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Sakura 3-D Glaze Pen, Deep Green - Box of 12Save Up to25%Off listGreen 3-D transparent gel ink pens for all crafting projects! Gelly Roll Glaze pens by Sakura contain transparent, pigmented gel ink that writes in 3-D and is perfect for just about any craft application! Ink that writes in 3D, Glaze gel pens are ideal for creating stained glass effects, and write smoothly on paper, ceramics, glass, metal, and more — great for decorating ornaments or even electronics!. A rainbow of colors for all your projects needing a 3 dimensional touch! These pens can be used on just about anything: light colored papers and cards, plastic, glass, ceramic, metal, and are great for decorating holiday ornaments and even personalizing electronics! The 3-D ink flows thickly and should be allowed to dry; therefore it is more suited for artistic and craft projects than for extended writing, and it creates an effect similar to heat embossing without the mess and risk! Glaze pens have 0.8mm roller ball nibs that create a bold 0.7mm raised line of delicate ink perfect for all craft and decorative projects from votive art to batik effects and everything in between! * Non-toxic pigmented gel ink writes in 3-D!* Transparent pigmented gel ink* Non-toxic and water resistant* Writes in 3-D!* Perfect for stained glass effects * Writes on paper, ceramics, glass, metal and more!* Use on light colored paper, plastic, ceramic, glass, metal and more! * Transparent ink is great for stained glass effects* Thick ink flow dries in about 45-60 seconds* Perfect for virtually any craft or artistic project! See More
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Sakura Soufflé Light Green Pen, 3-D Ink, Box of 12Save Up to25%Off listGreen Pastel, opaque 3-D ink for tactile crafts and more! Sakura have expanded their popular Gelly Roll line to include these innovative pens for 3 dimensional applications: writing you can feel, names Souffle Pens. Using pigmented, gel derivative ink that is non-toxic and waterproof on most surfaces, pastel Souffle pens are opaque for vibrant effects on dark backgrounds. Soufflé pens are ideal for bright effects on dark backgrounds, and write smoothly on metal, paper, ceramics, glass, and more — great for decorating ornaments or even electronics! These pens can be used on just about anything: papers and cards, plastic, glass, ceramic, metal, and are great for decorating holiday ornaments and even personalizing electronics! The 3-D ink flows thickly and should be allowed to dry; therefore it is more suited for artistic and craft projects than for extended writing, and it creates an effect similar to heat embossing without the mess and risk! Souffle pens have 0.8mm roller ball nibs that create a bold 0.7mm raised line of delicate ink perfect for all craft and decorative projects from line borders to glass art and everything in between!* Pastel, opaque pigmented gel ink* Non-toxic pigmented gel ink writes in 3-D!3-D Ink! 0.8mm roller ball nibs that create a bold 0.7mm raised line* * Use on paper, plastic, ceramic, glass, metal and more!* Opaque inks "pop" on dark or black backgrounds* Thick ink flow dries in about 45-60 seconds* Perfect for virtually any craft or artistic project!* Writes on paper, ceramics, glass, metal and more! * Available in boxes of 12 individual colors, or sets assorted colors* Note: Not recommended for use on fabrics that will be washed, or on articles intended for food use. Three dimensional (3-D) ink leaves a raised ink line for writing you can feel. Soufflé pens color on plastic, coated paper, acetate, vellum and glass. One-of-a-kind, 3-D Soufflé ink comes in soft pastels and white, all of which dramatically stand out on dark backgrounds. Gel Pen Cube (Set of 16)" This convenient set comes with all the Soufflé colors: 3 pens White, 2 each of Blue, Yellow and Purple, and 1 each of Orange, Light Orange, Pink, Light Green, Green, and Gray. A rainbow of colors for all your crafts needing a 3 dimensional touch! See More
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Pebeo Studio Acrylics Mediums - Bindex Dyna (Green), 100mlSave Up to25%Off listGreen Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More
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Liquitex Acrylic Additive 8 oz Silver Metallic MediumSave Up to40%Off listMetallic Designed to achieve various techniques, applications, special effects & pouring! Liquitex offers a variety of specialty products including Pouring Mediums, Fluid Mediums, Gel mediums, Texture Gels and Additives which have been specifically designed to achieve various techniques, applications and special effects. Fluid Effects Mediums:* Increase Flow * Dry transparent or translucent * Extend the volume of thin paint * Excellent archival adhesive for collage Gel Effects Mediums* Adds body * Increase ‘open’(working) time * Dry transparent or translucent * Extend the volume of paint * Hold brush or knife marks * Make an excellent archival adhesive for collage Liquitex offers a variety of specialty products which have been specifically designed to achieve various techniques, applications and special effects. Airbrush Medium - A liquid medium incorporating an acrylic polymer. Specifically formulated to thin acrylic colors for airbrush application. Can also be used when working a regular brush. Fabric Medium - A fluid medium incorporating an acrylic polymer with ultimate flexibility and adhesion. Enhances the workability of acrylic paint on fabric. Controls bleeding of colors thinned with water. Flow Aid - A binder-free aqueous solution with surfactants. Use in conjunction with any acrylic medium or acrylic color when increased flow and absorption and decreased film tension and friction are required. Iridescent Medium - A fluid medium incorporating an acrylic polymer with ultra-fine pearlescent mica pigment. Produces a range of iridescent or metallic colors when mixed into acrylic colors. LiquiThick Thickening Gel - A binder-free heavy body gel with high levels of gelling agents. Used in small amounts, produces handling characteristics very close to that of oil or encaustic paint. At higher concentrations, can thicken paint or acrylic mediums to "cake" or sculptural consistency. Pouring Medium - A fluid medium incorporating an acrylic polymer with high resin solids. Creates even puddles, poured sheets, and flowing applications of color. Slow-Dri Fluid Retarder - A binder-free fluid with slow drying agents. Increases 'open' (working) time of acrylic paint. Reduces paint skinning-over on palette. Increases blending time, making blending of colors and detail brushwork easier. Slow-Dri Gel Retarde - A binder-free gel with slow drying agents. Designed to be used with Liquitex Heavy Body Artist Color and Heavy Body mediums. Increases 'open' (working) time of acrylic paint. String Gel - A medium viscosity medium incorporating an acrylic polymer with a resinous, stringy consistency. Enhances depth of color and increases transparency and flow. Masking Fluid - Masking Fluid is a colorless, latex-based liquid that you can use to mask areas. Many artists use Liquitex Masking Fluid to block off sections of a painting and allow the surface to show through. Crackle Paste - You can use Liquitex Crackle Paste on its own or mix with acrylic color to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium - You can mix Liquitex Glass Medium with acrylic color to adhere paint on slick non-porous materials like glass. The medium dries to a high gloss, scratch-resistant finish once heat set. Gold Metallic Medium - With Liquitex Gold Metallic Medium, you can give acrylic paint a metallic gold effect or use it on its own to add gold surface highlights. Silver Metallic Medium - With Liquitex Silver Metallic Medium, you can give acrylic paint a metallic silver effect or use it on its own to add silver surface highlights. See More
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Gel Press 4" Economy Brayer, Blue/GreenSave Up to10%Off listGreen Entry-level hard rubber brayer The Gel Press® Economy Brayers are the perfect tool for rolling out color. You can use the hard synthetic roller with the Gel Press® Monoprinting or Impressables plates. Whether you're using the smooth roller as a burnisher or to roll out paint, it's going to help you achieve a successful print. When you're ready to clean up, you can snap the roller out of the handle and rinse it off in the sink. The affordable pricing makes this a great tool to have on hand for printmaking, and it's an excellent entry-level brayer. Key Features: * Durable hard roller * 4" and 6" roller size * Synthetic latex-free rubber * Roller snaps out for easy cleaning * Ergonomic ABS plastic handle reduces hand fatigue Perfect For: * Evenly rolling out paint and ink * Working with Gel Press® Plates * Monoprinting * Burnishing paper against a wet plate * Block printing * Gluing collage papers * Everyday studio use See More
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Akua Printmaking Medium 8oz Carborundum GelSave Up to10%Off listGrey Expand the creative possibilities of Akua Inks with Akua Mediums! These Akua Mediums are perfect for altering the creative properties of Akua Intaglio Inks and Akua Liquid Pigments. Whether you require a thinner or thicker consistency, a longer or shorter open time, or the ability to create "ghost prints", these mediums have you covered! Several of these mediums can be used with both Akua Intaglio Inks and Akua Liquid Pigments.* Blending Medium - It is used to thin ink for brushwork, wash effects or use it as a resist for viscosity monotypes. It is a clear, colorless liquid. It cleans up easily with water. This medium can be use with both Akua Liquid Pigments and Akua Intaglio Inks.* Extender - It is used to thin Akua Liquid Pigment if it has become too thick due to an extended open time. It is a thick liquid in consistency, and transparent in color. This medium can only be used with Akua Liquid Pigments.* Mag Mix (Ink Stiffener) - This medium was formerly called Mag Mix. When mixed with Akua Intaglio, this medium adds depth and stiffens the ink. It is clear/white in color with a very stiff consistency. Mag Mix cleans up easily with liquid dish detergent. This medium can only be used with Akua Intaglio Inks.* Pigment Retarder - This medium has two purposes. First, it helps transfer ink onto dry paper when a few drops are mixed into Akua Liquid Pigments. Secondly, it also extends the working time of Akua Liquid Pigments. It is a clear liquid, and cleans up easily with water. This medium can only be used with Akua Liquid Pigments.* Pigment Tack Thickener - This medium thickens Akua Liquid Pigment for heavier roll-up applications. It's consistency is not as thick as Transparent Base or Akua Intaglio ink. It is medium amber in color, has a thick consistency, and cleans up easily with soapy water. This medium can only be used with Akua Liquid Pigments.* Release Agent - This medium has three purposes. First, it is required to release Akua Liquid Pigment brushwork from plate to paper when hand-printing monotypes with the Pin Press. Second, it is used for making ghost prints. A ghost print is the second print from a monotype plate that has been inked only one time. It is a lighter version of the same image. By rolling Release Agent over the plate, it helps to transfer the remaining ink off the plate and onto another sheet of paper. Third, it helps soften the metallic ink so it can easily transfer off the plate and onto the paper. Roll Akua Release Agent over the metallic ink that was applied to the plate. It looks white in the jar but rolls up clear and colorless. It has a soft, buttery consistency and cleans up easily with liquid dish detergent. This medium can be used with Akua Intaglio Inks and Akua Liquid Pigments.* Transparent Base - This medium is Akua Intaglio Ink without the pigment. Adding Akua Liquid Pigment to Transparent Base will thicken Akua Liquid Pigment and create new intaglio or relief colors. Adding Akua Intaglio ink to this base will increase ink transparency. It is a light amber in color and has a thick consistency. This medium can be used with Akua Intaglio Inks and Akua Liquid Pigments. See More
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Gamblin Burnt Plate Oil #000 8oz BottleSave Up to40%Off listBrown True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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