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Gamblin Artists Oil - Cadmium Red Light, 8oz CanSave Up to40%Off list
Starting At: 7.80
Red Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More -
Golden Heavy Body Acrylic - Benzimidazolone Burnt Orange, 8 oz TubeSave Up to30%Off list
Starting At: 8.74
Orange Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More -
GOLDEN Fluid Acrylics Iridescent Gold Deep (Fine) 8 ozSave Up to30%Off list
Starting At: 13.50
Iridescent GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More -
GOLDEN Open Acrylic Paints Pyrrole Red 8 ozSave Up to30%Off list
Starting At: 8.74
Red Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More -
Gamblin Oil Painting Ground 8oz CanSave Up to40%Off list
Starting At: 15.00
White Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More -
Gamblin Burnt Plate Oil #000 8oz BottleSave Up to40%Off list
Starting At: 4.50
Brown True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More -
Pintura Painting Canvas 12x16" Wood Panels, Pack of 2Save Up to57%Off list
Starting At: 3.10
White Acid-Free Fine Textured Canvas! Made from special (approximately 5/32" thick) compressed wood and covered with an even textured canvas that has an acid-free, all media priming. They offer artists the ability to upgrade from Canvas Panels made of cardboard and canvas. With these painting panels you still get the classic appeal of a true canvas support with the stiffness and lasting quality of wood. Sold in packs of 2. Key Features:* Made in Italy* Panels made of (5/32" thick) compressed wood* Acid-Free textured canvas* All media priming* Durable and lightweight * Fine tooth Perfect For:* Frames with shallow rabbets* Plein aire painting* Portraiture* Oil and Acrylic "These panels are lightweight, fit in frames with shallow rabbets, do not puncture and are therefore sturdy in transit, and are reasonable priced. The only personal variable to consider is if you like the texture of the canvas covering. I keep buying these because I do like to paint on them." - Anonymous See More -
SoHo Urban Artist Painting Boards 12x16" Pack of 5Save Up to63%Off list
Starting At: 3.67
White Artist Canvas Textured Boards For Practice, For Fun, or For Keeps! With SoHo Urban Artist Canvas Texture Painting Boards, exploring your own creativity has never been easier! The boards are made from strong 2.3mm stock board mounted with a textured canvas paper that works universally for any kind of media. SoHo painting boards have been created to offer greater economy than traditional turned edge canvas boards. They are perfect for working up studies, for developing new techniques and may be framed for works you want to keep. Whether you like to create your art work with oil, acrylic, watercolor, marker, colored pencil, charcoal, printmaking, or even collage, Artist Painting Boards are the perfect surface for the project of your choice. Key Features:* 2.3mm stock board mounted with textured canvas paper* Versatile canvas boards for a variety of projects including painting, sketching, stamping, block printing, and mixed media* Canvas paper that works universally for any kind of media* Sold in packs of 5 and larger* First choice for artist's quick studies Perfect For:* Create your art work with oil, acrylic, watercolor, marker, colored pencil, charcoal, printmaking, or even collage* Paints, colored pencils, markers, dry media, printmaking and more* Turned edge canvas boards and may be framed* Artists of all skill levels* See More -
AlumaComp Aluminum, 12"x16" Archival Painting & Mounting PanelSave Up to78%Off list
Starting At: 1.85
Silver 100% Archival / Unprimed Aluminum Boards - Acid Free- Adds Value to Your Artwork 100% Archival Boards - Acid Free- Adds Value to Your Artwork Great for Plein Air Painting - Painting on metal panels has been historically recorded since before the times of Rembrandt, who painted many of his great masterpieces on copper. In the last 20 years, professional artists have been moving towards working on aluminum composite panels (ACP), which feature lighter weights and stronger construction. AlumaComp is widely used for mounting fine art, photographs, linen and canvas to create an incredibly stable painting panel, or to use on its own as a reliable, archival painting support. The brushed aluminum surface takes primer beautifully, providing texture that grips the primer for a perfect bond. The smooth aluminum surface can be used as is to take advantage of its' beautiful finish, or custom sanded or polished for any texture necessary for your artistic applications. When used as a painting panel, the smooth side can be used as the work’s actual highlights for a modern look— either left bare as is, or sanded/buffed back to the bare metal before varnishing to take advantage of the metallic glow. Simply peel the screened film used to protect both sides, and let your creativity do the rest. Key Features: * Double-sided – one brushed aluminum, one polished smooth * 100% Archival Rigid and strong, yet lightweight * 4mm (3/16") thick * Acid-Free - Archival, will not decay * Prime and Paint in traditional oils & acrylics * Use primed or unprimed * Accepts most fine art media, primed or painted directly * Perfect for use as a mounting surface for photography, linen and canvas, even image transfers * Will not mold, or mildew like stretched canvas or wood panels * Can be Framed - No backing board needed * Sold Individually or in Boxes of 2 Perfect For: * Adding Value to Your Art * Plein Air - Lightweight & free from moisture * Professional Photographers, Fine Artists, Graphic Artists * Oils, Acrylics, Mixed Media, Watercolors * Art Prints, Inkjet, Screen Printing, Photos * Creating artwork with a fresh, modern look * Saving shipping costs to clients and galleries, due to lighter weight * Experimental and modern art * Working in environments where humidity levels fluctuate* See below for the larger sizes sold in boxes of 2: 36" x 36" - 18" x 72" - Also not for larger sizes, may need to support to prevent bending Professional Artist Eric Armusik "My work requires the highest standards and after 15 years of painting on wood i have abandon it forever after painting on AlumaComp, I will be painting all 40 large panels using this substrate as well as many more paintings, commissions and mounting of my prints", "It's an amazingly versatile substrate for those who want the smooth surface of a panel but are afraid to paint on something like wood which is prone to warping" Eric Armusik, (b. 1973) paints classical figurative art that fuses his life experiences with art history. His paintings are a declaration to the dramatic power of representational art. The origin of his inspiration does not lie in academia, but rather his childhood, surrounded by the vivid paintings he saw in Gothic cathedrals as a child. Eric doesn’t aspire to simply paint a figure; he paints a moment, a human experience, and an emotional dialogue that transcends culture, religion and time itself. See More -
Da Vinci Pro Liquid Art Panel 12"x16", 1-1/2" DeepSave Up to68%Off list
Starting At: 2.85
White Professional Art Panels with 1/8" raised lip to contain media Contain Your Media While Your Imagination Runs Wild! The Da Vinci Professional Liquid Art gesso panels feature a 1/8" raised lip which is part of the frame around the panel itself. The natural wood can be left as-is or stained and painted for frameless presentations. Gessoed with a professional quality gesso and great for use with Fluid Acrylics, High Flow Acrylics, Glazing liquids, Pouring Mediums, Encaustics, Pebeo Resin Paints and Alcohol-based dyes. Available in several sizes, with a choice of 3/4" or 1.5" depth. Great for Fluid acrylics & High flow acrylics, Liquid art techniques and pouring paints & pouring mediums. Contain Your Media While Your Imagination Runs Wild! 1/8" raised lip in 3/4" or 1.5" cradle depths Key Features:* 1/8" raised lip to contain media* Choice of 3/4" or 1.5" cradle depths* Quality gessoed surface* Natural wood frame* Accepts various liquid media* Can be unframed, framed or shown in floater frame* See Videos and Jerry's LIVE Perfect For:* Allowing artisitc freedom while containing media* Resin-based paints * Acrylics and mixed media* Fluid acrylics & High flow acrylics* Pouring paints & pouring mediums* Encaustics* Resin pours, Alcohol inks & dyes* Gouache and pouring mediums* Watch Our Jerry's LIVE Demo on Painting & Pouring on our Liquid Art Panels Relax, play, and enjoy the process of producing a pouring painting with Turner Acryl Gouache and Pouring Medium, on a Da Vinci Pro Liquid Art Panel. No drawing or prior art skills required! Want the full supply list to follow along? Click Here Da Vinci Liquid Art Professional Panels with 1/8" raised lip is the only line to come in size 1.5" deep! See More -
Nujabi Individually Handmade Watercolor Paper Sheets 200 lb Soft Cold Press 12" x 16" (Pack of 100)Save Up to67%Off list
Starting At: 13.77
…deckle edges!* 100% cotton, Acid-free* 200lb Soft Cold Press Handmade Papers* Paper making method with more than a thousand years of tradition behind it* Absorbs the paint quickly so perfect for wet on wet* Can take multiple layers of paint* Also In: Circle Round: 16in Diameter Artist Testimonial… Individually Handmade Watercolor Papers Made of 100% cotton these acid-free sheets are handmade sheet by sheet in a paper making method with more than a thousand years of tradition behind it. Since this is a handmade sheet the surfaces may be a bit different than what you are used to. Nujabi paper does not contain much sizing unlike other watercolor papers on the market, as a result, only small amounts of water can be used on Nujabi paper. The soft cold pressed handmade watercolor paper is more in line with the texture of a cold pressed mould made sheet but the grain is softened so it may be easily drawn on. Key Features:* Handmade Indian Watercolor Paper (not cut sheets)* All sheets with natural deckle edges!* 100% cotton, Acid-free* 200lb Soft Cold Press Handmade Papers* Paper making method with more than a thousand years of tradition behind it* Absorbs the paint quickly so perfect for wet on wet* Can take multiple layers of paint* Also In: Circle Round: 16in Diameter Artist Testimonial & Review "I loved this paper the moment I touched it. Marie's Oil Paints seem to keep a lot of vibrancy on the paper. The texture is wonderful for dry brush experimentation. I'll always keep a few sheets on hand to see what I can do with it." See More -
New York Central Professional Watercolor Panels Stonehenge Aqua 140lb Hot Press 1-5/8" Panel 12x16"Save Up to46%Off list
Starting At: 10.01
White Hand-mounted 100% Cotton Acid-Free Watercolor Paper Your favorite watercolor paper mounted to the finest Birch wood panel with acid-free and waterproof adhesive. The mounted paper won't buckle or warp when wet because it's glued to the panel. New York Central Professional Watercolor Panels provide a fresh, modern way to present your artwork without a frame. Each panel is hand-mounted with your choice of paper! Choose from these 100% cotton watercolor papers: * New York Central Bright White: Hot Press, Cold Press or Rough * Arches Natural White: Hot Press, Cold Press or Rough * Arches Bright White: Hot Press, Cold Press or Rough * Fabriano Artistico Bright White: Hot Press, Cold Press, Soft Press or Rough * Stonehenge Aqua: Hot Press or Cold Press To choose your preferred paper brand see the buttons below Finished work can be framed under glass or sprayed with an acrylic polymer for frameless presentation. Golden polymer coatings are available in gloss, matte, or satin finishes and help protect your artwork. For a resin finish, we recommend Pebeo Glazing Resin. Hang Without A Frame For A Fresh Modern Look Key Features: * Birch wood panels * 7/8" or 1-5/8" profile * Archival waterproof adhesive * 140lb 100% cotton, acid-free papers and surfaces * Available in eight sizes from 6" x 8" - 18" x 24" * Warp-resistant birch with kiln-dried New Zealand pine cradles * Paper mounted by skilled artisans Perfect For: * Artists seeking a museum-quality, archival surface * Artists looking for a sturdy, non-buckling watercolor surface * Mixed Media applications * Frameless presentation * Permanent works of art Please note: We carefully make each order by hand. As a result, it may take longer for your order to ship. See More -
GOLDEN MSA Varnish w/ UVLS, Matte 8ozSave Up to30%Off list
Starting At: 10.49
…used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More -
New York Central Acrylic White Gesso, 8oz BottleSave Up to55%Off list
Starting At: 4.59
White Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More -
SoHo Paper Palette Pad w/o Thumb Hole 12x16"- White 30 SheetsSave Up to42%Off list
Starting At: 5.49
White Disposable white paper palette pads - 2x thicker than any other brand A good palette pad must not frustrate you. There are several ways it can. It can wrinkle, it can bleed through and it can be torn from the edge of a palette knife. The Soho Paper Palette Pad features 100 gram coated sheets that can hold lots of paint, will not bleed through to the next sheet, and are beefy enough to take the occasional nick from a palette knife.To utilize just lay out colors, use as you would any palette and discard when done without the need of scraping off a palette. These pads are available with or without a finger hole depending on how you want to employ the palette. 2x thicker than any other brand - Paint will not bleed through to next sheet Key Features:* 30 sheets in each pad, Multiple Sizes* 100 gram coated sheets* Available with or without thumb hole* Extra heavy sheets* 2x thicker than any other brand* Won't tear when using a palette knife* Paint will not bleed through to next sheet* Wrinkle free with most applications! Perfect For:* Acrylics and Oils* Alkyds* Caseins* Palette knife use* Easy clean up* On the go* Studios, workshops & classrooms Each has 30 sheets—not 50—for two reasons. Reason one is to make it lighter for traveling and reason two is because by the time an artist uses 25 sheets the palette is a little worse for wear. 30 sheets is a nice compromise.To utilize just lay out colors, use as you would any palette and discard when done without the need of scraping off a palette. These pads are available with or without a finger hole depending on how you want to employ the palette. See More -
Creative Mark Watercolor Palette with Cover, 42 WellsSave Up to17%Off list
Starting At: 22.38
…Color mixes well without staining or beading up on the plastic* Deep slant of the wells makes for very easy re-hydrating of the paints* Preserves unused watercolor paints* Cover can be used as a large mixing area (see video)* Great value* Artist Testimonial "I have bought 10 of these palettes and… Large mixing area, wells & mixing pallet w/ Lid The Creative Mark Watercolor Mixing Palette with Lid is a well constructed 12" x 16" white plastic watercolor palette that has 42 small square wells, 4 large mixing areas for mixing color. Includes a palette cover that features a 9" x 12 ¾" unrestrained mixing area. 42 small square wells, 4 large mixing areas for mixing color with Cover (can be used to mix on as well!) Key Features:* Made of white durable plastic* Includes palette and cover* Cover to help prevent the paints from drying out* 42 small square wells* 4 large mixing areas for mixing color* Features a 9" × 12¾" unrestrained mixing area* Dimensions: 12" x 16"* Divided into four sections* Color mixes well without staining or beading up on the plastic* Deep slant of the wells makes for very easy re-hydrating of the paints* Preserves unused watercolor paints* Cover can be used as a large mixing area (see video)* Great value* Artist Testimonial "I have bought 10 of these palettes and have used them for more than 15 years. I recommend them to all of my students. So much room for mixing and the lid gives you more room than you can use." See More -
Jo Sonja's Acrylic Gloss Varnish (Polyurethane), 8ozSave Up to38%Off list
Starting At: 5.01
…your painting, these Jo Sonja Mediums can help you. Key Features: * Texture and effect mediums * Thin or thicken paint viscosity * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Jo Sonja paints Perfect For: * Jo Sonja acrylic paints *… Take your paintings and techniques to the next level! Jo Sonja's range of acrylic mediums will help you take your painting to the next level from preparation, to special effects, to finishing. If you want to add texture, glaze, sparkle, or crackle effects to your painting, these Jo Sonja Mediums can help you. Key Features: * Texture and effect mediums * Thin or thicken paint viscosity * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Jo Sonja paints Perfect For: * Jo Sonja acrylic paints * Creating special effects * Faux finishers * Finishing a painting * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Crackle Medium: A transparent medium that causes Jo Sonja's Colours to separate into crackled patterns of various sizes. You can use the crackle medium to simulate the effects of aging. Flow Medium: an acrylic flattening agent used to level out the textural properties of Jo Sonja acrylic paint. Flow Medium is used to thin paints and other mediums. Water may dilute the paint's acrylic binder, reducing its adhesive qualities. When Flow Medium is added in small amounts, it produces a thinner, smoother paint that leaves no brush marks. Glazing Medium: A transparent acrylic glazing medium you can use alone or with Jo Sonja's Artists or Jo Sonja's Background Colours. Mix with acrylic color to seal as your basecoat or alone on raw wood as a light sealer. A coat of Glazing Medium is recommended before staining for an even application of stain. Polyurethane Varnish: Provides the toughest finish available with excellent corrosion, chemical, scratch, and wear resistance. Use indoors or outdoors to provide maximum, long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working or "open" time for blending. Opal Dust: Jo Sonja's Opal Dust is a clear gel that contains tiny light-reflecting holographic particles, which create an interplay of colors reminiscent of gems. Opal Dust may be used alone or applied to a dry pre-painted surface. It is suitable for various surfaces, including paper, card, glass, transparency film, plastic, canvas, wood, terra cotta, tin, fabric, silk, or dried flowers. Mix with Jo Sonja's Artists' Colors before applying for a more subtle effect. Drying time depends upon the thickness of the application. Brushstrokes are evident when wet but disappear when fully dry. See More -
Chroma Atelier Interactive Mediums and Additives - Pouring Medium, 8ozSave Up to40%Off list
Starting At: 7.39
…touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects… Do more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics with Slow Medium. Traditional gels and pastes are excellent for adding texture and structure to your painting while also extending your paints. All of the Chroma Atelier Interactive Mediums offer limitless creative possibilities. Key Features: * Thin or thicken paint viscosity * Increases color transparency * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Chroma Atelier Interactive paints Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Pouring painting techniques * Faux finishers * Experimenting with different textures and techniques Unlocking Formula: is used to reopen touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects and pouring techniques. Self-leveling and dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. Fast Medium/Fixer: Is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. Slow Medium: Atelier Slow Medium slows down the drying time when added to Atelier Interactive Acrylic paint. You can thin the viscosity of your Interactive paint while also giving yourself more time to work. Ideal for larger paintings. It tacks up quickly, but it can easily be brought back to a more fluid stage by spraying it with water. Thick Slow Medium: has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small amounts. Just add to your palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. Heavy Gel Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. *Note that the Heavy Gel Gloss uses conventional fast-drying technology, but it can take quite some time to dry when they are applied thickly. Clear Painting Medium: is one of the most popular mediums in acrylic painting. It is used with the paint to dilute the viscosity and blend colors without losing pigment intensity. This mid-viscosity medium allows the paint to spread over a surface for more blendable gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. See More -
Jo Sonja Matte Acrylic - Burnished Copper, 8oz BottleSave Up to38%Off list
Starting At: 3.39
Red Flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish Chroma's Jo Sonja's highly pigmented matte acrylics dry to a beautiful velvet matte finish and provide superb brush handling characteristics. Unlike gouache, the acrylic color is water-resistant and will not chip or crack when cured. Jo Sonja Matte Acrylic colors will remain vibrant for generations because they contain ASTM lightfast pigments. Formulated for application on any surface or use in combination with Jo Sonja's Mediums and Background Colours. The exciting range of Jo Sonja mediums allows the paints to be used on virtually any surface from paper and cards to canvas, wood, glass, ceramics, fabrics, and more! All products in the range are compatible and cleans up with mild soap and cold water. Jo Sonja Artists’ Acrylic Colors are flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish associated with traditional gouache plus superb handling and brushing characteristics. Unlike gouache, they are water-resistant and will not chip or crack when cured. Suitable for most surfaces, including paper, paper-mache, cards, canvas, wood, fabric, tin, terracotta, glass, and tile. Key Features: * Vibrant lightfast colors * Dries velvety matte * Water-resistant once dry * Will not chip or crack once cured * ASTM lightfast pigments * Superb brush handling characteristics * Clean up with mild soap and cold water * Metallic, pearlescent, and iridescent colors Perfect For: * Use on paper, cards, canvas, wood, glass * Paper mache, fabric, tin, terracotta, and tile * Mixed media applications * Artists of any skill level * Good matte finish * Good adhesion * Great for creating precise detail * Use with Jo Sonja mediums * Limitless techniques See More -
Creative Inspirations 12"x16" Stretched Canvas 5/8" Deep - Box of 50Save Up to73%Off list
Starting At: 3.99
White Super Value Stretched Canvas Packs of 5 and 50 High quality low cost stretched canvas for quick studies or serious paintings with acrylic colors, oil colors, water mixable oil colors, casein color, alkyd color or mixed media. High quality raw materials include all pine stretcher frame, high quality cotton duck canvas and archival acid-free all media primer. Canvas is stretched onto the back of stretcher frame using rust proof staples providing a clean paint-able edge. Available in a wide variety of sizes including squares! Modern manufacturing techniques and scientifically proven quality priming assures the very best in its price class. High quality low cost stretched canvas - Complete range of sizes including squares. Unprimed weight is 25% more than lesser canvases Key Features: * Low cost, high quality stretched cotton canvas * High quality cotton duck canvas * All pine, slim 5/8" profile stretcher frame * Archival acid-free all media primer * Universally 10oz double-primed to accept all popular artist paints * Unprimed weight is 25% more than lesser canvases. You get the best of the grade for less! * Provides good brush response while painting * Paintable edges, rust-free-staples on the back of the stretcher frame * Available in: All sizes, even squares! Perfect For: * Beginning artists* Artists* Teachers and classrooms* Art businesses* Painting parties and workshops* Professional studies and practice * Testimonial & Reviews - Awesome Canvases! "I purchase hundreds of canvases for my business. A paint and sip art and educational studio in Coon Rapids, Mn. These are so far the best quality and are a great value. Plus shipping is fast and easy." Save over 20% More When you purchase the Bulk Boxes of 50 - Get a better quality artist grade canvas for your business--> See More -
Winsor & Newton Oil & Acrylic 108 lb 12x16 Pad 10-SheetsSave Up to41%Off list
Starting At: 9.69
White Formulated to withstand thick, layered paint applications Winsor & Newton Oil And Acrylic Pads contain 10-sheets of fine-grain canvas textured paper ready for oil or acrylic paints. The textured paper is formulated to withstand thick, layered paint applications without any priming or preparation. Winsor & Newton designed the Oil and Acrylic paper with the right degree of absorbency while also preventing oil from sinking through the paper. The portable gum-bound pads are popular for sketching outdoors and in the studio. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * Canvas textured paper * 108lb, 230gsm Weight * Gummed binding * No need to prime paper * Paint will not soak through * Ideal absorbency for oil applications * Acid-free and resistant to aging Perfect For: * Oil, acrylic, and oil pastel * Thick paint applications * Sketching outdoors and in the studio * Rendering and high color luminosity * Practicing techniques with oils and acrylics * Artists who prefer using paper to canvas See More -
SoHo Acrylic Canvas Paper Pad, 12"x16" - 20 Sheets, 110lbSave Up to57%Off list
Starting At: 2.64
White Create art wherever you are on canvas textured paper! The SoHo Acrylic Canvas Paper Pads are the perfect companion for any acrylic painter. The coated paper has an imprinted texture that mimics canvas. You don't need to worry about surface prep or gesso because the canvas paper is ready for acrylic paint! The lightweight pad format enables you to create spontaneous pieces wherever you are. Each glue-bound pad contains twenty sheets of 110 lb. (180gsm) canvas textured paper ready for practice sketches or finished paintings. A very beefy sheet with a beautiful surface texture that mimics the texture of the finest linen canvas perfect for any acrylic artist! Key Features: * 110 lb. (180gsm) canvas paper * Acid-free * 20 sheets per pad, glue-bound * Cover: 128gsm cardstock * Backing: 1.5mm grey board with matte lamination * Available in sizes 6x6", 6x12", 8x8", 9x12", 12x16", and 16x20" * Perfect For: * Acrylic paint * Acrylic mixed media work * Finished paintings * Spontaneous creativity * Travel * Plein air painting * Urban sketching See More -
Paramount Primed Black 12" x 16" Canvas Pad, 10 SheetsSave Up to54%Off list
Starting At: 5.49
Black Black All-Media Primed Cotton Canvas! Paramount Black Cotton Canvas Pads and Rolls are made with quality materials for professional results. The 100% cotton canvas has a medium texture with the right amount of tooth for oils, acrylics, and alkyds. Painting on a black background allows you to unleash new possibilities as an artist. Bright, opaque colors pop and stand out against the black gesso. Paramount Black Cotton Canvas Pads are easy to travel with and are perfect for classes, workshops, and Plein Aire studies. Once your work is dry, you can stretch the canvas over stretcher bars, mount it for display, or frame it under glass. Canvas Pads are naturally portable and allow you to paint anywhere! Key Features: * Unbleached 100% cotton canvas * Double-primed with black acrylic gesso * 5.31 oz unprimed canvas weight * 10.62 oz double primed weight * Acid-free black acrylic primer * Medium-tooth surface * Holds up well against thick applications of paint * Available rolls or canvas pads * 10 canvas sheets per pad * Glue bound with flip-over style cover Perfect For: * Working with acrylics, oils, and alkyds * Fine art, mixed media, tole painting, and more! * Creating contrast in your composition * Intense color palettes and fluorescent art * A moody, dramatic portrait or still life * Making light colors stand out against muted darker colors * Emphasizing lights and darks in artwork See More -
SoHo Watercolor Spiral Pad 12"x16", 140 lb. (12 Sheets)Save Up to54%Off list
Starting At: 4.99
White 25% Cotton Paper For Watercolorists And Illustrators SoHo Watercolor Paper is a reliable choice whether you're a student or a seasoned artist. The 140 lb. cold press paper is a 25% cotton and 75% lignin-free cellulose blend, both internally and externally sized for optimal absorbency. The longer cotton fibers add strength and absorbency to the shorter cellulose fibers, ultimately creating a paper that ranks above other student-grade watercolor papers. Each sheet is machine-made and has a balanced grain that softens evenly when wet, making it an ideal surface for watercolor and gouache. SoHo Blocks and Pads are available in various sizes, with 20 sheets per block and 12 sheets per pad. Responsibly Made With Sustainable Resources! The cellulose used to create SoHo Watercolor Paper is responsibly sourced from FSC-certified forests, and the pulp is bleached with chlorine dioxide instead of elemental chlorine gas. Thus, making SoHo Watercolor Paper a sustainable choice for the planet and your artwork. Key Features: * 140 lb. cold press texture * 25% cotton, 75% cellulose * Machine-made for consistency * Acid-free and lignin-free * Sized internally and externally * Elemental chlorine-free (ECF) * Sourced from FSC-certified forests Perfect For: * Watercolor and gouache * Acrylic and ink * Charcoal and graphite * Plein air painting and travel * Fine students and artists See More -
Paramount 12x16" Cotton Canvas Pad, 10 SheetsSave Up to52%Off list
Starting At: 2.85
White Premium Quality Artists' Acrylic Primed Cotton Canvas Pads! Paramount cotton canvas pads by Creative Mark feature high-quality, 100% cotton canvas that is double-primed with a rich white titanium priming. The acid-free rich white surface has a medium texture to create excellent contrast and good adhesion with most media including oils, acrylics, caseins, and alkyds! Paramount cotton canvas pads are suitable for artists of all skill levels. The primer is acid-free and the surface has just the right tooth to accept paint and allow for building up texture and vigorous working. A great product for painting with different types of media, the sheets can be stretched or mounted on rigid supports to create a Plein air surface. 11 oz double primed 100% pure unbleached cotton canvas 10 sheet pads for oil, acrylic, and alkyd paints Key Features: * 10 sheets per pad * Good for oil, acrylic, and alkyd paints * 7oz weight unprimed * 11oz weight acid-free double primed * Unbleached 100% cotton canvas * Double-primed with acid-free titanium white acrylic primer * Medium-tooth surface * Glue bound pads have flip-over covers that make it easy to work in the pad Perfect For: * Oil, alkyds, and acrylic paints * Artists seeking quality surface * The best outcome & final works of art * Building up texture and vigorous working * Heavy textural buildups with less sagging * See More -
Pro-Tones Toned Canvas Pad - 12"x16" Assorted Colors, 12 SheetsSave Up to46%Off list
Starting At: 7.09
Assorted Colors Toned canvas sheets available in calm, non-reflective colors! Pro-tones cotton canvas Pad sheets are triple-primed in non-reflective colors. Each sheet is primed with an isolation layer and three coats of acrylic gesso. There are four popular tones to choose from Seafoam, Sahara, Dune, and Studio Grey. These tones allow you to see paint colors more accurately when working inside or en Plein air, because they create a soft, forgiving background, unlike white canvas. PRO-tones Canvas Pads are easy to travel with because they are lightweight and portable. Their portability and neutral tone make PRO-tones Canvas Pads great for quick studies and intimate portraits. Key Features: * Acrylic primed canvas pads * Available in Studio Grey or assorted colors* 10 or 12 sheet pads * Professional grade 11oz weight * Made of durable 100% cotton canvas * Soft non-reflective colors * Acid-Free for archival-grade quality Perfect For: * Use en Plein air or indoors * Acrylics, oils, gouache, and pastels * Painting on a neutral background * Practice and quick studies * Fully-rendered professional artwork See More -
Yes! All Media Cotton Canvas Pad 12"x16", 10 SheetsSave Up to54%Off list
Starting At: 10.69
White If It's Wet It Goes On Yes! A Canvas That Accepts Every Wet Media Lightweight and versatile for travel and outdoor painting in gouache, acrylic or watermixable oils. Taped to a board, the smooth, thin canvas has just enough texture to absorb paint and can be mounted later. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. A Canvas That Accepts Every Wet Media - Patented priming accepts all media Key Features:* Wet Media Canvas Pad (10 Sheets)* 11oz weight 100% unbleached cotton canvas* Patented priming accepts all media* Triple-primed with acid free special wet media primer* Portrait smooth fine weave surface* 10 sheet canvas pads can be used for inkjet printing* Perfect For:* watercolors, oils, acrylics, markers, shellac and acrylic-based inks, airbrush colors & alkyds* Heavy body to acrylic based inks to airbrush colors* You can easily draw on it* Paint on it with any media* Great for making color charts* Class projects and studies for large scale works The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can easily draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface you can draw right into your watercolor without feathering or smudging or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with permanent marker and use the lines to form a resist for your watercolors. This is very similar to resists used for silk painting. It is quite amazing and interesting. For traditional watercolor painting the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - We don't know where art will lead you but you may want to start off playing with watercolors and gouache reworking or even removing areas then fine tuning and finally finishing off the top layers with permanent acrylics. Of course you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors.Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More -
Practica Black Stretched Cotton Canvas 12"x16" - Pack of 2Save Up to81%Off list
Starting At: 5.99
Black Black stretched canvas primed with an all media and acid-free Black acrylic primer Traditionally, Practica Stretched Canvases have been the ideal mid-range product between students' canvas panels and professional artists' stretched canvas. This standard holds true with Practica Black; Practica's new alternative in stretched canvas art! Practica Black Canvas is the new benchmark for artists who want to eliminate the step of painting their white canvases with black primer. This latest variation of the 100% cotton duck canvas comes primed with an all media and acid-free Black acrylic primer. Practica Black canvases are still stretched around a slim, wood stretcher frame and still feature a 5/8" depth. Any completed art can be finished and hung as is or framed for a professional presentation. Black primed canvases are generally preferred for Tole art, art with deep color palettes, mixed media and black-light art. The black canvas is also perfect for making light colors stand out against muted darker colors which allow the artist to really emphasize lights and darks in their artwork. However, this time-saving product is receptive to all artists' ingenuity, and works beautifully with acrylics, oils, alkyds and more! 25% Heavier Unprimed! Best Exceptional Value Sold Worldwide! Works beautifully with acrylics, oils, alkyds and more Key Features: * Stretched 100% cotton canvas* Finished with All media, acid-free Black acrylic primer* 5/8" Depth, back-stapled* 5oz Unprimed Weight (25% heavier than the typical 4oz)* 10oz Primed Weight* Made from true 100% cotton duck canvas* Sold in 2-packs or boxes of ten 2-packs (20 canvases total)* 16x20in Box of 100 for an Amazing Price! Perfect For: * Works beautifully with acrylics, oils, alkyds and more* Artists seeking creative variation* An inexpensive alternative to canvas panels* Practice and sketch work* Tole painting, mixed media, fine art & more!* Making light colors stand out against muted darker colors * Mixed media and black-light art* Emphasizing lights and darks in artwork* Accepts acrylics, oils and alkyds Because Practica Makes Perfect!™ See More -
NY Central Watercolor Block 140lb Hot Press - 12" x 16" (20 Sheets)Save Up to75%Off list
Starting At: 7.29
White Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s 100% Cotton Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. New York Central Watercolor Blocks are available in a range of unique sizes, and come in 140lb and 300lb weights. The rigid backing board supports the paper and makes plein air painting simple. All four sides of the block are glued to prevent the top sheet from curling and buckling as you paint. There is no need to stretch the paper before using it! New York Central Watercolor Blocks are ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Bright white 140lb and 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Seven block sizes * Available in cold and hot press * Sizing preserves the luster and transparency of watercolors * Blocks eliminate the need to stretch paper * Superior surface stability * Made on a cylinder mould * Holds up to scrubbing and erasing Perfect For: * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Scrubbing and color lift techniques * Professional watercolorists * Simplifying the painting process * Keeping paper perfectly flat * For traveling or painting on the go Please note: The bottom edge of each block has a one-inch section that is not glued. Insert a clean palette knife between the sheets in this section to separate the top sheet from the rest of the block. Gently slide the knife around all four edges until the top sheet is separated. See More -
Fabriano Artistico Watercolor Block - 12"x16" Vegan Extra White, 140lb Hot Press (20 Sheets)Save Up to50%Off list
Starting At: 17.23
White Master Quality Watercolor Papers That Will Stand The Test Of Time Fabriano Artistico Enhanced Watercolor Blocks now feature improved color lifting capabilities, increased surface resistance, and a vegan-friendly sizing! The paper is mold made of 100% cotton that is chlorine and acid-free, guaranteeing long conservation and stability over time. The paper is sized both internally and externally, making it ideally absorbent. Available in cold or hot press surfaces, the brilliant extra white paper is not bleached and is watermarked “FABRIANO+ARTISTICO” on the short side. Fabriano Artistico Enhanced Watercolor blocks are glued on all four sides and are high-quality watercolor papers to satisfy the demanding requirements of all professional artists. Made In Italy. The paper is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, and drawing. Key Features:* Extra White or Traditional White Paper Blocks* 100% cotton* 140lb / (300 gsm)* Chlorine-free, Acid-free* No bleach or optical brighteners* Mold-made in Italy* Watermarked* External and internal sizing* No animal by-products used in sizing* Guaranteeing long conservation and inalterability over time* Glued on all four sides* Perfect For:* Artists that want the best* Professional watercolorists* Watercolor, tempera, gouache* Acrylic, ink, charcoal, graphite, and drawing * Suitable for printmaking* All water media!* An endless array of techniques Fabriano Artistico uses cotton balls instead of stretched and beaten cotton fibers, as in other brands, for consistent and even water absorption across the surface. This construction also provides a more robust and durable surface that can take a lot of punishment, whether it be scrubbing, erasing, or any other standard watercolor technique. No animal by-products are used in the sizing. The internal and external sizing produces a more consistent, non-yellowing, non-smelling, more resilient non-scuffing surface with no blotchy spots. The paper also has an overall superior color-lifting response due to the sizing used. See More -
SoHo Select Stretched Watercolor Paper 5/8" Deep 140lb Hot Press 12"x16"Save Up to55%Off list
Starting At: 3.59
White It's Not Canvas, It's Stretched Cotton Watercolor Paper! SoHo Select Stretched 100% Cotton Watercolor Paper offers an exciting new way to display artwork on paper. The strong, durable paper is stapled to a wooden stretcher frame, just like a traditional canvas. Internal and external sizing prevents over-absorption and helps vibrant colors stand out on the surface. The grain of the paper softens when wet and tightens as it dries on the frame. Mixed media effects can be achieved by allowing wet media to dry before adding each layer. Best of all, the stretcher frame makes it easy to showcase your art without worrying about matting and framing. However, any ready-made frame (with or without glass) can also be used to enhance your artwork even more. You could even use a floater frame with your watercolor art! Key Features: * 140 lb. (300 gsm) Hot Press * Acid-free, 100% cotton watercolor paper * 5/8" stretcher frame depth * Back stapled construction * Internally and externally sized * Tightens on the frame as it dries * Versatile paper for a variety of media Perfect For: * Watercolor, acrylic, colored pencil, and charcoal * Dry media, pen & ink, and more * Mixed media collage * Artists of all skill levels * Saving money on framing * Painting parties and workshops Artist Tip: Use watercolor fixative on top of dried layers to keep them from re-wetting. If no glass is used for framing, you may want to protect your watercolor artwork with a varnish. See More -
Magnani Portofino Watercolor Block 300lb Hot Press - 12" x 16"Save Up to40%Off list
Starting At: 8.40
White Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More -
Practica Stretched Cotton Canvas 12"x16" (Pack of 2)Save Up to84%Off list
Starting At: 2.49
White BEST SELLER! Genuine Stretched Canvas At A Canvas Panel Price! A better stretched canvas for less "Because Practica, Makes Perfect!" Practica® Canvas is the ideal middle point between students' canvas panels and artists' stretched canvas! Intended as a low-cost alternative to panels, Practica® Canvas is designed to give newer artists the experience and brush response of painting on a stretched canvas surface or even testing new media and sketching out ideas. Made from true cotton duck canvas with acid-free acrylic primer, Practica canvas is stretched around a slim-profile stretcher frame and stapled onto the back for clean, paintable edges. Practica® canvas features a 5/8" depth. Sold in boxes of ten packs of two canvases (for 20 canvases total), Practica® canvas is available for as little as less than two dollars per canvas. As such, these economical canvases are the perfect choice for students and for quick studies, and since Practica® is a true stretched canvas, any completed art can be finished and hung as is or framed for a professional presentation. Sold in 2 & 4 packs and boxes of 20 25% Heavier Unprimed! Best Exceptional Value Sold Worldwide! Because Practica Makes Perfect! Key Features:* Genuine stretched cotton canvas* Acid free acrylic primer* 5oz Unprimed Weight (25% heavier than the typical 4oz)* 10oz Primed Weight* 5/8" Depth, back-stapled* Made from true cotton duck canvas* Exceptional value for the price* Sold as 20 canvases to a box* Sold as Super Value Packs of 2 & 4 Perfect For:* Practice work and sketches* Low-cost alternative to canvas panels* The feel of professional surfaces* Beginners, students, & quick studies* An amazing quality canvas for the price!* Because Practica Makes Perfect!™ A Better Canvas at A Much Better Value Testimonial & Reviews" These are great! We ordered 100 for a large, whole-program fundraising project, and they were perfect for what we needed: nice quality, and durable enough to hold up to lots of handling during the painting process... and inexpensive! We used acrylics and some collage materials on the canvas, with great results.." See More -
Panelli Telati 12x16" Canvas Mounted Panel, Pack of 4Save Up to42%Off list
Starting At: 13.07
White 100% Cotton, Acid-Free! Crafted For All Types Of Media! The durable Pannellli Telati Boards from are crafted for all media types and feature a uniform texture and pleasing tooth. Each 100% cotton acid-free canvas is mounted on a non-directional 3.2mm thick composite board that allows you to build up layers of paint. Much loved for their lightness and versatility, Pannellli Telati Boards are one of the preferred supports for painting by oil and acrylic artists. Key Features: * 3.2mm thick board * Acrylic primed gesso * 100% cotton, acid-free canvas * Low cost, high quality stretched cotton canvas * Non-directional hardboard core * Pleasing tooth and uniform texture * Archivally stabile * Sold in 4 Packs Perfect For: * Acrylics, oils, alkyds, and all types of media * Collage and mixed media * Impasto painting * Building up heavy compositions * Traveling, on the go * Plein air painters "The finish is fine enough and the cotton has a fine weave so it doesn't catch my knife, but still has just enough eggshell surface and is not slick. I am totally satisfied and that is really saying something. Please don't ever stop carrying this product." See More -
Strathmore 300 Series All Media Artist Stretched Cotton Canvas 12"x16", 3/4" DeepSave Up to49%Off list
Starting At: 8.75
White Triple-Primed 100% Cotton Canvas 3/4" & 1-3/8" profiles Professional artists and amateurs can appreciate the exceptional quality of Strathmore's 300 Series Stretched Canvases. The robust 100% cotton Strathmore 300 Series stretched canvas has a medium-grain texture, allowing it to withstand even heavy impasto applications of acrylic or oil paint. Each canvas comes prepped for immediate use and boasts a solid pine stretcher frame in a traditional 3/4" or gallery 1-3/8" profile. Key Features:* Linen Texture, Triple-primed* 12oz.(410gsm) weight* 100% cotton canvas* 3/4" - Traditional Profile* 1-3/8" - Gallery Profile* Medium grain linen surface texture* Acid free* Back-stapled* Solid pine frame* Ready-to-use surface Perfect For:* Heavy applications* Acrylic, oil, or water-mixable oil* Impasto applications * Mixed media work* Collages* Painters of all levels See More -
Ampersand Value Series Unprimed Basswood Panel 7/8" Cradle 12x16"Save Up to49%Off list
Starting At: 5.86
Natural Smooth, absorbent, uncoated panel used with a variety of media The Ampersand value series artist wood panel is an unprimed basswood that is smooth, absorbent, uncoated panel that is free from plywood seams, knots, or troublesome raised fibers. Unprimed Basswood can be used with a variety of media. With the exception of encaustics and pyrography, it is strongly recommended to seal and prime all unprimed panels before use. Basswood is a premium, select wood that outperforms the commonly used birch plywood in many ways. It is inherently smoother with a tight wood grain and no raised fibers, making it easier to gesso and paint on. The strong 4mm premium basswood surface is perfect for priming and painting, encaustic, mixed media, collage, wood burning, and heavy paint applications. Ready to Customize - Ampersand Value Series Unprimed Wood Panels are ideal for artists that prefer a quality surface to seal and prime with a ground of their choice. Key Features:* 4mm Premium basswood surface* Stronger and better than birch* Smooth, absorbent, uncoated panel* 7/8" or 1-1/2" deep High-density, solid wood cradles* Super smooth; no excessive grain* Durable, stable & long-lasting* Sanded perfectly smooth* FREE of knots, seams and excess wood grain* Cradle is crafted from solid pine that can be finished with paint or stain Perfect For:* Priming with gesso, oil ground & more* Can be used with a variety of media* Artwork in virtually any media* An ultra-smooth surface ideal for detail work, yet sturdy enough to withstand thick layers* Support to protect your art and prevent warping* Encaustic, Wood burning* Once sealed and primed, the surface is perfect for mixed media, collage, and heavy paint applications like pouring Please Note: To ensure archival longevity, all unprimed wood panels should be sealed and primed before use. Learn more in this blog post on How to Seal and Prime Ampersand Wood Panels. See More
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