality Papers That Will Stand the Test of Time This beefy paper takes most media beautifully allowing you to create with a full freedom of product including: pastel, charcoal, graphite, pencil, Conte Crayon, gouache, light washes and ink. This paper has a high-percentage mix of premium cotton and high quality cellulose so it is strong enough to take reworking. It is acid free and archival so it can last for generations. For this reason, artists at all skill levels, including students should use Tiziano instead of inferior grades of paper such as sulphite sketching papers or Newsprint. For after all, you never know what you want to keep. So even a quick sketch should be done on Tiziano. This 160 gram paper is available in 10 sheet packages in 20×26" sheets. See More
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Winsor & Newton Artists' Oil - Titanium White, 37ml TubeSave Up to50%Off listWhite Generations of Experience to Make Oils Like Winsor & Newton Winsor & Newton Artists' Oil Paints are made from only the finest pigments. 80 single pigment colours for clean mixing. Rich, buttery consistency. Winsor & Newton carefully formulates each tone for stability, tinting strength and coverage. Use them thickly with palette knives or brushes, or thin them to a very fine glaze. When milling oil color, each pigment must be treated as an individual, with every surface on each particle fully enveloped by fine oil—which is why Winsor & Newton researches, formulates, and mills each color individually. It is that perfect dispersion that translates into the signature "feel" and the luminous reflection that make fine oils so irresistible. Even more importantly, the dispersion determines stability in the tube and is a key player in the ultimate stability of the color on the surface. 99% of colors have a lightfast rating of AA or A providing permanence without compromising the choice of hue. The result is something that comes only with generations of experience and expertise in working with artists' color. 80 single pigment colours for clean mixing. Rich, buttery consistency Key Features:* Each color is researched, formulated, and milled individually* Buttery, vibrant and consistent* 130 Colors / 80 are single pigment colors * Optimum tinting strength when reduced with White* Perfect For:* Techniques from impasto to glazing* Cleanest, brightest colors with the best color mixtures * The Permanence and longevity of paintings* The most responsive feel beneath the brush and great versatility Combined with strength of color, single pigments provide a wide color range in themselves and offer cleaner, brighter mixtures with an infinite range of hues. This is particularly important for greens, violets, and oranges. There are 80 single pigment colors in the Artists' Oil Color range. Winsor & Newton Artists' Oils Shades of Grey: Charcoal Grey, Davy's Grey, Payne's Grey, Silver, and Pewter Winsor & Newton Artists' Oil Introductory Set of 10, 21ml Tubes: Winsor Yellow, Crimson Alizarin, Ultramarine Green Shade, Winsor Blue Red Shade (Phthalo), Winsor Green (Phthalo), Yellow Ochre, Indian Red, Burnt Umber, Ivory Black, Titanium White Are Winsor and Newton oil paints good? Yes! Winsor and Newton oil paints are formulated with the finest pigments for beautiful colours with excellent tinting strength; They are a great choice for amazing painting results at using higher quality oil paints for better results. Made in London, Winsor & Newton (also abbreviated W&N) is an English manufacturing company. See More
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Michael Harding Medium Non-Absorbent Acrylic Primer White 500mlSave Up to25%Off listWhite Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
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MAX Water-Mixable Oil Colors 37 ml Tube - Titanium WhiteSave Up to50%Off listWhite Maximum Performance with Water! These oils have a rich buttery consistency with the same feel and performance as conventional oils. The difference is they may be thinned and cleaned with water. Due to their modern formulation, MAX colors provide you with a permanent non-yellowing white. You can mix traditional oils into these colors in small amounts and still retain its "water friendliness." Use with virtually any type of brush, with any oil medium, on any type of surface. Sacrifice nothing without having to deal with caustic solvents. Excellent for people with sensitive skin, those prone to rashes and for classroom use. Key Features:* Professional quality* High-quality lightfast pigments* Dries Fast! In less than 1 day* Can be mixed with Water (no need for harsh solvents)* Available in 37ml and 150ml Titanium white* Beautiful colors* Texture is consistent* Cleans up easily Perfect For:* Eco-Friendly Art Studios* Smooth, buttery painting* Painting with synthetic brushes* Painting without any harsh chemicals* Quick drying oils* No toxic chemicals needed for cleaning* Very smooth and easy to work with See More
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Jo Sonja's Background Colour - Soft White, 6oz BottleSave Up to38%Off listWhite Flow formula acrylics, opacity of color & velvet matte finish Chroma's Jo Sonja's Background Colors are specially formulated for easy one-coat base coating and are intended for all decorative and fine art applications. Use straight from the jar as a background color or combine with other Jo Sonja's colors for dramatic effects. Made from the finest artist-quality pigments, all of Jo Sonja's Background Colours are independently tested to ensure that your colors will not fade over time. They are safe, water-based, and clean up easily with soap and water. Suitable for all surfaces including paper, paper mache, card, canvas, wood, fabric, tin, terracotta, glass, and tile.* Specially formulated to provide one coat coverage* 6oz bottles* Sets of 12: 2oz bottles* Include fillers to smooth out imperfections* Various techniques and special effects* All decorative and fine art applications* Made from the finest artist quality pigments* Colors will not fade over time* Safe, water based* Clean up easily with soap and water* Suitable for all surfaces Jo Sonja's Background Colour Sets: Specially formulated for easy base coating. Intended for all decorative and fine art applications. Choose from Classic Colours, Clear Colours, and Potting Shed Collection Colours, all sets of 12, 2oz bottles. Directions:* For one step basecoat, mix and apply paint and All Purpose Sealer beginning with approximate proportions of 2 parts paint to 1 part All Purpose Sealer. The amount of All Purpose Sealer may be increased up to a ratio of 1:1. Basecoat may be applied with a brush, roller, or sponge. Sand when dry and apply a second coat as needed without the addition of sealer.* To thin, add small amounts of Flow Medium until desired consistency is reached. Thinning with water may decrease the adhesion of the paint to the surface/* Chroma’s Jo Sonja Background Colors may be applied using an airbrush by thinning with Flow Medium approximately 1:1. All Purpose Sealer may be added for increased adhesion beginning with a ratio of 2 parts paint to 1 part All Purpose Sealer. Thin as needed using small amounts of distilled water to adjust consistency. Approximate Coverage: 1ml = 188 sq cm 1 oz = 6 sq ft See More
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Claessens Linen #15 Double Oil Primed Medium Texture Roll, 54" x 3 ydSave Up to66%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Da Vinci Pro Medium Textured Panel 16"x16", 1-5/8" DeepSave Up to75%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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PanPastel™ Pearl Medium - White (Fine)Save Up to25%Off listWhite The world's first true pastel mediums! PanPastel Mediums are additives that can extend the techniques and finished effects and alter how your colors work. These mediums have all of the great characteristics of PanPastel colors including being incredibly mixable, erasable, low dust, and lightfast. Pearl Mediums can give paints a jewel-like quality and can create specialized tints. The colorless blender increase transparency in any PanPastel colors. The Mediums Set of 5 includes all 5 mediums, one large sponge, two small applicators, and a small handled applicator. Key Features: * Fine Pearl Mediums create subtle, soft pearl sheen * Coarse Pearl Mediums contain larger particles for shimmering sparkle * Colorless blender increases transparency and enhances color “flow" * Low Dust, lightfast, professional quality Perfect For: * Enhancing Pastel and Mixed Media Artworks * Pastel Artists of all Levels * Creating unusual effects * Use with PanPastels and Traditional Pastels See More
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Sennelier Acrylic Medium Gel Binder 17ozSave Up to33%Off listWhite Premium quality acrylic mediums now available in a easy to use, easy to store pouches! Sennelier Acrylic Mediums pouches are a new addition to a 130 year legacy of combining the traditions of the old masters with the innovations of modern chemistry. These versatile, professional quality mediums can be used with abstract and Sennelier Artist Acrylics Mediums and are available in 120ml and 500ml pouches. * Gesso is a universal primer with great coverage for non-oil surfaces. It can be tinted by mixing with Sennelier Acrylics and is ideal for use with acrylic, oil & egg tempera paints. * Gloss Varnish enhances the luminosity, depth and adherence as a glossy medium and creates a glossy, UV protective film when applied with a dry brush. Permanent when dry, it can also improve the adhesion of paint. * Modeling Paste is a thick, white paste used to achieve textures and carved effects. This water-soluble modeling paste can be tinted by mixing with Sennelier Acrylics and is water-resistant when dry. * Water Gloss Gel has a similar consistency to acrylics and improves transparency, depth, and vibrancy of colors. It is also a great adhesive for use in mixed media art work. * Acrylic Binding Gel Medium is ideal for use as a binder with pigments to customize paints and as an adhesive for mixed media techniques. It produces a smooth, permanent satin finish and can be used to seal slick and porous surfaces. Key Features: * Acrylic mediums come in convenient 120ml & 500ml pouches * Can be mixed with abstracts and Sennelier Artist Acrylics * Available in Gesso, Gloss Varnish & Modeling Paste mediums * Water Gloss Gel & Acrylic Binding Gel can also be used as adhesives Perfect For: * Studio & classroom use * A variety of surfaces * Mixed media artists * Mixing with acrylics for custom tints See More
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Grumbacher Pre-Tested MG Underpainting White, 150 ml TubeSave Up to42%Off listWhite Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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Schmincke Horadam Watercolor Onetz, 15mlSave Up to32%Off listWhite Horadam Watercolors Outperform All The Rest! Liquid Oxgall and Onetz are natural thickened wetting agents for watercolors and gouache. You can use oxgall to decreases the surface tension of the colors diluted with water. You should use oxgall sparingly. Dissolved oxgall tends to flocculate during a long period of storage, but this has no influence on the product's handling. Key Features: * Oxgall is water-mixable * Dilute the product with a little water and mix it into the paint separately on a palette * Use sparingly! * Clean working tools as soon as possible with water or water and soap * Dissolved oxgall tends to flocculate during a long period of storage; this has no influence on the product`s handling * Close immediately after use * Store in a cool and dry place Perfect For: * Watercolor and gouache * Decreasing surface tension in colors diluted with water * Levelling agent for watercolors * Professional artists with high standards * Color mixing * Degreasing paint undercoats * Students, teachers, professionals * Soft sized papers See More
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Pebeo Studio Acrylics Mediums - Sand Textured Gel (White), 250mlSave Up to25%Off listWhite Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More
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Bob Ross Liquid White Oil Medium 8oz (237ml) JarSave Up to25%Off listWhite Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
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Winsor & Newton Galeria Acrylic Mediums - White Gesso Primer, 1 LiterSave Up to30%Off listWhite Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More
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Liquitex Acrylic Gesso Surface Prep Clear Gesso 8 ozSave Up to39%Off listWhite Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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Norma Blue Water-Mixable Oil Color - Titanium White, 35ml TubeSave Up to36%Off listWhite Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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Cretacolor Aquagraph Watersoluble HB Blue Graphite Pencil, Box of 3Save Up to27%Off listBlue Deluxe water-soluble artists' colored pencils! Creatacolor has turned their considerable expertise in pencil-making to craft this superior line of water-soluble artists' graphite pencils! Years ago, they created the water-soluble Graphite Aquarelle pencils, and they have created a new version called Creatacolor Aquagraph that is a water-soluble graphite pencil with a subtle tint of color. The new Aquagraph colored pencils are available in the colors Red, Blue, and Green. When wet, the pigment becomes more apparent on light paper. AquaGraph Watersoluble Colored Pencils are ideal for sketches, finished drawings, and watercolor-style techniques using only graphite. Key Features:* Water-soluble graphite dissolves completely* Can be used wet or dry* Water-soluble core in a cedar casing* Colors available in HB hardness* When wet, the color becomes more apparent* Perfect For:* Watercolor-style techniques using only graphite* Preliminary sketches and finished art* Mixed media projects* Adding shading and depth to any graphite art* Colored graphite drawings and color washes Cretacolor Watersoluble Graphite Pocket Tin Set of 6 includes the original Graphite Aquarelle pencils are available in three grades of hardness HB, 4B, and 8B. Each grade shades out to smooth gradients of grey, and they are ideal for sketches, finished drawings, and watercolor-style techniques using only graphite. The set also includes one each of the new tinted Red, Blue, and Green AquaGraph pencils. Use them wet or dry, then brush over with water. See More
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Richeson Shiva Oilstik - Ultramarine BlueSave Up to29%Off listBlue Shiva Paintstik Oil Colors - Tradition, Quality & Stability Richeson Shiva Paintstiks® are solid oil paints in stick-form that easily blend straight from your stick onto paper, board or canvas. Great for Plein Aire painting and quick sketches. Use with painting medium and brush for adding detail or creating soft blends. Colorless and Iridescent blender sticks are easy to use since no mediums are required. Paint dries to the touch within 24 hours. Tradition, Quality & Stability Key Features:* Each stick measures 4.5" long x .62" diameter* Fade-proof and Non-Toxic* Easy clean-up: soap and water or baby wipes* Rich, creamy and buttery consistency* Colors are fully mixable* Most colors dry within 24 hours; permanent when dry* Compatible with other oil paints and mediums* Convenient for on-the-go painting* Colorless blenders - without pigment - available* Most colors are non-toxic - AP* No unpleasant odors or fumes, so you can paint virtually anywhere Perfect For:* Ideal for sketching and outlining* Fade-proof and Non-Toxic* For the professional artist, art student or amateur artist* Effective medium to think out shape* Composition and color, without a palette or mixing cup* Spread or blended and used in conjunction with conventional oil* They are self-sealing* Convenient for on-the-go painting* Paint virtually anywhere, at any time, on almost any surface* Draw directly on paper, wood, canvas and other surfaces* Varnishes may be applied to finished paintings after they are completely dry Shiva Artist's Paintstik Oil Colors are a refined linseed oil blended with quality pigment and solidified into a convenient stick form. They are also a useful aid to the art teacher to help students grasp fundamentals of oil painting without using classroom time for mixing paint and clean-up. You can actually paint "wet into wet" with a solid oil stick, allowing a feeling of free, spontaneous expression. In most cases, the paint dries in 24 hours. Artist's Paintstik Oil Colors are available in 51 Professional Colors, 12 Student Colors, and 16 Iridescent Colors. See More
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Grumbacher Academy Watercolor, Cobalt Blue Hue - 7.5 ml TubeSave Up to36%Off listBlue Only finely ground pigments are used in making this smooth, rich paint Made in the USA, Grumbacher Academy Artists' Watercolors are a collegiate line of 60 watercolor paints at an affordable price. Only finely ground pigments are used in making this smooth, rich paint. Either straight from the tube or when mixed with white, strokes and washes are vibrant and luminescent. All colors conform to ASTM D 4236 and are labeled AP. Made in the USA. Academy is an amazing watercolor at an affordable price using only the finest pigments, finely ground and evenly dispersed for vibrant washes and gradations. Easily rewettable with water cutting down on waste and perfect for making your own semi-moist colors for outdoors. Grumbacher® shares in this tradition as one of the only paint manufacturers in the world to produce its watercolors in America. The Academy® line of watercolor paint offers value and superior quality to artists of all levels. Key Features:* Quality line of 60 colors* Traditional ingredients* Finely ground pigments* Easily rewettable with water* Made in the USA* Available in 7-1/2ml tubes* All colors conform to ASTM D 4236 and are labeled AP* Perfect For:* Quality that it is often used by professionals* Vibrant washes* Quality at affordable prices* Outdoor painting* Students and Professionals Grumbacher Academy Watercolors offer a quality line of 60 color paints at an affordable price. Only finely ground pigments are used in making this smooth, rich paint. Either straight from the tube or when mixed with white, strokes and washes are vibrant and luminescent. See More
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Sennelier Giant Solid Oil Stick - Titanium Buff, 96mlSave Up to35%Off listWhite Made from pure, concentrated pigments, the finest safflower oil and high-quality mineral wax Sennelier Extra-Fine Artist Oil Sticks can be used alone or in combination with tube oil paints. Like regular oils, they can be diluted with turpentine and dry to a hard film. These creamy, lightfast sticks may be used for sketching or for producing complete works of art on any traditional oil paint surface. Sennelier Artists’ Oil Sticks allow you to approach oil painting in an entirely new and expressive manner. They extend the degree of spontaneity, allowing for greater freedom in approach and without the need for a brush. Please note that packaging may vary - same great oil painting stick, with a new label! Key Features: * 82 colors available * Series 1: 41 colors (labeled S1) * Series 2: 21 colors (labeled S2) * Series 3: 20 colors (labeled S3) * Made of pure pigment, safflower oil, and mineral wax * Excellent lightfastness ratings * Can be diluted with turpentine * Intermixable with oil paints and mediums Perfect For: * Oil painters * Use for quick sketching * Canvas, panels, boards * Working with texture effects * Painting complete works of art * Traditional and contemporary techniques Sennelier Oil Sticks are a combination of oil paint, with a small amount of the oil substituted with natural mineral wax enabling them to be produced in stick form. These sticks are produced from pure pigments and have the highest possible lightfast and permanence ratings. Oil sticks can also be fully intermixed with conventional oil colors and mediums. A special mineral wax gives the sticks a creamy consistency, which ensures the adhesion of the color on all commercial oil painting surfaces. These Sennelier Extra-Fine Oil Sticks contain selected vegetable oils to guarantee permanent protection against yellowing. Varnish can be applied to your work after 6 months, as with conventional oil paints. Before using these Sennelier Extra-Fine Oil Sticks, remove the fine protective film on the stick. This film will re-form in a few days if the stick is not used. Colors dry in 2-4 days, depending on the thickness of the paint layer and the ambient temperature. See More
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Blockx Oil Color 35 ml Tube - IndigoSave Up to65%Off listBlue Finest Quality Artists' Oil Colors Made and processed by the Blockx family in Belgium, still handground in the Blockx tradition with slowly rotating stone mills, our extra-fine artists' colors are made from the finest selection of pigments and oil. Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself. All colors have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast. Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying. As an oil colorist you deserve the very best colors to paint with. Blockx has been made in the same way in Belgium by family members for over 140 years. Today, Blockx is the oldest artist paint manufacturer continuously run and operated by a family. The story began when Jacques Blockx, a noted chemist, was asked by his artist friends to make reliable oil colors that would be permanent and extremely expressive. His formulas for permanent and lightfast colors are legendary and carefully guarded by the Blockx family today, who still test each batch of color to personally insure absolute quality and satisfaction. Key Features:* Slowly stone ground in pure Poppy Seed Oil* 84 colors available in 35ml & 200ml tubes* The preferred color of Rene Magritte, Salvador Dali and Frank Stella* All colors have a minimum lightfast rating 7 out of 8* Made from the finest selection of pigments and oil* Maximum lightfastness, buttery consistency and easy mixing on the canvas* Iron oxides, earths and blacks are ground with linseed oil* Other pigments are ground with poppyseed oil* Lack of yellowing and the non-forming of wrinkles at the time of the drying* Colors produced in maximum color concentration Perfect For:* Colors in still life that deliver consistent results* Fine quality paint that moves beautifully* Beginner to Professional artists* Amazing pigment load* Color that holds it's tone beautifully when mixed with titanium white* Use in studios or professional classrooms New: historical pigments handground with poppyseed oil; Vermillon, Naples yellow light, Naples yellow dark, Lapis Lazuli How Blockx Oils Are Made Using Blockx oils is a tactile experience—they are creamy yet firm, and allow the artist to feel the color with brush or painting knife. Indeed Blockx is a bit expensive, but these paints are worth every penny. An investment in Blockx is an investment in your art and truly one that will pay dividends in the future. Mixing: Pigments, oil, generally poppyseed oil, and specific ingredients are pre-mixed according to their particular nature to achieve the best paste for milling. Grounding: The paste is ground on a three roll mill made of stone rolls, to preserve the purity of paints, rotating at low speed to avoid heating. This operation is conducted 3 or 4 times-each time reducing the size of particles-allowing us to fill the tube immediately to preserve all the qualities of the paint. Test: Besides the long experience of the craftsman, numerous checks are made of particle size, consistency, drying time, density, and so more. A sample of each batch is carefully kept for years. See More
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