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R&F Pigment Sticks Set of 6 - Translucent ColorsSave Up to28%Off listAssorted Colors Professional quality oil paints in stick form R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes, or solvents. Blending only finely milled pigments, natural wax (beeswax & plant wax), and alkali refined linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently, the formulas are complex, and manufacturing is labor intensive and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types and are colorless sticks that can be worked into a Pigment Stick color to increase transparency or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Works on any surface primed for traditional oils * Perfect For: * Use with traditional oils and encaustic paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Thinning with solvents and oil mediums See More
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Box of 12 Sakura Pigma Brush Pen Brush Tip - BlackSave Up to26%Off listBlack An archival expression that will last a lifetime! Permanent Archival Pigma Ink Sakura Pigma Micron pens have set the standard for technical pens for over 25 years. Available in a wide array of sizes, styles, and colors, Pigma Micron technical pens are perfect for comics and manga artwork, illustration, graphic arts, journaling, scrapbooking, drawing, record keeping, and more! The pigmented, archival, non-toxic ink is water-resistant; you can even paint over it without losing the detail of your line on delicate papers. Pigma ink is obtained from a single pigment to ensure color uniformity and is resistant to sunlight and UV light damage. Pigma pens are sure to delight you with their versatility and durability: archival ink for all your artistic expression! Key Features: * Non-toxic * Permanent Archival Pigma ink * Waterproof & chemical resistant * Fade-resistant & lightfast * Will not smear or feather when dry * Does not bleed through most papers * Sturdy plastic barrels with steel shafts & pocket clips * Nibs will not damage paper * Six fine line point sizes * Rich black ink & colors are available * For set, information click on the yellow circle technote icon Perfect For: * Manga artwork * Illustration & graphic arts * Calligraphers * Journals, scrapbooks, sketchbooks * Drawing & record keeping * Lab notebook & logbook documentation * Labeling scientific specimens * Curators, archivists, & artists * Personal historians * Sakura Pigma Micron Inks Brochure 100th Anniversary, Black, Set of 10 - To celebrate their 100th Anniversary, Sakura has created this limited edition set of their most popular product, the Pigma Micron Pen. This package of 10 pens features Micron Pens with Black ink in sizes 003, 005, 01, 02, 03, 05, 08, 10, 12, and PN with commemorative black barrels and gold pen clips. Set of 6, Assorted Colors, 005 - Contains six Micron size 005 (0.20 mm) pens, including Black, Red, Blue, Green, Brown, and Purple. Set of 6, Assorted Colors, 05 - Contains six Micron size 05 (0.45 mm) pens, including one each of Black, Red, Blue, Green, Brown, and Purple. Set of 16, Assorted Colors, 05 - Includes one each of Blue, Red, Green, Brown, Purple, Yellow, Orange, Rose, Sepia, Royal Blue, Burgundy, Hunter Green, Blue/Black, and Fresh Green, plus two Black. Set of 3, Black, Pigma Graphic Pens - Includes one each of 01 (0.25 mm), 03 (0.35 mm), and 05 (0.45 mm). Black ink. Set of 3, Black 08, 10, 12 - Includes one each of Black pens in sizes 08, 10, and 12. Set of 6, Black, Drawing Pens Assorted Tips - Includes one each of sizes 005, 01, 02, 03, 05, and 08. Set of 6, Black, Micron Pen Set - Includes one each of size 01 (0.25 mm), 03 (0.35 mm), 05 (0.45 mm), 08 (0.50 mm), 10 (0.60 mm), and 12 (0.70 mm) in Black ink. Set of 8, Black, Assorted Sizes - Includes one each of sizes 005, 01, 02, 03, 05, 08, Pigma Brush Marker, and Pigma Graphic pen size 10. Set of 10, Black, Assorted - Includes one each Pigma Micron in sizes 003 (0.15 mm) , 005 (0.20 mm), 01 (0.25 mm), 02 (0.30 mm), 03 (0.35 mm), 05 (0.45 mm), 08 (0.50 mm), 10 (0.60 mm), 12 (0.70 mm), and one Pigma PN (0.45 mm). Black ink. Set of 16, Black, Assorted - Includes one each Pigma Micron in sizes 003 (0.15 mm) , 005 (0.20 mm), 01 (0.25 mm), 02 (0.30 mm), 03 (0.35 mm), 05 (0.45 mm), 08 (0.50 mm), 10 (0.60 mm), 12 (0.70 mm), one each Pigma Graphic in sizes 1 mm, 2 mm, and 3 mm, two Pigma PN (0.45 mm) pens, and two Pigma Brush pens. Black ink. Set of 4, Sepia, Assorted Sizes - Includes one each of sizes 01, 05, and 1mm, and Brush Tip. Size 003 - Size 003 creates an extra-fine 0.15 mm line. The nib is extremely delicate and can be damaged by more than a light touch. Pressure beyond the weight of the pen may damage the nib and void the warranty. Light Toner Gray (Assorted Nibs) Set of 3 The three-piece set includes tip sizes: 01, 05, and 10 in Light Cool Gray (#42). Dark Neutral Gray (Assorted Nibs) Set of 3 The three-piece set includes tip sizes: 01, 05, and 10 in Dark Neutral Gray (#44). Set of 8, Gray, Pen Set Assorted Nibs The eight-piece set includes tip sizes: 01, 05, 10, and Brush (in the colors Light Cool Gray & Dark Neutral Gray). Set of 10, Gray, Pen Set Assorted Nibs The ten-piece set includes tip sizes: 01, 05, 10, and Brush (in Light Cool Gray & Dark Neutral Gray) plus 1 each: 05, 10 (Black). See More
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Sennelier Extra Fine Oil Stick Set of 6 Fluorescents & MetallicsSave Up to35%Off listFluorescent Made from pure, concentrated pigments, the finest safflower oil and high-quality mineral wax Sennelier Extra-Fine Artist Oil Sticks can be used alone or in combination with tube oil paints. Like regular oils, they can be diluted with turpentine and dry to a hard film. These creamy, lightfast sticks may be used for sketching or for producing complete works of art on any traditional oil paint surface. Sennelier Artists’ Oil Sticks allow you to approach oil painting in an entirely new and expressive manner. They extend the degree of spontaneity, allowing for greater freedom in approach and without the need for a brush. Please note that packaging may vary - same great oil painting stick, with a new label! Key Features: * 82 colors available * Series 1: 41 colors (labeled S1) * Series 2: 21 colors (labeled S2) * Series 3: 20 colors (labeled S3) * Made of pure pigment, safflower oil, and mineral wax * Excellent lightfastness ratings * Can be diluted with turpentine * Intermixable with oil paints and mediums Perfect For: * Oil painters * Use for quick sketching * Canvas, panels, boards * Working with texture effects * Painting complete works of art * Traditional and contemporary techniques Sennelier Oil Sticks are a combination of oil paint, with a small amount of the oil substituted with natural mineral wax enabling them to be produced in stick form. These sticks are produced from pure pigments and have the highest possible lightfast and permanence ratings. Oil sticks can also be fully intermixed with conventional oil colors and mediums. A special mineral wax gives the sticks a creamy consistency, which ensures the adhesion of the color on all commercial oil painting surfaces. These Sennelier Extra-Fine Oil Sticks contain selected vegetable oils to guarantee permanent protection against yellowing. Varnish can be applied to your work after 6 months, as with conventional oil paints. Before using these Sennelier Extra-Fine Oil Sticks, remove the fine protective film on the stick. This film will re-form in a few days if the stick is not used. Colors dry in 2-4 days, depending on the thickness of the paint layer and the ambient temperature. See More
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Daler-Rowney Georgian Oil Color 38ml Tube - French Ultramarine BlueSave Up to40%Off listBlue Artist quality oil colors at a much better value! "Buttery and vivid... These paints come alive!"-Thumper, Artist & Customer (Auburn, WA) Daler-Rowney’s Georgian Oil Colors are the product of over 200 years of fine craftsmanship from the company’s color factory in Bracknell, England. Named for the company’s founder, George Rowney, his passion for traditional milling techniques in the pursuit of classical and modern colors has translated into the satisfying experience for both brush and palette knife painting today. Georgian Oil Colors provide a high quality oil color at a uniform and economical price. They use lightfast and permanent pigments that are triple-milled for easy mixing and consistent brilliance across all colors. The precise measurements used for individual colors requires the perfect balance of oil content and high quality pigment, finely ground to release the full intensity of the color and to ensure complete dispersion. Their new and improved formula provides enhanced single pigment color brightness, which remain consistent from first application to final finish. The Georgian Oil Colors generally require very limited quantities of added mediums, which is perfect for using freely straight from the tubes. Students and professional artists alike will feel they have found a workhorse, both for their studios and for plein air painting. Key Features:* 54 brilliant colors available* High lightfast ratings and highly permanent* 24 single pigments, 31 opaque or semi-opaque colors* Improved color strength (color reduction 5:1; mix of 5 part of white and 1 part of the color to show the effect/ result)* Improved consistency of drying from 4-5 days to 2-5 days* All colors are rated as Permanent**** or Normally Permanent*** Perfect For:* Student to professional works * Classrooms and workshops * Large scale projects * Artists in search of an unbeatable value * Daler-Rowney Georgian Oil Color Selection Set of 10 - The Perfect Set For The New Oil Artist! This set includes ten popular colors in generous 38ml tubes Ten 38ml Colors include: Titanium White, Lemon Yellow, Cadmium Red Hue, Alizarin Crismon, French Ultramarine, Viridian Hue, Yellow Ochre, Burnt Sienna, Raw Umber, and Ivory Black See More
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Nitram Fine Art Charcoal - Petits Bâtons Pack of 5, 6mmSave Up to30%Off listRich, Black Charcoal For Drawing! Nitram has long been the expert in making rich black charcoal for discerning artists. The charcoal comes in sticks, batons, powders, liquids, and watercolor pans. These different types of charcoal allow you to create expressive drawings and paintings. Nitram… Rich, Black Charcoal For Drawing! Nitram has long been the expert in making rich black charcoal for discerning artists. The charcoal comes in sticks, batons, powders, liquids, and watercolor pans. These different types of charcoal allow you to create expressive drawings and paintings. Nitram charcoal is less likely to break. The wood used to make it is carefully processed to preserve the cell structure. This unique production method keeps the charcoal strong and resistant to breakage. It doesn't crumble or skip when used expressively or under pressure. The baton mignoettes holder is a great way to hold and use Nitram charcoal. Nitram's Sharpening Bloc is for artists that like their drawing tools sharpened. Use it to give your charcoal sticks a fine point! Key Features: * Several sizes and formats are available * Available in different hardnesses * Charcoal is resistant to breaking * Draw with or without a charcoal holder * Sharpener available with refill pads Perfect For: * Drawing and sketching * Painting with charcoal * Creating brilliantly dark lines * Shading and drawing shadows See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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